Tag Archives: artemis

REVIEW: GODDESS POWER PACK BY CORDELIA BRABBS

GODDESS POWER PACK

ABOUT THE AUTHOR

According to a note published on Amazon  Cordelia Francesca Brabbs is a young British journalist and a freelance author who writes articles about health, well – being and lifestyle for many UK’s top magazines and newspapers. She is working on her master’s degree in women’s studies and likes travelling around the world, snowboarding, yoga and reiki. She also seems to run trainings concerning  magic and improving financial condition. You can follow her on Facebook, YouTube oraz na Twitter.

Find out more about her on her website: http://www.magicalbadass.com/

ADVANTAGES

The cards themselves are fabulous, colourful and easy to perceive. Goddesses are presented as contemporary women but still retain their symbols: Athena (Minerva) is accompanied by owl, Lakshmi by lotus and Lilith by snake. The effect is very interesting although I suspect the reason for that was to simplify the divinatory layer as much as possible in accordance with the motto of this deck Unleash Your Inner Goddess. However, it does not change the fact that cards are simply great, they present a hypothetical situation of goddesses moving from the ancient times into modern ones. One thing is strange…there is no remark suggesting any connection of these images directly to Cordelia Brabbs. In list of acknowledgments at the end of booklet you will find Brenda Rosen as consultant editor, Alice Bowden as project editor, Sally Bond as art editor, Pia Ingham for Cobalt Id as designer, Javier Joaquin as illustrator and Louise Hall as production controller. So, if I am not mistaken, this deck should be called Goddess Power Pack by Cordelia Brabbs&Javier Joaquin (or perhaps by Cordelia Brabbs, Pia Ingham&Javier Joaquin, depending on the amount of work) if only the publisher followed the good practices of issuing card decks as othes do. I do not understand why it did not happen rolleyes11.

DISADVANTAGES

If I had choice, I would only buy the cards themselves and would skip the booklet added to the deck. The booklet is full of banal esoterics and all that find the inner goddess babble, moreover it is written in everyday English which was probably intended to reach teenage girls but something tells me that even they would find this style artificial. The fact that someone is young does not mean than you can brush them off with simple tips for life. The cover of booklet itself reveals what is to come inside informing us that we will find thirty goddesses from independent Artemis and fun – loving Yemaya to nurturing Gaia and sexy Kali

The booklet discourages from using the pack rather than encourages to do it. It is a pity because the content itself is not that bad. The author draws accurate conclusions from the goddess mythology but she wastes them away by treating the reader as a child saying Do this! Do that! On one hand she encourages Stick to your beliefs, g – girl, no one can take them from you but on the other hand she determines a specific profile of what your beliefs should be: joining a protest rally, eating an apple instead of chocolate, exercising yoga, getting involved in the environment protection movement etc. I do not want to be misunderstood, it IS good lifestyle and I support it but at the same time I can understand that not everyone finds it suitable and wants to adopt it. The ton of superiority which the author uses definitely does not help:  You can be a loser and eat, drink and wear what the big – bucks companies tell you to, even if the food is stuffed full of chemicals, the lipstick was tested on animals and the T-shirt produced by sweat shop labour. Or you can  become informed about the products you buy, and make ethical choices that serve you and the planet. You can watch TV and play your games console, and live like a zombie in front of a flashing screen. Or you can exercise your body, nourish it with good food and spend your spare time having fun outdoors.  We have to remember that each of us is in a different point of their life path and it makes no sense to hurry them up. Calling someone loser will probably not help to drag them on ‘the light side of the Force’ wink3. This booklet rather than TO readers speaks ABOUT the author. I think before I started writing books with some advice for others, I would first check if I am mature enough and work with my own ego because it is ego that tells me to compare myself with others and present myself as the better one.

Nothing good will come out of imposing views on what is good and what is bad. Any person who has a very basic knowledge of esoterics and card spreading knows that cards only show a certain situation and never make a decision instead of the person inquiring. This is why the card of Lilith saying It’s time to ditch that loser is a huge faux pas 74282! If you look closely at the decks I consider to be good ones  (e.g the already analysed deck of Amy Sophia Marashinsky and Hrana Janto), you will notice that the authors only pose questions which the user should answer herself/himself. They do not take the responsibility out of user by saying Do this, do that! What will happen if a young girl indeed decides to ‘ditch that looser’ just like the author advises and will regret it later? Will Cordelia take the responsibility for it now that she was assuring it would bring the young girl such a fabulous life?

This deck includes Mary as a goddess which I find a huge disadvantage.

Another huge disadvantage is a horrible box. It naturally provokes the question, What the hell was the publisher thinking of?!

Generally speaking if you buy it, I would suggest concentrate on the deck of cards and skip the booklet. Establish the custom of drawing one card daily, observe the colours, symbols, situation presented on pictures, search for the correspondence in daily events and study the actual myths. This way you will learn much more than reading booklet.

ISSUE

30 cards

a booklet containing short information on how to use cards, who goddesses are, how to contact and worship them, how to listen to their advice, suggestions how to become the worshipper of goddess (‘g-girl’, an abbreviation from ‘goddess girl’), how to create g – gangs (‘goddess gangs’), what are the rules and codes of being ‘g-girl’ and being in ‘g-girl gangs’, descriptions of ceremonies, calendar of festive days, invocations, rituals, affirmations, sample spreads, descriptions of each card and index

box with carton insert to support cards

In a book each card is presented in the following way:

– name of a goddess

– name of a card

– short presentation of a goddess

– suggestions how a goddess can help and her message

– invocation to a goddess

– tips concerning an invocation

– affirmation

– one sentence general advice from a goddess

box cordelia brabbs

The size of cards is 13 x 8 cm

Back sides of cards show a yellow stage illuminated by headlights.

EXAMPLE CARDS

Athena (Minerva)

Athena in The Goddess Power by Cordelia Brabbs (as Minerva)

Brigid

Brigid in The Goddess Power deck by Cordelia Brabbs

Demeter

is not included in this deck

Isis

Isis in The Goddess Power Pack by Cordelia Brabbs

Lakshmi

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Back side

back side cordelia brabbs

Text copyright© Cordelia Brabbs 2005 

Publisher: Godsfield Press

ISBN: 1 84181 253 6

Aphrodite
Artemis
Brigid
Cerridwen
Corn Woman
Durga
Eostre
Freyja
Gaia
Hathor
Hekate
Isis
Kali
Kuan Yin
Lakshmi
Lilith
Maat
Maeve
Mary
Minerva
Oshun
Oya
Pele
Rhiannon
Sekhmet
Sulis
Tara
Uzume
Vesta
Yemanya

REVIEW: THE GODDESS ORACLE BY AMY SOPHIA MARASHINSKY AND HRANA JANTO

THE GODDESS ORACLE

by Amy Sophia Marashinsky&Hrana Janto

ABOUT THE AUTHORS

AMY SOPHIA MARASHINSKY is a writer, director, theatre producer and spiritual counseller who began her interest in mythology&fairy tales when she was just ten. Her other books and oracle card decks include Mermaid Magic and Oracle of the Grail Code: Restauration of the Feminine.  She has worked in New York, Japan and she currently resides in Western, MA, US.

Find out more about her on her website: http://www.amysophia.com

HRANA JANTO is an artist oriented at fantasy, history and mythology. She has provided images for television, book covers, goddess calendars, magazines and has exibited her work throughout the United States; she also paints portraits and do private commissions. She lives in New York.

Find out more about her on her website: http://www.hranajanto.com

ADVANTAGES

The choice of goddesses to this deck is definitely very good, you will find here not only European and Asian deities but also the African and American ones. It also has to be said that the attention is paid to all the cultures so there is no overrepresentation of any in particular (in other decks I have noticed domination of Celtic or Egyptian goddesses). It was also a good idea to include goddesses which may seem ‘exotic’ to an average user; in the deck you will come across not only Isis, Athena, Freyja or Lakshmi, but also Gyhldeptis, Pachamama, Sheila Na Gig or Vila. Authors ‘have done the homework’ in the field of psychology, psychoanalisys and modern interpretations of ancient myths which can be clearly seen in the choice of some cards such as Baba Yaga (who is considered to be Goddess Mother by my favourite Dr Clarissa Pinkola Estés, she claims that when Christian beliefs were introduced Baba Yaga was condemned as a dangerous witch and pushed away into the subconsciousnes) or Eurynome (who is de facto the main heroine of the Pelasgian creation myth quoted in the Greek Myths by Robert Graves). I also find it very correct that ONLY REAL GODDESSES are included in this deck and authors did not attach such cards as the one of Mary.

Another advantage is the book added to the set which indeed faciliates working with cards. It can be noticed at the first glance because it is much bigger than standard booklets added to similar decks. The content is a real encouragement to do self-work, ask yourself questions and make some effort. It is not a typical  ‘comforting deck’ just as many other oracle cards. I do not always agree with the author but I support her focus on psychology and overcoming problems thanks to our own strength. You will also find invocations and ritual to each goddess apart from the myths and divinationary meanings. Another helpful thing is the name of each card (eg. Amaterasu – Beauty, Aphrodite – Love), it helps to connect and memorise them.

Images of deities are consistent with ancient archetypes and heroines are depicted with their typical animals, plants, symbols, objects and themes. I think that the diversity in showing goddesses is surely appreciated by many users of this deck. Deities are presented in a various ways depending on their origins and the features their worshippers attributed to them: they have different skin and hair colours, types of body, age etc.  Authors  are not afraid to present them nude if it is adequate to their nature. I consider it to be a big advantage of this deck because I have seen the ones where nudity is persistently covered. Perhaps it is due to the times we live in and we are between a rock and a hard place: on one hand we are tempted by all the forms of pornography and on the other in our culture&mentality all the matters associated with body, nudity and sex remain a taboo. Sometimes I get this impression that it was easier to show naked body in ancient Hellas than in contemporary America where it is an offense to morality for a woman to show a breast (even if it is only to feed her child). I think it is also visible in the self censorship which art imposes on itself so I appreciate the authors of The Goddess Oracle even more for not following this hysteria.

DISADVANTAGES

Seeking for disadvantages I came to conclusion that some goddesses seem to be doubled when it comes to meaning such as eg. Yemanya and Oshun or Bast and Sekhmet. Personally I find the size of cards to be the greatest disadvantage; they are really big and thus difficult to shuffle. It would be much more comfortable to have them in smaller or even mini format.

ISSUE

52 cards

a book containing introduction and information how to use the cards plus some example spreads

a box

set

In a book each card is presented in the following way:

– name of a goddess 

– name of a card

– a first person narrated poem representing the goddess

– mythological background

– divination meaning mainly containing qustions for self work

– ritual suggestion

The size of cards is 9,5 x 13 cm

Back sides of cards show Sybil, the legendary Roman clairvoyant who offered her chronicles to the rulers to reveal the future of the city

EXAMPLE CARDS

Athena (as Minerva)

Athena in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Brigid

Brigid in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Demeter

Demeter in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Isis

Isis in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi

Lakshmi in The Goddess Oracle by Amy Sophia Marashinsky&Hrana Janto

Back side

sybil

The Goddesses Oracle © 2006 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1 – 57281 – 546 – 9

Amaterasu
Aphrodite
Artemis
Baba Yaga
Bast
Blodeuwedd
Brigid
Cerridwen
Changing Woman
Coatlicue
Corn Woman
Demeter
Durga
Eostre
The Erinyes
Eurynome
Freyja
Gyhldeptis
Hathor
Hecate
Hestia
Inanna
Isis
Ix Chel
Kali
Kuan Yin
Lady of Beasts
Lakshmi
Lilith
Maat
Maeve
Maya
Minerva
Morgan le Faye
Nu Kua
Nut
Oshun
Oya
Pachamama
Pele
Rhiannon
Sedna
Sekhmet
Shakti
Sheila Na Gig
Sophia
Sphinx
Sulis
Tara
Uzume
Vila
Yemaya

REVIEW: GODDESSES OF THE NEW LIGHT BY PAMELA MATTHEWS

GODDESSES OF THE NEW LIGHT

by Pamela Matthews

ABOUT THE AUTHOR

Pamela Matthews is a painter from New Zealand. According to the booklet added to the deck and curriculum vitae on the author’s page her main inspiration is classical European art especially such artists as William Blake, Pre – Rafaelites, Leonardo da Vinci and Sandro Boticelli.

ADVANTAGES

The images are very feminine and resembling the ones of Alphonse Mucha and Art Nouveau. They are carefully painted with attention to details and contain typical symbols of a particular goddess. Although I am not fan of such Art Nouveau style of painting, I must admit that the images are beautiful and in some way magical indeed. The title light is omnipresent in this deck, even in the card of Black Madonna.

As far as the selection of goddesses to this deck is concerned, let me concentrate on positive aspects first. I think it was a good idea to include not only Isis, Demeter or Lakshmi but also rare deities such as Sige, Cybele or the Snake Goddess (in fact this is the only deck which features the Snake Goddess, considered to be one of the most ancient European goddesses!). Some cards such as the ones of Gaia, Ishtar and Freyja look really impressive. Artemis is presented in an unsual way, not in an atlethic and sporty manner like in most decks but rather ethereally as if she was a figure from dreams and visions which definitely makes sense if you take into consideration her strong connection with the moon. It should be noticed that Artemis wears a long gown in all her original, ancient representations, it was not until modern era when artists started to depict her in a short tunic! A huge advantage of this deck is a beautiful image of Sophia; it is not only the most impressive card in this deck, but also the most impressive card of goddess oracle I have ever come across. I made it a profile picture of the blog’s page on Facebooku as a good sign and a talisman.

From the personal point of view this deck will always be special for me because these were the first goddess oracle cards I have ever bought.

DISADVANTAGES

I have come across with the review where the author complains in a very fashionable nowadays style that the images are too pretty as if women presented there were glamour film stars. Well, I like neither air-brushed photos nor overly stylized celebrities thus I do not buy nor read women magazines at all.  In this case, however, I believe that showing goddesses as beautiful women really makes sense. In the end these are not the cards of Mrs Smith from the neighbourhood but goddesses, beings of supernatural beauty and powers. As the Ancient used to say de gustibus non est disputandum so either you like the  images or not; I quite like them.

Main disadvantage for me is not an artwork but the mythological and divinationary background. The weakest links are a small amount of cards (28) and a strong Indo – European character: only the goddesses from Egyptian, Babylonian, Hellen, Christian, Celtic, Scandinavian, Hindu and Buddhist civilisations are presented in this deck. No African, American nor Polynesian goddess is included. Instead, not only the card of Mary is the part of the deck but also the ones of Maria Magdalena and Black Madonna. I believe that considering a small amount of cards it is not wise to spend three of them for Christian “goddesses”. As I have already mentioned, I think it is not right to include Mary in the goddess oracle cards because she is not a goddess. If oracle cards called Historical, Legendary and Literary Heroines Who Made An Impact was created, she should definitely be the part of this deck but classifying her as ‘a goddess’ is a total misunderstanding. I am neither convinced to include the card of Grail. Indeed, a chalice is a female symbol which has always been associated with a womb and described in the Arthurian legends but still it is not a particular goddess.

ISSUE

I do not own the original issue which is featured on the author’s page: a box for cards, a booklet and a purple satine bag (however, the cover of my box has the ‘golden’ elements). I bought the deck in a Polish online shop but it was published in Czech Republic and the booklet was printed in Czech as well. There was also a terrible ‘translation’ into Polish added to the deck probably made by a very poor translating programme but this turned out to be a positive aspect because I started my own research and refreshed my mythological knowledge instead accepting the booklet uncritically.

28 cards

a booklet where each card is presented in a following way:

– name and origin of a goddess

– key words associated with her

– a short presenation of myths about her

message from a goddess as a divinatory element

– a couple of affirmations

and advice how to use cards + two spreads

a Polish translation

a box

pamela matthews

The size of cards is standard and quite comfortable (13×8 cm)

Back side is very interesting with the miniatures of various symbols.

EXAMPLE CARDS

Athena

Brigid

Brigid in the deck of Pamela Matthews

Demeter

Isis

Lakshmi

Back side

Goddesses of the New Light © 2000 Pamela Matthews

Publisher: The Grail Press (Czech: Synergie)

ISBN 80-86099-85-7

0 Grail
1 Sige
2 Isis
3 Nut
4 Maat
5 Kuan Yin
6 White Tara
7 Prakriti
8 Saraswati
9 Lakshmi
10 Durga
11 The Snake Goddess
12 Cybele
13 Ishtar
14 Hera
15 Persephone
16 Demeter
17 Athena
18 Artemis
19 Vesta
20 Aphrodite
21 Gaia
22 Freyja
23 Brigit
24 Mary
25 Mary Magdalene
26 Black Madonna
27 Sophia

REVIEW: GODDESS GUIDANCE ORACLE CARDS BY DOREEN VIRTUE

GODDESS GUIDANCE ORACLE CARDS

by Doreen Virtue

ABOUT THE AUTHOR

Doreen Virtue, Ph. D., has completed her doctorate in the field of psychology. She says she originates from the family of people with strong psychic abilities and is a clairvoyant herself. She is particulairly interested in the subject of angels and has already published several books and decks of cards about them which turned out to be very popular.  Studying her biography you will find a lot of TV and radio shows where she appeared (very American style of presentation indeed). She resides in Hawaii. More on her page.

ADVANTAGES

Some of the messages are excellent and well-prepared from the point of view of psychology, such as e.g. Sekhmet (See yourself as strong and victorious. Don’t complain about anything. Don’t blame anyone or any condition. You’re the embodiment of strength, not victimhood), Guinevere (You needn’t be in a partnership to evoke romance; from my own experience I can say you have to grow up to accept this message) or Mary Magdalene (The lower levels of human bickering, judgement, and chaos are just that: lower levels. I choose to do my work from the level of the higher consciousness).

For me personally this deck will always have a sentimental value because these were the first cards of goddesses that I have come across in my life. One of the clairvoyants has been spreading them in a live fortune – telling programme on TV and as the person who has been interested in the topic of goddesses since childhood I was amazed and started to search for them.  Goddess Guidance Oracle Cards was the second deck that I bought (and I have to admit that the choice of decks in my native country is very limited, I bought most of mine in the UK online shops).

DISADVANTAGES

I was communicating easily with these cards for a long time, however when I started to analyse the myths of particular goddesses, it turned out that I can see slightly different messages than the author. And when I started to DIG DEEPER, the reasons to be amazed by this deck suddenly disappeared.

Goddess Guidance Oracle Cards is the deck which features not only real goddesses but also literary and religious heroines. Isolde IS NOT a goddess! I do understand that sometimes it is not easy to find a goddess in a myth because after christianisation she was reduced to a common mortal woman (this is probably what happened to Rhiannon, Gwenhwyfar and Morgaine) but despite her Celtic origins Isolde herself has nothing to do with goddesses!

The same objection applies to religious heroines such as Mary Magdalene and Mary the mother of Jesus. The latter is presented in an arch-Catholic and Baroque style and the author claims that in the West, Mother Mary in undoubtedly the most famous goddess. Well no, Doreen, not at all! Mary has no divine features in any factions of Christianity.

The selection of goddesses to this deck is regular but still somehow controversial. I do not like the overrepresentation of the goddesses from the British Isles. Doreen chose Sulis and Coventina to represent the message suggesting purification and the contact with water. Why? They are both rather unknown and they were in fact venerated only in one place, in Bath on the British Isles. I believe that Anahita the great Zoroastrian goddess of water would be much better choice. She has been highly worshipped all over Persia for centuries and one of the most important ceremony  aimed at purification and consecration of water is dedicated to her. Zoroastrianism is one of few big ancient religions which survived to this day and placing Anahita in this deck would support its worshippers (does anyone know that the parents of Freddie Mercury practised Zoroastrianism?). But I have to honestly admit that the authors of all the decks I have come across for the unknown reasons honour a little known Sulis as the deity associated with water and purification. Anahita does not appear in any of godesses oracle decks, she is only included in Universal Goddess Tarot where she represents the Major Arcane of Temperance.

An inconsistency of style is a huge disadvantage. Doreen does not have one ‘court’ artist and she used the images of twelve different painters in this deck. All you get is a huge mish mash. Apart from really intriguing images of Brigid, Eireen or Kali you come across some really nasty scribbles of Coventina or Dana. I know, I know de gustibus non est disputandum et cetera but the problem is that most of the pictures reflect Doreen’s style anyway. They are  ‘princess-like’ or saying aloud: trashy. Cards are full of goddesses with the faces of little girls, flowers, birds, pastel colours etc. Even Ixchel who was always perceived as a crone here is not older than thirty. Even powerful Underword goddess  Rhiannon, a wife and a mother running like the wind on a palfrey, here is a little girl going slowly on a unicorn. C’mon! In myths and legends only pure and innocent virgins could touch a unicorn! Doreen must be really into unicorns because she made a whole seprate deck for them but Rhiannon has nothing to do with them. Why is a woman infantilising womanhood so much? Why does she treat me as if I were a little girl and squealed with delight thinking about dolls, playing Mummies&Daddies and Prince Charming riding a white horse to take me to the Land of Permanent Happiness?! Avoiding nudity is also a part of this problem. Even Aphrodite, the most beautiful and seductive Hellenic goddess here looks a fainting nymph tightly entangled in seaweeds so that no part of body can be seen. I dare say that through a huge popularity of her product Doreen somehow ‘brought up’ her followers in the same manner. Why? While browsing goddesses cards in Amazon I have recently come across a review of a realistic deck by Hrana Janto&Amy Sophia Marashinsky. A lady was complaining about nudity in the images and the fact that ‘there is no card of Mother Mary there’.

It is the same with messages. Generally speaking just like with angel oracle cards the main theme is ‘surrender all your worries to Heaven, everything will be all right’. Don’t get me wrong, I do not want to neglect the inner need of praying. Personally I talk to The One&Sophia on regular basis but leaving all the problems to Heavens do not help in self-development. It’s as if you stopped on the level of childhood, after all ‘child is not able to understand the sophisticated world of adults’. In fact, I don’t think it’s good that all the cards are positive by default. The world around us is not always positive and it is our duty to learn how to deal with negativity and to be able to do it even if we run out of faith. Have a look at the card of Sedna who was first brutally treated by her beloved and then her own father pulled her out of the boat to the sea and cut her hands off so that she couldn’t get in again. And all of the sudden she receives from Doreen a cheerful message Infinite Supply. You are supplied for today and all of your tomorrows because the Inuit believed that fish came into existence from her amputee hands. And guess what is best? When you look at the image, you will not find a cruelly treated disabled woman but a sleepy girl with her head resting on hands (!). This is the deck for consolation, not for an inner work and deeper insight into yourself. Unless you start to dig deeper and analyse actual myths  . But then you will suddenly find out that Athena would not suggest following an intuitive wisdom at all but the rules of logics instead. Or that the mother of Diana (or more correctly Artemis who has a separate card in this deck which even augments the confusion and the chaos of meanings) did not have a painless labour at all! Even though she gave birth to Artemis painlessly according to the Roman writers, she was struggling to deliver Apollo, Artemis’ twin, for many days and nights.

I have to say honestly that I do not like this whole esoteric hotchpotch which Doreen presents in her decks. ‘Call upon goddess to…’, ‘Ask angels for…’, Christian figures, Pagan figures, Ascended Masters, etc all mixed together. If we throw everything we have in our fridge to a cauldron, we will not get a tasty soup at all. You have to remember that people using these cards were more or less brought up in the Christian faith where you believe in One God. Therefore if angels, unicorns or goddesses say to you ‘Surrender all your problems to us’ then why do you need God at all? I think that anyone who creates the deck of goddesses cards should take it into consideration because really there is no need to become a Pagan to use such decks. You don’t have to actually believe in goddesses to grow and develop your mental strength by using their cards.

This is why with my whole respect to Doreen I believe she should stick to the angel cards and leave the topic of goddesses to people with more professional attitude. Besides it seems that she treats her goddess oracle deck somehow with disregard as one of her many decks. It is not recommended nor featured on her page and it is not so easy to find it among others. I guess it’s similar to mothers with multiple children: you take care of all of them but you can’t concentrate on all of them.

ISSUE

44 cards

a booklet where each card is presented in a following way:

– name of a goddess, name of a card, short, one or two sentence introductory message from a goddess

– message from goddess

– different meanings of a card

– a short presentation about a goddess

and advice how to use cards

a box

doreen virtue

The size of cards is slightly bigger than the standard one (12,5 x 9 cm) and they have ‘gold plated’ edges. The issue is very good and comfortable: a box is small and handy and both booklet and cards are well-fitting.

Back side suggests these are the cards of queens rather than goddesses.

EXAMPLE CARDS

Athena

Brigid

Brigid in the deck of Doreen Virtue

Demeter

is not featured in this deck

Isis

Lakshmi

Back side

Goddess Guidance Oracle Cards copyright @2004 by Doreen Virtue

Publisher: Hay House

ISBN 978 – 1 – 4019-0301 – 5

ISBN 1 – 4019 – 0301 – 0

Abundantia
Aeracura
Aine
Aphrodite
Artemis
Athena
Bast
Brigid
Butterfly Maiden
Cordelia
Coventina
Damara
Dana
Diana
Eireen
Freyja
Green Tara
Guinevere
Hathor
Ishtar
Isis
Isolt
Ixchel
Kali
Kuan Yin
Lakshmi
Maat
Maeve
Mary Magdalene
Mawu
Mother Mary
Nemetona
Oonagh
Ostara
Pele
Rhiannon
Saraswati
Sedna
Sekhmet
Sige
Sulis
Vesta
White Tara
Yemanya

ARTEMIS (DIANA)

ARTEMIS (DIANA)

Goddess of the moon*, hunting, mountains, forests and wild nature, protectress of the Amazones, maidens and virgins.

ABOUT GODDESS

Artemis was a daughter of Zeusa and Leto and a twin sister of Apollo. Leto being Zeus’ lover drew the wrath of Hera his wife and the guardian of women in labour that was why the children could not come to the world for nine days and nights.  When Leto finally bore her first child it was Artemis who then helped her mother to deliver her twin brother.

Artemis never got married. She remained a virgin and she expected the same from her female companions (usually nymphs) who she was spending time hunting and hiking. She was an extremely vindicative goddess whose arrows cause diseases and pierce anyone who who had the misfortune to expose themselves to her. This is what happened to the children of Niobe, the mother of seven sons and seven daughters, who dared say openly that she had more offspring than Leto. Artemis killed Niobe’s daughters and Apollo her sons.That was also the case of Orion, a famous hunter, to whom she sent scorpion to bite him because he was competing with her in discus throw (according to another version of a myth she punished  him because he was pursuing her nymphs and yet another says that when Apollo noticed that his sister is falling in love with a handsome hunter he decided to protect her virginity and made her accidentally kill him). One way or another both Orion and the scorpio were shifted to the firmament and the same happened to Callisto (Kallisto), her companion who fell victim to Zeus’ desire. When she became pregnant, the goddess transformed her into a female bear and baited her dogs on her. Callisto would have certainly died if not Zeus lifted her up in the nick of time and placed in the sky as a constellation of Ursa Major. Another victim of her rage was Actaeon, a mortal man who saw her nude while bathing in a mountain brook. She sent her own pack of dogs against him to tear him to pieces. Also Agamemnon the chief of the Achaeans caused her anger while their ships were heading to Troy.  The goddess caused calm sea and she demanded Iphigenia, his daughter as a sin offering so Agamemnon made her and her mother Clytemnestra come under the pretext of her engagement with Achilles. The most common version of the myth says that when the victim was about to be fulfilled, Artemis took the girl and brought her to Tauris (Crimea) where she became her priestess. She also sent a boar to devastate the areas surrounding the city of Calydon because King Oeneus omitted her during sacrifices. During the hunt for the boar  Atalanta one of her companions became the reason for a huge row which resulted in the death of Meleager, the king’s son.

IMAGES, SYMBOLS AND ANIMALS

Artemis’ symbols are a bow and arrows. Animals commonly associated with her include a bear, hunting dogs, wild fauna and a hind. One of Hercules’ labours was catching alive the Ceryneian Hind who was her sacred animal; a hind was so agile that it took the whole year to finally capture her, hinds were also harnessed to Artemis’ chariot.

When represented in paintings and sculpture Artemis does not usually wear a long chiton and peplos like other goddesses but a knee – length tunic instead to feel comfortable while running and hunting. 

Artemis and Acteon

The goddess was particularly worshipped in the mountainous and wild countries of Hellas such as Arcadia, Sparta, Laconia, Elis and the Taygetus Mountain. However her most famous temple was situated in Ephesus in Asia Minor where Artemis was identified with an ancient Asian goddess of fertility (more about it here and here). In Tauris humans were sacrificed to her.

Artemis of Efes

DIVINATION MEANING

Person

This card signifies a young girl or even a teenager. In her positive aspects she is independent, fit, strong and protective towards the ones she loves.  This person is friendly yet remains distant. Just like Persephone she has a strong bond with her mother and she finds support among other women but she tends to avoid men, relationships and engagement. As an archer she suggests concentration and focusing on an aim and avoiding distraction until you achieve it. In her negative aspects she is vindicative, does not forgive mistakes and it is better not to mess with her. Similarly to Athena Artemis keeps her virginity which may signify the fear of carnality and intercourse.

Advice

This card suggests help and advice from a sister, a female friend etc. It also informs you that you need more movement and excersises and it encourages you to spend time in wild nature (the modern version of Artemis’ activity would be extreme sports).  It is a positive answer to any questions involving sport activities or requiring competition.

Because of its association with the Moon it shows the whole spectrum of what is connected with it in culture, psychology and esoterics: intuition, emotionality, foreseeing the future, romanticism, fantasy, unconsciousness, ignorance, illusion, darkness, ambiguity, confusion, mystery, lies, gossip, self-deception, sorrow, tears, despair, pessimism, nervousness, anxiety, depression, suicidal thoughts, psychosomatic illness, threats, mistaken action or passiveness, hidden issues which need to be explained, mental illness, hallucinations, somnambulism, nightmares, closing oneself off from others, running away from problems into the inner world, disease or drugs, sexual complexes, toxic relationship with a mother and other women.

Love

If you’re in the relationship: a strong influence of a woman on your relationship (a female friend, a mother,  a mother-in-law etc). A lot of emotions but usually hidden and unexpressed. Fears about future. Illusions. Hidden relationship.

If you are single: being single by choice. A pleasant company of the people of the same age. Secret longing for a partner.

Finances

Double check the documents you are going to sign. Do not be deceived by the outward appearance. Promises may not be fulfilled, do not take them for granted.

Health

Problems with body liquids flow, embolism, swelling. Sleep disorders. Coma. Depression, hallucinations and mental disorders. Addictions. Suicidal thoughts. Psychosomatic illness. Infectious diseases. Excessive use of drugs. You need more workout and movement. If you are a pregnant woman, this card suggest either a non-complicated labour  or the help of a competent woman. Endangered body parts: blood and lymph vessels, lymph nodes.

CARDS

A beautiful representation of Artemis in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Artemis in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky (she is portrayed here in an Amazone style)

Artemis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Artemis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Artemis in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé (as Diana)

Artemis in Oracle of the Goddess by Anna Franklin&Paul Mason

Artemis in Oracle of the Goddess by Anna Franklin&Paul Mason

Artemis, a hind&a leaning tower in Goddess Card Pack by Juni Parkhurst

 A very ethereal and oniric image of Artemis in the Goddesses of the New Light by Pamela Matthews, volatile and delicate, it is lunar indeed rather than athletic; she is accompanied by a dog and some hares, symbols of fertility, but remember that despite being a midwife, she does not the goddess of fertility herself

Artemis in Goddesses of the New Light by Pamela Matthews

There is a strange situation in the deck by Doreen Virtue. The Hellenic and Italic goddesses are usually merged semantically while here we have the division into Artemis (Guardian) and Diana (Focused Intention). Artemis’ message is You and your loved ones are safe and spiritually protected while Diana says, Keep your unwavering thougths, feelings, and actions on your target, and you will make your mark. To be honest I do not think it was a good idea.

Artemis in Goddess Guidance Oracle Cards by Doreen Virtue

Artemis in Goddess Guidance Oracle Cards by Doreen Virtue

It is similar with Artemis&Diana in The Goddess Oracle Deck by Thalia Took



 

 And in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock (first card is Artemis, th second one is Diana)

 Artemis in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

 Artemis in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Artemis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Artemis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 A warlike Artemis straight from a computer game in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

A military and modernised Artemis in The Goddess Power Pack by Cordelia Brabbs

Artemis wearing ballerina’s skirt in Mythic Oracle by Carisa Mellado&Michele-lee Phelan (but how can you use a bow and an arrow while hopping on one foot in the clouds? laughing1)

Artemis in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano where she is Knave of Swords (as Diana)

Artemis in Goddess Inspiration Oracle and The Goddess Tarot by Kris Waldherr where she is naturally associated with Moon the eighteenth Major Arcane  (as Diana again).

Artemis in Goddess Inspiration Oracle by Kris Waldherr

*In the Hellenic and Italic mythology there are four deities connected with the sun and the moon:  Helios/Sol and Apollo (sun) and Selene/Luna and Artemis (moon). Helios and Selene had belonged to the Titans, the first generation of gods whose cult was later replaced with the Olympians Apollo and Artemis. Since then Apollo is sometimes identified with Helios and Artemis with Selene, however there is still a certain semantic division. Helios and Selene are the deities who are phisically related to the sun and the moon as they roll the stars over the firmament with their chariots while Apollo and Artemis are their patrons but they do not put them into motion themselves.

BAST (BASTET)

BAST (BASTET)

Bast was an Egyptian goddess of love, fertility and relationships and the protectress of cats. The other variations of her name are Bastet, Baast or Ubasti (which probably meant She of the Ointment Jar).

ABOUT THE GODDESS

The history of Bast’s cult is divided into two stages. She was considered to be the guardian of Lower Egypt, during Old Kingdom of Egypt at least from the times of the Second Dynasty (i.e. from 3 500 b.C. even before the writing was invented). She was worshipped in Per Bast (Bubastis in Greek) where her famous temple was situated. It was described by Herodotus to be one of the most beautiful sanctuaries in an ancient world.  Archaeologists discovered the cementary filled with cat mummies near the remains of the temple because cat was Bastet’s sacred animal. During the New Kingdom of Egypt she was more and more identified most of all with the lioness goddess Sekhmet but also with Hathor, Mut and Tefnut and her cult spread significantly to reach even Italian Penisula in the times of the Roman Empire. According to the first myths Bast had been the daughter of Ra the sun god and herself the mother of Maahes , however after being identified with Sekhmet she became the wife of Ptah. There is also a hypothesis that she had been the lioness or the woman with the head of a lion and then to distinguish her from Sekhmet she was presented as a cat (a myth illustrates this change: a wild lioness touched the waves of a lake and took the milder form of a feline)*.

The duality of female nature is reflected in the way the Egyptians worshipped Bast.  At first because of her origins she was initially identified with the Sun (as a solar deity she was called Lady of the Flame, Lady of the East, the Goddess of the Rising Sun, Ra’s Eye and  The Sacred and All-Seeing Eye. However when the soldiers of Alexander the Great seized the power over Egypt she became the moon goddes under the influence of Hellenic beliefs (Herodotus identifies her as Artemis and in the hellenistic era she is known as Ailuros). In fact it does not seem to be best of the assignements because Bast was taking care of homes and families and was bestowing health and fertility (as a feline taking care of her offspring she was sometimes depicted with kittens). According to myths during daytime Bast sailed in the skies with her father Ra in the boat to which the sun was attached and was observing everything carefully to watch over him.  At night she was turning into a feline still keeping a perfect eyesight to protect her father from Apel (Apophis), a serpent who was his biggest enemy and who was eventually killed by Bast.

Thanks to her agility and power she was identified with the goddess of war and she was protecting the pharaoh on the battlefield. Archaeologists found vast cementaries of mummified cats and this shows how important cats were in the family life. They were protecting crops against mice and therefore it is possible these animals had as high status as cows in India.  Interestingly cats were also warning against the fire and if any of them was harmed in it, the goddess was reviving them and perhaps this is where the legend of cat’s nine lives came from. Various symbols of Bast were kept at homes, these were the cat figurines to scare mice and serpents away and all-seeing eye to make thieves and plagues keep out of the house. The sculpture of a feline feeding kittens was often given as a wedding present as it symbolized the wish for health and fertility and Bast was considered the guardian of women and children even more than other Egyptian goddesses. Probably because of her name’s etymology she was the protectress of people who manufactured perfumes.  Bast was also the goddess of dance, amusement, sensuality and pleasure. During her holiday the priestesses of her temple wearing red, a colour of the goddess, were performing something that we would call an erotic dance nowadays. Celebrations were taking place in April and May and they were very popular; perhaps even 700 thousand Egyptians could have come to Bubastis to sing, dance and drink excessively.

IMAGES, SYMBOLS AND ANIMALS

She was presented as a feline or a slim woman with the cat or lion head.  Her attributes were sistrum, a musical instrument of the percussion family, a rattle, a basket or box. Her weapon was an aegis with the image of a lion.

DIVINATION MEANING

Person

The card of Bast shows a woman who feels fulfilled in many ways , both at work and at home. This is a modern mum who brings her children to kindergarten or school and then hurries to work. It also shows an independent woman or girl who cannot stand cultural and traditional limits and intends live her life in her own way. In negative it signifies egoism, lack of awereness, having too much fun and aversion to commitment in relationships.

Advice

Look closer into this situation because something may be hidden from you. Think it over and follow your intuition. Balance the male and female parts of your personality.

Love

If you are in a relationship: Take a good care of your family and pets. If you are thinking of staring your own family this is a good moment for that. Leave the everyday duties from time to time and be more playful. Your father may need your help.

If you are single: Time to have fun. Relax, have a bath, use a body cream, go out, dance and move with grace.

Finances

Perhaps you may have to adapt to new circumstances and change your job or profession. Do not be scared of that, this card shows your flexibility and the skill of balancing.

Health

It is a good moment to start excersising yoga or other stretching workout. Endangered body parts: spine and eyes.

CARDS

Bast in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Bast in Goddess Inspiration Oracle by Kris Waldherr

Bast in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Bast in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Bast in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Bast in Goddess Guidance Oracle Cards by Doreen Virtue

Bast in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

and in Universal Goddess Tarot by Maria Caratti&Antonella Platano where she represents Ace of Wands:

Based on the English wikipedia and http://www.goddessgift.com/goddess-myths/egyptian_goddess_bast.htm .

*That is why I considered writing a common blog entry about them but in the end I decided they deserve the separate ones.