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AMATERASU

AMATERASU

A Japanese goddess of the sun, co – creatrix of the world who watches over its order, protectress of people and ancestress of the Japanese imperial family according to the beliefs of Shinto. Her name originates from the stem amateru meaning „Shining in Heavens” and when its full form is used, she is called Amaterasu-ōmikami (The Great August Goddess Shining in Heavens), Ōhirume-no-muchi-no-kami and Tensho Daijan (Goddess of the Sun).

ABOUT GODDESS

Her name first appears in Japan’s oldest chronicles Kojiki and Nihon Shoki. According to most myths kami (spirit, deity) Amaterasu came to being with her two brothers when their father, the first man in the world, Izanagi returned from Yomi, the Underworld.  He went there to take his late wife Izanami back but he failed (according to another version Izanami gave birth to Amaterasu as their first child as soon as the Japanese Archipelago came into being). He came back to the world of the living and purified himself; when he was cleaning left eye, Amaterasu, goddess of the sun, was born, cleaning his right eye resulted in the birth of Tsukuyomi, god of the moon and cleaning his nose, Izanagi created  Susanoo, god of the storms and the sea. Amaterasu and Tsukuyomi got married and became the rulers of heavens, however when Tsukuyomi killed Uke Mochi, the goddess of food, Amaterasu, abhoring violence and bloodshed, sent him away, dividing in this way the day from the night.

Amaterasu’s relations with her other brother were tense as well. When impulsive and unpredictable as a storm Susanoo was to travel to the Underworld, he came to say goodbye to his sister, she, however, knowing his nature, doubted he had good intentions and got ready for the fight. God of the winds challenged her to prove her wrong and Amaterasu agreed. The aim was to create living creatures from an object: goddess of the sun broke Susanoo’s sword into three, chewed the parts and spat them out creating three women while her brother made five men from her necklace Mikuratana-no-kami, the symbol of power. When they started to argue who was the winner, a coarse god of the sea fell into rage and started to devastate rice and silkworm fields to that point that he eventually demolished her heavenly palace. Amaterasu was so scared and discouraged that she escaped to earth and hid in a cave (later to be called Ama-no-Iwato – ‘The Cave of the Sun God’ or ‘Heavenly Rock Cave’). She had no intention to get out even though Susanoo was punished and banished from heavens. Grief – stricken goddess did not realise that all the radiance and warmth of the sun disappeared from the surface of earth with her departure. Knowing that life could not survive without the sun, other gods kept begging Amaterasu to get out of the cave but she strongly refused. Desperate gods thought of making her leave with a trick. They have organised a party with noisy music right outside the cave and a clever goddess Uzume (Ame-no-Uzume-no-mikoto) placed an eight pointed mirror and a tub in front of the entrance to the cave. She overturned the tub and started to dance on it throwing her clothes off. Other gods found it so humorous that they burst into loud laughter and Amaterasu got so curious of what was happening outside that she moved slightly the stone blocking an entrance. When a sunbeam reached the mirror and the goddess saw what radiating beauty she was, she got out of the cave and gods blocked immediately the entrance  with a rock. They asked Amaterasu not to leave heavens ever again and she agreed.

Amaterasu emerging from the cave

(Amaterasu emerging from the cave with the Imperial Regalia, painting: Origin of Iwato Kagura Dance by Utagawa Kunisada, 1857 )

Susanoo was apologetic and brought Amaterasu his sword  Kusanagi-no-Tsurugi (‘Grass Cutting Sword’) as a sign of good will. She then gave the sword, the jewel Yasakani no Magatama and the mirror Yata no Kagami to her grandson Ninigi, son of Oshihomimi, one of the humans created during Susanoo’s challenge. According to Shinto mythology, these objects were to provide help in terminating wars ravaging Japan when Ninigi’s great-grandson Jimmu claimed the throne as the first Emperor. They became the Imperial Regalia and up to this day they are a closely guarded treasure which is only used during the coronation of emperors. Japanese rulers have been considered to be Amaterasu’s descendants and worshipped as deities, this cult has not been finished until the end of WWII when the American authorities demanded it as a part of peace treaty. Also the Japanese flag was changed at that time as the previous one depicted the sun  (here is a naval version)

Naval_Ensign_of_Japan.svg

However, the motif of chrysanthemum, symbolising the sun, was preserved as the sign of an Imperial Family.

the flag of Imperial Family

Amaterasu was considered to be a peaceful, balanced, protective and generous goddess. She was believed to be the protectress of people and helped them to develop such crafts as weaving, building or rice cultivation. The sun goddess is venerated in the Ise Jingū temple in the city of Ise and Hibiya Daijingū in Tokyo. The Yata no Kagami mirror is stored in Ise Jingū; the sanctuary is also famous for its ceremony called Shikinen Sengu when every 20 years the temple wooden buildings are rebuilt on a the area nearby and the goddess is offered new robes and food. The Hibiya Daijingū temple was erected in Tokyo in 1880 so that the followers do not have to go on a pilgrimage to Ise.

Amaterasu’s official cult resembled somehow the one of Hestia. The goddess was venerated by a high – priestess called Saiō on the behalf of the Emperor. Saiō originated from the Imperial Family and held her office throughout the reign of the Emperor who appointed her. According to legend this tradition was established by Princess Yamatohime-no-mikoto, the daughter of Emperor Suinin, who was searching for the best place to worship Amaterasu for twenty years until she found Ise and decided to build a sanctuary there. Saiō was being chosen when a previous Emperor died and the previous Saiō’s term of office expired with his death. The choice was based on divination, although it was a custom that one of new Emperor’s daughter was to become a Saiō. High – Priestess had to be a virgin, health and beauty were also important factors. When a new Emperor was crowned, a future Saiō moved to a separate part of the palace and was undergoing the processes of purification and learning a proper ceremonial (including a special language of priestesses where the the impure words were replaced with a special cipher). After eight months the new Saiō was sent to a building called Nonomiya prepared especially for that purpose and one year later she was going with her retinue to Saikū, the seat of priestesses near the Ise shrine (on those days it was forbidden to bury the deads). Her service included praying for peace, offering the first harvests to deities in September and performing ceremonies during the Tsukinamisai festival at the Ise temple in June and November. Being Saiō was treated as an honour and the will of heavens so if she fell significantly ill, she could have been dismissed from her office. She was bound to remain a virgin throughout her stay in the temple therefore breaking the vow of chastity was treated as a reason to remove the high – priestess from the service to the goddess. There were some cases of suicides among priestesses when their reputation was questioned (according to chronicles Takuhatahime, daughter of the Emperor Yūryaku, fell the victim of her enemies’ calumnies so she buried the sacred mirror and then hanged herself). After the Emperor’s death or resignation, Saiō could come back to the court, get married and have children (similarly to the Roman beliefs marrying a former priestess was a great honour). If for some reasons Saiō was dismissed before the end of her office, no other was chosen in her place until the reign of a new Emperor. The office of Saiō was held until 14th century.

When Buddhism became more and more popular in Japan, Amaterasu was recognised as a manifestation of bodhisattwa (either Kuan Yin or one of the forms of Buddha himself).

IMAGES, SYMBOLS AND ANIMALS

Apart from the Imperial Regalia Amaterasu is closely connected to roosters crowing at the dawn and a raven called Yatagarasu (Eight-Span Raven), her personal messenger to Emperor Jimmu who not only helped his army pass the rocky mountains safely but also went scouting and even negotiated on his behalf.

Yatagarasu the Raven

DIVINATION MEANING

PERSON

A person of great beauty, knowledge, talents and serenity who yet does not want to shine in the company. Someone reliable but modest who does much and talks little. Also a shy and timid person who escapes from problems and hides from the reality. In negative a narcissistic person focusing on their appearance and awaiting flatteries.

ADVICE

Come out of your hiding place. Regardless of how talented you are, you will waste it if you do not let yourself shine. Even if you are tired and discouraged now, remember that life still holds many pleasant surprises for you.

Do not escape from problems. Focus on one goal even if it seems trivial. Do not start many things at the time because you will not complete any of them or they will not be done thoroughly and you will get even more frustrated.

It is not your task to hide in the corner. It is your task to shine with your beauty, wisdom and smile. Beauty is not just pretty face and body but rather charm which attracts people to you. Build your self-worth from the inside, do not base it on the opinion of others. Without self worth it will be difficult for you to keep balance, set boundaries and love others wisely.

Silence or withdrawing from the annoying conversation is not giving up or failure. You win by not allowing the mental aggressor suck energy out of you. It reminds pulling the rope, if you let it, the person on the other end will fall down. Withdrawing from people and focusing on your inner life to think an important matter over is a very good idea. However, when you draw conclusions, do not keep them for yourself but rather put them into practice.

Hiding emotions inside will not make them disappear, instead they will be consuming you so it is much better to throw them out. If you do one thing, feel sth different and speak yet another thing, you are dispersing your energy. Let your thoughts, words and acts be one. Show integrity. If you put masks on, you will not let others to like, respect and love the real you. They will only like, respect and love the image of you that they have. It is impossible to build a true relationship with another person if you use illusions as a base.

Even if you feel like being immersed in darkness now, be sure that eventually you will shine.

Coming back to the world. New beginning. Competition. Strong position. Beauty. Radiance. Warmth. Fun. Music. Dance. Laughter. End of sadness. Harmony. Peace. Sensitivity. Creation. Teaching. Life Force.

In my personal interpretation, this card has often the similar meaning to The Sun, 19th Major Arcane of Tarot. Its energy is a bit “softer”, though, unlike a clearly male The Sun in Tarot.

LOVE

If you are in the relationship:  cooling down in a relationship, partner may become silent or withdraw from family life but it is also the time of improvement and solving problems out. Regardless of whether the union will resurrect like a phoenix or not, this card definitely assures you that the ultimate outcome will be positive to you.

If you are single: you are single because you isolate yourself from the world on the external or internal level. Either you do not go out to the places where you can meet new people or you do not let people approach you and you keep distance even when you are at the party or in the company of acquaintances.

FINANCES

Good time in finances. Promotion or pay rise. If the question concerns a new venture, this card suggests it will bring a satisfying result.

HEALTH

Internal diseases. Inflammation of organs. High temperature. Unrecognised depression. Post traumatic stress disorder. Excessive or low activity. Endangered parts of the body: heart, eyes.

CARDS

Classical representation of Amaterasu inspired by the picture of Utagawa Kunisada in Goddess Inspiration Oracle by Kris Waldherr

Amaterasu in Goddess Inspiration Oracle by Kris Waldherr

A very similar image of Amaterasu looking at the cave in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Amaterasu in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton-

Amaterasu with the mirror in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Amaterasu in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Radiating Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu with a rooster and a decorative headdress in Universal Goddess Tarot by Maria Caratti&Antonella Platano as The Sun (according to one of the myth version seeing Susanoo approaching Amaterasu pinned wild boar tusks into hair to protect herself. Her brother used them, not her necklace, to create human beings)

Amaterasu in Universal Goddess Tarot by Maria Caratti&Antonella Platano

A fainting nymph…oh sorry, Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Blue Haired Fairy from Pinocchio…oh sorry, Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Based on English and Polish Wikipedia, http://www.japantimes.co.jp/text/fl20090712x1.html and http://www.angelfire.com/de/poetry/Whoswho/Amaterasu.html .

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KUAN YIN

KUAN YIN

A Buddhist and Taoist goddess, bodhisattva i.e. the soul which has already broken away from saṃsāra, a wheel of incarnations, and yet made a conscious decision not to fall into the state of nirvana, but to remain among people to help them to release themselves from fears and egoistic thinking. Kuan Yin is a goddess of compassion for Buddhists and Immortal according to Taoistic beliefs. Her name is written in various ways (Kuan Yin, Quan Yin, Kwan Yin, Guan Yin, Guanyin, Kwannon*) and it means The One Who Hears the Cries of the World.

ABOUT GODDESS

It has to be said that Buddhism is not the sort of religion teaching that there are some divine spirits which created the world and keep it in order just like most religions do. It does not mean that supernatural powers do not exist in Buddhism, it simply means that there is no strict division between people and gods because everything depends on the way of acting. Depending on your behaviour you can either move down in the wheel of incarnations or move up thus it is possible for a human being to acquire divine abilities thanks to the development, meditation and compassion. Despite geographical and cultural distance the Buddhist and Taoist legends about Kuan Yin amazingly resemble the ones of Christian saints.

The stories about Kuan Yin are numerous. She is generally perceived as a female form of Avalokiteśvara, the bodhisattva of compassion (bodhisattva may adapt any form, gender and age in order to help as many souls as possible). Even though she belongs to the religion which originates from India, she is most popular in China where she is worshipped both in Buddhism and Taoism. One of the myths says that Kuan Yin promised not to give up until she releases all the creatures from saṃsāra, however despite her great efforts there was still too many unhappy people. When she was trying to comprehend how to help them, her head shattered into eleven pieces. To help her Buddha gave her eleven heads so that she could hear all the cries of suffering but when she was trying to reach out her arms to help all the creatures who needed her, her arms became so busy that they shattered from being overloaded. Therefore Buddha gave her one thousand arms in order she could act successfully and in certain areas she is worshipped as Kuan Yin Of a Thousand Arms:

Many Buddhists believe that when they die, it is Kuan Yin who places their souls  in the lotus flower and sends them to the land of Sukhāvatī.

In China she is widely known as Miao Shan who was born as a mortal woman in the royal family. When she grew up, her father Miao Chuang Yen decided to marry her to an influencial but soulless man. Miao Shan agreed obediently to do it on the condition that this marriage will relieve suffering caused by ageing, diseases and death. Her future husband was not capable to do it so a young princess decided to concentrate on religion and become a nun. Her father forced her to perform hard manual labour as a punishment and limited her food and water rations but this did not break her resistance.  Miao Shan kept begging her father to let her stay in the convent instead of forcing her to marry and he eventually agreed. However, he commanded the monks to give his daughter the tasks she would not be able to accomplish to make her come back to the royal palace. This plan failed because Miao Shan was such a good girl that animals living in the neighbourhood were coming to the convent to help her in the night. In desperation the king set the fire to the covenant but the princess managed to extinguish the fire with bare hands without suffering from any burns. The king was so frightened that he condemned her to death. There are a couple of versions of what happened next.

The first version says that when she was about to be executed, a supernatural tiger carried her soul off to hell where demons surrounded her immediately to punish her as they always do with newcomers. However, Miao Shan played an instrument and the flowers started to blossom all around which completely surprised the demons. In fact simple appearance of the princess made hell turn into paradise.  The second version speaks of how Miao Shan allowed the executor to kill her in order not to expose him to king’s anger. But no weapon wanted to deprive her of life: both axe and sword shattered into pieces when they touched her body and arrows intentionally missed the target. In the end the executioner understood that he had to kill Miao Shan with his own hands. When he was about to strangle her, the princess forgave him and took the karma for his deed as her own burden and this explains why she had to go to hell. When she saw the amount of suffering there, she was struck with such grief that she released all the good karma she had gathered throughout her numerous incarnations. This made so many souls free and completely recreated hell into heaven that its ruler Yanlou had no choice but to send her back to Earth to prevent further destruction of his realm. She appeared back near Fragrant Mountain which is her sacred place. Another version of this story says that Miao Shan did not die at all but instead was brought to the Fragnant Mountain by the tiger.

So how does this story end? Well, Miao Shan’s father fell ill with jaundice and no doctor could heal him. But then suddenly a monk appeared and revealed that the only medicine that would make the king healthy again was a mixture of an arm and an eye of a person completely deprived of anger who lived on Fragrant Mountain. When the ruler sent his servants to ask if she could sacrifice her body parts, Miao Shan agreed immediately to help her father. Miao Chuang Yen recovered indeed and went himself to Fragrant Mountain to express his gratitude personally. He was amazed when he discovered that the person who sacrificed herself was his own daughter. Begging for forgiveness he built a temple on the top of the mountain together with his wife and two remaining daughters. Miao Shan has become Kuan Yin of a Thousand Arms and ascended into heavens but on her way she heard weeping and looking from above she realized the magnitude of suffering. She decided to stay and she made an oath that she would not surrender until all the agonies stop. She settled down on the island Mount Putuo (Putuoshan) where she was meditating and helping sailors and fishermen to get back on the shore (she is believed to calm the waves down next to sharp rocks to protect boats and ships and that is why she is considered to be a patroness of the seamen).

Another popular myth about Kuan Yin is the one about a lame boy named Sudhana (Shan Tsai in Chinese version). He was a young boy so eager to study Buddhism that when he found out about an excellent teacher who lived on the Putuo island, he set off the journey to get there. When he arrived and talked to Kuan Yin, she was very much impressed by his willpower which enabled him reaching so distant place despite physical disability. However, she decided to try him and made an illusion of three pirates running towards her with swords and pushing her down the cliff. Sudhana limped towards the cliff too and fell down trying to save her but Kuan Yin stopped him half way thanks to her power, put him down on the ground and told him to walk ahead. It turned out that he was able to walk like a healthy man and when he looked into a pool of water, he noticed that he also became handsome. From that day Kuan Yin started to teach him the rules of Buddhism.

Many years later the son of King of Dragons, the ruler of the sea, was caught in the fishing net after he had assumed the form of a fish. While being on the land he was unable to turn into a dragon again and mighty as he was his father had no power over the land and could not help him. The prince wept piteously that he got stuck in another dimension and his cry penetrated both heaven and earth. Kuan Yin heard it and sent Shan Tsai to buy the fish. Her disciple soon realised where the fish was because it became the main attraction of a local fair as it remained alive long after being caught. People thought that eating such fish would provide them immortality and began fighting for it. Shan Tsai was begging the seller to spare the amazing fish but this made the crowd even more angry. Then the voice of Kuan Yin came from far reaching, stating that life belongs to the one who protects it, not to the one who destroys it. Hearing these words people understood their mistake and the crowd dispersed. Shan Tsai was able to take the fish to his teacher and she let it free into the sea where the prince transformed into a dragon. The ruler of the sea was so happy to have his son back that he sent his granddaughter Lung Nü (Dragon – Girl) to Kuan Yin with the Pearl of Light, a precious jewel which kept shining permanently from the inside. Lung Nü was so amazed by bodhisattva that she asked if she could become her disciple and Kuan Yin agreed on the condition that she would be the owner of the Pearl of Light. This is why the goddess herself is often depicted with a basket of fish and accompanied by children, Shan Tsai and Lung Nü.  Shan Tsai is presented with his palms joint and knees slightly bent to remind that he was once crippled while  Lung Nü is holding either a bowl or an ingot as a symbol of the Pearl of Light.

Not only people wanted Kuan Yin to teach them. Just as in the case of St Francis animals liked her, too. One day a little parrot went out to search for her mother’s favourite food but was caught and trapped by a hunter.  When she finally set free, she discovered that her mother had died of hunger. She was weeping and she arranged a beautiful funeral for her and later she went to Kuan Yin to become her disciple. Goddess is sometimes depicted with a white parrot hovering to the right side of her with either a pearl or a prayer bead in its beak as a sign of love to parents.

Kuan Yin was very ingenious in finding the ways to help people. When she found out that the inhabitants of Quanzhou in province Fujian could not afford to build a bridge, she turned into a beautiful woman, got into a boat and offered to marry the man who was able to hit her with a silver coin while standing on the edge of the river. Because many tried it and missed, she soon gathered a large sum of money in the boat and the river.

Kuan Yin is very popular among Chinese Buddhists as a source of unconditional love and a saviour because in her bodhisattva vows she promised to answer every cry which will help to release a soul from its karmic vows. Some schools of Buddhism believe that Kuan Yin is not really a separate being full of compassion and love but the energy of compassion and love itself thus people who behave in non – egoistic and empathetic way are simply called guanyin. One of the main texts of Buddhism is the Heart Sutra which is not based on Buddha’s teachings but is attributed to Avalokiteśvara/Kuan Yin, the famous quote Form is emptiness, emptiness is form is included in this text. Kinara, main divine protector of  Shaolin Monastery, was considered to be an incarnation of Kuan Yin. As a symbol of compassion she is also closely associated with vegetarianism, Chinese vegetarian restaurants are often decorated with her image. Chinese buddhists both in country and diaspora consider her to be a guardian of women and children** and believe she can grant a child to the parents who ask. A woman should offer a borrowed shoe in the temple of Kuan Yin and when the expected child is born, mother should take her shoe back and leave a pair of new shoes as a gift of gratitude. Kuan Yin also has the features of earth goddess because after a great flood she sent a dog with the grains of rice so that human beings could grow the plant and have food to eat. She is believed to be both a protectress of  the unfortunate, the sick, the disabled, the poor, people in trouble and the goddess of luck and fortune. She is more and more often asked for protection during flights. In Asia it is not uncommon to come across syncretic images merging Kuan Yin with Saint Mary (the way of presenting them –  a woman and a child – is similar). When Christianity was banned in Japan, some clandestine Christian groups were venerating Mary in disguise of Kuan Yin.

IMAGES, SYMBOLS AND ANIMALS

Kuan Yin is usually presented as a beautiful woman wearing white robes, sometimes with a royal necklace. She is sitting nobly and her eyes are lowered down to show that she is protecting the world. The goddess is holding a jar with fresh water in her left hand and a willow bough in the right one. There are also numerous versions of her local representations such as Kuan Yin of the South Sea  where she is holding a basket with fish. Another popular image is Kuan Yin standing on a dragon accompanied with a white parrot  and with Shan Tsai and Lung Nü standing by her side (or interchangeably a warrior Guan Yu, a historical figure from Three Kingdoms Period and another bodhisattva Skanda).

DIVINATION MEANING

Person

Positive: A person shown in this card is noble, high – minded and empathetic. This is someone who has an inner sense of justice, who believes deeply in what they do and whose thoughts are reflected in the way they behave. An opinion of others or material goods are not essential for such person. Their most common activity is working in an animal shelter or in a hospice or attending a peaceful manifestation for freedom or civil rights for oppressed. This person is often a vegetarian or a vegan.

Negative: a person who cannot refuse help and as a result takes the burdens of others on their own back. Someone with strong beliefs who does not accept the truths of other people.

Professions: teacher, volunteer, guardian, carer, priest/priestess or nun.

ADVICE

In the situation you are inquiring you should be gentle with yourself and others. Show sympathy. Listen to your protagonist even if you disagree. Do not judge. Do not try to be absolutely perfect. Do not expect too much from others. Forgive yourself and those around you what you have done or have not done. Open your own heart if you want people to love you. Do not be suspicious and think about people in a positive way. Avoid gossiping and talking behind someone’s back.

Sometimes you have to do something against social, logical and rational rules.

Do not compromise when it comes to doing good.

May your thoughts, words and deeds be one.

Love

If you are in the relationship: possible problems caused by lack of understanding. Showing your partner love and listening to them may be a solution. Admitting you made a mistake or recognising at least some of your partner’s reasons is not something to be ashamed of, it is a sign of maturity.

If you are single: rather platonic than sensual love. Unfulfilled love. Being single by choice.

Finances

Do not expect big financial profits at the moment. This card suggests you rather appreciate positive working environment or try to amend it. Share what you have and support those in need.

Health

You are overloading your body. You are not providing your organism with sufficient amount of nutrients. Strong influence of mind on body. Pay attention to circulatory system, especially in limbs. Possible amputation. Endangered parts of the body: heart and circulatory system.

CARDS

Kuan Yin appears in all the decks I have come across, however none of these images is really adequate to her archetypal representations and personally I am not convinced by any of these cards.

Kuan Yin in Goddesses of the New Light by Pamela Matthews (I think it is the most beautiful image of all the decks)

Kuan Yin in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Kuan Yin in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kuan Yin in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kuan Yin in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kuan Yin in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kuan Yin in Oracle of the Goddess by Anna Franklin&Paul Mason

Kuan Yin in Oracle of the Goddess by Anna Franklin&Paul Mason

Kuan Yin in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kuan Yin in The Goddess Oracle Deck by Thalia Took

Kuan Yin in Goddess Card Pack by Juni Parkhurst

Kuan Yin in Goddess Guidance Oracle Cards by Doreen Virtue

Kuan Yin in Ascended Masters Oracle Cards by Doreen Virtue

Kuan Yin in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kuan Yin in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kuan Yin in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kuan Yin in The Goddess Power Pack by Cordelia Brabbs

Kuan Yin in Goddess Inspiration Oracle and in The Goddess Tarot by Kris Waldherr where she rather arguably represents the Major Arcane of Hanged Man

Kuan Yin in Universal Goddess Tarot by Maria Caratti&Antonella Platano, again I cannot agree with assigning her to the element of Fire (this burning convent is a poor association, Kuan Yin should be presented in the element of Water as the King of Cups)

Based on English Wikipedia.

*If you are interested in variety of her name’s versions, please check English Wikipedia.
**Pay attention to her name, ‘yin’ is a female element in the symbol of yin&yang.

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