Tag Archives: diana

REVIEW: THE GODDESS CARD PACK BY JUNI PARKHURST

THE GODDESS CARD PACK. DISCOVERING YOUR GODDESS WITHIN

by Juni Parkhurst

ABOUT THE AUTHOR

Unfortunately, it is one of these rare situations where I am not able to provide you with the information about the author because I cannot find much. There is no author’s bio in the booklet, no author’s page nor profile on social media. She seems non-existent in the Internet, all I could find was the address of the place where she is said to work as a hypnotherapist (in the booklet it is also mentioned she organises the goddess card readings and the goddess workshops). She also belongs to the UK Association for Humanistic Psychology Practitioners.

If you know anything about her, please share it with me.

ADVANTAGES

The first advantage is definitely a wide range of cultures included in this deck, you will find here the goddesses from different parts of the world.

Again the images turn out to be a strong advantage of this deck, they are all bright, colourful and similar in style of expressionist or fauvist artists such as Munch or Matisse. They may appear as a bit careless and childish yet it may also be treated as an advantage because this simple and direct way appeals to the reader’s intuition immediately. Intuition is the basic, primary and straightforward sense so colourful, uncomplicated images can be very helpful in making it work. Of course, as I always repeat after the ancient Romans de gustibus non est disputandum and some will consider it to be a disadvantage of this deck.

Big thumb up for including the real goddesses only, no card of Mary here.

Another huge advantage is the attempt to give structure to the oracle card deck. The whole deck is divided into six parts ruled by the archetypical deities who impersonate its features: Aphrodite, Kali, Diana, Hecate, Athena and Demeter. To find the goddess who corresponds best to your nature, you have to fill in a short personality test. Each ruling goddess is then described by the summary of  her mythology and her equivalent in modern psychology, also visualisations and rituals are given as well as divinatory meaning.

Other goddesses are classified to the clusters ruled by the above mentioned deities.

Kali’s Cluster of Goddesses of the Dark Side of the Moon

Pele

Medusa

Lilith

Sekhmet

Demeter’s Cluster of Goddesses Who Nurture

Gaia

Brigid

Kwan Yin

Sophia

Hecate’s Cluster of Goddesses of the Sacred Healing Mysteries

Persephone

Hygea

Ostara

Changing Woman

Diana’s Cluster of Nature Goddesses

Yemanya

Ceres

Cerridwen

Chalchiuhtlicue

Athena’s Cluster of Warrior Goddesses

The Morrigan

Victoria

Freyja

Inanna

Aphrodite’s Cluster of Love and Sex Goddesses

Frigg

Isis

Lakshmi

Oshun

I consider it to be an advantage of this deck, after all such subject as the goddesses mythology seems to be an excellent source of archetypes ready to be translated into the modern times. In fact, I am surprised that most of goddess oracle decks do not pay attention to this aspect but concentrate on the pure oracle or worship elements.

DISADVANTAGES

The division may as well be considered to be the disadvantage because it is controversial. The attribution of ruling deities to their clusters can be disputed. Some goddesses are rather versatile and it is difficult to classify them to one category only, Sekhmet could as well be a warrior goddess, Freyja and Inanna are as much love and sex goddesses as they are warlike and Lakshmi seems to match the nurturing goddess cluster. Personally I would like to see a whole new cluster of wisdom, intelligence and inspiration goddesses with Sophia, Brigid and Athena.

In my opinion the goddess card pack makes the impression of a slapdash if not messy edition. There are factual mistakes (I have already mentioned in my post about Demeter that Ceres was not a Greek but Latin goddess) as well as simple typos (‘Eostara’, ‘The Morrogon’ and ‘Lakshimi’). Instinctively I started to search for the name of the person responsible for correction but I found none. In fact the information about the edition is very limited as if just one person did the whole publishing work. There is the copyright recognition of Juni Parkhurst but for the text only, not for the images as I (and probably most users) initially thought! So who created the images? Similarly to Godsfield Press’ other issue The Goddess Power Pack there is no direct remark, bah! there is not even a list of the people participating in the card pack edition as it was in the case of Cordelia Brabbs’ deck so we cannot even guess who did the pictorial work. I was baffled even more when I read the following sentence in the booklet

Juni Parkhurst asserts the moral right to be identified as the author of this work.

‘Moral’? Seems ambiguous to me… When it comes to copyright it is common to establish clear and precise attribution to avoid any possible legal battles and ‘moral’ has too vast meanings to be exact. It is not the first time when the publication by Godsfield’s Press lacks clarity (see my review of Goddess Power Pack). I am not going to further explore the topic but I certainly treat it as a huge disadvantage of this deck.

To sum up, let me quote the Russian proverb signifying great plans but ineffectual result: We wanted to do our best but in the end it all turned out as usual

ISSUE

30 cards

a book containing the introduction, information how to use the card pack, ‘Which Goddess Are You?’ test, the descriptions of the goddesses and advice how to use cards (how to lay out the cards, a couple of spreads, how to interpret the cards), famous goddess types and index

a box

In a book each card is presented in the following way:

the descriptions of the cluster leading goddesses (history, today, challenges, love, ritual, visualisation, divinatory meaning)

+

other goddesses (key words and short divinatory meaning)

 box juni pankhurst

The size of cards is 13,5 x 8 cm

Back sides of cards show the brown and yellow fish swimming in the blue waves.

EXAMPLE CARDS

Athena

Athena in Goddess Card Pack by Juni Parkhurst

Brigid

Brigid in Goddess Card Pack by Juni Parkhurst

Demeter

Demeter in Goddess Card Pack by Juni Parkhurst

Isis

Isis – Hathor in Goddess Card Pack by Juni Parkhurst

Lakshmi

Lakshmi in Goddess Card Pack by Juni Parkhurst

Back side

back side juni parkhurst

© 1999 Godsfield Press and text © 1999 Juni Pankhurst

Publisher: Godsfield Press/Sterling

ISBN: 0 – 8069 – 9903 – 9

Aphrodite
Athena
Brigid
Ceres
Cerridwen
Chalchihuitlicue
Changing Woman
Demeter
Diana
Eostre
Freyja
Frigg
Gaia
Hecate
Hygea
Inanna
Isis
Kali
Kuan Yin
Lakshmi
Lilith
Medusa
The Morrigan
Oshun
Pele
Persephone
Sekhmet
Sophia
Victoria
Yemanya

REVIEW: THE ORACLE OF THE GODDESS BY GAYAN SYLVIE WINTER AND JO DOSE

THE ORACLE OF THE GODDESS

by Gayan Sylvie Winter&Jo Dosé

ABOUT THE AUTHORS

GAYAN SYLVIE WINTER is the writer who lives in Santa Fe in the USA. She was a model and an actress in the 70’s when she went to India and spent seven years in Osho’s Meditation Centre. She published 25 books and decks.

JO DOSE is a painter and an illustrator. She lives and works with her husband in Sedona in the USA.

Both ladies have already worked together on Vision Quest Tarot.

None of the authors has an official page nor social media sites (Gayan Sylvie Winter is only available on LinkedIn , she also seems to have her FB profile, but it looks like a private one, I have not come across her official page there)

ADVANTAGES

Images are certainly the advantage of this deck. Jo Dosé has done a tremendous work trying to render the goddesses from different lands and times. Her images of goddesses represent the myths, symbols and attributes of particular deities: Amaterasu shines in the skies, Athena has her owl, Demeter – her sheaf, Freyja – cats and falcon feathers cape, etc. There is an eight – pointed star representing Venus above the heads of Astarte, Inanna, Ishtar and Venus who were all associated with this planet.

I am delighted to see Skadi included in this deck, her myth is one of my favourite ones and she is rarely presented in other decks.

Another advantage is definitely a wide range of cultures included in this deck, you will see here goddesses from Mesopotamia, Hellas and Rome, Celtic lands, Africa, India, the Far East, Polynesia and both Americas. Although some of the choices the authors have made might be controversial (see below), the overall choice of goddesses is satisfying.

DISADVANTAGES

I find the booklet added to the cards rather disappointing even though it seems to be a substantial part of the set (big size, bibliography etc.). I find the geographical division to be completely messy, there is no chronological order in the contents so we jump from ‘Universal Goddesses’ through Indian and Chinese Goddesses to Greek Goddesses then Japanese Goddess just to end up with Phoenician Goddess. Phew! I am quite well informed when it comes to different cultures, but for those who are not, this may seem like riding a carousel. I also question some names used: I am not convinced that we can describe some goddesses as ‘universal’, after all they were still created by a particular culture. I totally disagree with calling Hekate a ‘Turkish Goddess’: in the ancient times there was no ‘Turkey’ as we see it now, the areas of modern day Turkey were generally called Anatolia and the mighty Hellenic colonies were present on its coast. Plus mythologically Hekate is rather connected to Thrace than to Anatolia.

The book itself is also rather disappointing. Some basic facts about the goddess are mentioned in each chapter but if you already have certain mythological and cultural knowledge, it is unlikely that you will find out much more.

There is The Oracle part added to each chapter but it seems rather vague and not related to the goddess at all. Here’s an example, the message added to the chapter about Freyja

A message can be understood in many ways…A message talks with many tongues…Learn to tell which message is right. Everything depends on the mind of the person who hears the message; on his or her eyes and ears. The low voices of nature spirits want to show you the way now. But often we don’t listen to the subtle voices that want to help us and follow the confusing voices in our head instead which keep talking to us without respite. Let go of these voices which come from the past and still wish to determinate your future. Let go of the things that suppress you, that hold your spirit prisoner and hide the truth from you.

Learn to see what is precious in your life and do away with things that prove unreal and thus worthless; don’t pursue them any longer. All it takes is a little light to see the difference. Sometimes all it takes is turning one’s head to see the truth behind all the appearance. It is not until you’ve found the truth inside yourself that your life will change and reveal its deeper meaning to you.

Now, I don’t want to cavil nor be nosy but what has this to do with Freyja? Which myth of her is it connected to? Which symbol does it mention? Sure, the author has the right to convey their own vision in the deck but if it is called ‘The Oracle of the Goddess’ then there SHOULD be some connection to their myths and symbols, right?

The more I read the more doubts I have.

As far as I know calling three Hindu goddesses Trimurti is a mistake. ‘Trimurti’ is a Hindu expression for three male deities: Brahma, Vishnu and Shiva, while the female ones, Saraswati, Lakshmi and Parvati are referred to as Tridewi.

I am also not sure whether it was a good idea to single out Shakti as a separate goddess. I am not an expert in Hinduism and please correct me if I am wrong, but as far as I understand this concept, Shakti is a universal female energy which manifests itself in particular goddesses. If you include Kali or Lakshmi in the deck, what is the point to include Shakti as well?

And I believe the most dubious assumption is calling Tao a goddess. Tao is the life force on Earth, it does not take any forms and it is impossible to define it therefore it has no sex. It cannot be represented as goddess. To make you understand this concept better let me quote Tao Te Ching, Taoism’s sacred book:

The Tao (Way) that can be told of is not the eternal Tao;
The name that can be named is not the eternal name.
The Nameless is the origin of Heaven and Earth.
 
This is why it is impossible to make the personification of Tao and it makes no sense to attribute either positive nor negative features to Tao (therefore you cannot say it symbolises ‘soft and female’, this is represented by the Yin energy).*
 
I am also not sure if all the three, Inanna, Ishtar and Ashtarte, had to be included in the deck, after all they are alike and represent similar features.

And of course, a huge minus for including Mary in this deck. I explained clearly here why she is NOT a goddess.

ISSUE

33 cards

a book containing introduction, short information how to use the cards and information about each goddess presented

a box

In a book each card is presented in the following way:

– name of a goddess 

– area of her influence, myths, the development of her cult

– the oracle

box the oracle of the goddess

The size of cards is 13,5 x 9,5 cm

Back sides of cards show the pink lotus – like flower surrounded by the stars on the night sky with clouds in the corners.

EXAMPLE CARDS

Athena

Athena in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Brigid

Brigid in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Demeter

Demeter in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Isis

Isis – Hathor in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lakshmi

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Back side

back side gayan winter

© 2005 AGM AGMüller Urania, Neuhausen/Switzerland

Publisher: AGM AGMüller Urania

ISBN: 3 –03819 – 026 – 8

Amaterasu Omikami
Astarte
Bridget
Changing Woman
Chalchihuitlicue
Demeter
Diana
Freya
Gaia
Hathor
Hekate
Hera
Inanna
Ishtar
Isis
Ix Chel
Kali
Kuan Yin
Lakshmi
Lilith
Mawu
Mary
Pele
Rhiannon
Skadi
Shakti
Spiderwoman
Songi
Tao
Tara
Trimurti
Venus

* Many thanks to danceronthewaves for explaining this concept to me.

REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

REVIEW: THE GODDESS TAROT BY KRIS WALDHERR

THE GODDESS TAROT

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as Goddess Inspiration Oracle, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

It is not strictly the goddess oracle deck, it is Tarot deck inspired by goddesses. I find the paintings of Kris Waldherr to be the main advantage. As I have already mention in the review of Goddess Inspiration Cards her graphics appeal to me and the cards are alluring visually. In fact Goddess Inspiration Cards were created after success of The Goddess Tarot as a deck of oracle cards for the users who are not fluent in reading the Major and Minor Arcana.

Obviously when you interpret the readings of The Goddess Tarot, the question arises immediately what to mostly concentrate on: the primary meaning of the Tarot card or the myth about the goddess presented on this card? That is why it is essential to attribute goddess to the arcane adequately, basing on the myths, symbols or elements. It is a complex task and matching female deities to the quintessentially male figures seems to be the main limitation. I must admit that Kris Waldherr somehow managed to fulfil this task. The only things I don’t agree with are:

– incredibly feminine Freyja attributed to the arcane of The Emperor. I find a severe Athena more appropriate choice, however Athena represents the arcane of Justice in this deck (and I admit this assignment makes sense, too)

 – I am not convinced by the assignment of the sea goddess to the arcane of The Devil (here called Temptation) associated with an earth sign of Capricorn 

– I believe that if you take into consideration the nature of Gwenwhwyfar (‘the May Queen’), the card of Judgement which she represents should rather be named Revival

I believe and strongly insist that the original meaning of Tarot arcane should be the primary interpretative level and the goddess myth should only be its completion (especially that the mythological background is presented in a very  cursory manner in the booklet).

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

The deck is really interesting, however remembering the previously asked question (which came first? Tarot card meaning or the goddess myth?) I must say that its semantic chaos is really disturbing. The author somehow took shortcuts  because goddesses are only present on the 22 Major Arcana while the Minor Arcana are the reproductions of the images from Rider – Waite – Smith deck while the order is taken from Tarot of Marseilles and the deck of Alistair Crowley. It is actually the deck of goddess half – Tarot wink3 .

I also think that the rejection of traditional names is a disadvantage and it may be confusing. If you look at the name of Freyja’s card, Power, you may confuse it with the actual card of The Strength.

Kris Waldherr has attributed divine patronesses to all the four suits of the Minor Arcana and the figures representing each suit have characteristic features of people living in the place where the goddess was worshipped. And so Chalices (beginning the cycle of Minor Arcana against the tradition) are attributed to Venus, Wands to Freyja, Swords to Isis and Coins to Lakshmi.

ISSUE

78 cards + 3 additional ones with the information about the deck

a booklet with an introduction written by the author, short description of the Major and Minor Arcana meanings and example spreads (3 Cards + the Celtic Cross) and some empty pages for notes

a box

the goddess tarot

In a booklet each card is presented in the following way:

– name of a card

– a short description of goddess (Major Arcana) or the image on the card (Minor Arcana)

– meaning of the card when it is placed in a regular position

– meaning of the card when it is placed in a reversed position

The size of cards is 12 x 8,5 cm

Back side of the card is an ornamental motif of golden leaves placed between vertical and horizontal golden lines on a light blue background.

EXAMPLE CARDS

Athena as Justice

Athena in The Goddess Tarot by Kris Waldherr

Isis as Mage

Isis – Hathor in The Goddess Tarot by Kris Waldherr

Lakshmi as Wheel of Fortune

Lakshmi in The Goddess Tarot by Kris Waldherr

Nine of Wands

9 of staves

Three of Chalices

3 of cups

Two of Swords

2 of swords

Six of Coins

6 of coins

Back side

3

Copyright©1997 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1-57281-066-1

MAJOR ARCANA

O BEGINNINGS – Tara
I MAGIC – Isis
II WISDOM – Saraswati
III FERTILITY – Estsanatlehi (Changing Woman)
IV POWER – Freyja
V TRADITION – Juno
VI LOVE – Venus
VII MOVEMENT – Rhiannon
VIII JUSTICE – Athena
IX CONTEMPLATION – Chang O
X FORTUNE – Lakshmi
XI STRENGTH – Oya
XII SACRIFICE – Kuan Yin
XIII TRANSFORMATION – Ukemochi
XIV BALANCE – Yemanya
XV TEMPTATION – Nyai Loro Kidul
XVI OPRESSION – The Wawalak
XVII THE STAR – Inanna
XVIII THE MOON – Diana
XIX THE SUN – The Zorya
XX JUDGEMENT – Gwenwhwyfar
XXI THE WORLD – Gaia

REVIEW: GODDESS INSPIRATION ORACLE BY KRIS WALDHERR

GODDESS INSPIRATION ORACLE

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as The Goddess Tarot, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

Personally I think that the first advantage of this deck is simply being really pleasant for the eye. If you have already seen The Goddess Tarot created by the same author then you more or less realise what style you can expect. I like those slightly careless, a bit blurry and not fully polished graphics, however I can understand that they may not appeal to everybody.

I recommend this deck to users who appreciate originality, there is quite a lot of more ‘exotic’ goddesses that you will not find in typical decks. It’s a particularly multi – cultural deck, indeed containing deities from all over the world.

Another huge advantage is that in includes ONLY REAL GODDESSES without any cards of Mary or other Christian pseudogoddesses. An author presents the goddesses in an universal way, she pays attention to mythical and cultural rather than detonative layer. You will not find any rituals, invocations or any other forms of goddess cult. I admit that I like this broad perspective, you do not have to be a Wiccan or to believe in goddesses at all to be able to use their cards.

An author suggests that this deck is particularly suitable for people working creatively. She advises to use it in the moment of crisis caused by lack of ideas, simply by asking which direction to head in and then picking a card.

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

It is a very interesting deck but in my opinion it is too large, that makes meanings repetitive and does not allow to present goddess more accurately. In fact just half of the page in the booklet is left for the legends, myths and symbols associated with a particular goddess. It is much too little, especially that many of them is almost unknown.

kris waldherr booklet

I think it would be wiser to pick just 40 – 50 cards but to elaborate the mythical and divination layer. Seriously it makes no sense to create a goddess oracle deck that is larger than Tarot! zeby On the other hand, I can certainly understand an author as the person who is creating her own deck herself. When you come across the goddess whose myths comprise a lot of meanings, archetypes and symbols, it is hard to reject her wink3 .

In general, it is a very good addition to the more regular goddess oracle deck that you are already using. A beginner may get lost in it.

I think that the container is a disadvantage as well because the cards box is made rather unintelligently (however a card bag is added to the issue).

And one more thing, Fricka is much better known as goddess Frigg.

ISSUE

80 cards

a booklet containing information on how to use cards and descriptions of goddesses

a card bag

a box

In a book each card is presented in the following way:

– name of a goddess 

– area of her influence

– key words describing a goddess

– short mythological background

– affirmation

box kris waldherr

The size of cards is  11 x 7 cm

Back sides of cards show a double female figure with wide wings on a yellow background adorned with spirals.

EXAMPLE CARDS

Athena

Athena in Goddess Inspiration Oracle by Kris Waldherr

Brigid

Brigid in Goddess Inspiration Oracle by Kris Waldherr

Demeter

Demeter in Goddess Inspiration Oracle by Kris Waldherr

Isis

Isis – Hathor in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi

Lakshmi in Goddess Inspiration Oracle by Kris Waldherr

Back side

kris waldherr

Goddesses Inspiration Oracle Guide© 2007 by Kris Waldherr

Publisher: Llewellyn Worldwide, Ltd.

ISBN: 978-0-7387-1167-6

Abeona
Aditi
Aine
Ajysit
Amaterasu
Annapurna
Anuket
Astarte
Athena
Baba Yaga
Bastet
Benzai-ten
Berchta
Brigit
Changing Woman
Chang O
Cimidye
Cybele
Danu
Demeter
Diana
Erda
Erzulie
Fortuna
Freyja
Fricka
Gaia
Glispa
Gwenhywfar
Haltia
Hathor
Haumea
Hekate
Heqet
Hera
Hsi Wang Mu
Huchi-Fuchi
Hygeia
Iduna
Inanna
Isamba
Isis
Juno
Kali Ma
Kishijoten
Kuan Yin
Lakshmi
Lalita
Maia
Maman Brigitte
Mama Quilla
The Moirae
The Muses
Mut
Nügua
Nut
Nyai Loro Kidul
Ogboinba
Oshun
Oya
Pajau Yan
Pele
Persephone
Psyche
Rati
Rhiannon
Saci
Sarasvati
Sehkmet
Shakti
Sophia
Spider Woman
Tara
Yemanja
Zhinu
The Zorya

REVIEW: GODDESS GUIDANCE ORACLE CARDS BY DOREEN VIRTUE

GODDESS GUIDANCE ORACLE CARDS

by Doreen Virtue

ABOUT THE AUTHOR

Doreen Virtue, Ph. D., has completed her doctorate in the field of psychology. She says she originates from the family of people with strong psychic abilities and is a clairvoyant herself. She is particulairly interested in the subject of angels and has already published several books and decks of cards about them which turned out to be very popular.  Studying her biography you will find a lot of TV and radio shows where she appeared (very American style of presentation indeed). She resides in Hawaii. More on her page.

ADVANTAGES

Some of the messages are excellent and well-prepared from the point of view of psychology, such as e.g. Sekhmet (See yourself as strong and victorious. Don’t complain about anything. Don’t blame anyone or any condition. You’re the embodiment of strength, not victimhood), Guinevere (You needn’t be in a partnership to evoke romance; from my own experience I can say you have to grow up to accept this message) or Mary Magdalene (The lower levels of human bickering, judgement, and chaos are just that: lower levels. I choose to do my work from the level of the higher consciousness).

For me personally this deck will always have a sentimental value because these were the first cards of goddesses that I have come across in my life. One of the clairvoyants has been spreading them in a live fortune – telling programme on TV and as the person who has been interested in the topic of goddesses since childhood I was amazed and started to search for them.  Goddess Guidance Oracle Cards was the second deck that I bought (and I have to admit that the choice of decks in my native country is very limited, I bought most of mine in the UK online shops).

DISADVANTAGES

I was communicating easily with these cards for a long time, however when I started to analyse the myths of particular goddesses, it turned out that I can see slightly different messages than the author. And when I started to DIG DEEPER, the reasons to be amazed by this deck suddenly disappeared.

Goddess Guidance Oracle Cards is the deck which features not only real goddesses but also literary and religious heroines. Isolde IS NOT a goddess! I do understand that sometimes it is not easy to find a goddess in a myth because after christianisation she was reduced to a common mortal woman (this is probably what happened to Rhiannon, Gwenhwyfar and Morgaine) but despite her Celtic origins Isolde herself has nothing to do with goddesses!

The same objection applies to religious heroines such as Mary Magdalene and Mary the mother of Jesus. The latter is presented in an arch-Catholic and Baroque style and the author claims that in the West, Mother Mary in undoubtedly the most famous goddess. Well no, Doreen, not at all! Mary has no divine features in any factions of Christianity.

The selection of goddesses to this deck is regular but still somehow controversial. I do not like the overrepresentation of the goddesses from the British Isles. Doreen chose Sulis and Coventina to represent the message suggesting purification and the contact with water. Why? They are both rather unknown and they were in fact venerated only in one place, in Bath on the British Isles. I believe that Anahita the great Zoroastrian goddess of water would be much better choice. She has been highly worshipped all over Persia for centuries and one of the most important ceremony  aimed at purification and consecration of water is dedicated to her. Zoroastrianism is one of few big ancient religions which survived to this day and placing Anahita in this deck would support its worshippers (does anyone know that the parents of Freddie Mercury practised Zoroastrianism?). But I have to honestly admit that the authors of all the decks I have come across for the unknown reasons honour a little known Sulis as the deity associated with water and purification. Anahita does not appear in any of godesses oracle decks, she is only included in Universal Goddess Tarot where she represents the Major Arcane of Temperance.

An inconsistency of style is a huge disadvantage. Doreen does not have one ‘court’ artist and she used the images of twelve different painters in this deck. All you get is a huge mish mash. Apart from really intriguing images of Brigid, Eireen or Kali you come across some really nasty scribbles of Coventina or Dana. I know, I know de gustibus non est disputandum et cetera but the problem is that most of the pictures reflect Doreen’s style anyway. They are  ‘princess-like’ or saying aloud: trashy. Cards are full of goddesses with the faces of little girls, flowers, birds, pastel colours etc. Even Ixchel who was always perceived as a crone here is not older than thirty. Even powerful Underword goddess  Rhiannon, a wife and a mother running like the wind on a palfrey, here is a little girl going slowly on a unicorn. C’mon! In myths and legends only pure and innocent virgins could touch a unicorn! Doreen must be really into unicorns because she made a whole seprate deck for them but Rhiannon has nothing to do with them. Why is a woman infantilising womanhood so much? Why does she treat me as if I were a little girl and squealed with delight thinking about dolls, playing Mummies&Daddies and Prince Charming riding a white horse to take me to the Land of Permanent Happiness?! Avoiding nudity is also a part of this problem. Even Aphrodite, the most beautiful and seductive Hellenic goddess here looks a fainting nymph tightly entangled in seaweeds so that no part of body can be seen. I dare say that through a huge popularity of her product Doreen somehow ‘brought up’ her followers in the same manner. Why? While browsing goddesses cards in Amazon I have recently come across a review of a realistic deck by Hrana Janto&Amy Sophia Marashinsky. A lady was complaining about nudity in the images and the fact that ‘there is no card of Mother Mary there’.

It is the same with messages. Generally speaking just like with angel oracle cards the main theme is ‘surrender all your worries to Heaven, everything will be all right’. Don’t get me wrong, I do not want to neglect the inner need of praying. Personally I talk to The One&Sophia on regular basis but leaving all the problems to Heavens do not help in self-development. It’s as if you stopped on the level of childhood, after all ‘child is not able to understand the sophisticated world of adults’. In fact, I don’t think it’s good that all the cards are positive by default. The world around us is not always positive and it is our duty to learn how to deal with negativity and to be able to do it even if we run out of faith. Have a look at the card of Sedna who was first brutally treated by her beloved and then her own father pulled her out of the boat to the sea and cut her hands off so that she couldn’t get in again. And all of the sudden she receives from Doreen a cheerful message Infinite Supply. You are supplied for today and all of your tomorrows because the Inuit believed that fish came into existence from her amputee hands. And guess what is best? When you look at the image, you will not find a cruelly treated disabled woman but a sleepy girl with her head resting on hands (!). This is the deck for consolation, not for an inner work and deeper insight into yourself. Unless you start to dig deeper and analyse actual myths  . But then you will suddenly find out that Athena would not suggest following an intuitive wisdom at all but the rules of logics instead. Or that the mother of Diana (or more correctly Artemis who has a separate card in this deck which even augments the confusion and the chaos of meanings) did not have a painless labour at all! Even though she gave birth to Artemis painlessly according to the Roman writers, she was struggling to deliver Apollo, Artemis’ twin, for many days and nights.

I have to say honestly that I do not like this whole esoteric hotchpotch which Doreen presents in her decks. ‘Call upon goddess to…’, ‘Ask angels for…’, Christian figures, Pagan figures, Ascended Masters, etc all mixed together. If we throw everything we have in our fridge to a cauldron, we will not get a tasty soup at all. You have to remember that people using these cards were more or less brought up in the Christian faith where you believe in One God. Therefore if angels, unicorns or goddesses say to you ‘Surrender all your problems to us’ then why do you need God at all? I think that anyone who creates the deck of goddesses cards should take it into consideration because really there is no need to become a Pagan to use such decks. You don’t have to actually believe in goddesses to grow and develop your mental strength by using their cards.

This is why with my whole respect to Doreen I believe she should stick to the angel cards and leave the topic of goddesses to people with more professional attitude. Besides it seems that she treats her goddess oracle deck somehow with disregard as one of her many decks. It is not recommended nor featured on her page and it is not so easy to find it among others. I guess it’s similar to mothers with multiple children: you take care of all of them but you can’t concentrate on all of them.

ISSUE

44 cards

a booklet where each card is presented in a following way:

– name of a goddess, name of a card, short, one or two sentence introductory message from a goddess

– message from goddess

– different meanings of a card

– a short presentation about a goddess

and advice how to use cards

a box

doreen virtue

The size of cards is slightly bigger than the standard one (12,5 x 9 cm) and they have ‘gold plated’ edges. The issue is very good and comfortable: a box is small and handy and both booklet and cards are well-fitting.

Back side suggests these are the cards of queens rather than goddesses.

EXAMPLE CARDS

Athena

Brigid

Brigid in the deck of Doreen Virtue

Demeter

is not featured in this deck

Isis

Lakshmi

Back side

Goddess Guidance Oracle Cards copyright @2004 by Doreen Virtue

Publisher: Hay House

ISBN 978 – 1 – 4019-0301 – 5

ISBN 1 – 4019 – 0301 – 0

Abundantia
Aeracura
Aine
Aphrodite
Artemis
Athena
Bast
Brigid
Butterfly Maiden
Cordelia
Coventina
Damara
Dana
Diana
Eireen
Freyja
Green Tara
Guinevere
Hathor
Ishtar
Isis
Isolt
Ixchel
Kali
Kuan Yin
Lakshmi
Maat
Maeve
Mary Magdalene
Mawu
Mother Mary
Nemetona
Oonagh
Ostara
Pele
Rhiannon
Saraswati
Sedna
Sekhmet
Sige
Sulis
Vesta
White Tara
Yemanya

ARTEMIS (DIANA)

ARTEMIS (DIANA)

Goddess of the moon*, hunting, mountains, forests and wild nature, protectress of the Amazones, maidens and virgins.

ABOUT GODDESS

Artemis was a daughter of Zeusa and Leto and a twin sister of Apollo. Leto being Zeus’ lover drew the wrath of Hera his wife and the guardian of women in labour that was why the children could not come to the world for nine days and nights.  When Leto finally bore her first child it was Artemis who then helped her mother to deliver her twin brother.

Artemis never got married. She remained a virgin and she expected the same from her female companions (usually nymphs) who she was spending time hunting and hiking. She was an extremely vindicative goddess whose arrows cause diseases and pierce anyone who who had the misfortune to expose themselves to her. This is what happened to the children of Niobe, the mother of seven sons and seven daughters, who dared say openly that she had more offspring than Leto. Artemis killed Niobe’s daughters and Apollo her sons.That was also the case of Orion, a famous hunter, to whom she sent scorpion to bite him because he was competing with her in discus throw (according to another version of a myth she punished  him because he was pursuing her nymphs and yet another says that when Apollo noticed that his sister is falling in love with a handsome hunter he decided to protect her virginity and made her accidentally kill him). One way or another both Orion and the scorpio were shifted to the firmament and the same happened to Callisto (Kallisto), her companion who fell victim to Zeus’ desire. When she became pregnant, the goddess transformed her into a female bear and baited her dogs on her. Callisto would have certainly died if not Zeus lifted her up in the nick of time and placed in the sky as a constellation of Ursa Major. Another victim of her rage was Actaeon, a mortal man who saw her nude while bathing in a mountain brook. She sent her own pack of dogs against him to tear him to pieces. Also Agamemnon the chief of the Achaeans caused her anger while their ships were heading to Troy.  The goddess caused calm sea and she demanded Iphigenia, his daughter as a sin offering so Agamemnon made her and her mother Clytemnestra come under the pretext of her engagement with Achilles. The most common version of the myth says that when the victim was about to be fulfilled, Artemis took the girl and brought her to Tauris (Crimea) where she became her priestess. She also sent a boar to devastate the areas surrounding the city of Calydon because King Oeneus omitted her during sacrifices. During the hunt for the boar  Atalanta one of her companions became the reason for a huge row which resulted in the death of Meleager, the king’s son.

IMAGES, SYMBOLS AND ANIMALS

Artemis’ symbols are a bow and arrows. Animals commonly associated with her include a bear, hunting dogs, wild fauna and a hind. One of Hercules’ labours was catching alive the Ceryneian Hind who was her sacred animal; a hind was so agile that it took the whole year to finally capture her, hinds were also harnessed to Artemis’ chariot.

When represented in paintings and sculpture Artemis does not usually wear a long chiton and peplos like other goddesses but a knee – length tunic instead to feel comfortable while running and hunting. 

Artemis and Acteon

The goddess was particularly worshipped in the mountainous and wild countries of Hellas such as Arcadia, Sparta, Laconia, Elis and the Taygetus Mountain. However her most famous temple was situated in Ephesus in Asia Minor where Artemis was identified with an ancient Asian goddess of fertility (more about it here and here). In Tauris humans were sacrificed to her.

Artemis of Efes

DIVINATION MEANING

Person

This card signifies a young girl or even a teenager. In her positive aspects she is independent, fit, strong and protective towards the ones she loves.  This person is friendly yet remains distant. Just like Persephone she has a strong bond with her mother and she finds support among other women but she tends to avoid men, relationships and engagement. As an archer she suggests concentration and focusing on an aim and avoiding distraction until you achieve it. In her negative aspects she is vindicative, does not forgive mistakes and it is better not to mess with her. Similarly to Athena Artemis keeps her virginity which may signify the fear of carnality and intercourse.

Advice

This card suggests help and advice from a sister, a female friend etc. It also informs you that you need more movement and excersises and it encourages you to spend time in wild nature (the modern version of Artemis’ activity would be extreme sports).  It is a positive answer to any questions involving sport activities or requiring competition.

Because of its association with the Moon it shows the whole spectrum of what is connected with it in culture, psychology and esoterics: intuition, emotionality, foreseeing the future, romanticism, fantasy, unconsciousness, ignorance, illusion, darkness, ambiguity, confusion, mystery, lies, gossip, self-deception, sorrow, tears, despair, pessimism, nervousness, anxiety, depression, suicidal thoughts, psychosomatic illness, threats, mistaken action or passiveness, hidden issues which need to be explained, mental illness, hallucinations, somnambulism, nightmares, closing oneself off from others, running away from problems into the inner world, disease or drugs, sexual complexes, toxic relationship with a mother and other women.

Love

If you’re in the relationship: a strong influence of a woman on your relationship (a female friend, a mother,  a mother-in-law etc). A lot of emotions but usually hidden and unexpressed. Fears about future. Illusions. Hidden relationship.

If you are single: being single by choice. A pleasant company of the people of the same age. Secret longing for a partner.

Finances

Double check the documents you are going to sign. Do not be deceived by the outward appearance. Promises may not be fulfilled, do not take them for granted.

Health

Problems with body liquids flow, embolism, swelling. Sleep disorders. Coma. Depression, hallucinations and mental disorders. Addictions. Suicidal thoughts. Psychosomatic illness. Infectious diseases. Excessive use of drugs. You need more workout and movement. If you are a pregnant woman, this card suggest either a non-complicated labour  or the help of a competent woman. Endangered body parts: blood and lymph vessels, lymph nodes.

CARDS

A beautiful representation of Artemis in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Artemis in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky (she is portrayed here in an Amazone style)

Artemis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Artemis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Artemis in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé (as Diana)

Artemis in Oracle of the Goddess by Anna Franklin&Paul Mason

Artemis in Oracle of the Goddess by Anna Franklin&Paul Mason

Artemis, a hind&a leaning tower in Goddess Card Pack by Juni Parkhurst

 A very ethereal and oniric image of Artemis in the Goddesses of the New Light by Pamela Matthews, volatile and delicate, it is lunar indeed rather than athletic; she is accompanied by a dog and some hares, symbols of fertility, but remember that despite being a midwife, she does not the goddess of fertility herself

Artemis in Goddesses of the New Light by Pamela Matthews

There is a strange situation in the deck by Doreen Virtue. The Hellenic and Italic goddesses are usually merged semantically while here we have the division into Artemis (Guardian) and Diana (Focused Intention). Artemis’ message is You and your loved ones are safe and spiritually protected while Diana says, Keep your unwavering thougths, feelings, and actions on your target, and you will make your mark. To be honest I do not think it was a good idea.

Artemis in Goddess Guidance Oracle Cards by Doreen Virtue

Artemis in Goddess Guidance Oracle Cards by Doreen Virtue

It is similar with Artemis&Diana in The Goddess Oracle Deck by Thalia Took



 

 And in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock (first card is Artemis, th second one is Diana)

 Artemis in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

 Artemis in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Artemis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Artemis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 A warlike Artemis straight from a computer game in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

A military and modernised Artemis in The Goddess Power Pack by Cordelia Brabbs

Artemis wearing ballerina’s skirt in Mythic Oracle by Carisa Mellado&Michele-lee Phelan (but how can you use a bow and an arrow while hopping on one foot in the clouds? laughing1)

Artemis in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano where she is Knave of Swords (as Diana)

Artemis in Goddess Inspiration Oracle and The Goddess Tarot by Kris Waldherr where she is naturally associated with Moon the eighteenth Major Arcane  (as Diana again).

Artemis in Goddess Inspiration Oracle by Kris Waldherr

*In the Hellenic and Italic mythology there are four deities connected with the sun and the moon:  Helios/Sol and Apollo (sun) and Selene/Luna and Artemis (moon). Helios and Selene had belonged to the Titans, the first generation of gods whose cult was later replaced with the Olympians Apollo and Artemis. Since then Apollo is sometimes identified with Helios and Artemis with Selene, however there is still a certain semantic division. Helios and Selene are the deities who are phisically related to the sun and the moon as they roll the stars over the firmament with their chariots while Apollo and Artemis are their patrons but they do not put them into motion themselves.