Tag Archives: goddess guidance oracle cards

SULIS

SULIS

A Celtic goddess of water and hot springs who was worshipped locally in Bath in the UK. Identified with Minerva by the Romans, she was venerated as Sulis Minerva.  The exact meaning of her name is not certain, researchers speculate it stands for Eye, Vision and may originate from a Proto – Indo – European stem ‘suli’ meaning the sun.

ABOUT GODDESS

Sulis was a local deity of the hot springs feeding the thermal baths in Bath which the Romans called Aquae Sulis meaning ‘The Waters of Sulis’. It was typical for ancient cultures to assign demigods and demigoddesses to particular forms of landscape (e.g. Hellenic naiads who were taking care of springs). It was also not uncommon to merge older deities with their newer equivalents (e.g. the cult of Zeus Molossos in Dodona). There is, however, no evidence of her cult in other regions of Europe apart from Alzey in Germany, neither there are any recordings about how Sulis was venerated.

Luckily, approximately 130 inscribed tablets with requests to Sulis were discovered in Bath. Worshippers ask the goddess to punish people who stole small amounts of money or clothes from the bath house with illness at least until they give it back. Those requests were written in code using a British form of Latin. Again, expressing thanks and submitting requests to deity was a common practice in the ancient world; votive plaques for Nehalennia, a Germanic or Celtic goddess of journey, were discovered in her temple in Domburg (the Netherlands).

Analysing the identification of Sulis with Roman Minerva, the researchers have concluded that she may have not only been a protective and life – giving goddess mother but also the goddess of wisdom and intelligence. It is also worth to notice that that the Celts have been reluctant to merge their gods and goddesses with the Roman ones and Sulis Minerva seems to be one of very few examples of such syncretism.

Sulis Minerva’s temple was a pilgrimage destination.

IMAGES, SYMBOLS AND ANIMALS

A head from the bronze statue of Sulis Minerva from her temple was found in Bath in the 18th century. The statue was probably deliberately damaged either during the introduction of Christianity or barbarian quests.

the head from Sulis Minerva statue from her temple in Bath

DIVINATION MEANING

Person

A warm and emotional person who nevertheless can be over-sensitive and absorb the feelings&moods from the people around. Someone who adapts easily but may lose her/his individuality in the process. Also the person who suppresses negative emotions until s/he erupts like a volcano hearing a seemingly insignificant comment or a remark. S/he may be also passive, lazy and reluctant to take risk or challenge.

Advice

Think carefully whether you got stuck in a safe but boring situation or a point of your life.

Perhaps you need some rest to calm down. This card is associated strongly with water and healing so if you are planning to go to river, sea or SPA, it confirms you are making the right choice. If you cannot go to another place, simply have a long, relaxing bath.

Love

If you are in the relationship: if you are in a long term relationship, this card warns of a potential romance. A short holiday with your partner may be the solution.

If you are single: if you search for a partner, you may want to broaden your interests and search for new friends. This card suggests it’s easy for you to adapt to new surroundings. A holiday romance or a romance during the stay at the SPA resort.

Finances

Money earned thanks to tourism and visiting. An unstable financial situation. A bank transfer.

Health

Hydrating body. A drip. Hay fever. Perhaps you do not drink enough water or you drink too much coffee which dehydrates your organism. Being dehydrated by just 2% of your body mass can cause de-concentration and a headache. Drink small amounts of water regularly even if it seems to you that you are not thirsty. You will also find a lot of water in vegetables and fruits, do not forget to include them in your diet. Detoxifying and purifying diet. Endangered parts of the body: kidneys.

CARDS

Sulis in Goddess Guidance Oracle Cards by Doreen Virtue

Sulis in Goddess Guidance Oracle Cards by Doreen Virtue

Sulis in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sulis in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sulis in The Goddess Power Pack by Cordelia Brabbs

Sulis in The Goddess Power Pack by Cordelia Brabbs

Based on English Wikipedia and http://www.ancient-origins.net/myths-legends-europe/aquae-sulis-epitome-roman-syncretization-celts-002562.

If you are in the UK, see this site http://www.smittenbybritain.com/a-weekend-in-bath/

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KALI

KALI

Hindu goddess of time, change and death, a warrior and a demon slayer who also has the aspect of goddess mother, Shiva’s shakti. Her name Kālī is a female form of the word kāla and signifies ‘black, dark one (the colour which is omnipresent before the light appears), time (she is beyond it), death (because it comes with time)’.

ABOUT GODDESS

Kali first appears in the story about the battle with demons when she jumped out of Durga’s forehead armed with a sword and a loop as the goddess was trying to kill the demon called Raktavija who multiplied whenever a drop of his blood fell down the ground. Kali sowed fear with her appearance, a piercing shriek and a thirst for murder. She devoured the slain ones and annihilated Raktavija by sucking the blood out of him. She was so drunk with victory and ichor that she started to dance on the battlefield wreaking havoc and becoming a threat to a further existence of life. She was not listening to any pleas for mercy and did not let anyone stop her until Shiva, her consort, has finally lain down on her path to prevent the extermination of the whole world. This eventually sobered the goddess up and she bit her tongue as a sign of her shame. The image of Kali dancing over Shiva’s body is called Daksinakali. According to another version Shiva appeared on the battlefield disguised as a crying child. When the goddess saw him, she took pity of a baby, embraced and fed with her milk.

It must be added that apart from her warrior aspect, Kali also manifests her gentler nature. According to Tantra Kali is Mahadevi i.e. essence, Divinity Itself and all the three most important gods Brahma, Vishnu and Shiva arise from her ‘like bubbles in the sea’ all the time, constantly ending, arising and passing away, however leaving her intact as the source. Shiva praises her in one of the texts as the Beginning of All, Creatrix, Protectress and Destroyer. She reminds of the inseparability of life and death, helps accept the existing order and encourages to become accustomed to death. Kali is a tough mother though, a Hindu poet Rāmprasād writes about her in this way,

Can mercy be found in the heart of her who was born of the stone?*
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you “Mother, Mother.” You hear me, but you will not listen.

And he later concludes that being Kali’s child means being deprived of earthly wealth and pleasures because the goddess does not give what we want, however this is what lets her worshippers reach beyond material world. Because of her Mahadevi’s aspect she is particularly respected in the Tantric teachings (Shiva laying at her feet is an embodiment of matter and Kali herself represents primordial feminine energy, according to the tantrics without energy the matter itself is lifeless*).

Another legend about Kali and Shiva tells the story of their dancing contest. Having defeated demons, the goddess settled down in the forests of  Thiruvalangadu on the south of India and terrorised its inhabitants with her violent nature. One of Shiva’s worshippers complained to him that he could not meditate in the forest because of her so Shiva decided to talk to Kali. She treated forest as her own territory so Shiva challenged her to a dancing contest. Kali was equal to him in every aspect until the moment when god performed a figure which required exposing sexual organs. Kali strongly refused and agreed to calm down enough to let Shiva’s worshippers perform their religious practices**.

Kali is particularly venerated in the north of India, especially in the region of Bengal and other areas situated within Himalayas (according to a legend Kali originates from these mountains, this is why Rāmprasād is wondering whether he can find compassion in the heart of the one who was born from the stone). A music genre called Shyama Sangeet (Dusky Music) is dedicated to Kali, it was traditionally performed by men but more and more women perform it nowadays. Goddess is venerated during the Kali Puja festivalu taking place at the new moon in the month of Ashwin (at the turn of September and October) which coincides with Diwali. A particular form of  Kali’s cult is venerating a hand painted image of her called Poteshawri (literary Goddess Drawn On The Piece Of Cloth), it is typical for the city of Shantipur.

IMAGES, SYMBOLS AND ANIMALS

Kali is presented as frighteningly skinny woman with bloodshot eyes, dishevelled hair, open mouth and tongue exposed, she wears a tiger skin, a belt of human hands around her waist and a necklace of skulls (traditionally 51 or 108 of them, they represent the Sanskrit letters therefore Kali is considered to be the mother of languages and mantras). She has four arms, one holds khadga (a curved sword or scimitar) or trident, the second onea severed head, the third one – a bowl (or cup made ​​from the skullcatching the dripping blood, and the fourth one is set in the shape of mudra. The weapon symbolises divine wisdom and a severed head signifies human ego explaining clearly that in order to develop soul one must get rid of daily restrictions (these items are usually held in left hands). Right hands set in mudras show that Kali provides support and blessings on the difficult path of self – development and that her follower is never alone.

As Daksinakali she keeps her right foot on the chest of lying Shiva and is accompanied by serpents and a jackal. Her skin is dark (as opposed to Shiva, whose skin is covered with white ashes from the burning pyres).

hindu-gods-kali
V0045118 Kali trampling Shiva. Chromolithograph by R. Varma.
When she is presented separately as Mahakala, she has a higher aspect of Mahadevi, the Great Goddess guarding the cosmic order. She is depicted with blue skin, three eyes, ten heads, ten arms and ten legs, each hand holds a different weapon or a sacred object, which symbolises the belief that the power of each of the gods comes from her.
kali ma 1
mahakali

DIVINATION MEANING

PERSON

The person represented by this card is constantly in motion, not afraid of taking risk and will not rest until they reach the target. The person who says the things straight and can enforce their own point of view. Also someone dominant whose presence overwhelms us, a person who seems to suck the energy out of us.

Professions: a member of law enforcement services (military, police, customs, etc.), an athlete, a liquidator, a bailiff, a controller, the person responsible for the restructuring process

ADVICE

It is not the time to be afraid and to hesisate, it is time to act and confront.

If you resist change, life will force you to change anyway but then you may have less options.

Changes are already taking place in your life, you cannot stop them. Even if everything around is falling apart, remember that something new will begin soon. Obstacles stimulate our development, thanks to them you get motivated and achieve what seemed impossible. Problems are necessary for growth. The mind and soul will not develop if they are remaining without challenges for too long. To see the light you need darkness.

Following old patterns will not get you anywhere. If a problem was growing for a long time, you will not solve it with the old methods, you need new ones. 

Think of what would you do if you were not afraid.

Key words: Movement. Change. Dance. Lack of control. Hunger. Being drunken. Ecstasy. Insatiability. Conscious or unconscious fear of death. The order of the world. Expressing yourself.

LOVE

If you are in the relationship:   Time of change which cannot be avoided, either strengthening or ending relationship. Widowhood.

If you are single:  High levels of woman’s libido. Reluctance to permanent relationship. Inability to compromise. Make sure that you do not drink too much alcohol at a party so that you do not wake up in the wrong bed in the morning.

FINANCES

A sudden and inevitable change of situation. Be prepared for arguments among workers or hostile actions from outside. Impoverishment. Work overload, too many duties, feeling burnout. Something that sucks finances out of the company.

HEALTH

Operation. Removal of body part(s). Radical therapy. Severe trauma or injury. When surrounded by other alarming cards, it signifies changes caused by proliferating cells. Too much of adrenaline and stress. Lack or excess of energy. Eating disorders. Problems with mental hyperactivity disorder (ADHD, bipolar disorder). Endangered parts of the body: limbs.

CARDS

A model image of Kali with the symbol of female energy shakti in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Kali in The Goddess Oracle Deck by Thalia Took

Kali in The Goddess Oracle Deck by Thalia Took

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali dancing on Shiva’s body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali dancing on Shiva's body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano as Death

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia.

* Tantra’s teachings are about co-existence and co-dependence of male element (shiva) with the female one (shakti). Tantra says that it is shakti, a creative and dynamic energy which stimulates shiva, a driving and static consciousness to act. The tantrics see it literary because in case of most men their strategic body part rises and “awakes to life” as a reaction to woman’s presence. One of folk tales about deities tells the story of Parvati asking Shiva which one of her ten forms he likes best. He immediately pointed out at Kali because without jewellery, garments, emotions and humanity she is a pure, raw and chaotic energy as terryfying as the time itself and perhaps even greater. When she assumes this free from limitations, wild and uncontrolled form, Shiva lays down at her feet and asks her to put the feet on his heart. Only Shiva is able to tame her and only  Kali is able to enliven him.

** However, when presented on modern images Kali is naked because as a representation of time she is beyond the veil of Maya – Illusion. Kali is perceived as an eternal life force and driving energy providing the existence of the world so the categories of “good” and “evil” cannot be attributed to her. To understand her nature, one must reject this duality and accept the fact that just like death does not exist without life, life cannot exist without death.

DO NOT BE DECEIVED BY THE CARD OF MARY

THE CARD OF MARY

First of all I find it essential to state clearly sth that I thought was evident:

MARY IS NOT A GODDESS!!!

This is why I do not consider this card as legitimate in the deck of goddesses, I have no special code with it and I will not provide you with any divination meaning in this post. I will only share basic information about Mary and my own thoughts.

Not much is known about Mary, in fact all the information about her come either from the Bible or Christian Tradition. It has to be stated that she is mentioned in the Bible not more than twenty times. According to the New Testament Mary (Miriam) was engaged to be married to Joseph but marriage has not taken place yet and she has not moved to his house. At that time Archangel Gabriel was said to appear to her to announce that God has chosen her to be the mother of the Saviour. When they got married, Mary and Joseph  were obliged to go to Bethlehem to be registered in a census. This is where she delivered a healthy boy according to the legend. Soon after the child was born the family had to flee to Egypt to avoid the danger from King Herod. When they got back, they lead a peaceful life until Jesus turned thirty – three and started to preach. There are not many mentions of the events from his childhood in the official Canon texts except of an episode when Mary’s son remained in the temple after sacrifice and engaged into a discussion with the scholars.When Jesus started to preach, his mother was in the group of women accompanying him; she is mentioned as the one who asked him to change water into wine. She was also present during his crucification and with the apostles when they chose the person to replace Judas after Jesus’ departure. There is no trace of her in the Bible after that. All the speculations concerning her death or assumption are only included in the Tradition.

It is crucial to notice that the texts of New Testament mention Jesus’ brothers (James, Joseph, Judas and Simon) and sisters (their names are unknown). At first Christian philosophers such as Tertulian considered them to be literary Jesus’ younger siblings, the children of Mary and Joseph. It was not until the fourth century when the belief that Mary stayed a virgin her whole life became dominant. At that time the Church fathers acknowledged ‘the brothers and sisters of Jesus’ as either Joseph’s children from his previous marriage or the children of Mary’s sister therefore in fact Jesus’ cousins. Later this belief resulted in Catholic and Orthodox dogma of Mary’s perpetual virginity.

So coming back to the subject, why every self-respecting author of goddesses cards should NOT include the card of Mary in their deck?

Most of all because Mary is a common woman. She has ABSOLUTELY NO DIVINE FEATURES. She has no supernatural powers, she does not create, she does not do shape-shifting, she has no magical influence on people nor nature, etc. On the contrary, stress is being put on her humility towards deity (Behold, the [a]bondslave of the Lord; may it be done to me according to your word, Luke 1:38).

While in Buddhism a mortal is able acquire divine powers thanks to an effort and self-work (this is what happens with Kuan Yin or Tara), Mary has never acquired them even after her assumption. Her assumption is also a highly controversial issue; it is considered to be a dogma only by the Catholic faction of Christianity and it was introduced only in 1950. The Marian cult is currently vivid only in the non-Reformed churches, mainly in the Catholic and Orthodox ones. The Protestants respect Mary as Theotokos i.e the Mother of God but do not venerate her while the Anglican Church is internally divided over the subject; the only dogma concerning Mary is that she is the Mother of God, while other beliefs are not treated as obligatory for the faithful.

Where does the Marian cult come from?

As I have already mentioned in the post about Isis, at the beginning Christianity did not have any significant female figures to attract female worshippers. Of course, in the ancient world full of more or less important goddesses it was a significant disadvantage of the new religion. Women preferred participating in the mysteries honouring Isis or Demeter which concentrated on the themes of life, death and rebirth. These motifs have been particularly close to them because in those times women were giving birth even several times in their lives, their children often died either in their childhood or because of hunger or war, not to mention the fact that pregnancy and delivery were themselves main dangers to women’s life and health. Christian leaders realised it and from the 2nd-3rd century they began attributing consistently the features, images and titles of goddesses to Mary to fill in the void in the Christian mythology. Isis was the main inspiration in this process, Mary took over her titles of Queen of Heaven (here is how ‘royal dynastic line’ proceeded: Inanna -> Ishtar and Astarte -> Aphrodite -> Isis -> Mary) and Stella Maris (Aphrodite Urania -> Isis -> Mary) as well as her most characteristic image of mother with a child:

wayoflifeblogartisis

isis-horus-to-mary-jesus

Isis_nurseHorus_Danto

(source: http://astronomologer.com/wp-content/uploads/2011/09/Isis-Mary-Mother.png, http://inkmonster.net/wp-content/uploads/2013/08/images.jpeg, http://files.abovetopsecret.com/files/img/lx50aed6e5.jpg)

Theoretically women could have their cake and eat it. They had their mysteries where a mother loses her child and regains it (just like Demeter) and at the same time they belonged to the cult which, at least officially, was monotheistic. The pernicious thing was that when the Christian era began, all the other divine feminine types have vanished quietly and unnoticeably. Indeed, the archetype of goddess mother such as Gaia, Demeter and Isis was popular in antiquity, however there were also NUMEROUS other archetypes.

There was plenty of space for warrior goddesses. These were not only the ones supporting just wars such as Athena but also Phoenician Anat who was getting so much in war rage that she was spattered with blood all over, an Egyptian lion goddess Sekhmet so blood thirsty that Ra had to change Nile into wine to sedate her and prevent further hecatomb or Hellenic Erinyes who kept avenging the assassinated ones and chasing murderers until they fell into madness.

There was plenty of space for goddesses of sensuality and sexuality such as Summerian Innana, Babylonian Ishtar, Phoenician Astarte, Hellenic Aphrodite originating from the latter, or Egyptian Hathor. In their cults sexual intercourse was an act of faith in the goddess and the fertility she was providing to all the earthly creatures. The myth of Descent Of The Goddess Ishtar Into The Lower World tells the story of what was happening when they were gone.

There was plenty of space for the goddesses of healing, magic and oracle such as Egyptian Bast and Isis, Hellenic Gaia, Medea, Hekate and Hygeia or Hittite Kamrusepas who were believed not only to heal but even resurrect.

Ever since the figure of a humble, obedient virgin mother began to be glorified, it became a general and only valid archetype for women. For centuries a woman born in the Christian world could in fact be either a wife and a mother or a nun (without real power that ancient priestesses had though). A woman willing to fight and demanding her rights was condemned to either die (e.g Jeanne d’Arc) or, at best, considered to be a hysteric. A woman making love outside the socially accepted norm of marriage was recognised as a whore, stigmatised and punished severely. A woman who was helping with childbirth, knew herbs or was able to predict future was quite often paying the price for all of that with her own life dying on a stake.

The fact that the cults of ancient goddesses of war, sensuality and magic perished is a great loss for womanhood in general but in particular for those women who want to be warriorlike, sensual or magical.

It is essential to notice that the cult of Mary was frowned upon in early Christianity. It was connected with the sect of Collyridians and considered to be heretic. However, the very ancient, even thousands year old beliefs were so rooted in people’s mentality that they could not be simply deleted. Whether Christian priests liked it or not, they had to tolerate them so they became a major part of non – Reformed churches’ Tradition (mainly Catholic and Orthodox). The rituals we now associate inherently with the Marian cult such as processions, chants, decorating paintings and rural chapels with flowers and herbs, pilgrimages* are all the manners in which ancient goddesses were venerated! It is similar with Mary’s ‘localness’ i.e. the fact she is worshipped in various local versions, the most popular being Our Lady of Guadeloupe, Our Lady of Czestochowa, Our Lady of Lourdes etc; ancient goddesses have also had local nicknames. Litany of Loreto mentions Mary’s 50 titles which makes her alike Egyptian Isis. What we consider to be arch – Catholic now is deeply rooted in the ancient times. Not even to mention the material aspect of Marian cult. My “favourite” ones are all those ridiculous bottles with Mary’s head or crown as a cap sold next to the the springs with miraculous water…

bottles1

(source: etnomuzeum.eu)

bottles2

(source: scenki.blogspot.com )

So why did this phenomenon occur under the patronage of Catholic authorities?  My guess is that it suited their version of religion with a severe God the Father (God is a just judge, who rewards good and punishes evil ) to whom you therefore cannot address directly but through milder intermediaries such as Jesus, Mary, angels, saints, etc**. The Catholic church has not moved away from this image until several dozens years ago so I am always slightly amused whenever a born again Christian discovers with a big surprise, ‘God loves me!’. Well yes, with the image of severe Yahweh built for centuries it is the AHA! moment to discover that God may not be as dangerous as it seemed zeby.

It is not hard to notice that non – Reformed churches have expanded this ‘softer back up’ of deity to an enormous extent. The amount of saints and blessed specialised in particular task (if you forget sth pray to st. Anthony, if you sett off for a journey, pray to st. Christopher etc.) makes anyone who has a basic knowledge and conscious mind think of the multitude of deities in the ancient Hellas. Every city, mountain, spring, river or tree had their divine or semi-divine protector in the Hellenic world. It must be clearly stated, however, than although the ancient world recognised deities as more or less important, there was no such concept as ‘the only true god’. Romans were indeed conquering the whole contemporary world but they have never hidden that they were doing this for land, wealth, slaves etc. Romans did not establish their own gods in the conquered provinces, they were rather merging them with the local deities by attributing them Roman names and keeping their cult. Some of the foreign gods and goddesses such as Isis, Cybele or Mithra even got to the Roman Pantheon and made indeed an outstanding careers in the whole Empire. I do not know any big religious wars, conquests nor crusades which would take place in the ancient times. They had not existed before monotheism became powerful.

This is why I believe that Catholicism and Orthodoxy are some bizarre hybrids of Christianity and ancient cults thus they do not work properly. I believe that every self – honest follower of Catholic or Orthodox faith should ask himself/herself a question: what exactly is that I value my religion for? If it is indeed studying and applying Jesus’ teachings then perhaps it would be a better idea to move to a Protestant community aimed at analysing the Bible instead of liturgy. However, if s/he is more fond of the rituals such as processions, decorating rural chapels with flowers and chanting then it seems like a more reasonable idea to come back to the roots of this phenomenon i.e. beliefs in real goddesses. Of course, this requires courage, consequence and determination to stand against the majority. Many people act cowardly and deny when a child shouts, ‘King is naked!’. It is quite probable that they will try to convince, persuade or even harass you but please do take into consideration the fact that we live in 21st century. You will not be burnt on a stake just because you believe in Goddess, not in God.

One may wonder whether the Protestant women are discriminated in their religious communities since the Marian cult is missing there? There are some men in the country where I live who claim that the veneration of Mary makes women feel particularly respected. Well, Protestant women neither chant litanies to Mary nor go on pilgrimages to her sacred places nor pray to her images. Protestant women are priestesses themselves. Most of Reformed communities accept women as pastors. Catholic and Orthodox Churches will not probably make such a decision for another several or several dozens of years. I believe it is because of the Marian cult and because neither Catholic nor Orthodox women demand their rights. It is enough for them to go to church, pray rosary and ask the Virgin Mary to help them because they have got such a tough life after all. I do not want to quote Lenin’s words about religion being an opium for masses but I do think Catholicism strengthens the attitude of shrugging shoulders and saying ‘ah well, there is nothing I can do’. Have I made a mistake? Then I will go confess and will get penance. Have I made the same mistake again? Then I will go confess and will get penance. Catholicism is a religion focusing on rituals and words while Protestant faith requires active participation and consequence, to describe it with a metaphor: you cannot just read, you have to read and understand.

What I write about comes from my own experience as a former Catholic. I do not consider myself even to be a Christian now because neither I believe in the necessity of baptism nor in Jesus’ divinity***. What I do believe is that Yeshua-Jesus’ teachings have a deep meaning but Christianity makes sense only in its Protestant understanding. By that I mean you, Bible and God, instead of  you, churches, paintings, litanies, adorations, processions, angels, saints, Mary, Jesus and God. It does make sense for monotheistic (at least in theory) religious system, don’t you think?

Any person with basic knowledge and conscious mind surely notices that the Catholic leaders keep presenting Mary as a role model to women (at least in my country). They are very stubborn in promoting quiet, humble and obedient virgin mother as if they were blind to changes in mentality and lifestyle. It is one of the factors that make young and educated women (including yours truly) leave the Catholic Church in my country. I think that despite the ages of oppression, a monotheistic religion does not have to be hostile towards women if it opens up to varied types of femininity. Why not to put more attention to feminine spirituality? Why not to set Sophia the Divine Wisdom as an equiponderant role model for women? Why not to speak out that the third godhead of the Trinity, that unfortunate and unspecified Holy Spirit, was feminine in nature until it became a dove in the Western tradition? I have written in a very detailed manner about the ancient tradition of Chokmah/Shekhinah/Sofia in the post about her. She was formed long ages ago, at the very beginning, when the world came to be, was co-creating the world, kept appearing to the people and was an inspiration for artists and architects. Doesn’t it REALLY MAKE SENSE to treat her as a role model? After all she has only lost her feminine nature due to translations of the Bible into foreign languages! Is it really impossible for the Catholic leaders to encourage women to develop wisdom and the ability of thinking? Well, apparently it is. Perhaps this should not be a surprise as we are talking about an institution which has merely changed since the feudal times…

For all those reasons I have mentioned above there should be no card of Mary nor any other Christian saint in goddesses cards. In fact you would not see it in the best decks, those presenting a very conscious, not a fairytale like approach towards womanhood. No surprise these are the decks I value most. Let me quote what I have written in the review of Doreen Virtue’s deck

The same objection applies to religious heroines such as Mary Magdalene and Mary the mother of Jesus. The latter is presented in an arch-Catholic and Baroque style and the author claims that in the West, Mother Mary in undoubtedly the most famous goddess. Well no, Doreen, not at all! Mary has no divine features in any factions of Christianity.

I believe that including the card of Mary, Mary Magdalene or Jeanne d’Arc is damaging because it conserves this Matrix like image of Mary as virgin mother, a role model for women who is powerful yet in fact does not have actual power in Christian teachings.

Perhaps it is time for a red pill?

red_blue_pill

CARDS

Mary in the Goddesses of the New Light by Pamela Matthews

Mary in the Goddesses of the New Light by Pamela Matthews

Black Madonna in the Goddesses of the New Light by Pamela Matthews

Black Madonna in the Goddesses of the New Light by Pamela Matthews

Mary in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Mary in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Black Madonna in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Black Madonna in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in Ascended Masters Oracle Cards by Doreen Virtue

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in The Goddess Oracle Deck by Thalia Took

Mary in The Goddess Oracle Deck by Thalia Took

Black  Madonna in The Goddess Oracle Deck by Thalia Took (she is nearly identical as Dana from the deck of Doreen Virtue, she just has a darker skin)

Black Madonna in The Goddess Oracle Deck by Thalia Took

Mary in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Mary in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Mary in The Goddess Power Pack by Cordelia Brabbs

Mary in The Goddess Power Pack by Cordelia Brabbs

Based on English Wikipedia and my own thoughts.

*Even prophet Muhammad kept pilgrimage as an integral part of Islam after destroying polytheistic shrines. Few people know that Mecca was originally the place where goddess mother Al – Lat (Goddess in Arabic, just like Al – Lah means God) was venerated. The black stone, to which the Muslims from all over the world come, is the remaining of Al – Lat’s temple.

** Personally I call them ‘God’s court’.

*** In the past I could possibly be classified as an Arian. Arianism was quite popular at the very beginning of Christianity, unfortunately these beliefs were condamned by the First Council of Nicaea in 325 of our era and Arius himself was banished. It is worth, however, to mention the passage from the Gospel of John which made Arius believe that the Son’s power comes from the Father,  “You heard me say, ‘I am going away and I am coming back to you.’ If you loved me, you would be glad that I am going to the Father, for the Father is greater than I.” (John 12:28). Even as a child when I still belonged to the Catholic Church, I somehow sensed that Jesus is not a divine figure as the Christian leaders want to see him but a teacher who brought universal and timeless message to the people who were not ready for it.

After long spiritual way I think I have found myself as a Gnostic. It the past anytime I have come across a religion I was analysing it rationally, I can agree with this point, these elements do not match reality, those rules are clearly harmful etc. In case of the Gnostics it is completely different, their beliefs simply resonate with my interior. It may sound bizarre but I do not really have to engage into discussion nor accept unconditionally the principles of faith; I simply feel what Gnostics say is true. It is literary a gut feeling. If nothing significant happens in the spiritual field, I am going to remain Gnostic in the name of Sophia the Divine Wisdom and the Unknown, God Above God. 

LAKSHMI

LAKSHMI

A Hindu goddess of abundance, wealth, prosperity both in the material and spiritual field, fertility, generosity, good luck, splendour, light, wisdom and courage. An incarnation of shakti, the feminine energy and an embodiment of beauty, charm and grace. She is also venerated as Mahalakshmi and her name in its full form means ‘Remover of Universal Agonies’. She is also called Śri, Padma, Thirumagal or Gunas. Some Hindu beliefs such as Sri Vaishnava consider her to be Iswarigm sarva bhootanam i.e. the supreme deity, not only the goddess of wealth.

ABOUT GODDESS

Lakshmi came to being during Samudra Manthan, the quest to get amrit by churning the Ocean of Milk. At the very beginning both Devas (gods) and Asuras (demons) were mortal but they all wanted to become immortal. Therefore they decided to stop wars against one another, call a truce and collaborate together to churn Kshirsagar – ‘The Ocean of Milk’ in order to get amrit (soma), a nectar which granted immortality and eternal youth. They used Mount Mandarachala and Vasuki, the king of serpents as their churning rode and churning rope; Devas stood on one side, Asuras on the other and they started to pull back and forth. Fourteen precious objects appeared during churning, among them

– Kamadhenu, divine cow granting wishes,

– a seven – headed horse,

– Kaustubha, the most valuable jewel in the world which was later worn by Vishnu

– Parijat, an ever-blossoming tree

– Varuni, the goddess of wine

– the moon

– the sun

– and last but not least goddess Lakshmi. Emerging from the petals of a lotus, she amazed everyone and de concentrated Asuras. Because of her associations with lotus (she was either resting in the flower or holding it in her hand) she is called Padma (‘Lotus Dweller’). Vishnu has immediately fallen in love with her and she soon became his consort; it is believed that she accompanies him in all his incarnations.

Lakshmi is considered to be the shakti of Vishnu (his feminine power). She grants well-being to her followers, brings a stroke of luck and protects against any poverty and worries caused by material issues. She is also an intermediary between her husband Vishnu and the humankind; a protectress who influences the fate, mitigates disputes and is more approachable than her husband, that is why the Hindu call upon him through Lakshmi (she resembles Christian Mary in this aspect). She is also a personification of spiritual energy Kundalini and believed to be the Mother of Universe.

It has to be noticed that Hinduism stresses the fact that wealth and abundance are not restricted to the material area but also spiritual one as they are related.  Lakshmi’s divinity is also manifested through Fame, Knowledge, Courage, Strength, Victory, Children, Valour, Gold, Gems, Grain, Happiness, Bliss, Intelligence, Beauty, Higher Aims, High Thinking, Higher Meditation, Morality, Ethics, Good Health, Long Life and other examples of well being. Ashta Lakshmi (eight Lakshmis, goddess’ secondary expressions) are distinguished in her cult: Adi Lakshmi, Dhana Lakshmi, Dhanya Lakshmi, Gaja Lakshmi, Santana Lakshmi, Veera Lakshmi, Vijaya Lakshmi, Vidya Lakshmi). Ashta Lakshmi are represented by an eight pointer star called the star of Lakshmi

star of lakshmi

This is why money is treated as a manifestation of the goddess; when a coin falls down or touches a foot, the gesture of Pranāma is performed (person first touches the coin with the finger tip of their right hand and then their forehead and/or chest). Similarly this gesture is the apology for books and written materials which are treated as the manifestation of goddess Saraswati.

Another earthly manifestation of Lakshmi is a cow. Cattle is treated as a sign of wealth in various religions, not only in Hinduism but also Buddhism, Zoroaster and European beliefs. Cows were respected also in ancient Egypt, Hellas and Rome; cow is a central figure of creation myth in the legends of Germanic tribes (Audhumla). Those of you who have basic knowledge of runes surely know that the sign which begins the Elder Futhark, Fehu, is associated with cattles because cows and bulls were the visible evidence of wealth. Hindu texts suggest that a cow is an embodiment of many gods and goddesses, Lakshmi resides at its hind part.

cow fehuv

Lakshmi conditions life according to Hindu beliefs, without her there would not be harvests, air to breathe nor offspring therefore she is called pranadayini (“giver of vital life-sustaining energy”). For that reason Lakshmi can be identified with Hellenic Demeter as the goddess of vegetation and life force, in fact one of Lakshmi Puran(a) legends resembles the one about abducting Kore. Shriya, a woman originating from a lower caste, was so devoted to the goddess that she visited her in person which resulted in the anger of god Balabhadra. He forbade Lakshmi entry to the temple and the goddess became so sad that she left the place and went to her father. However, with her departure all the wealth and abundance disappeared from the temple and Balabhadra had to beg for food. It was at that time that he realised his mistake, he came to Lakshmi to apologise her and invite back to the temple to which she agreed.

The Hindu venerate her every day but her sacred time is October with Diwali, the Festival of Lights, when small olive lamps are traditionally brought in front of the house for Lakshmi to give her blessing to the family dwelling in it. An offering of food and sweets is given to her, Lakshmi’s followers pray and chant a litany of her 108 names. It is believed that on that night Lakshmi descends to Earth on her owl to remove poverty, stagnation and laziness and showers her worshippers with wealth. It is a special day for the Hindu when they give presents to one another and go gambling because Lakshmi is considered to be the one who brings good luck. She is also celebrated during the full moon of Ashvin (September – October) in the Eastern state of Orisa during the holiday called Sharad Purnima (or Kumar Purnima, purnima meaning ‘the full moon’). It is one of the most important and the most popular festivals in the state; it lasts up to ten days filled with singing, dancing and decorating Lakshmi’s figures. Young girls are given new clothes as presents, they prepare food offerings for the sun in the morning and go fasting the whole day and having performed rituals eat them when the moon rises. Sharad Purnima is said to release so much joy and positive energy that even non-Hindu participate in the celebrations. The Hindu also thank Lakshmi for the harvest in the month of Mrigashirsha (December – January) during the festival Manabasa Gurubara (also called Lakshmi Puja), houses are decorated with flowers and girlands each Thursday and the traces of feet are painted on the stairs as if Lakshmi entered the household. All the rituals are performed by housewives, rice is given to the goddess as an offering and then eaten by the family and the legend of Lakshmi Puran(a) is told in the evening. It is also the time of closing the year of trade, new trade books are established and sacrificed to Lakshmi in any places dealing with circulation of merchandise.

Traditionally the chakras of heart and solar plexus are attributed to Lakshmi.

IMAGES, SYMBOLS AND ANIMALS

Lotus is traditionally attributed to Lakshmi, she has numerous nicknames connected to this flower (Padma – ‘Lotus Dweller’, Padmamaladhara Devi – ‘The One Who Wears a Garland of Lotuses’, Padmamukhi -‘ The One Whose Face Is as Beautiful as a Lotus’ etc). Lotus symbolises the force and fertility of plants; the Hindu myths claim that the world constantly revives from the lotus placed on the Vishnu’s belly button. Her sacred animal is cow but she is usually depicted accompanied by two elephants. An animal associated with her is owl symbolising royalty, sharp eyes and intelligence; both an owl and an elephant are her vahana, ‘vehicle’ i.e.  animals identified with a particular deity (e.g. a tiger and a lion are assigned to Durga).

Lakshmi is depicted peaceful and smiling either sitting or standing on a large lotus. She wears a saree made from red (a symbol of permanent activity) or gold (a symbol of fulfilment) material, she usually has golden jewellery and a golden crown with rubies, her hair is dark and weavy and her skin has a golden tone. Lakshmi typically pours coins out of her hand while in her three other arms she holds a jar with gold, a sheaf of grain or presents a mudra.

DIVINATION MEANING

Person

A person with a warm, creative, protective, tender, energetic and joyful personality who attracts people. The person who is beautiful both inside and outside. Somebody who suddenly appears in our lives to help us and brings us optimism and joie de vivre. Somebody whom we feel free and happy with. In negative this card signifies a person lacking Lakshmi’s energy: complaining, avaricious, rigid, self – limiting, focusing on the negative, poor not necessarily in the financial field but rather spiritually.

Professions: all the professions connected with the flow of money, food processing and agriculture, a teacher, a guardian, a psychologist, people working in the gambling and lottery industry

ADVICE

Wealth is manifested both in the material and the spiritual field, the first one appears in the form of objects while the second one in the form of health, optimism, friendship, courage etc. Even having few objects you can still be rich as long as you do not lack mental and spiritual capital. Thanks to wisdom and spirit you can always get more objects while having a lot of objects would not make you happy and fulfilled. Wealth can be manifested through the quality of your life: satisfactory job, loving partner, children bringing joy, good health, free time, devoted friends etc. Wealth based on objects is never enough and keeps demanding for more.

Think of your actual attitude to money. Coin is a symbol that people adopted as a determinant of worth and of exchange of goods, it is also a manifestation of life – giving abundance which Higher Forces pour onto you. As long as you remember that money is a mean, not the ultimate goal, you do not have to feel shame or any other negative emotions about owning. Money is an energy too, and it attracts likewise energy. If you concentrate your thoughts on lack of money and think of yourself as a poor person, it is rather doubtful that you will get more money. If you start thinking that you will not lack anything, you will program your subconsciousness in a positive way. Your subconsciousness has a bigger influence in decision-making process than you would expect. A mind open to abundance does not guarantee high numbers on your bank account but closing it with fear and anxieties will certainly not attract prosperity nor wealth neither. Free yourself from thinking focusing on lack, it is not a one time activity but a long term process. Start repeating to yourself, I always have money or Money come to me easily. You do not even have to believe it, just repeat it to yourself every day for a couple of months. When money is flowing, energy is flowing, too. Invite abundance and luxury by buying yourself a small gift (and do not feel guilty about it).

Be responsible for what you have. Apply a reasonable balance between gathering and spending. Do not forget that even having a small income, you can give others a lot simply by your wisdom, involvement or at least smile and kindness. Welcome wealth in your life no matter what form it takes. When you spend money, do not think that you are losing it, focus on what you are gaining.

Being successful in the financial field does not necessarily mean you are shallow or not spiritual.

Watch over your wealth, if you use it for a wrong purpose, it will get you into trouble.

There are some features which describe a wealthy mind. Try to perceive the world like a child does: everything is a new and fresh opportunity. The older you get the less enthusiasm you have, to start anew you have to let your previous  perception die. Keep your mind concentrated on here and now, it liberates your mind from worries. This is what wealthy mind does. Energy follows attention so be careful where you direct it. Your perception helps in changing your reality. Concentrate on achieving your goals but do not forget to have fun, too. Authenticity, serenity and flexibility are like gold for your psyche.

BE THANKFUL FOR EVERY MANIFESTATION OF WEALTH IN YOUR LIFE

(I rarely suggest visualisations in my posts but the image of Lakshmi is itself a visualisation, it is easy to imagine her pouring coins at you and a light emanating from a lotus calms you down and fills you with serenity).

Love

If you are in the relationship: a good card if you ask about marriage and offspring, possible pregnancy. A very good life partner who makes you blossom. In negative: a miser or somebody who does not show emotions.

If you are single: a new partner may appear in your life as a complete surprise, it is worth to give the new relationship a try.

Finances

In most cases this card gives a positive answer to a question concerning finances. It suggests the flow of money or an investment.

Health

Good health. An excess or deficiency of nutrients in body. Risk of obesity and diabetes. Check the level of cholesterol. Endangered parts of the body: stomach, pancreas, colon, intestines.

CARDS

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi with Vishnu as Wheel of Fortune in The Goddess Tarot by Kris Waldherr

Lakshmi in The Goddess Tarot by Kris Waldherr

and in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi as King of Coins in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Goddess Guidance Oracle Cards by Doreen Virtue

Lakshmi w Goddess Guidance Oracle Cards by Doreen Virtue

and in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in The Goddess Oracle Deck by Thalia Took

Lakshmi w The Goddess Oracle Deck by Thalia Took

Lakshmi with Vishnu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmiin Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Based on: http://jyotish.yogamaya.pl/index.php?op … Itemid=104
http://en.wikipedia.org/wiki/Cattle_in_religion http://www.priestservices.com/our-services/gho-pooja/, http://www.goseva.net/cowanddivinity.aspx

DO NOT BE DECEIVED BY THE CARD OF ISOLT

If you come across the card of Isolt in Goddess Guidance Oracle Cards by Doreen Virtue and see the notice ‘Undying Love’, you may come to thinking it suggests a favourable, long lasting union. With my whole respect I believe this card is a double deception. Why?

Deception Number 1: Isolde Is Included In The Deck Of Goddesses So She Is A Goddess Herself.

Wrong!

ISOLDE IS NOT A GODDESS!

She is the heroine of a Celtic tale Tristan and Isolde (Isolt, Iseult, Yseult) which first appeared in France in 12th century. Tristan is the nephew of King Mark of Cornwall, a very brave, talented and fair young man whom the king is very fond of. One day he decides to face Morholt, a messanger of an Irish king who demands a tribute of 300 young men and 300 young women to be paid by Cornwall. Tristan accepts his challenge to a duel even though an Irish knight is much bigger, taller and considered to be invincible. He manages to kill him but is himself severly injured. Anticipating his death he asks to be put in a boat and sent to the open sea where currents and tides bring him to the shores of Ireland. Isolde of Fair Hair, king’s daughter and Morholt’s niece notices an unknown man lying helplessly in a boat and heals him secretly. Realising that Isolde hates the killer of her uncle, Tristan hides his real identity and escapes as soon as he feels better.

The victory over Morholt brings him fame but also jealousy of four noblemen on the court. Scared that King Mark may pass the throne to his nephew, they insist on his marriage that could produce an heir. The king, however, secretely wants Tristan to inherit Cornwall after his death so he intends to agree on the conditon which seems impossible to fulfill: he will only marry the owner of silky, golden hair which was dropped on his window by two swallows. The rebelled noblemen grumble so Tristan undertakes the challenge of bringing the bride for King Mark. He tells the sailors to direct his ship straight to Ireland because he recognises that the golden hair belongs to Princess Isolde.

He shows his courage again in Ireland when he kills a dragon plundering a royal city but falls unconscious due to its poisonous breath. Another knight attributes the victory to himself and demands the marriage with Princess Isolde as reward. Meanwhile Isolde finds Tristan, heals him and discovers his true identity. Enraged that she helped to heal Morholt’s killer, she wants to kill him but he persuades her not to do it, otherwise she would have to marry the cowardly knight as no one would challenge him. Tristan indeed proves the knight’s words were wrong and demands king’s daughter to be given to his lord, King Mark of Cornwall in marriage. Isolde’s father agrees but she is angry because she thought Tristan wanted to marry her himself.

Seeing her so anxious Isolde’s mother prepares a magical potion which binds two people’s hearts forever irreversibly and asks her servant to watch over it and to pour it to the newlyweds’ chalice on their wedding night. However, on their way to Cornwall Isolde discovers the potion somehow, not realising its power she drinks it and gives it to Tristan, too. This makes them crave for each other so much that they cannot resist it and despite remorses they spend the night together.

When they reach Cornwall, Isolde is being wed to King Mark but lovers cannot go without each other. They literary wither and fall into diseases so eventually they start meeting secretly under a fir in the forest. With the help of God and nature they manage to escape the ambushes of four jealous noblemen a couple of times until they are finally caught on the act. Furious king intends to punish both with death for treason but Tristan manages to escape on his way to execution by jumping down from the window of a little chapel on the cliff where he asked to be brought for the final prayer. Thanks to the divine intervention he lands safely and is helped by an old friend. Meanwhile the King wants to burn Isolde on the stake but is persuaded by the lepers to give her to them as a lover. Tristan and his friend save her and all the three go living in the forest to escape King’s anger.

They are spending the whole summer in the forest but with winter approaching they face chill and hunger. A hermit living in the forest offers to be the messenger to the King who has already calmed down and feels sympathy for both of them. A hermit brings their letter to the ruler of Cornwall, Tristan and Isolde offer to separate forever if he forgives them.  The King agrees to accept Isolde as his queen and Tristan volunteers to be banished from the court. Lovers exchange rings and promise each other that in case of danger they will send them as an urgent call to meet.

Tristan hides near the castle and watches over Isolde. The queen comes back to the court and is greeted warmly by all the noblemen except the four traitors. They convince King Mark to demand his wife to be subjected to the ordeal of iron to clean herself off the accusations of adultery. Isolde agrees and sends a message to Tristan. On her way to the place of ordeal she has to cross the river so she asks a poor man wearing rags to bring her to the other bank. When she finds herself in front of the king and the noblemen, she takes an oath and publicly states that no man has hold her in his arms except of the king and the poor beggar who helped her to cross the river. Then she takes a burning iron in her hands and lifts it up for everyone to see, her arms are as healthy as the ones of a new born child. Everyone greets her but only Isolde knows that the mysterious beggar was in fact Tristan in disguise and she said no lie.

At that point Tristan realises it is the time to fulfill the oath he gave and he must go abroad. He has his revenge on the traitors before he leaves for the continent. He comes to Brittany where he proves to be a brave and talented warrior and he liberates the duke of Brittany from a troublesome vassal. In return the duke wants him to marry his daughter Isolde of the White Hands and Tristan agrees. However, during the wedding night his longing for beloved Isolde revives and he abstains from consumming the marriage.

When her brother finds out about it, he gets angry that Tristan rejected his beautiful and decent wife and demands explanations. When he listens to his brother-in-law’s story, however, he is very moved and offers his help. They go under disguise to Cornwall and are trying to meet the queen, unfortunately because of a series of misfortunes, Tristan is led to believe that Isolde does not love him anymore even though in reality she craves for his presence. He comes back to Brittany and tries to find solace in battling enemies but he is severly wounded by a poisonous lance. Knowing that he will not survive, he asks his brother-in-law whom he trusts to be his messenger to Isolde. He wants her to come to him so that he could see her for the last time and he gives his friend the ring as a sign that it is Tristan who sent him. They make an arrangement that if he comes back with Isolde on the board, the ship will have white sails but if she refuses to come, the sails will be black. Unfortunately, Tristan’s wife, Isolde of the White Hands eavesdrops the conversation accidentally and grows very jealous.

His friend fulfills the mission successfully, Isolde agrees immediately to come to Brittany. They sail the sea and are about to come into the port, when Tristan’s wife notices the ship and tells him that her brother comes back. Tristan is already too weakened to come to the window and see himself so he asks his wife to tell him the colour of the sails. Isolde of the White Hands, sill enraged and craving the revenge, claims that the sails are black although in reality they are white as it was arranged. This piece of news kills Tristan.

Queen Isolde is hurrying to see him as fast as she can but on her way she hears the church bells ringing. Realising that something serious must have happened, she asks the passer-by what is wrong. ‘My lady’, he answers. ‘Our good protector and companion Tristan has just died.’ Struck with grief Isolde walks slowly to the church where her lover’s body is placed. She meets Isolde of the White Hands there, the widow is lamenting over the death she has caused. The Queen of Cornwall tells her gently to go away, then she prays, lies down next to her beloved and passes away with him.

King Mark takes the bodies of his wife and nephew back home and buries them in two graves. In the night a hawthorn grows from Tristan’s place of rest and its branch reaches the one of Isolde. The King tells the gardener to cut it off but the same situation repeats the next night and another one. Eventually King Mark allows the hawthorn to grow.

If you’re American, you probably do not know this tale but it is widespread in the European culture. Unlike some Celtic goddesses (Rhiannon, Gwenhwyfer) who have been somehow disguised as mortal women in Christianised version of their stories, Isolde does not seem to have any divine background. The tale of her and Tristan is a beautiful example of Medieval romance but Isolde herself is not an equivalent of any Celtic goddesses.

So if you pose the question about your romantic relationship and this card appears as an answer, do not think it predicts a happy, stable marriage. It shows rather a tormented, on-and-off union with ups&downs. If you go further and read the statement in a booklet added to the deck that love from your romantic partner is eternal, regardless of outward appearances, you may come to thinking that such a strong love will conquer all the obstacles. Well, I wish…but read the legend of Tristan and Isolde again. Even their powerful love resulting from magic did not provide them with happy emotional life. Women often enter secret relationships with men who are either married/not divorced yet/waiting for an adequate moment to tell their wives about the third one/not ready to commit. I do not judge anyone. We all make our own choices. But please think whether the man you are inquiring about, is worth your emotions, energy and most importantly your time.

Deception Number 2: Isolde’s Message Is To Have More Contact With Nature

Wrong!

I also disagree with other statements in the booklet: Nature is the great healer, you see. That’s why I’m frequently amidst the flower and the trees (…) Spend time among the forest and the trees and you’ll regain your foothold upon this planet. I do agree that spending time in nature is a good idea but I would not attribute such words to Isolde. Even though some motifs connected with nature appear in her story (living in a forest with Tristan, a bush of hawthorn growing on the graves of lovers), they do not change the plot nor resolve the problems. If a real Isolde for some reasons came out of the Medieval legend and stepped down into a contemporary world, her message to you would probably be:

Be careful with drinking. Do not leave your drink unsupervised while clubbing. Beware of the pills added to your drink that would leave you unconscious and prone to a potential abuser. A moment of  inattentiveness may ruin your life.

Seriously. Re-read the legend.

To sum up: it is not that I want to bash an author of certain deck because either I am jealous or I was paid to do it. I present my strong objections because I believe that if a deck of oracle cards based on ancient beliefs is to be reliable, it has to be accurate and its message should comply with the actual myths. So if you arrived at the end of this post, regardless whether you agree with me or not, I have just a small request to you: read the myths. Do not limit yourself only to booklets. Do not trust an author completely just because s/he is famous or talks about shiny angels. Do not resign from your own free, deep thinking. Do not even trust me completely. Dig deeper and find your own interpretation.

Yseult

The story of Tristan and Isolde is narrated basing on the version of Joseph Bédier.

RHIANNON

RHIANNON (RIGATONA)

Celtic goddess of horses and the Underworld. A Welsh epic of Mabinogion describes her as Pryderi’s mother and the wife of first Pwyll and then Manawyddan. Her name Rhi Annon (Ri Ana) means ‘the Great Queen’.

ABOUT GODDESS

Rhiannon was a Celtic goddess of horses also known as Rigatona and identified with her continental counterpart Epona, the only Celtic goddess worshipped by the Romans. However, the Welsh mostly know her as the heroin of the First and the Third Branch of Mabinogion saga.

Not much is known about how her cult looked like because no written descriptions remained (the Celts have not written  their history not myths down so they only circulated in an oral tradition). The only items associated with Rhiannon which survived to this day are figures and reliefs of a woman sitting on a horse. Mabinogion is a cycle of Welsh legends which nevertheless were not recorded in writing until the Christian era. Christian scribes in monasteries were removing elements incompatible with the new religion therefore Rhiannon is not referred to as a goddess in the saga*. The first translation of Mabinogion from Welsh into English was not made until half  of the 19th century; the translator was Lady Charlotte Guest, an outstanding personality and the promotor of Welsh culture and literature.

Rhiannon first appears in the First Branch of Mabinogion when Pwyll the prince of Dyfed noticed her while hunting. She was sitting on a pure white horse of large size, with a garment of shining gold around her and when the prince asked his companions whether they knew her, they said they did not. Pwyll told them to ask the lady who she was but she fled on a horse back so quickly that Pwyll’s servants could not catch her. It happened again and again and finally Pwyll became so intrigued that he got on the horse himself sam and chased the mysterious lady but even having the swiftest horse in the kingdom, he was unable to reach her. At last he was so tired of the pursuit that he called, Lady, please do stop!. She did and replied, I will gladly stop and it would have been better for your horse if you had done it much earlier. When she took off the part of a headdress which was covering her face, Pwyll realised she was the most beautiful woman he had ever met. The girl introduced herself as Rhiannon, the daughter of Heveydd Hên who wanted to marry her to a man against her will. She then added, But no husband would I have, and that because of my love for thee, neither will I yet have one unless thou reject me. Of course, Pwyll was not intending to reject her, moreover he added that if he could choose from all the women in the world, he would choose nobody but her. They arranged to meet in her father’s castle in exactly one year time and then parted.

Asked about the mysterious lady Pwyll changed the subject. However, when an arranged time came, he gathered one hundred horsemen and went to Heveydd Hên’s palace where he was welcomed cordially and a feast was arranged in his honour. Pwyll was seated between Heveydd Hên and Rhiannon but the good atmosphere was destroyed at the end of the feast when a richly dressed young man entered the chamber. His name was Gwawl the son of Clud and he was Rhiannon’s wealthy suitor. Gwawl started to talk with Pwyll and maneuvered unaware prince to agree on his marriage with the woman he loved. To prevent it Rhiannon gave a bag to her beloved and  ordered him to come back with his horsemen in one year time during her feast before the wedding. She ordered him to wear rags and ask for as much food as the bag could contain and she would use her magical powers to make it botomless so the guests would wonder what to do to make it fill. Say thou then that it never will, until a man of noble birth and of great wealth arise and press the food in the bag with both his feet, saying, ‘Enough has been put therein’, said Rhiannon. I will cause him to go and tread down the food in the bag, and when he does so, turn thou the bag, so that he shall be up over his head in it, and then slip a knot upon the thongs of the bag. Let there be also a good bugle horn about thy neck, and as soon as thou hast bound him in the bag, wind thy horn, and let it be a signal between thee and thy knights.

This was exactly what happened one year later; hearing the signal Pwyll’s knights entered the chamber, disarmed Gwawl’s companions and cast them into the dungeons. Gwawl himself was still immobilised in the bag until he swore to Pwyll that he would resign from the marriage with Rhiannon, respect Pwyll’s relationship with her and would not take vengeance.  He was released with his people and left immediately. Pwyll and Rhiannon were able to get married. Pwyll gave a lot of gifts to his wife’s kinsmen and then he took  Rhiannon to his castle in Dyfed where in turn she was requiting her husband’s subjects with gifts.

The marriage was happy but still childless after two years. In the third year the noblemen came to Pwyll to express their sadness that he still did not have an heir. They suggested leaving Rhiannon and marrying another woman who would bear him a son. Pwyll answered that they were married for a relatively short time so they could still have children. Grant me a year from this time, and for the space of a year we will abide together, and after that I will do according to your wishes, he said. A year later Rhiannon gave birth to a healthy son. Tired after childbirth she fell asleep and the baby was entrusted to six women to watch over it at night. However, they fell asleep and when they woke up, the royal heir was gone. Terrified that they would pay for it with their own lives, they devised a plan: There is here a stag-hound bitch, and she has a litter of whelps. Let us kill some of the cubs, and rub the blood on the face and hands of Rhiannon, and lay the bones before her, and assert that she herself hath devoured her son, and she alone will not be able to gainsay us six.

When princess woke up and asked for her son, wicked women started  to persuade her that although they were trying to proctect him, Rhiannon ate her own child. Of a truth we never saw any woman so violent as thou, they added. Rhiannon did not get caught by the accusations and assured women that she would defend them if they lied out of fear. They, however, kept lying. Soon the news spread all over the country and people demanded Rhiannon to be put to death for the crime. Pwyll did not agree but felt responasble as a ruler to draw consequences towards his wife. To expiate the act attributed to her, the princess was to sit in the gate to the castle for seven years, tell her story to anyone who did not know it yet and offer that she would carry the traveller on her back into the palace. Luckily, not many demanded that. Although innocent, Rhiannon was enduring her ordeal with dignity and humility.

Meanwhile at the night when Rhiannon’s son was born some other strange events took place. Teirnyon Twryv Vliant, Lord of Gwent Is Coed had an incredibly beautiful mare which regularly foaled on May, 1st but a colt kept vanishing mysteriously. Eventually angry Twryv decided to bring the mare into the house for the time of delivery and to watch over her fully armed. The mare indeed gave birth to a large and beautiful colt but right after that, he heard a great tumult and saw an enormous claw entering through the window and taking the colt. He threw himself at the big hand with his sword and cut it off in an elbow so only the hand with the colt remained. Outside tumult enhanced so Teirnyon ran away to check what happened but it was so dark that he could see nothing. When he came back home, he noticed a baby boy wrapped in a satine mantle lying on the door behold. He brought the baby to his wife and they both decided to adopt him and call  Gwri Wallt Euryn for the sake of his blond hair. Boy was growing up rapidly, much faster other children; being just one year old he was bigger than a three year old child, while he was two, he seemed to be six and when he was four, he bribed the grooms to allow him to take the horses to water. Seeing how quickly he was growing, Teirnyon’s wife convinced husband to give boy the colt which was born on the same night as he.

Eventually the news of what happened with Rhiannon reached their castle. Teirnyon felt sorry for her and he started to ask what exactly happened and observed the boy whom he was raising. He noticed his great resemblance to Pwyll and realised he would have to give him back to his real parents. His wife agreed and the same day Teirnyon went to Dyfed with the boy. They met Rhiannon in the gate and in accordance to her penance, she offered to carry them on her back to the palace as a punishment for devouring her own child but Teirnyon refused. They got to the palace where Pwyll welcomed them cordially and invited for a meal. While they were eating Teirnyon told the prince of what had happened in the night when the boy and the colt were born. And behold here is thy son, lady– he said to Rhiannon. – And whosoever told that lie concerning thee, has done wrong. Everyone confirmed boy’s great resemblance to Pwyll and it finished Rhiannon’s ordeal. She called the boy Pryderi meaning ‘Loss’ and Teirnyon was offered great treasures, however being a modest man he did not accept them. Still he was in the great favour of both Rhiannon and Pwyll until his death.  Pryderi grew up to be a talented and wise young man and he inherited the throne after his father’s death; he was greatly loved by his people. And thus ends this portion of the Mabinogion.

After Pwyll’s death Pryderi married Kicva and became ruler. He managed to enlarge his lands and went for a war with Ireland together with Bendigeid Vran (Bran) son of King Llyr** who attacked the lands of his brother-in-law in revenge for his treatment of his wife Branwen, Bendigeid’s sister. Pryderi was one of the seven men who survived the bloody battle beetween the Welsh and the Irish. He came back home accompanied by Manawyddan, Llyr’s other son whom he befriended so much that he decided to marry him to his widowed mother. He arranged a welcome feast to honour his guest and seated him next to Rhiannon. His plan succeeded, Manawyddan and Rhiannon took a fancy to each other and got married soon. For some time Pryderi, his wife, mother and stepfather lived peacefully but one day while they were outside, a storm raged and a strange mist descended on the country. When it disappeared, it turned out that they found neither buildings nor people nor cattles; it seemed as if in the whole Dyfed there was no single person except of the four of them. They remained all alone in their lands for two years but eventually they got bored of having no companionship.

So they set off to England where Manawyddan and Pryderi became so good craftsmen that local guilds turned against them because their products were much more popular  than the local ones. The Welsh decided to leave the town and move to another one but the same history repeated there. They moved to yet another town and again they were better than local craftsmen irrespective of whether they were producing saddles, shields or shoes. Their work made buyers delighted but it also aroused the anger of local craftmen so eventually they decided that it was useless to stay there and came back to Dyfed. After a month  Manawyddan and Pryderi went hunting. They came across a great boar of pure white which led them straight to a newly built castle which they saw for the first time. The boar ran straight into the castle and Pryderi’s hunting dogs went after him. Since they were not coming back for a long time, he decided to go inside and take them even though Manawyddan suggested staying.

There was not a trace of a boar and hunting dogs inside neither any signs of people living there. There was, however, a murmur fountain in the center with a golden bowl hanging over it. Pryderi was so amazed by the the quality of craft that he came to the bowl and placed his hands on it. He did not realise it was enchanted and when he wanted to take his hands back, it turned out to be impossible; he could not utter a word neither. Manawyddan was waiting for him  to come back until the evening but eventually he returned to the palace and told Rhiannon about what had happen. She reproached him for not accompanying Pryderi and went searching for her son herself. When she entered the castle and saw him, she touched the bowl and fell under the spell too. Thunderstorm came again and mist enshrouded the castle making it vanish.

Kicva, Pryderi’s wife, fell into despair thinking she could lose him, however Manawyddan promied her that she would certainly have him back. Since they had neither hunting dogs nor food, they emigrated to England again where Manawyddan worked as a shoemaker once more. His products were of the highest quality as always so the local craftmen turned against him and after a year Rhiannon’s husband had to flee from the town. Luckily Manawyddan and Kicva took a burden of wheat with them to Dyfed so they sow the seeds which grew up profusely. Additionally, Manawyddan went fishing and deer hunting so they did not starve. Unfortunately, when the time of harvest came, it turned out that some mysterious creatures cut all the ears leaving stalks only. Manawyddan decided to watch over crops to save what had remained; it turned out that around midnight a big host of mice appeared on the field and carried the ears away. Manawyddan managed to catch one of them to the glove.

He was going to execute it but then suddenly a man appeared and came closer; he seemed to be a scholar which surprised Manawyddan because he saw no unknown person in this land for last seven years. When they started to converse and a stranger found out what Rhiannon’s husband was intending to do, he was trying to convince him to sell him the mouse. Manawyddan, however, did not agree so the scholar went away. Soon a priest rode with the same offer and  even higher price. Still Manawyddan did not want to sell the mouse so a priest left but Rhiannon’s husband could already see a bishop with his attendants approaching. He offered money again but Manawyddan kept refusing even though the price was getting higher and higher. Eventually bishop offered to release Pryderi and his mother. Manawyddan understood that the mouse is more valuable than it seemed so he additionally demanded the spell to be taken off Dyfed.

Bishop had no choice but to agree. He admitted that in fact he was mage named Llwyd son of Kilcoed and his pregnant wife was disguised in the body of a mouse.  He also revealed that he cast the spell on Dyfed to revenge the insult which Rhiannon and Pwyll made to his friend Gwawl son of Clud. He transformed into mice with his household members and went to Manawyddan’s fields, however because of her condition his wife could not run as fast as the others and was caught. He asked Rhiannon’s husband to release her and assured he would give up his revenge and take spell off Dyfed and he would never do it again. When Llwyd brought Rhiannon and Pryderi back, he returned his wife to him. Life came back to Dyfed and there were peeople, villages and cattles again. And thus ends this portion of the Mabinogi.

IMAGES, SYMBOLS AND ANIMALS

The animal mostly associated with Rhiannon/Rigatona is a horse. Roman images of a woman riding a horse remained to this day; they probably depict either Rigatona or Epona.

Rigatona

Rhiannon is also connected with the Underworld through her birds. Mabinogion mentions her miraculous birds which sang so sweetly that warriors listening to them fell under their charm for eighty years. Three birds had magical skills to wake the deads up and put the living to sleep. In an old Welsh legend about   Culhwch and Olwen one of Culhwch’s tasks is to get Adar Rhiannon – The Birds of Rhiannon  (he wants to marry Olwen but her father does not accept it and demands from suitors things impossible to get). Birds also appear during the feast in the Second Branch of Mabinogion:  the singing of the birds of Rhiannon (…) and there came three birds, and began singing unto them a certain song, and all the songs they had ever heard were unpleasant compared thereto; and the birds seemed to them to be at a great distance from them over the sea, yet they appeared as distinct as if they were close by, and at this repast they continued seven years.

Other animals associated with Rhiannon are a boar, dogs and a badger (Welsh game ‘a badger in a bag’ was traditionally initiated when Gwawl, Rhiannon’s suitor, was closed in a bag and teased).

Rhiannon is also associated with the symbol of cauldron (magical bowl in a castle) which is typical for Celtic goddesses (Welsh Cerridwen, Irish Brigid and triple Morrigan) which makes her the goddess of magic. Some researchers claim that similarly to Irish Medb (Maeve) and Welsh Gwenhwyfer (Guinevere) she is the goddess of sovereignity and grants the throne to the man who marries her. Like a Hellenic goddess Demeter she is linked with horses and perceived as the goddess of abundance and fertility.

DIVINATION MEANING

Person

Someone with a great need of moving or a person of a swift mind. Someone who is experienced in life, wise, bright and ingenious. A person of great patience and dignity.

ADVICE

It is you who is right in the situation you are inquiring. Do not let people around you make you believe you are not. Have no doubt of who you are, what you do and where you are heading. You are good enough in whatever you are planning so do not allow fears to destroy your potential.

A gaslightning *** method may being used to belittle you, do not stop believing in your own feelings, impressions and emotions. You are right.

Time to change and move forward. A trip is a good idea.

Reflect deeply on what you are intending to do because you will not be able to turn back the time.

Movement. Velocity. Change. Power. Dignity. Mobility. Internet. Happy ending of a difficult situation.

Love

If you are in the relationship: time of testing or ordeal. Speak honestly about what you want, sometimes it is enough to simply ask for it. False accusations. Re – marrying. Being deprived of/granted the custody over the child.

If you are single: this card suggests meeting somebody during a journey.

Finances

Loss, typically not caused by wastefulness but by decision of an office or a bank. It is possible to compound or to bend the rules in order to change this situation. Departure, most probably abroad.

Health

Beware of falling down and injuriese. Endangered parts of the body: musculoskeletal system (bones, muscles, tendons, ligaments).

CARDS

Rhiannon hurrying with horses and birds in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Rhiannon in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Rhiannon in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Rhiannon in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Rhiannon in Goddess Inspiration Oracle by Kris Waldherr

Rhiannon in Goddess Inspiration Oracle by Kris Waldherr

Rhiannon as The Chariot in The Goddess Tarot by Kris Waldherr

Rhiannon as The Chariot in The Goddess Tarot by Kris Waldherr

Rhiannon in The Goddess Oracle Deck by Thalia Took

Rhiannon in The Goddess Oracle Deck by Thalia Took

Rhiannon in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Rhiannon in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Rhiannon in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Rhiannon in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

An interesting representation of Rhiannon in The Goddess Power Pack by Cordelia Brabbs

Rhiannon in The Goddess Power Pack by Cordelia Brabbs

Rhiannon in Goddess Guidance Oracle Cards by Doreen Virtue (I think I have expressed my views about this ‘work of art’ clearly enough in the review of Doreen Virtue’s deck so I will not say a word more)

Rhiannon in Goddesses Guidance Oracle Cards by Doreen Virtue

Rhiannon as Knight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

* It also affected other Welsh legends about King Arthur, most probably both Morgaine – Morgan Le Fey and Gwenhwyfer – Guinevere were at first goddesses. Legends about King Arthur have been formed in their ultimate shape around 15th century under the French influence while original Welsh myths are as old as at least 6th century. To be honest these versions often differ like fire and water. Both Rhiannon’s husbands are also considered to be originally gods; Pwyll was the lord of the Underworld while Manawyddan seems to be a Welsh counterpart of Irish god of the sea called Manannán.

** Prototype of Shakespear’s King Lear.

*** “Gaslighting is a form of psychological abuse used by narcissists in order to instill in their victim’s an extreme sense of anxiety and confusion to the point where they no longer trust their own memory, perception or judgment. The techniques used in “Gaslighting” by the narcissist are similar to those used in brainwashing, interrogation, and torture that have been used in psychological warfare by intelligence operative, law enforcement and other forces for decades.

The intention is to, in a systematic way, target the victim’s mental equilibrium, self confidence, and self esteem so that they are no longer able to function in an independent way. Gaslighting involves the abuser to frequently and systematically withhold factual information from the victim, and replacing it with false information. Because of it’s subtly, this cunning Machiavellian behaviour is a deeply insidious set of manipulations that is difficult for anybody to work out, and with time it finally undermines the mental stability of the victim. That is why it is such a dangerous form of abuse. The emotional damage of Gaslighting is huge on the narcissistic victim. When they are exposed to it for long enough, they begin to lose their sense of their own self. Unable to trust their own judgments, they start to question the reality of everything in their life. They begin to find themselves second-guessing themselves, and this makes them become very insecure around their decision making, even around the smallest of choices. The victim becomes depressed and withdrawn, they become totally dependent on the abuser for their sense of reality. In effect the gaslighting turns the victim’s reality on its head.” (from Narcology)

Based on original issue of Mabinogion available online (much to my joy) here: http://www.sacred-texts.com/neu/celt/mab/mab20.htm and http://www.sacred-texts.com/neu/celt/mab/mab24.htm

as well as English Wikipedia, http://wintergrovecoven.tripod.com/deities.html , http://www.thaliatook.com/AMGG/rhiannon.html , http://www.joellessacredgrove.com/Celtic/deitiesr-s.html, http://www.joellessacredgrove.com/Celtic/deitiesn-o-p.html .

SEDNA

“No, I wanted to say, he didn’t cut off her hands because he didn’t have to, he had cut them off long before, with years of keeping all authority in his own palms, all the rules and all the power and all the answers emanating from him and no one else. And if you don’t understand that, if you’ve never been in such a family, then you can’t know the way the mind shackles itself and amputates its own limbs so adeptly that you never think to miss them, never think that you had anything so obscene as choice.”
~ Carolina De Robertis

SEDNA

An Inuit goddess of the sea, its depths and supplies and of Adlivun, the Underworld. She is also called Arnakuagsak or Arnaqquassaaq, Satsuma Arnaa (Mother of the Deep), Nuliajuk, Arnapkapfaaluk (Big Bad Woman), Nerrivik (Table) and Takánakapsâluk or Takannaaluk.

ABOUT GODDESS

The myth about Sedna has various versions but the common topic is cutting her hands off which turned into fish and other marine animals. According to one of the legends Sedna was a giant, daughter of Anguta, the Creator of the world, whose appetite was so huge that she threw herself at her parents. Angered Anguta took her to the sea, pushed out of his kayak and cut her hands off when she wanted to climb back. Her big fingers then changed into seals, whales and fish which the Inuit haunt for.

The most popular version of the myth presents Sedna as exceptionally beautiful girl who rejects candidates to marriage from her village one after another in the hope of meeting someone much better. She finally agrees to marry an unknown hunter who promises her life in abundance. The hunter takes her to a distant island where he drops his disguise and turns out to be the king of birds. He does not provide her life in comfort as he promised and Sedna calls for her father’s help. He arrives while her husband is absent and runs away with his daughteer to his kayak. Meanwhile the king returns and gets angry when he realises that his wife escaped so he flies after the fugitives with a flock of birds and attacks them. Sedna’s father is so scared that waves caused by the wind from the birds’ wings will overturn the kayak that he throws his daughter overboard. He knows that Sedna is what her husband wants (in another version he kills the king and the birds attack to revenge him). When Sedna is trying to climb back, her father chops her fingers off and a helpless girl sinks to the bottom. However, it turns out that she does not drown but becomes a goddess instead and her cut off fingers turn into whales, seals, walruses, fish and other marine creatures which are the Inuit’s main source of food. If Sedna gets angry, she does not allow fauna to emerge to the surface and hunters come back to their villages with nothing to eat. Then shaman travels to the sea depths to comb her hair and plait braids asking for forgiveness (being handless she is not capable to do it herself). This is why Sedna is considered to be to be rather a vindictive and sinister goddess.

Other versions of this legend says that Sedna, unsatisfied with the suitors presented by her father, eventually decides to marry a dog. This makes her father so furious that he throws her into the sea and when she is clinging to the kayak, he chops her fingers off. Another version says that Sedna rejects all the wooers until a new unknown hunter comes to the village. Her father makes a secret agreement with him and promises  to give him his daughter as a wife in exchange for fish. Then he gives Sedna a sleeping potion and let the hunter take her away with him. When she wakes up, she finds out that she is in a nest on a cliff and the hunter is in fact a great raven who disguised himself in a human form. It is not until that moment when her father hurries to rescue her but he gives up when the birds cause a sea storm. He throws his daughter into the water and when she is trying to climb back, her fingers freeze and fall off turning into sea animals. Sedna herself falls down to the bottom and changes into a mermaid with a fish tail instead of legs. In the region of Netsilik there is yet another version of the myth; in this story a maltreated orphan named Nuliayuk becomes the target of her fellow villagers. They are trying to drown her in the sea by cutting her fingers off but their plan fails when the amputee parts of her body change into fauna. Nuliayuk marries a fish and becomes the ruler of all the marine creatures.

A celestial object circulating around the Sun in an orbit beyond the trajectory of Neptune was called after the goddess.

IMAGES, SYMBOLS AND ANIMALS

Here is a couple of images presenting Sedna in the original sculptures carved by the Inuit:

Sedna-Transforming-1-100x100

Sedna-Transforming-2-100x100

http://appletongalleries.com/inuit-carvings

images.asc.ohio-state.edu

https://byrdpolarmedia.osu.edu/index.cfm?fuseaction=collections.seeItemInCollection&CollectionID=b77f4cab-9612-4386-86ba-1ab22eb962d4&ItemID=9569b7fd-f811-48bf-aed5-53a3e79445db

sedna-carving

http://www.gps.caltech.edu/~mbrown/sedna/

DIVINATION MEANING

Person

A person who has experienced a lot of bad things in life. A person with unsolved personal problems. Someone who pushes problems and fears down into unconsciousness. A person shown by this card is shy and silent, keeps oneself to oneself and tries not to cause troubles nor to attract attention but inside is often consumed by emotions.

Wife or (adult) child of an alcoholic. An archetype of a woman who escaped from an unhealthy family into equally unhealthy marriage. Women are naturally exposed to this behavioral pattern because they tend to search fulfillment through the contacts with other people. They often end up disappointed when they give a lot and receive little or nothing in return. Women are capable of selling their souls just for a substitute of feelings.

A person with the mentality of a grown up child who either cannot or is afraid to reveal their true feelings. Someone who escapes from responsability and adulthood. Someone who refuses to accept the rule ‘what goes around comes around’. Someone who wooes for the love of others. An ivy type of personality wrapping around a stronger partner in the hope for resolving their own emotional problems. Someone who does not have healthy patterns of personality and relationships. A person who does not act spontaneously but rather wears different masks (usually because of previous life experiences).

The card of Sedna represents a person who has a victim pattern of personality and hurts other people not by physical beating but by passive aggression: emotional blackmail, killing somebody with kindness, interferring into somebody else’s life, putting pressure on others, living the lives of other people, not their own etc. This form of aggression is neglected in our culture but it is equally harmful as physical beating or most likely it may be even more dangerous because it is in fact hidden (we might be even unaware that we are the victims of aggression and come to belief that we are the source of problems ourselves because we do not appreciate enough the efforts and feel guilty) and it hits under disguise of love (‘I do it because I care for you!’).

This type of aggression is commonly practiced by women (especially mothers and granmothers who have low self – esteem) because physical violence was restricted for men and women were not supposed to show their anger. However, hidden anger does not disappear, it simply is released in another, more indirect way. People with victim patterns may seem very good, harmless, tender and caring on the outside (they do all the housework duties, engage themselves in charity or local organisations etc.), however they have tendency to search for attention, control and manipulate the environment with words and emotions. They often say, I sacrifice so much for family, I cook, clean, go shopping, carry bags with groceries, but nobody helps me! You are so insensitive, I’ll have health problems because of you! (complaining and emotional blackmail). In reality they exaggerate to get the attention because a lot of the household work they do is unnecessary or could be done less often. But what the person unconsciously wants is the family members to feel sorry for her/him and make them feel guilty that they neglect her/him (at least in his/her opinion).

The person does not respect even the clearly expressed boundaries and thinks s/he can cross them just because s/he knows better what is good. A typical example: a grandma asks her grandchild, ‘Are you hungry?’. ‘No, thank you’, answers the child who is occupied with playing. ‘But maybe you’ll have a peanut butter sandwich?’, grandma keeeps asking. ‘No, I’m not hungry’, the child is a bit tired of repeating but still is polite and keeps playing. ‘I’m making pancakes, do you want some?’, grandma refuses to give up. ‘Noooo, thank youuuu!’, the child loses their temper and screams. Silence. After a while grandma comes with a soup. ‘Eat while it’s still hot’, she says.

Such kind of behaviour causes the loss of energy in the bodies of family members. For those of you who work with energies: such passive aggression sucks energy out of the base chakra which is responsible for health and correct functioning of the organism. Energetical attacks cover the base chakra like a spider net and poisons it with negative vibes. People who live with the person with victim patterns who is also an energy vampire may feel constant fatigue, low self-esteem, lack of life energy, decrease of optimism, significant weight loss or gain, lost of interest in the things which used to be enoyable (including sex), inability to finish things, inability to self-organize, feeling of slowing down, problems with concentration, memory and sleep, etc. It is happening because this person emits negative, “sticky” energy which wraps around the base chakra and blocks any positive energy flow.  It causes problems with existence in the world of matter which usually results in troubles with finding or keeping the job, financial or health problems and, in the extreme cases, depression and suicidal thoughts. No one can feel stable and healthy if their base chakra does not work properly. Sometimes very determined people fight hard not to give up to depressive mood and to achieve their goals but it costs them much more energy than the people who have healthy patterns and support of family and friends. The longer we live with the person who attacks us with passive aggression, the weaker and more vulnerable we become. These attacks may not seem harmful at the beginning but they limit any behaviours of family membrs which seem out of ordinary or do not comply with the energy vampire’s rules. In the end we lose our energy so much that we think we are too weak to change the situation. We are becoming the victims of victims.

When somebody beats you, you realize this is a bad thing (even if you blame yourself for starting, provoking etc) but nobody realizes how harmful passive aggression is and how common it is in the behaviour of people who have usually been the victims of abuse themselves. They are often old, ailing and experienced by life with an alcoholic or within an alcoholic family. How can you accuse me of hurting others when I’ve been through so much in my life?!, they would ask. But they do it because of their subconscious need to “win back” by dominating, imposing their opinions, accusing, demanding and requiring.

This behaviour has the most harmful effect on children. At this stage of their development they are not yet capable of distinguishing who and what is right or wrong and they trust whatever they close relatives say. If they say, ‘You are not capable of doing it, you are hopeless’, they will believe it. Many of those people who cannot find their place in life or think they are inable to cope with life and feel they do not really ‘fit’ the world, have been deprived of support and respect of their family. Children are particularly vulnerable because they do not expect any forms of aggression from the closest people. Body is not prepared for beating or emotional abuse so child’s fear and trauma literary hide inside it sooner or later causing health problems. Physical or emotional abuse comes as a shock to them and leaves them confused. If they cannot trust their parents, then whom can they trust?

Children are naturally sensitive and receptive. For them everything is safe (including boiling water and an abusive parents) so they lose more than an adult while contacting aggressive people. They often hide in the shells and limit contacts with the outside world but their fear, anger and helplessness do not cease to exist. Children from dysfunctional families have a distorted feeling of saftety, problems with expressing emotions and tendencies to wear masks throughout their lives because they could not count for mature reactions of their parents to their behaviour and have become unnaturally cautious. They are too hard on themselves and have very low self-esteem, they are also unable to escape themselves from an unhealthy family because they are dependant on their parents. If an external body (school, hospital, social service workers) does not notice the problem, the child may live in a dysfunctional family for years and become permanently marked by living in a distorted, loveless world. It is the only reality s/he knows. These damages in their psyche are not visible but they severly influence later life. They cannot disappear just like that, however therapy proves to bring significant improvement.

The only cure to both a victim and an aggressor is to be aware, to work daily with your attitude and to develop your personality.

IMPORTANT: NOT ONLY THE ALCOHOLIC FAMILIES ARE INVOLVED IN VIOLENCE! In fact many “decent” families are affected by abuse. It may be even harder for children to ask for help because unlike in alcoholic families abuse is hidden and outside everything seems to work fine. An abusive parent may be a respected laywer or doctor and a child is convinced that nobody would believe them if they told the truth about physical or emotional aggression. Regardless of its material status and level of education a family with children is aimed at preparing them to cope with life. The attention should be paid especially to physical and emotional health and providing with healthy relationship patterns and methods of resolving problems. In a properly functioning family a child is given boundaries but also loved unconditionally. It is not hurt, humiliated, beaten, laughed at and expected to gain parents’ love by achieving certain goals nor behaving in a desirable way. If family does not act in this manner, it is a dysfunctional family.

ADVICE

This card has „a misfortune” of bringing hidden patterns, traumatic memories and everything we would rather forget about out of our subconsciousness. It reveals wounds, victim patterns and how a previously abused victim starts abusing others.

No matter whether you are abused or abuser, this card suggests you to stop immediately. This literary is last call before something tragical happens.

The card of Sedna also shows that your inability to cope with the situation you are inquiring about comes from wrong patterns encoded in your unconsciousness. We use a conscious part of our personality on a daily basis, i.e. our mind, logics, religious and cultural rules etc. We perceive ouselves the way we want to be perceived. Meanwhile our subconsciousness is a mighty force which we can try to deaden but we are not able to shape from the outside. Our codes, behavioral patterns, blockades, inner limitations, halfhearted efforts, primal experiences which we do not even have to remember are all stored in our subconsciousness. Even if our consciousness has some plans, subconsciousness may thwart them. No matter how much we want something to happen, we are not able to make it come true. Subconsciousness offers us old solutions basing on previous experiences. We usually do not even realise nor understand it and since we are unaware of that, we keep making the same mistakes  as if we were in a viscious circle. With an untamed subconsciousness we are not capable to solve our life problems because it constantly sends us conflicting signals, twarts the effort of consciousness and blocks our development. Whatever we want to do, we have to remove the blockades from our subconsciousness.

Let me explain it using computer science language: subconsciousness is a hard drive and a database used by consciousness to extract behavioral patterns and solutions when we face a problem. Every computer scientist knows that if your PC/laptop does not have a solid motherboard with a good memory and a fast processor then its system will keep hanging. Even if we want to achieve something very much, blocked unconsciousness will thwart our plans and we will even explain rationally why we failed yet another time. If you repeteadly lack fulfillment in a certain area of your life then you have to “tame” uncosciousness the same way as you exchange motherboard when the system is malfunctioning. Every computer scientist knows how serious change it is for a PC/laptop.

Remember that your subconscious like a hard drive is a huge database gathering information from your earliest times. Data is stored there regardless of its truthfulness or who enter it to the memory, be it you or your family, teachers, religious leaders, friends, colleagues etc. This data may of course be contradictory (and usually it is) so before you decide to print it (i.e.to act), you have to correct the document. Otherwise when you have it printed, all you get will be the number of unreadable characters who nobody will be able to decode.

To organise subconsciousness sometimes all you have to do is to uninstall unnecessary programmes which take too much space and slow down the system but sometimes the mess is so big that there is no other option than to format C. Organising your subconsciousness certainly requires self – work, recognising your emotions, constant observation of your thoughts and actions,  regular update of data concerning yourself and your environment, capturing negative thoughts with your inner antivirus programme, permanent affirming, participating in a therapy or a support group etc. And most of all it requires a very good security system to protect your inner personal computer from hakers who want to get in and take advantage of it.

You can also leave your disc uncleaned and remain with the mentality of a victim. You can search for the acceptance of others, chase after a substitute of real feelings and expect others to feel sorry for you. But this means you refuse to get out of this mental and emotional swamp. Do not excuse yourself. Excuses may improve your mood but will not help you move forward. Self-excuses and complaining set you in the position of a victim. Everyone has pity and feels sorry for a victim but remaining in this state unables acting effectively. Women are the world champions of self – excusing and self-justifying.

Even if you are characterised by the card of Sedna, it does not mean that you have to remain like this. I highly recommend reading Women Who Run With The Wolves by dr Clarissa Pinkola Estes, especially a very similar Inuit story of Skeleton – Woman, Handless Maiden, La Llorona and Ugly Duckling. Sedna’s hands, her main tools of acting, were cut off therefore she was doomed to be helpless but it does not have to be an ultimate and irreversible action. Love, respect, acceptance and care can make hands grow back.

Love

If you are in the relationship: Solitude in a relationship. Think over whether being with your partner makes you feel happy and fulfilled. If you want to have a child, analyse carefully whether your current partner is the right person to become a parent. Do not forget that a child binds two people more than any vows. Also consider whether you are really mentally and emotionally mature to become a parent. If you want to have a child primairly to have someone to love then it means you are not.

If you are single: The reason of your solitude is probably a wrong pattern of human relations. Even though you have a great need of loving, either you are escaping from engaging deeper into an union or you seek for an attention of a partner. Perhaps you keep choosing the same type of a partner who limits and smothers you instead of making you bloom. You should work on your psyche first before you decide to enter a serious relationship.

Finances

Getting out of trouble. Unexpected financial solutions. Sudden flow of money. Decision of granting a credit.

Health

Surgery. Amputation. Staying in a hospital. Check your circulatory system (it is worth to consult with a doctor whether you should have Doppler ultrasound done).  Endangered parts of the body: blood and lymphatic vessels.

CARDS

Sedna in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sedna in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sedna in The Goddess Oracle Deck by Thalia Took

Sedna in The Goddess Oracle Deck by Thalia Took

Sedna in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Sedna in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Sedna in Goddess Guidance Oracle Cards by Doreen Virtue (I have already expressed what I think about this image here)

Sedna in Goddess Guidance Oracle Cards by Doreen Virtue

Based on English Wikipedia, http://swiatducha.wordpress.com/2010/11/01/atak-na-podstawie-wzorcow-ofiary , http://swiatducha.wordpress.com/2012/08/12/ofiary-zatrucia-od-wejscia , http://swiatducha.wordpress.com/2009/01/24/ofiary.