THE GODDESS ORACLE
by Amy Sophia Marashinsky&Hrana Janto
ABOUT THE AUTHORS
AMY SOPHIA MARASHINSKY is a writer, director, theatre producer and spiritual counseller who began her interest in mythology&fairy tales when she was just ten. Her other books and oracle card decks include Mermaid Magic and Oracle of the Grail Code: Restauration of the Feminine. She has worked in New York, Japan and she currently resides in Western, MA, US.
Find out more about her on her website: http://www.amysophia.com
HRANA JANTO is an artist oriented at fantasy, history and mythology. She has provided images for television, book covers, goddess calendars, magazines and has exibited her work throughout the United States; she also paints portraits and do private commissions. She lives in New York.
Find out more about her on her website: http://www.hranajanto.com
The choice of goddesses to this deck is definitely very good, you will find here not only European and Asian deities but also the African and American ones. It also has to be said that the attention is paid to all the cultures so there is no overrepresentation of any in particular (in other decks I have noticed domination of Celtic or Egyptian goddesses). It was also a good idea to include goddesses which may seem ‘exotic’ to an average user; in the deck you will come across not only Isis, Athena, Freyja or Lakshmi, but also Gyhldeptis, Pachamama, Sheila Na Gig or Vila. Authors ‘have done the homework’ in the field of psychology, psychoanalisys and modern interpretations of ancient myths which can be clearly seen in the choice of some cards such as Baba Yaga (who is considered to be Goddess Mother by my favourite Dr Clarissa Pinkola Estés, she claims that when Christian beliefs were introduced Baba Yaga was condemned as a dangerous witch and pushed away into the subconsciousnes) or Eurynome (who is de facto the main heroine of the Pelasgian creation myth quoted in the Greek Myths by Robert Graves). I also find it very correct that ONLY REAL GODDESSES are included in this deck and authors did not attach such cards as the one of Mary.
Another advantage is the book added to the set which indeed faciliates working with cards. It can be noticed at the first glance because it is much bigger than standard booklets added to similar decks. The content is a real encouragement to do self-work, ask yourself questions and make some effort. It is not a typical ‘comforting deck’ just as many other oracle cards. I do not always agree with the author but I support her focus on psychology and overcoming problems thanks to our own strength. You will also find invocations and ritual to each goddess apart from the myths and divinationary meanings. Another helpful thing is the name of each card (eg. Amaterasu – Beauty, Aphrodite – Love), it helps to connect and memorise them.
Images of deities are consistent with ancient archetypes and heroines are depicted with their typical animals, plants, symbols, objects and themes. I think that the diversity in showing goddesses is surely appreciated by many users of this deck. Deities are presented in a various ways depending on their origins and the features their worshippers attributed to them: they have different skin and hair colours, types of body, age etc. Authors are not afraid to present them nude if it is adequate to their nature. I consider it to be a big advantage of this deck because I have seen the ones where nudity is persistently covered. Perhaps it is due to the times we live in and we are between a rock and a hard place: on one hand we are tempted by all the forms of pornography and on the other in our culture&mentality all the matters associated with body, nudity and sex remain a taboo. Sometimes I get this impression that it was easier to show naked body in ancient Hellas than in contemporary America where it is an offense to morality for a woman to show a breast (even if it is only to feed her child). I think it is also visible in the self censorship which art imposes on itself so I appreciate the authors of The Goddess Oracle even more for not following this hysteria.
Seeking for disadvantages I came to conclusion that some goddesses seem to be doubled when it comes to meaning such as eg. Yemanya and Oshun or Bast and Sekhmet. Personally I find the size of cards to be the greatest disadvantage; they are really big and thus difficult to shuffle. It would be much more comfortable to have them in smaller or even mini format.
a book containing introduction and information how to use the cards plus some example spreads
In a book each card is presented in the following way:
– name of a goddess
– name of a card
– a first person narrated poem representing the goddess
– mythological background
– divination meaning mainly containing qustions for self work
– ritual suggestion
The size of cards is 9,5 x 13 cm
Back sides of cards show Sybil, the legendary Roman clairvoyant who offered her chronicles to the rulers to reveal the future of the city
Athena (as Minerva)
The Goddesses Oracle © 2006 U.S. Games Systems, Inc.
Publisher: U.S. Games Systems, Inc.
ISBN: 1 – 57281 – 546 – 9
Lady of Beasts
Morgan le Faye
Sheila Na Gig