Babylonian and Assyrian goddess of love, fertility, sensuality, sexuality and war, Anu’s daughter, Ereshkigal’s sister and Tammuz’s lover. She represents two aspects of Venus: as the Morning Star she brings love and as the Evening Star she causes war. Similarly to Sumerian Inanna and Phoenician Astarte she is the Queen of Heaven and that’s what most likely her name means.
In most myths Ishtar was either the daughter of Anu, the god of heaven or Sin/Nanna, the god of the moon. Although she was very much attracted to men, her love brought them bad luck. When Ishtar wanted to seduce Gilgamesh, he rejected her saying that she was not faithful. It infuriated Ishtar so much that she complained about the hero to her father Anu and demanded punishment for him. Quoting the fragments of Tablet VI of Epic of Gilgamesh
He washed out his marred hair and cleaned up his equipment,
shaking out his locks down over his back,
throwing off his dirty clothes and putting on clean ones.
He wrapped himself in regal garments and fastened the sash.
When Gilgamesh placed his crown on his head,
a princess Ishtar raised her eyes to the beauty of Gilgamesh.
“Come along, Gilgamesh, be you my husband,
to me grant your lusciousness.’
Be you my husband, and I will be your wife.
I will have harnessed for you a chariot of lapis lazuli and gold,
with wheels of gold and ‘horns’ of electrum (…)
Gilgamesh addressed Princess Ishtar saying:
“What would I have to give you if I married you!
Do you need oil or garments for your body! Do you lack anything for food or drink!
I would gladly feed you food fit for a god,
I would gladly give you wine fit for a king (…)
Where are your bridegrooms that you keep forever’
Where is your ‘Little Shepherd’ bird that went up over you!
See here now, I will recite the list of your lovers (…)
You loved the Shepherd, the Master Herder,
who continually presented you with bread baked in embers,
and who daily slaughtered for you a kid.
Yet you struck him, and turned him into a wolf,
so his own shepherds now chase him
and his own dogs snap at his shins.
You loved Ishullanu, your father’s date gardener,
who continually brought you baskets of dates,
and brightened your table daily.
You raised your eyes to him, and you went to him:
‘Oh my Ishullanu, let us taste of your strength,
stretch out your hand to me, and touch our vulva.
Ishullanu said to you:
‘Me! What is it you want from me!
Has my mother not baked, and have I not eaten
that I should now eat food under contempt and curses
and that alfalfa grass should be my only cover against the cold?
As you listened to these his words
you struck him, turning him into a dwarf,
and made him live in the middle of his (garden of) labors,
where the mihhu do not go up, nor the bucket of dates down.
And now me! It is me you love, and you will ordain for me as for them!”
When Ishtar heard this, in a fury she went up to the heavens,
going to Anu, her father, and crying,
going to Anrum, her mother, and weeping:
“Father, Gilgamesh has insulted me over and over,
Gilgamesh has recounted despicable deeds about me,
despicable deeds and curses!”
Anu addressed Princess Ishtar, saying: “What is the matter?
Was it not you who provoked King Gilgamesh?
So Gilgamesh recounted despicable deeds about you,
despicable deeds and curses!”
Ishtar spoke to her father, Anu, saying:
“Father, give me the Bull of Heaven,
so he can kill Gilgamesh in his dwelling.
If you do not give me the Bull of Heaven,
I will knock down the Gates of the Netherworld,
I will smash the door posts, and leave the doors flat down,
and will let the dead go up to eat the living!
And the dead will outnumber the living!”
Anu addressed princess Ishtar, saying:
“If you demand the Bull of Heaven from me,
there will be seven years of empty husks for the land of Uruk.
Have you collected grain for the people!
Have you made grasses grow for the animals?”
Ishtar addressed Anu, her father, saying:
“I have heaped grain in the granaries for the people,
I made grasses grow for the animals,
in order that they might eat in the seven years of empty husks.
I have collected grain for the people,
I have made grasses grow for the animals.”
When Anu heard her words, he placed the noserope of the Bull of Heaven in her hand.
Ishtar led the Bull of Heaven down to the earth.
Enkidu stalked and hunted down the Bull of Heaven.
He grasped it by the thick of its tail
and held onto it with both his hands,
while Gilgamesh, like an expert butcher,
boldly and surely approached the Bull of Heaven.
Between the nape, the horns, and… he thrust his sword.
Ishtar went up onto the top of the Wall of Uruk-Haven,
cast herself into the pose of mourning, and hurled her woeful curse:
“Woe unto Gilgamesh who slandered me and killed the Bull of Heaven!”
When Enkidu heard this pronouncement of Ishtar,
he wrenched off the Bull’s hindquarter and flung it in her face:
“If I could only get at you I would do the same to you!
I would drape his innards over your arms!”
Even gods were helpless while faced Ishtar’s power. Gilgamesh’s words about the Shepherd refer to her adolescent lover Tammuz, the god of nature, vegetation and shepherds who died because of her. Most probably getting him back was the reason why she entered the Underworld as it is described in Descent of the Goddess Ishtar into the Lower World*. Queen of Heaven has to descend into Irkalla, the Underworld, called the land of no return in the poem. Proud goddess stands before the gatekeeper and orders him to let her in and bring her to her sister Ereshkigal, Queen of Underworld.
Gatekeeper, ho, open thy gate!
Open thy gate that I may enter!
If thou openest not the gate to let me enter,
I will break the door, I will wrench the lock,
I will smash the door-posts, I will force the doors.
I will bring up the dead to eat the living.
And the dead will outnumber the living.
Although Ishtar is divine being, she belongs to the world of the living so the gatekeeper is not entitled to simply let her in. He consults his ruler, Queen Ereshkigal, and she allows him to enter Ishtar but he can only do it according to the ancient decree. It means that Ishtar must pass seven gates and leave a piece of garment or jewellery at each of them. When she finally reaches Ereshkigal she is stark naked and enraged. She throws herself at her sister who orders her servant Namtar, the god of death and pestilence, to imprison Ishtar and unleash sixty diseases against her. This makes goddess fall into a lethargy similar to death.
When Ishtar is closed in the Underworld, the whole sexual activity disappears from Earth, animals stop mating and people sleep separately. Of course it causes anxiety of gods, especially Ea, the supreme deity who is told the news about Ishtar by the god Papsukal. Wise Ea creates an intersex being called Asu – shu – namir and sends him to Ereshkigal to demand the bag containing the waters of life in the name of all the most important gods. Queen of the Underworld is very much displeased about the order but she cannot refuse. Asu – shu – namir sprinkles Ishtar with water of life and revives her. Goddess is passing seven gates again regaining the garments and jewellery which she left there.
Tammuz and Ishtar’s myth has similar features as Greek Adonis and Aphrodite mourning him (it comes as no surprise for those who know that Aphrodite’s cult came to Hellas through Cyprus from the East). Since summer solstice the time of mourning Tammuz began in the countries of ancient Middle East; when the days were getting shorter it was believed that he descended into the Underworld so his symbolic funeral rites were taking place for six days. There is an evidence of these celebrations even in the Old Testament, Then he brought me to the entrance of the north gate of the house of the Lord, and I saw women sitting there, mourning the god Tammuz (Ezekiel 8:14 NIV). Even today July is named Tammuz in Hebrew and an Iraqi dialect of Arabic.
Ishtar’s cult was most popular in the cities of Uruk, Nineveh, Ashur and Arbela. It was the fertility cult which is why it involved so called sacred prostitution, Ishtar herself had numerous lovers and no husband (no children of hers are mentioned in myths neither). Herodotus claimed that each woman in Babylon had the duty to arrive to Ishtar’s temple once a lifetime and to have a sexual intercourse with the man who pays for that. It has to be said that Herodotus was not an objective observer and modern researches assume that this custom was not as common nor perceived in the way the traveller described it. If this custom was true, it was not what we perceive as prostitution today; a sexual intercourse itself was an act of faith in Ishtar. Even the Old Testament recognises the difference as it distinguishes between the words kedeshah (qedesha) meaning ‘consecrated woman’ who lives in a temple and zonah signifying the woman having sex for money. It is important to mention that it was not until monotheistic religions that the fear of woman, her body and sex was introduced to the system of beliefs. It is only the Old Testament which makes woman in her menstrual days or puerperal period ‘impure’, in the cults based on cycles, agriculture and fertility woman’s body was valuable itself because it carried a new life to the world. Kedeshah had a high position in the society, she was allowed to start a family and to hold other offices. It was Judaism that first introduced the rule excluding women from priesthood and this common law was later continued by Christianity and Islam. Basing on archaeological and cultural research we can now assume that the custom of Hieros Gamos (sacred marriage) was conducted. It involved the king of Sumer and the High Priestess of Inanna and this practice was preserved in the times of Babylon when Inanna began to be worshipped as Ishtar. New king’s power was legitimized when he spent one night in the temple of Inanna during the 10th day of New Year in the month of Akitu. No exact description of rite was preserved but it was ‘the marriage of Heaven and Earth’ which was aimed at bringing fecundity and fertility in the coming year. It is also worth mentioning that not only kedeshah but also other words describing female temple titles were translated as ‘prostitute’. These include qadishtu, entu and naditu (it may come as a surprise to find out that naditu were obliged to keep sexual abstinence ). All these women have originated from higher classes and had a high social status; most probably only entu were taking part in the rites of Hieros Gamos but still it is dubious to call it prostitution. Additionally it is also assumed that especially in the city of Arbela, the cult of Ishtar involved prophesying, performed predominantly by women similarly to the Pythia in the Hellenic sanctuary of Delphi.
Ishtar was one of Babylon and Assyria’s main deities and to honour her King Nebuchadnezzar II built and named the north gate to the city of Babylon after the goddess. The Ishtar Gate was created around 575 bC, it consisted of roof and doors made of cedar tree and the walls constructed using different types of bricks including glazed ones; it was decorated with lapis lazuli tiles and reliefs showing lions, Ishtar’s sacred animals, mušḫuššu (a hybrid of a dragon, an eagle and a cat) dedicated to god Marduk and aurochs of god Ardad. The Processional Way went through the gate and each year at the time of New Year the inhabitants of Babylon were using this path to arrive to the temple of Marduk. The Ishtar Gate had been considered to be one of the seven wonders of an ancient world until it was replaced by the Lighthouse of Alexandria on the island of Pharos. The gate was excavated and partially reconstructed in the thirties of last century and it is now displayed in the Pergamon Museum in Berlin. A replica was also constructed in Iraq in the place where it was located in ancient times.
Reconstruction in Berlin:
Details from the Ishtar Gate and a building inscription of King Nebuchadnezzar
A miniature model of the Procession Way with the Ishtar Gate
Original excavation site from the beginning of the 20th century and a modern replica in Iraq
IMAGES, SYMBOLS AND ANIMALS
Lion was Ishtar’s sacred animal. Ishtar herself was considered to be a divine personification of planet Venus, traditionally depicted as eight – pointed star. The images which survived the antiquity show her as the goddess of war standing on lions and holding weapon.
The person shown by this card is strong, self – assured, courageous and not afraid of taking risks. She is beautiful, sensual and full of passion, she is eager to meet new people, especially men. In her negative aspect she is arrogant, haughty and spoilt; she may be convinced that she is like the Eight Wonder of the World and she has the power to do whatever she wants. She treats sex as a game, sport or mean to achieve sth and does not get involved in it emotionally.
It is time to come back to life and joy. Get rid of what is holding you back and keeping you hidden, grieving, angry, guilty and ashamed. Draw conclusions from your mistakes but do not concentrate your whole attention on them.
Be courageous. Start out. You will not gain anything by standing in the same place. Leave chaos behind you, you are worth much more than being stuck in it. You were not born to stay in the darkness but to radiate. You do have strength and knowledge to make your plans work.
Think about your attitude towards your body and sex. Are they limitations in your life or the source of joy?
Time for joy, entertainment and romance. Feel good in your body. Spread your wings.
Courage. Devotion. Time of rejuvenation. Beauty. Sex appeal. Sexuality. Fertility. Conjunction.
The star of hope shines over you even in the greatest darkness.
If you are in the relationship: sacrifice or compromise especially to get the partner back, in case of an argument this card suggests taking the first step to reconciliation.
If you are single: a good time for a romance but not so good for searching a lifetime partner. It is possible that your sensuality raises concerns because sexual freedom has for ages been tolerated in case of men, but not women.
Time to act and to put your plans into practice. Risk will pay off. Beware of conflicts between co-workers or exterior hostile activity. Romance at work.
Beware of accidents and injuries. Check the level of hormones. Risk of obesity and diabetes. You have to exercise more. Possible urine system infection or kidney stones. Do not forget to protect yourself from sexually transmitted diseases. Endangered parts of the body: face, neck, parathyroid, pharynx, kidneys, bladder, adrenals, sexual hormones, reproductive system.
Ishtar as Strength in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano, I think it is a very adequate assignment
A beautiful representation of Ishtar as Queen of Heaven with the crown of planets and zodiac signs in Goddesses of the New Light by Pamela Matthews
Ishtar with her gate in the background in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton
Ishtar in Oracle of the Goddess by Anna Franklin&Paul Mason
Image in Goddess Guidance Oracle Cards by Doreen Virtue was painted by Jonathan Earl Bowser wherein it must be clearly stated that original one depicts Cleopatra, not Ishtar. You can check the original painting here
Ishtar with lions and eight – pointed star in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé
Ishtar in the darkness of Irkalla but still with the shining star above her head in The Goddess Oracle Deck by Thalia Took
Ishtar in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock
Ishtar in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc
Based on the myth of Descent Of The Goddess Ishtar Into The Lower World, Epic of Gilgamesh, http://www.themystica.com/mythical-folk … shtar.html, http://www.matrifocus.com/SAM05/spotlight.htm, http://www.matrifocus.com/SAM08/spotlight.htm, http://en.wikipedia.org/wiki/Ishtar , http://en.wikipedia.org/wiki/Sacred_prostitution , http://en.wikipedia.org/wiki/Hieros_gamos , http://www.kchanson.com/ANCDOCS/meso/ishtarins.html , http://www.thaliatook.com/AMGG/ishtar.html
* There are also other explanations why Ishtar descended into the Underworld, I will develop the topic in the post concerning Inanna.