Tag Archives: ishtar

Sun in Leo, Time For Ishtar

This time of the year Leo enters the sign of Leo so I thought I may remind you one of the goddesses associated with this animal. My choice is Ishtar, you can read more about her in this post.

I have also been asked about the Kamienie Mówią gemstone oracle deck so I just want to clarify that all I translated is here on my blog (see all the posts here). I skipped some parts from the booklet including spreads, mostly because I had neither time nor energy to deal with the whole text. Besides I think this info was not essential and you can use the cards without it, after all I suspect you already have some experience when it comes to oracle cards and most of us have their own favourite spreads anyway. However, I have just been told that one of my readers may translate the missing parts in the future, in this case I will definitely help her and post her translation on the blog, too.

I have also been asked about my own deck. I must tell you that so far the whole work was done on the practical level, i.e. I was gaining insight and experience in communicating with the cards by spreading them to my family and friends and I think at this point I am really satisfied with what I learnt. The time to move my work to the artistic level is getting closer, I think at the beginning of next year I will be able to inform you about the progress and offer you some practical opportunities to see how it works. I will definitely keep you updated and for now I am leaving you with Ishtar.

Ishtar in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

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REVIEW: THE ORACLE OF THE GODDESS BY GAYAN SYLVIE WINTER AND JO DOSE

THE ORACLE OF THE GODDESS

by Gayan Sylvie Winter&Jo Dosé

ABOUT THE AUTHORS

GAYAN SYLVIE WINTER is the writer who lives in Santa Fe in the USA. She was a model and an actress in the 70’s when she went to India and spent seven years in Osho’s Meditation Centre. She published 25 books and decks.

JO DOSE is a painter and an illustrator. She lives and works with her husband in Sedona in the USA.

Both ladies have already worked together on Vision Quest Tarot.

None of the authors has an official page nor social media sites (Gayan Sylvie Winter is only available on LinkedIn , she also seems to have her FB profile, but it looks like a private one, I have not come across her official page there)

ADVANTAGES

Images are certainly the advantage of this deck. Jo Dosé has done a tremendous work trying to render the goddesses from different lands and times. Her images of goddesses represent the myths, symbols and attributes of particular deities: Amaterasu shines in the skies, Athena has her owl, Demeter – her sheaf, Freyja – cats and falcon feathers cape, etc. There is an eight – pointed star representing Venus above the heads of Astarte, Inanna, Ishtar and Venus who were all associated with this planet.

I am delighted to see Skadi included in this deck, her myth is one of my favourite ones and she is rarely presented in other decks.

Another advantage is definitely a wide range of cultures included in this deck, you will see here goddesses from Mesopotamia, Hellas and Rome, Celtic lands, Africa, India, the Far East, Polynesia and both Americas. Although some of the choices the authors have made might be controversial (see below), the overall choice of goddesses is satisfying.

DISADVANTAGES

I find the booklet added to the cards rather disappointing even though it seems to be a substantial part of the set (big size, bibliography etc.). I find the geographical division to be completely messy, there is no chronological order in the contents so we jump from ‘Universal Goddesses’ through Indian and Chinese Goddesses to Greek Goddesses then Japanese Goddess just to end up with Phoenician Goddess. Phew! I am quite well informed when it comes to different cultures, but for those who are not, this may seem like riding a carousel. I also question some names used: I am not convinced that we can describe some goddesses as ‘universal’, after all they were still created by a particular culture. I totally disagree with calling Hekate a ‘Turkish Goddess’: in the ancient times there was no ‘Turkey’ as we see it now, the areas of modern day Turkey were generally called Anatolia and the mighty Hellenic colonies were present on its coast. Plus mythologically Hekate is rather connected to Thrace than to Anatolia.

The book itself is also rather disappointing. Some basic facts about the goddess are mentioned in each chapter but if you already have certain mythological and cultural knowledge, it is unlikely that you will find out much more.

There is The Oracle part added to each chapter but it seems rather vague and not related to the goddess at all. Here’s an example, the message added to the chapter about Freyja

A message can be understood in many ways…A message talks with many tongues…Learn to tell which message is right. Everything depends on the mind of the person who hears the message; on his or her eyes and ears. The low voices of nature spirits want to show you the way now. But often we don’t listen to the subtle voices that want to help us and follow the confusing voices in our head instead which keep talking to us without respite. Let go of these voices which come from the past and still wish to determinate your future. Let go of the things that suppress you, that hold your spirit prisoner and hide the truth from you.

Learn to see what is precious in your life and do away with things that prove unreal and thus worthless; don’t pursue them any longer. All it takes is a little light to see the difference. Sometimes all it takes is turning one’s head to see the truth behind all the appearance. It is not until you’ve found the truth inside yourself that your life will change and reveal its deeper meaning to you.

Now, I don’t want to cavil nor be nosy but what has this to do with Freyja? Which myth of her is it connected to? Which symbol does it mention? Sure, the author has the right to convey their own vision in the deck but if it is called ‘The Oracle of the Goddess’ then there SHOULD be some connection to their myths and symbols, right?

The more I read the more doubts I have.

As far as I know calling three Hindu goddesses Trimurti is a mistake. ‘Trimurti’ is a Hindu expression for three male deities: Brahma, Vishnu and Shiva, while the female ones, Saraswati, Lakshmi and Parvati are referred to as Tridewi.

I am also not sure whether it was a good idea to single out Shakti as a separate goddess. I am not an expert in Hinduism and please correct me if I am wrong, but as far as I understand this concept, Shakti is a universal female energy which manifests itself in particular goddesses. If you include Kali or Lakshmi in the deck, what is the point to include Shakti as well?

And I believe the most dubious assumption is calling Tao a goddess. Tao is the life force on Earth, it does not take any forms and it is impossible to define it therefore it has no sex. It cannot be represented as goddess. To make you understand this concept better let me quote Tao Te Ching, Taoism’s sacred book:

The Tao (Way) that can be told of is not the eternal Tao;
The name that can be named is not the eternal name.
The Nameless is the origin of Heaven and Earth.
 
This is why it is impossible to make the personification of Tao and it makes no sense to attribute either positive nor negative features to Tao (therefore you cannot say it symbolises ‘soft and female’, this is represented by the Yin energy).*
 
I am also not sure if all the three, Inanna, Ishtar and Ashtarte, had to be included in the deck, after all they are alike and represent similar features.

And of course, a huge minus for including Mary in this deck. I explained clearly here why she is NOT a goddess.

ISSUE

33 cards

a book containing introduction, short information how to use the cards and information about each goddess presented

a box

In a book each card is presented in the following way:

– name of a goddess 

– area of her influence, myths, the development of her cult

– the oracle

box the oracle of the goddess

The size of cards is 13,5 x 9,5 cm

Back sides of cards show the pink lotus – like flower surrounded by the stars on the night sky with clouds in the corners.

EXAMPLE CARDS

Athena

Athena in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Brigid

Brigid in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Demeter

Demeter in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Isis

Isis – Hathor in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lakshmi

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Back side

back side gayan winter

© 2005 AGM AGMüller Urania, Neuhausen/Switzerland

Publisher: AGM AGMüller Urania

ISBN: 3 –03819 – 026 – 8

Amaterasu Omikami
Astarte
Bridget
Changing Woman
Chalchihuitlicue
Demeter
Diana
Freya
Gaia
Hathor
Hekate
Hera
Inanna
Ishtar
Isis
Ix Chel
Kali
Kuan Yin
Lakshmi
Lilith
Mawu
Mary
Pele
Rhiannon
Skadi
Shakti
Spiderwoman
Songi
Tao
Tara
Trimurti
Venus

* Many thanks to danceronthewaves for explaining this concept to me.

REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

KORE PERSEPHONE (PROSERPINE)

KORE PERSEPHONE (PROSERPINA)

Hellenic goddess of the Underworld, vegetation and changing of the seasons, guardian of the souls of the dead, daughter of Demeter and Zeus, wife of Hades. The myth of her abduction was an explanation of seasons changing and the base for Eleusinian Mysteries. Her first name, Kore, means ‘a young girl, a maiden’, her second name probably originates from a foreign language which was unknown to the Hellens, one of the possible etymology is perein phonon meaning  ‘bringing death, causing death’.

ABOUT GODDESS

The myth of Kore’s abduction has already been told in the post about Demeter so let me simply quote it

Kore was a young girl when she was playing on the meadow with fellow nymphs on a sunny day. Her mother allowed her to weave wreaths from all the flowers but a narcissus dedicated to the gods of the Underworld. Unfortunately, Kore forgot her mother’s warning and picked this flower. It brought the darkness over the meadow, the ground cracked and a chariot led by black horses  emerged from the abyss. It was Hades, the lord of the Underworld, he captured Kore and abducted her to his realm below the surface of the earth. It was all so sudden that nobody was able to react or even realise that Demeter’s daughter disappeared. Only Cyane (Kyane), a water nymph and Kore’s companion, heard her friend’s cry and hurried to save her. However, it was too late and one of the horses kicked her in the shoulder so she could only massage the sore spot and cry after Kore. Terrified Demeter kept searching for her daughter everywhere but she did not realise that Zeus had promised his daughter as a wife without her mother’s knowledge and consent.

When Demeter found out about the conspiracy (either from all-seeing Helios the sun god or Hekate, goddess of the night and witchcraft), she became so furious  that she cursed the earth and told her not to raise crops until her daughter comes back to her. This interrupted the order of the seasons so plants began to wither and people started to complain they would not be able to gather them and they would suffer from hunger.  Zeus had no option but to return Kore to her mother. However, the girl was lured to eat a couple of grains of pommegranate in the Underworld and this made her belong there forever. In the end the gods and goddesses entered into a compromise: Kore was to spend one third of the year with her husband as Persephone the Queen of the Underworld but for the remaining two thirds she could return on the surface and enjoy the time with her mother. This is how the Hellens understood the seasons change: in winter the earth was saddened by the absence of Kore Persephone together with Demeter and in spring and summer when she was coming back, the earth was showing joy by letting leaves and blossoming the flowers.

Kore's abduction

It is the first and the most significant appearance of Kore Persephone in the Hellenic mythology but not the last one. She is present as the wife of Hades in many stories telling about the hero’s descent to the Underworld. She is so moved by Orpheus’ song that she convinces her husband to return his wife Eurydike to him. She helps Heraclesowi fulfill his twelfth labour of tying Cerberus, the guardian dog of the Underworld. She is sometimes involved in a story whether she wants it or not, such as in the case of Pirithous, a hero and a friend of Theseus, decided to take Kore Persephone away from Hades as a revenge for the death of his own beloved wife Hippodamia. The plan failed and both heroes were sentenced to be imprisoned in Hades and enchained to the rock. Theseus was freed from the ordeal by Heracles,  Pirithous, however, had to remain enchained in Hades forever.

Kore Persephone has also participated in the dispute with Aphrodite concerning Adonis. According to myths Adonis was and illegitimate child of Princess Myrrha who made Aphrodite angry, the goddess punished Myrrha by making her fall in love with her own father. Princess managed to deceive him and spend a couple of nights with him but when the affair came to the light, furious king seized the knife and started to run after her. Escaping his rage, Myrrha begged gods for rescue and they turned her into a tree which was later named after her. After nine months tree bark cracked and a boy came out of the trunk. Aphrodite put the baby into the chest and entrusted to Kore Persephone. However, the goddess of the Underworld fell in love with young Adonis herself and decided to keep him in Hades forever. This made Aphrodite furious. The disagreement must have been eventually resolved by Zeus who decided that Adonis was to spend one third of the year with Aphrodite, one third with Kore Persephone and the remaining part of the year wherever he wants to. According to another version of this myth young man died pierced by the tusks of boar, the animal was in fact jealous Ares in disguise. Aphrodite’s grief was so big that Zeus let her lover return to the goddess during spring and summer, Adonis, however, must have come back to Hades for autumn and winter.

According to most of the myths the marriage of Kore Persephone and Hades remained childless* but some versions claim that she was the mother of  Zagreus/Iakchos/Dionizos (with Zeus).

Deity descending into the Underworld was a popular explanation of seasons changing in the ancient times. A similar motif in present in the mythologies of the Middle – East, be it Attis (see the post about Cybele) or Osisris (post about Isis) and the theme of a young woman abducted to the Underworld is also present in the story of Ereshkigal (see the myth of Ishtar). Basing on mythology and archaeological remains it can be assumed that an agrarian cult of Demeter and Kore Persephone was one of the oldest in the Hellas, older than the cults of Olympian deities. It is possible that it came to Hellas from other countries (Hellens were writing the name ‘Persephone’ in many ways, it may suggest that they were unable to pronounce it themselves so it either originated from a pre-Hellenic language or was a borrowing from a foreign language). The beginnings can be dated up to 1400 – 1200 before Christ based on the inscriptions on the tablets found in Pylos, her name is written as Preswa and this may be its oldest form. There is also enough evidence to asume that Persephone was venerated in the Minoan Crete. Similarly to Egypt, the eldest deities were strictly associated with nature and often depicted as half – humans and half – animals (a Cretan figure of Minotaur, centaurs, satyrs, tritones, mermaids, sirens etc seem to be the remaining of this cult in mythology). An image of two women was discovered in the temple of Despoina in Mycene, it is assumed that these were either Demeter and Kore Persephone themselves or their priestesses wearing animal masks (this proves how early their cult was. Cretan agrarian cults have not used images of any deities  (similarly to the oldest forms of the Great Mother Cybele’s cult), they were mostly performed by females and the rites themselves included dancing, shaking trees and worshipping stones (most probably prawdopodobnie meteorytom). There are also reasons to believe that Kore Persephone was identified with yet older goddesses such as Despoina or Ariadna. Excavations on the temple sites suggest that places of worship were situated near springs and fire was burning in them all the time.

women wearing clothes from the Minoean age and dancing around (most probably) Kore Persephone, the Isopata ring

Córka Demeter’s daughter was the goddess of both Underworld (as Persephone) and vegetation (as Kore). She was depicted on sarcophagi as a symbol of revival and eternity. Apart from the Eleusinian Mysteries Kore Persephone was also venerated separately in the temples located in Corinth, Megara and Sparta. She was worshipped as Despoina (Mistress of the House) in Arcadia, furthermore she was known under other nicknames, the most popular were those presenting her in the most favourable way to gain her benevolence: Hagne („Pure”, it was primarily the name of a spring nymph), Melindia or Melinoia („Of Honey”), Melivia, Melitodes, Aristi Tchonia („The Best of Chtonic”). In her aspect of the vegetation goddess she was called Kore Soteira („The Saviour Maiden”), Neotera („The Younger One”), etc., she also often appears together with her mother as Two Goddesses (Demeter being The Older and Kore The Younger) in Eleusis, The Great Goddesses and The Mistresses in Arcadia, Karpophoroi („The Bringers of Fruit”) in Tegea and Thesmophoroi („The Legislators”) during the Thesmophoria festival.

The cult of Demeter and Kore Persephone had many local versions but the most important festival was of course the Eleusinian Mysteries celebrated in the autumn. Celebrations were aimed at the immortality of life and were filling the initiated with hope for the good fate (it was most probably believed that they were sent to the best part of Hades called The Elysian Fields after death). Mysteries were divided into the Lesser ones (celebrated every year) and Greater ones (celebrated every five years, on the fifteenth day of boedromion month ie. at the turn of August and September/September and October, they lasted ten days). A prerequisite for participation was only freedom form “blood guilt”, the festival was open for women and slaves. This was the time of  initiation and involved a couple of degrees of initiation. The Eleusinian Mysteries required keeping the secret so only a few people with the highest degree of initiation knew what was hidden in kiste, a sacred chest and kalathos, a lidded basket. It is speculated that the Demeter’s sacred objects were golden serpent, an egg, a phallus and seeds.

It remains unknown what were the mysteries like because revealing the secret was punished by death, however the descriptions of public celebrations were written down. The Greater Mysteries in Athens began on the fourteenth of boedromion when the sacred objects were brought to Eleusinion, a temple situated at the base of the Acropolis Hill.  The next day was the time of Agyrmos (“the gathering”) when the priests annonced the beginning of holiday and offered sacrifice. On the sixteenth day of the month, the rituals of purification in the sea were taking place near the port of Phaleron and on the seventeenth it was the time for Epidauria (so called “festival within festival”), celebrations for Asklepios, god of healing, when he was invited symbolically to the city with his daughter Hygieia goddess of hygiene and led in procession to Eleusion. On the nineteenth day procession was moving from the Kerameikos cementary to Eleusis along Hierá Hodós (“Sacred Way”), participants were swinging the branches called bacchoi. At a certain point they started to shout obscenities to commemorate (Iambe), an elderly woman who was trying to make Demeter laugh while she was grieving the loss of daughter by pulling the skirt up and saying naughty jokes, people were also shouting “Íakch’, O Íakche!” to celebrate Iacchus. When the procession reached Eleusis, it was the time for one day fasting to commemorate Demeter’s hunger while she was searching for her daughter, the only thing allowed to drink was kykeon made of barley and pennyroyal. On the 20th and 21st it was time for the proper celebrations when the crowd was gathering in Telestrion, a great hall („Initiation Hall”) where those waiting to be initiated gathered, in the centre there was Anaktoron („Palace”) where only the priests were allowed to come because sacred objects were stored here. Before entering Telestrion adepts had to say, I have fasted, I have drunk the kykeon, I have taken from the kiste (“box”) and after working it have put it back in the kalathos (“open basket”).  At first two special vessels were filled, then one was emptied in the direction of west and the other towards east and the worshippers were looking at the sky and earth whispering the rain fertilising the ground. The story of Kore Persephone’s abduction was told in three acts, first descent, then search and finally ascend and reconnection with mother. A ‘divine child’ was placed on hearth (check the story of Triptolemus in the post about Demeter) and those initiated to the highest degrees were to cut in silence a sheaf symbolising revival of life after death. The festival was completed with Pannychis, an all-night feast with dancing and rejoicing accompanied by the sacrifice from the bull and remembrance of the dead by libation the next day.

This is how Cicero wrote about these celebrations, For among the many excellent and indeed divine institutions which your Athens has brought forth and contributed to human life, none, in my opinion, is better than those mysteries. For by their means we have been brought out of our barbarous and savage mode of life and educated and refined to a state of civilization; and as the rites are called “initiations,” so in very truth we have learned from them the beginnings of life, and have gained the power not only to live happily, but also to die with a better hope.. (Laws II, XIV, 36)

Another holiday for Demeter and Kore Persephone was the festival of Thesmophoria celebrated all over Hellas from the 11th to 13th of the Pyanepsion month (October) when married women were free to come out of the houses** and participated in the women exclusive rites. Not much is known about this festival for a very simple reason: only married women participated in them and they were not the ones who wrote chronicles or memories. What we do know is that there were processions on the first day, the second one was the time of mourning, extinguishing the fire and eating pomegranates and the third was sacrificed to the rather unknown in mythology Kalligenea, goddess of beautiful birth. There were also records saying that at night swines were sacrificed in the trenches and caves and the remains of the animals sacrificed in previous year were retrieved and placed on the altar, mixed with seeds and planted. There was also Anthesphoria, the festival of flowers and cereals, celebrated in the Hellenic colonies in Italy (so called Magna Grecia) and in the Peloponnesus.

Ancient Romans took the cult of Kore Persephone over from Hellenic colonies established on the south of Italy and Sicily. She was called Proserpine in the local local dialect and this version of her name was adopted in the Apennine Peninsula. It is interesting to notice that she was venerated as the patroness of marriages in one of these cities called Epizephyrian Locris (present day Locri), this usually was the domain of Juno (Hera). Children were entrusted to Persephone and brides were bringing her their garments before weddings as votive offerings. A very popular image of Kore Persephone and Hades surrounded by plants and animals attributed to them comes precisely from Epizephyrian Locris.

Kore Persephone and Hades

In the 5th century before Christ Empedocles, a poet, philosopher and healer, has created the concept of four elements. He connected Kore Persephone named here Nestis with the element (or to be more with the root, it was not until Plato when the word ‘element’ was used) of water: Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears. Empedocles uses the nickname of Nestis and does not pronounce her real name which was considered to be a taboo since the earliest times. It was not advised to call the Queen of the Dead even in a simple conversation nor to speak her name aloud so Nestis was used as her cult title (Homer in his hymns refers to her as the Queen of the Shades).

IMAGES, SYMBOLS AND ANIMALS

The type of the oldest Hellenic sculpture is called kore, some hyptheses assume the figures represent Demeter’s daughter.

 KoreKore

Moreover, Kore Persephone is also presented sitting on the throne as majestic Queen of the Underworld with a sceptre, fruit, sheaves of grain and a liknon basket used to separate seeds from chaff.

Kore Persephone

DIVINATION MEANING

Person

A young girl, a teenager. A person who experienced a sudden or tough events. A person who is emotionally immature. Someone who was charged with too much responsability too early. Somebody who became bitter due to bad experiences, childhood traumas or seriously betrayed trust. In negative a person with a victim pattern and not enough self – esteem and maturity to face the problems on their own.

Advice

What you need is patience. This card shows maturing in a hard way and learning to compromise. You cannot accelerate anything. Let things run their course matters. Give some time to time. What you reap is what you sow. At first you will have to work hard to put and make a lot of effort to put your plans into action and you will be rewarded later. Everything changes sooner or later.

I personally associate strongly the card of Kore Persephone with the rune Jera.

Patience. Maturing. Harvest, crops, abundance, wealth, plenty. Revival. Beginning or end of the cycle. Bad timing, hurrying too much, poor plans, acting blindfold. An insufficient harvest, loss, scarcity.Intervention in the natural cycle. Possible trip but not for pleasure, rather forced by circumstances. Trauma. Abandonment. Compromise. Inevitability. A strong influence of mother. Secret knowledge, esoterics.

 Love

 If you are in the relationship: lack of maturity to a stable and adult relationship. Compromises and patience are required. Hiding from problems. Early marriage, possibly enforced somehow. Being childless. A strong influence of the mother. A cold, emotionally detached or manipulative partner.

If you are single: lack of maturity to a stable and adult relationship. A strong influence of the mother. Patience is suggested. It is also advised not to getting into a relationship just to avoid being alone.

Finances

Trip forced by circumstances.  Beginning or ending a certain stage of career. Business involving volatility of revenues depending on time or season. Suspension of business activity. Time of harvesting profits.

 Health

Women: fertility and regular cycle, pregnancy and successful, natural delivery. Therapy limited to taking medicine. Vegetarian, macrobiotic or vegetable, fruit and cereal based diet. Regenerative skills. Checking your health regularly. Negative: laziness, wrong diet, insufficiency, problem with high cholesterol and obesity. Woman’s cycle disorder. Neglecting regular health tests. Eating in a hurry. Endangered parts of the body: the digestive system (particularly stomach, colon, small intestine and the large intestine).

CARDS

Kore Persephone  in Goddesses of the New Light by Pamela Matthews

Kore Persephone  in Goddesses of the New Light by Pamela Matthews 

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone (together with Hades and Cerberus) in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

 Kore Persephone in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Kore Persephone in The Goddess Oracle Deck by Thalia Took

 Kore Persephone in The Goddess Oracle Deck by Thalia Took

Kore Persephone in Goddess Card Pack by Juni Parkhurst

 Kore Persephone in Goddess Card Pack by Juni Parkhurst

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr 

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

 Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

 Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://www.webwinds.com/myth/elemental.htm

* It seems logical that the deities associated with death could not have children themselves. In Egypt Seth, god of desert and death, was infertile and his wife Nephthys craving for a child, got pregnant with their brother Osiris (that could be the reason for Seth’s hatred towards Osiris).

 *** In Hellas women did not participate in public life.

LILITH

LILITH

Goddess of the night, Adam’s first wife who according to Jewish beliefs was created together with him, she, however, rebelled against his need to dominate and fled from Eden. The meaning of her name varies from Night Creature, Night Monster, Demon, Screech Owl, Lady Air, Wind or Spirit.

First I have state clearly that the character of Lilith can be interpreted in two manners, either in the same way as she was perceived by the ancient folks or in a modernised one. I am going to describe how she was depicted throughout the ages but as far as the divinationary section is concerned I refer to present time reality (and so do most authors of goddesses decks).

ABOUT GODDESS

Creatures resembling Lilith are first mentioned in the Mesopotamian mythology, however they do not take the shape of the characters from subsequent Jewish legends yet. While researching the Epic of Gilgamesh Samuel Noah Kramer studied the text of Twelfth Tablet which was not originally included in the poem. What he found there was the story of Inanna who planted the huluppu tree (most probably a willow) in her garden in Uruk so that she could make a throne for herself from its wood. However, when she came back after ten years to cut the tree, it turned out to be inhabited: a serpent was living in its base, a Zu bird (a huge bird with the head of a lion) had the nest with its young in the crown and ki-sikil-lil-la-ke found the home in its trunk. According to the tablet Gilgamesh, asked by Inanna, has smitten the serpent, made the Zu bird fly away to the mountains with its young and ki-sikil-lil-la-ke destroyed her house and fled to the forest. There is not enough evidence to identify Lilith with ki-sikil-lil-la-ke, in fact modern scholars reject this connection. The only thing that can be determined with high probability is the analysis of the tree spirit’s name: ki-sikil means ‘acred place’, lil is ‘spirit’ and il-la-ke can be either ‘water spirit’ or an owl. According to one of the Sumerian texts, Lilitu is Inanna’s handmaiden, a beautiful prostitute whom the goddess sends to the streets so that she seduce men there.

Moreover, in the texts of incantations from Nippur in Babylon dated back to around 600 bC there is a mention of vardat lilitu meaning a female spirit connected with storms and winds; the word lili itself was associated with magic and demons. According to a hypothesis the Sumerians and the Akkadians, the native inhabitants of Mesopotamia were bilinguial and their deities syncretised, in this case in the Summerian language the spirit was named ki-sikil-lil-la-ke while for the Akkadians the name of the same spirit was Ardat-lili (Ardatû). Lilitu were also present in the myths of Assyrians, the heirs of the Summerian and the Akkadians, as the demons hunting for women and children associated with lions, deserts, storms and diseases. Originally they were linked to the wind and storms and then to the night and copulating with people while they were sleeping; lilitu were hostile towards families, seduced men (it was believed that sick men were possessed by lilitu), caused infertility, miscarriages, complications during delivery and death of babies. Prostitutes were also called ardatû.

It was not until Jewish culture came that Lilith was distinguished from other night demons and gained her own mythology. Her appearance in the Bible is disputed, the only remark mentioning her is the Book of Isaiah 34: 13 – 15 where the word lilit/lilith is enumerated as one of the impure animals (most probably because of the associations with demons), it is unclear, however, whether the author refers to a particular person or the species of demons. In most translations of Bible into foreign languages lilith is treated as a specified creature bringing bad connotations for the contemporary  who shall nest and lay eggs, hatch them out and gather them in her shadow (in Septuaginta, Greek transation of the Bible, a satyr is an equivalent, being a creature of a significant sexual freedom, an embodiment of the forces of nature, in Vulgata, Latin translation, lilith is translated as Lamia, a figure from Greek mythology who was said to abduct and devour children etc). In the King James Bible, the classical translation to Old and New Testament to English, the word screech owl is used and this manner was generally adapted in further renditions.

 Lilith is given a specific embodiment in modern Jewish texts, particularly Talmud and Kabballah. According to these, she was created by God at the same time and from the same clay as Adam thus was his first wife. Several versions of this story have been noted: either she had been brought to life before Adam was, on the fifth day of creation or just a moment before him or Adam and Lilith were created as one being but Lilith’s soul was lodged in the depths of the Great Abyss until God called her to join Adam lying on the ground as lifeless body, it was not until that moment when God created soul for him and divided a woman from a man. According to yet another version Lilith was not created by God but emanated spontaneously as a separate deity and is connected to the Sefirot of Gevurah in the Tree of Life. There is also an alternative version claiming that Adam&Eve and Lilith& Samael came into living as twin couples of hermaphrodites.

Adam wanted Lilith to have sex with him but when it turned out that she was expected to lie below him, she refused firmly. She could not accept such a position because she was created from the same clay as Adam therefore she was equal to a man, not subjected to him. Enfuriated she spoke the Ineffable Name and flew to the Red Sea. Adam complained to his Creator and Yahwe sent three angels Sanvi, Sansanvi and Semangelaf* to Lilith  to convince her to return. But this made Lilith even more enraged so she refused to come back and began relationship with Samael, an angel rebelled against Yahwe. Angels warned her that if she would not return to Adam, she would have to bear one hundred little demons every day but they would all die. Despite this threat Lilith did not surrender and did not return to Eden. This is why Yahwe created an obedient and subordinate Eve from Adam’s rib and Lilith, out of revenge that her own children die, captures the newly born descendants of Adam. Other legends say that Lilith incarnated as a vengeful serpent who convinced Eve to pluck the apple. It is also said that having been expelled from the Paradise Adam separated from his second wife and lived as a hermit, at that time Lilith returned to him as a demon in his dreams.

We have to remember that the ancient did not know what viruses, bacteria and genetic diseases were so when a baby was dying or a woman miscarried (and it did happen often) they were explaining it by the intervention of a jealous female demon. This was not only the case of Mesopotamia but also ancient Hellas where the above mentioned Lamia, half – woman, half – serpent came from). Wet dreams were explained in the same way, it was believed that these were incubus and succubus, night spirits, copulating with men and women. In mythology Lilith was presented either as filled with lust that made her seduce men or filled with jealousy over neonates, the root for the legend of murdering them. It must be noted, however, that these two characters have been evolving separately, there is very few stories where Lilith plays both roles. Patriarchal cultures stigmatize women who do not want to be subjected, they are considered to be bad, vicious and culpable; up to this day women who do not agree on arranged marriages or escape abusive husbands are convinced by their relatives to return in order not to dishonour their  families. It is forbidden for a woman living in a patriarchal culture to show desire and interest in sex and most of all it is suggested to her not to wear or behave in a manner that enhances her beauty (but it is man who decides how far is too much, this is where all those ‘explanations’ of rapists that they were provoked come from). Briefly speaking, Lilith’s history is everlasting. To check how to cope with it and not to get mad, please visit the divination meaning below.

IMAGES, SYMBOLS AND ANIMALS

Here is the Burney Relief with the image of Inanna/Ishtar (or Ereshkigal) which has already been discussed in the post about Ishtar. For some time researchers have been identifying the female figure as Lilith for the sake of wings, birdlike feet and being surrounded by birds resembling owls. This assumption was mostly based on the translation of the Twelfth Tablet of  the Epic of Gilgamesh.

The Burney Relief

However, this identification is now being disputed and mostly rejected.

Lilith appears in the early Romantic culture and art thanks to Faust by Johann Goethe and famous portraits by Dante Gabriel Rosetti, the leader of an English art group of Pre-Raphaelites

'Lady Lilith' by Dante Gabriel Rosetti

and of John Collier

'Lilith' by John Collier

Modern culture did not take the odium of a harlot and infanticide off her. Modern day images portray Lilith as having fair skin and long dark hair (in Jewish and Muslim tradition it symbolises dangerous female power of seduction) and staring at the mirror, the symbol of vanity. As a heroine of 19th century book Lilith by George MacDonald she possesses not only all the features that the ancient attributed to her but is also a vampire sucking blood out of people, she is similarly presented in a modern TV – series True Blood. She is treated as the first mother by the occult societies and traditionally connected to the new moon and the zodiac sign of Scorpio.

DIVINATION MEANING

PERSON

 Person shown by this card is strong – willed and adamant, definitely aware of her influence and strengths and knows how to use them (therefore may not be liked by the environment). She may have problems at work due to insubordination and because of intransigence in relationships. Beauty and sensuality attract men to her even in a subconscious way. In negative aspects she cannot deal with inner tension, past experiences, aversion towards men and subconscious fears or complexes (including sexual ones). This card also shows a person who misuses their attractiveness just because they can.

ADVICE

 DO ON BE SCARED TO SAY ‘NO’!

Our culture requires woman to be nice and polite but these requirements limit freedom of thought and behaviour. In the long run it is impossible to meet them without some loss of own psyche. Being nothing but sweetness is deadly. To be ourselves causes us to be exiled by many others, and yet to comply with what others want causes us to be exiled from ourselves.

Being faithful to yourself requires courage and resistance which is not an easy thing to do as women are taught to be nice and please others. When you start setting the boundaries, people in your environment will be reluctant to accept it or may even behave in a hostile way. And yet if you do not do it, you will not acquire positive attitude and respect to yourself. Being submissive and will not make people love you but use you instead.

Give only as much as you really want to give. Being assertive is not easy, people in your environment may try to force you to explain your behaviour or will call you an egoist. Do not let them do that. Speak in a calm way and use simple, short statements e.g., I have no money, I have no time, etc. If anyone insists, do not engage in further discussion, just repeat the same sentence I have no money, I have no time over and over again, s/he will stop soon. Perhaps people in your environment will consider you to be a hag but they will do what they need without your help.

Express yourself clearly. Speak only things you really mean. Be consequent in what you do. Establish rules and stick to them. Giving your energy, time and money to others is good as long you do it with joy, not because you are expected to do it, the latter only leads to frustration and fatigue. You will not make anyone happy in this way.

Be prepared for the fact that showing your power will cause some unfriendly comments. People may suggest that powerful women discourage men, that you should behave in more feminine way, wear more feminine clothes or even play the role of dumb woman (‘sweet idiot’). Note that a man searching for a relationship with a woman will never get advice to be more male, wear more male clothes or play the role of strong man.

Be prepared that if you are being picked up and express your objection clearly, the person who picks you up will try to withdraw, begin to ridicule you or to say, ‘I was only joking’, ‘What were you thinking?’ etc. This tactics is aimed at “softening’ you and weakening your self – esteem but once you say ‘no’, most probably you will not be bothered again.

Think of the reasons why you are in your relationship. Perhaps it is because you are scared of being alone, not because you truly love your partner. If you are scared of being alone then do not expect someone to adore your company. If you are not scared to be alone, you will not be afraid to wait for a worthy person and you will not fritter away in an unsatisfactory relationship.

Make sure you are not dominated by your partner either in emotional, intellectual or financial way. Remember that men and women may differ but are equal. We cannot build happiness on the dependence on someone else. A cage made of gold is still a cage.

Think of whether it is worth to bind your emotions and energy to a person who is not free either legally or emotionally.

You have right to feel desire and want to have sex. Have a positive attitude to your body. Sex is a powerful tool which can either charge you with lots of positive energy or make you feel terribly down. As far as intimacy is concerned you should only do what YOU want to do. Do not let yourself be manipulated. If you do not feel like you want to have sex, do not go to bed with someone. Do not have sex just because you feel lonely, you are drunk, you want to achieve sth via bed, keep your partner or you think this will make you adult. Sex is an exchange of energy, do not waste yours on a wrong person. Do not be scared to talk about your needs and contraception.

My personal understanding of this card is not to be afraid to talk with children about their bodies, gender and sex (in the range depending on their age). Teach your daughters and sons how to say no and to set boundaries. Teach your daughters and sons that when another person says no they mean no and they have to respect their boundaries. Remember that your children’s future attitude towards relationships and sex is shaped by the behaviour they observe at their home. You also have to teach your children that not all the adults have good intentions and may hurt them.

Never forget that patriarchal culture also hurts men forcing them to play roles they do not want to or cannot bear.

Courage. Freedom. Equality. Strength. Opposition. Independence. Setting boundaries. Refusing to be enslaved. Freedom of mind, heart and body. Moving forward. Surprise.

LOVE

If you are in the relationship:  Lack of satisfaction in relationship. Romance. Partner may not be able to have children. Problems with getting pregnant, miscarriage or complications during delivery. First wife. Lover.

If you are single:  Romance. Being alone by choice. Being with someone who is already in a relationship.

(In both contexts this card warns against sexual harassment or rape)

FINANCES

 Strike. Discontent with present conditions. Inequality in wages for the same amount of work. Discrimination. Exploitation. Abuse at work (including sexual harassment).

HEALTH

 Infectious diseases. Visit your gynaecologist. Endangered parts of the body: sex organs.

CARDS

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton 

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith accompanied by owls in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Lilith in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lilith in The Goddess Power Pack by Cordelia Brabbs

Lilith in The Goddess Power Pack by Cordelia Brabbs  

Lilith fleeing from Eden in Goddess Card Pack by Juni Parkhurst

Lilith in Goddess Card Pack by Juni Parkhurst

 Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Owl – eyed Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 Lilith as Devil in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lilith in Universal Goddess Tarot by Maria Caratti&Antonella Platano

* The names of the same angels were written on the amulets for babies aimed at keeping Lilith away from them. Legend says that the angels sent to bring her back to Eden forced her to promise that she would not attack children wearing amulets with their names.

Based on English Wikipedia (unfortunately some information used in this post were removed from the current version of the article about Lilith) and http://www.pantheon.org/articles/l/lilith.html

DO NOT BE DECEIVED BY THE CARD OF MARY

THE CARD OF MARY

First of all I find it essential to state clearly sth that I thought was evident:

MARY IS NOT A GODDESS!!!

This is why I do not consider this card as legitimate in the deck of goddesses, I have no special code with it and I will not provide you with any divination meaning in this post. I will only share basic information about Mary and my own thoughts.

Not much is known about Mary, in fact all the information about her come either from the Bible or Christian Tradition. It has to be stated that she is mentioned in the Bible not more than twenty times. According to the New Testament Mary (Miriam) was engaged to be married to Joseph but marriage has not taken place yet and she has not moved to his house. At that time Archangel Gabriel was said to appear to her to announce that God has chosen her to be the mother of the Saviour. When they got married, Mary and Joseph  were obliged to go to Bethlehem to be registered in a census. This is where she delivered a healthy boy according to the legend. Soon after the child was born the family had to flee to Egypt to avoid the danger from King Herod. When they got back, they lead a peaceful life until Jesus turned thirty – three and started to preach. There are not many mentions of the events from his childhood in the official Canon texts except of an episode when Mary’s son remained in the temple after sacrifice and engaged into a discussion with the scholars.When Jesus started to preach, his mother was in the group of women accompanying him; she is mentioned as the one who asked him to change water into wine. She was also present during his crucification and with the apostles when they chose the person to replace Judas after Jesus’ departure. There is no trace of her in the Bible after that. All the speculations concerning her death or assumption are only included in the Tradition.

It is crucial to notice that the texts of New Testament mention Jesus’ brothers (James, Joseph, Judas and Simon) and sisters (their names are unknown). At first Christian philosophers such as Tertulian considered them to be literary Jesus’ younger siblings, the children of Mary and Joseph. It was not until the fourth century when the belief that Mary stayed a virgin her whole life became dominant. At that time the Church fathers acknowledged ‘the brothers and sisters of Jesus’ as either Joseph’s children from his previous marriage or the children of Mary’s sister therefore in fact Jesus’ cousins. Later this belief resulted in Catholic and Orthodox dogma of Mary’s perpetual virginity.

So coming back to the subject, why every self-respecting author of goddesses cards should NOT include the card of Mary in their deck?

Most of all because Mary is a common woman. She has ABSOLUTELY NO DIVINE FEATURES. She has no supernatural powers, she does not create, she does not do shape-shifting, she has no magical influence on people nor nature, etc. On the contrary, stress is being put on her humility towards deity (Behold, the [a]bondslave of the Lord; may it be done to me according to your word, Luke 1:38).

While in Buddhism a mortal is able acquire divine powers thanks to an effort and self-work (this is what happens with Kuan Yin or Tara), Mary has never acquired them even after her assumption. Her assumption is also a highly controversial issue; it is considered to be a dogma only by the Catholic faction of Christianity and it was introduced only in 1950. The Marian cult is currently vivid only in the non-Reformed churches, mainly in the Catholic and Orthodox ones. The Protestants respect Mary as Theotokos i.e the Mother of God but do not venerate her while the Anglican Church is internally divided over the subject; the only dogma concerning Mary is that she is the Mother of God, while other beliefs are not treated as obligatory for the faithful.

Where does the Marian cult come from?

As I have already mentioned in the post about Isis, at the beginning Christianity did not have any significant female figures to attract female worshippers. Of course, in the ancient world full of more or less important goddesses it was a significant disadvantage of the new religion. Women preferred participating in the mysteries honouring Isis or Demeter which concentrated on the themes of life, death and rebirth. These motifs have been particularly close to them because in those times women were giving birth even several times in their lives, their children often died either in their childhood or because of hunger or war, not to mention the fact that pregnancy and delivery were themselves main dangers to women’s life and health. Christian leaders realised it and from the 2nd-3rd century they began attributing consistently the features, images and titles of goddesses to Mary to fill in the void in the Christian mythology. Isis was the main inspiration in this process, Mary took over her titles of Queen of Heaven (here is how ‘royal dynastic line’ proceeded: Inanna -> Ishtar and Astarte -> Aphrodite -> Isis -> Mary) and Stella Maris (Aphrodite Urania -> Isis -> Mary) as well as her most characteristic image of mother with a child:

wayoflifeblogartisis

isis-horus-to-mary-jesus

Isis_nurseHorus_Danto

(source: http://astronomologer.com/wp-content/uploads/2011/09/Isis-Mary-Mother.png, http://inkmonster.net/wp-content/uploads/2013/08/images.jpeg, http://files.abovetopsecret.com/files/img/lx50aed6e5.jpg)

Theoretically women could have their cake and eat it. They had their mysteries where a mother loses her child and regains it (just like Demeter) and at the same time they belonged to the cult which, at least officially, was monotheistic. The pernicious thing was that when the Christian era began, all the other divine feminine types have vanished quietly and unnoticeably. Indeed, the archetype of goddess mother such as Gaia, Demeter and Isis was popular in antiquity, however there were also NUMEROUS other archetypes.

There was plenty of space for warrior goddesses. These were not only the ones supporting just wars such as Athena but also Phoenician Anat who was getting so much in war rage that she was spattered with blood all over, an Egyptian lion goddess Sekhmet so blood thirsty that Ra had to change Nile into wine to sedate her and prevent further hecatomb or Hellenic Erinyes who kept avenging the assassinated ones and chasing murderers until they fell into madness.

There was plenty of space for goddesses of sensuality and sexuality such as Summerian Innana, Babylonian Ishtar, Phoenician Astarte, Hellenic Aphrodite originating from the latter, or Egyptian Hathor. In their cults sexual intercourse was an act of faith in the goddess and the fertility she was providing to all the earthly creatures. The myth of Descent Of The Goddess Ishtar Into The Lower World tells the story of what was happening when they were gone.

There was plenty of space for the goddesses of healing, magic and oracle such as Egyptian Bast and Isis, Hellenic Gaia, Medea, Hekate and Hygeia or Hittite Kamrusepas who were believed not only to heal but even resurrect.

Ever since the figure of a humble, obedient virgin mother began to be glorified, it became a general and only valid archetype for women. For centuries a woman born in the Christian world could in fact be either a wife and a mother or a nun (without real power that ancient priestesses had though). A woman willing to fight and demanding her rights was condemned to either die (e.g Jeanne d’Arc) or, at best, considered to be a hysteric. A woman making love outside the socially accepted norm of marriage was recognised as a whore, stigmatised and punished severely. A woman who was helping with childbirth, knew herbs or was able to predict future was quite often paying the price for all of that with her own life dying on a stake.

The fact that the cults of ancient goddesses of war, sensuality and magic perished is a great loss for womanhood in general but in particular for those women who want to be warriorlike, sensual or magical.

It is essential to notice that the cult of Mary was frowned upon in early Christianity. It was connected with the sect of Collyridians and considered to be heretic. However, the very ancient, even thousands year old beliefs were so rooted in people’s mentality that they could not be simply deleted. Whether Christian priests liked it or not, they had to tolerate them so they became a major part of non – Reformed churches’ Tradition (mainly Catholic and Orthodox). The rituals we now associate inherently with the Marian cult such as processions, chants, decorating paintings and rural chapels with flowers and herbs, pilgrimages* are all the manners in which ancient goddesses were venerated! It is similar with Mary’s ‘localness’ i.e. the fact she is worshipped in various local versions, the most popular being Our Lady of Guadeloupe, Our Lady of Czestochowa, Our Lady of Lourdes etc; ancient goddesses have also had local nicknames. Litany of Loreto mentions Mary’s 50 titles which makes her alike Egyptian Isis. What we consider to be arch – Catholic now is deeply rooted in the ancient times. Not even to mention the material aspect of Marian cult. My “favourite” ones are all those ridiculous bottles with Mary’s head or crown as a cap sold next to the the springs with miraculous water…

bottles1

(source: etnomuzeum.eu)

bottles2

(source: scenki.blogspot.com )

So why did this phenomenon occur under the patronage of Catholic authorities?  My guess is that it suited their version of religion with a severe God the Father (God is a just judge, who rewards good and punishes evil ) to whom you therefore cannot address directly but through milder intermediaries such as Jesus, Mary, angels, saints, etc**. The Catholic church has not moved away from this image until several dozens years ago so I am always slightly amused whenever a born again Christian discovers with a big surprise, ‘God loves me!’. Well yes, with the image of severe Yahweh built for centuries it is the AHA! moment to discover that God may not be as dangerous as it seemed zeby.

It is not hard to notice that non – Reformed churches have expanded this ‘softer back up’ of deity to an enormous extent. The amount of saints and blessed specialised in particular task (if you forget sth pray to st. Anthony, if you sett off for a journey, pray to st. Christopher etc.) makes anyone who has a basic knowledge and conscious mind think of the multitude of deities in the ancient Hellas. Every city, mountain, spring, river or tree had their divine or semi-divine protector in the Hellenic world. It must be clearly stated, however, than although the ancient world recognised deities as more or less important, there was no such concept as ‘the only true god’. Romans were indeed conquering the whole contemporary world but they have never hidden that they were doing this for land, wealth, slaves etc. Romans did not establish their own gods in the conquered provinces, they were rather merging them with the local deities by attributing them Roman names and keeping their cult. Some of the foreign gods and goddesses such as Isis, Cybele or Mithra even got to the Roman Pantheon and made indeed an outstanding careers in the whole Empire. I do not know any big religious wars, conquests nor crusades which would take place in the ancient times. They had not existed before monotheism became powerful.

This is why I believe that Catholicism and Orthodoxy are some bizarre hybrids of Christianity and ancient cults thus they do not work properly. I believe that every self – honest follower of Catholic or Orthodox faith should ask himself/herself a question: what exactly is that I value my religion for? If it is indeed studying and applying Jesus’ teachings then perhaps it would be a better idea to move to a Protestant community aimed at analysing the Bible instead of liturgy. However, if s/he is more fond of the rituals such as processions, decorating rural chapels with flowers and chanting then it seems like a more reasonable idea to come back to the roots of this phenomenon i.e. beliefs in real goddesses. Of course, this requires courage, consequence and determination to stand against the majority. Many people act cowardly and deny when a child shouts, ‘King is naked!’. It is quite probable that they will try to convince, persuade or even harass you but please do take into consideration the fact that we live in 21st century. You will not be burnt on a stake just because you believe in Goddess, not in God.

One may wonder whether the Protestant women are discriminated in their religious communities since the Marian cult is missing there? There are some men in the country where I live who claim that the veneration of Mary makes women feel particularly respected. Well, Protestant women neither chant litanies to Mary nor go on pilgrimages to her sacred places nor pray to her images. Protestant women are priestesses themselves. Most of Reformed communities accept women as pastors. Catholic and Orthodox Churches will not probably make such a decision for another several or several dozens of years. I believe it is because of the Marian cult and because neither Catholic nor Orthodox women demand their rights. It is enough for them to go to church, pray rosary and ask the Virgin Mary to help them because they have got such a tough life after all. I do not want to quote Lenin’s words about religion being an opium for masses but I do think Catholicism strengthens the attitude of shrugging shoulders and saying ‘ah well, there is nothing I can do’. Have I made a mistake? Then I will go confess and will get penance. Have I made the same mistake again? Then I will go confess and will get penance. Catholicism is a religion focusing on rituals and words while Protestant faith requires active participation and consequence, to describe it with a metaphor: you cannot just read, you have to read and understand.

What I write about comes from my own experience as a former Catholic. I do not consider myself even to be a Christian now because neither I believe in the necessity of baptism nor in Jesus’ divinity***. What I do believe is that Yeshua-Jesus’ teachings have a deep meaning but Christianity makes sense only in its Protestant understanding. By that I mean you, Bible and God, instead of  you, churches, paintings, litanies, adorations, processions, angels, saints, Mary, Jesus and God. It does make sense for monotheistic (at least in theory) religious system, don’t you think?

Any person with basic knowledge and conscious mind surely notices that the Catholic leaders keep presenting Mary as a role model to women (at least in my country). They are very stubborn in promoting quiet, humble and obedient virgin mother as if they were blind to changes in mentality and lifestyle. It is one of the factors that make young and educated women (including yours truly) leave the Catholic Church in my country. I think that despite the ages of oppression, a monotheistic religion does not have to be hostile towards women if it opens up to varied types of femininity. Why not to put more attention to feminine spirituality? Why not to set Sophia the Divine Wisdom as an equiponderant role model for women? Why not to speak out that the third godhead of the Trinity, that unfortunate and unspecified Holy Spirit, was feminine in nature until it became a dove in the Western tradition? I have written in a very detailed manner about the ancient tradition of Chokmah/Shekhinah/Sofia in the post about her. She was formed long ages ago, at the very beginning, when the world came to be, was co-creating the world, kept appearing to the people and was an inspiration for artists and architects. Doesn’t it REALLY MAKE SENSE to treat her as a role model? After all she has only lost her feminine nature due to translations of the Bible into foreign languages! Is it really impossible for the Catholic leaders to encourage women to develop wisdom and the ability of thinking? Well, apparently it is. Perhaps this should not be a surprise as we are talking about an institution which has merely changed since the feudal times…

For all those reasons I have mentioned above there should be no card of Mary nor any other Christian saint in goddesses cards. In fact you would not see it in the best decks, those presenting a very conscious, not a fairytale like approach towards womanhood. No surprise these are the decks I value most. Let me quote what I have written in the review of Doreen Virtue’s deck

The same objection applies to religious heroines such as Mary Magdalene and Mary the mother of Jesus. The latter is presented in an arch-Catholic and Baroque style and the author claims that in the West, Mother Mary in undoubtedly the most famous goddess. Well no, Doreen, not at all! Mary has no divine features in any factions of Christianity.

I believe that including the card of Mary, Mary Magdalene or Jeanne d’Arc is damaging because it conserves this Matrix like image of Mary as virgin mother, a role model for women who is powerful yet in fact does not have actual power in Christian teachings.

Perhaps it is time for a red pill?

red_blue_pill

CARDS

Mary in the Goddesses of the New Light by Pamela Matthews

Mary in the Goddesses of the New Light by Pamela Matthews

Black Madonna in the Goddesses of the New Light by Pamela Matthews

Black Madonna in the Goddesses of the New Light by Pamela Matthews

Mary in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Mary in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Black Madonna in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Black Madonna in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in Ascended Masters Oracle Cards by Doreen Virtue

Mary in Goddesses Guidance Oracle Cards by Doreen Virtue

Mary in The Goddess Oracle Deck by Thalia Took

Mary in The Goddess Oracle Deck by Thalia Took

Black  Madonna in The Goddess Oracle Deck by Thalia Took (she is nearly identical as Dana from the deck of Doreen Virtue, she just has a darker skin)

Black Madonna in The Goddess Oracle Deck by Thalia Took

Mary in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Mary in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Mary in The Goddess Power Pack by Cordelia Brabbs

Mary in The Goddess Power Pack by Cordelia Brabbs

Based on English Wikipedia and my own thoughts.

*Even prophet Muhammad kept pilgrimage as an integral part of Islam after destroying polytheistic shrines. Few people know that Mecca was originally the place where goddess mother Al – Lat (Goddess in Arabic, just like Al – Lah means God) was venerated. The black stone, to which the Muslims from all over the world come, is the remaining of Al – Lat’s temple.

** Personally I call them ‘God’s court’.

*** In the past I could possibly be classified as an Arian. Arianism was quite popular at the very beginning of Christianity, unfortunately these beliefs were condamned by the First Council of Nicaea in 325 of our era and Arius himself was banished. It is worth, however, to mention the passage from the Gospel of John which made Arius believe that the Son’s power comes from the Father,  “You heard me say, ‘I am going away and I am coming back to you.’ If you loved me, you would be glad that I am going to the Father, for the Father is greater than I.” (John 12:28). Even as a child when I still belonged to the Catholic Church, I somehow sensed that Jesus is not a divine figure as the Christian leaders want to see him but a teacher who brought universal and timeless message to the people who were not ready for it.

After long spiritual way I think I have found myself as a Gnostic. It the past anytime I have come across a religion I was analysing it rationally, I can agree with this point, these elements do not match reality, those rules are clearly harmful etc. In case of the Gnostics it is completely different, their beliefs simply resonate with my interior. It may sound bizarre but I do not really have to engage into discussion nor accept unconditionally the principles of faith; I simply feel what Gnostics say is true. It is literary a gut feeling. If nothing significant happens in the spiritual field, I am going to remain Gnostic in the name of Sophia the Divine Wisdom and the Unknown, God Above God. 

HESTIA (VESTA)

HESTIA (VESTA)

A Hellenic goddess of house, home, hearth and family as well as order and organisation. Hestia is Cronus and Rhea’s eldest daughter and a sister to Demeter, Hera, Zeus, Poseidon and Hades. She has never got married nor had children herself.  There was Hestia’s sacred hearth in every house,  village or town of the ancient Hellenic world and the first offering was always dedicated to this goddess. Her name means hearth, fireside. She was venerated in Rome as Vesta and considered to be one of the top deities of a Roman pantheon.

ABOUT GODDESS

Hestia was highly respected for her immaculate nature. She disapproved bloodshed, did not participate in wars and intrigues, did not gossip nor was spiteful. She valued peace most and apparantly was disgusted by the behaviour of Olympic deities because she gave her place in the council of gods to Dyonisos as soon as he came to the mount (there could be no more than twelve deities in the Olympian council). Despite Poseidon and Apollo’s wooing she decided to stay a virgin.

Hestia was particularly respected as a goddess literary closest to people. She resembles an Egyptian goddess Maat in the way that she does not appear in a lot of myths and does not have many temples, she is, hovever, a base of social order in Hellas and her cult is manifested through rituals. A hearth was situated in the centre of a Hellenic house, giving the inhabitants warmth and shelter when darkness fell, being a place where both sacrifices were offered to gods and food was prepared for people. When a baby was born, it was carried around a hearth and the family was asking the goddess for blessings, the child was then put on a cooled down ash of a heart to introduce it to heaven and earth. A marriage rite in ancient Hellas focused on a hearth too; a bride’s mother was lightining a torch up in the hearth of her house and was carrying it in a procession to newlyweds’ house where a new fire was lit up, from that moment marriage was considered to be concluded. Prayers have always begun with invoking Hestia, women have asked her to protect their children and grandchildren; she was also called upon before setting off a journey to help travellers come back home safely. It was a form of an early divination to observe a smoke from burning altars to see whether gods accepted the offering or not: if the smoke was rising straight to heavens, it was an omen of gods’ grace but if the smoke was circling down among altars, it signified that deities were not supportive.

Her sacred flame was present in every Hellenic settlement, people were watching over it carefully because if fire extinguished, it would signify gods’ disgrace (on a more practical level it was not easy to rekindle it in the times when matches have not been invented yet). The flame was only extinguished to be ritually renewed during the purification ceremonies. When ships were leaving Hellas to start a new colony, there was always a flame from the city they were setting off. This flame burning in a new place was a symbol of unity between the colony and its hometown. Outlaws and those escaping a vengeance or being chased, found a refugee by her altar, no one could hurt them from that moment on because they were protected by the goddess.

Hestia’s cult as Vesta has developed in a special way in Rome where her temple was the only sacral building of a round shape and having a roof to protect the sacred flame against the rain. Similarly to the inhabitants of Hellas, Romans also believed that fire represented their state and it was essential to keep it burning, however according to Georges Dumezil* they have associated Vesta strictly with earth and its burning core hidden under a crust which was sometimes breaking through  e.g during the eruption of a volcano. They also noticed the connection of fire with the nature’s cycles, cultivation and life, especially with the beginning of life**. Also similarly to Hellas, Vesta’s altar was a hearth in atrium; she was likewise associated mainly with women who generally functioned in a family space, not a public one. Interestingly, when it comes to order of Roman prayers Vesta was called upon as the last deity, not the first one as in Hellas.

Vesta’s sacred fire was watched over by six (seven in the end-stage era of Rome) vestal virgins i.e. Vesta’s priestesses. The service at the temple lasted thirty years; Rome’s high priest (pontifex maximus) was choosing girls of preschool age originating from the patrician families who were to move to a three storey building of Atrium Vestae near forum.

220px-Vestalvirgins11

Here is the reconstruction.

220px-Casa-vestali

There were twelve younger girls in the house apart from main vestal virgins, they were adepts who were preparing themselves to the service in the goddess’ temple and vowed chastity for thirty years (it liberated them from the custody of their fathers and other men, a vestal virgin was the daughter of a state). The thirty years of service was divided into three decades: for the first ten years they were learning, for the next ten years they watched over the fire and for the last ten years they were teaching young girls. There were not many requirements for a girl to become a vestal virgin, she only had to be healthy and sane, both her parents had to be alive and Roman citizens (at first only patricians, later also plebeians were included). In case of one of vestal virgins’ sudden death, candidates to take her place were presented, the only requirement was woman’s good opinion; she didn’t have to be neither a child nor a virgin, usually young widows or even divorcees were appointed (although divorcees were considered to bring bad luck). Vestal virgins were easily recognised by their apparel, apart from a regular tunic and stola, they were wearing a white woolen fillet called infula, a white woolen veil worn during rituals and sacrifices called suffibulum,  white and red woolen ribbons symbolising Vesta’s fire and the vow of chastity and a long shawl draped over a left shoulder called palla.

200px-Vestalin

Vestal virgins’ duties included keeping the fire from extinguishing (allowing that happen was punished by flogging), bringing water from a sacred spring, taking care of sacred objects such as palladium***, preparing ritual food and mola salsa, a mixture of salt, flour and wheat, which was later used to sprinkle animal victims. Vestal virgins were so respected that they were often put in charge of executing testaments  (this is what Julius Cesar and Mark Anthony did among others). Any inhabitant of Rome could receive fire to take it to their house and in the times of Empire, Vesta’s hearth was considered to be the emperor’s household fire.

Breaking the vow of chastity was punished by being buried alive in a tomb on Campus Sceleratus (Evil Field) with a supply of food and water for a couple of days only. This way of punishing resulted from the interdiction of spilling blood and burying within the city limits. During one thousand years of Vesta’s fire cult only several of such cases were noted. The one from 114 bC is particularly interesting when as many as three Vestal virgins Aemilia,  Marcia and Licinia were condamned death for ‘multiple adultery’; most probably their processes were fabricated and they became scapegoats. Evidence against them included the Sibylline prophecies and witnesses decribing literally orgies taking place in the Vestal house; the process itself was provoked by a thunder striking a travelling girl so supersticious Romans immediately thought of that as of gods’ anger and started to search for a reason***. According to the legend Rhea Silvia, daughter of King Numitor of Alba Longa was also punished this way. Numitor’s brother seized the throne and forced Rhea Silvia to become a Vestal virgin hoping this will prevent her from giving birth to a potential avenger who in turn would deprive him of power. However, Mars the god of war took advantage of Rhea Silvia who gave birth to twins Remus and Romulus. Children were left in a forest to die there, luckily their divine father sent a she-wolf to feed them with her own milk. Shame on him that he show no similar care about their mother and did not save her from the consequences that she had to face because of him; after all such deux ex machina (unexpected turn of events) is often featured in myths of Hellenic gods who seduced mortal women.

This story may be the symbol of how women were treated in Rome, it must be noted that comparing with average female inhabitants Vestal virgins were an exception. They were ‘the daughters of Rome’, so did not belong to their fathers, brothers or sons, they were respected, could act independently, vote, possess and manage property, give oaths because their word was trusted without question. They were free to travel in a carriage preceded by a lictor, they were participating in celebrations and performances with the right to sit in a reserved place of honor and had right to free a condamned prisoner (which they showed by touching him,  also if a person sentenced to death saw a Vestal on his way to an execution place was automatically pardonned). Because of Vestal virgins’ immaculate reputation they were entrusted with particularly valuable state documents such as treaties. Their person was sacrosant so every attack on a Vestal virgin was considered to be a coup d’etat and punished by death for treason.

The chief Vestal (Virgo Vestalis Maxima or Vestalium Maxima – ‘the greatest, the eldest of Vestals’) was the only woman to be included in the College of Pontiffs gathering all the high priests of native Roman cults. After 30 years of service a former Vestal virgin was obtaining a pension and had the right to leave the temple, get married and give birth to children. A marriage to a former Vestal was considered to be a huge honour and very lucky. Emperor Elagabalus did something more and married a Vestal virgin Aquilia Severa who was an officeholder at the time of her marriage. It was a very logical thing to do from his point of view as a follower of Eastern religions (vide post about Ishtar and the instytution of sacred marriage between a king and a high priestess), however the Romans considered it to be a sacrilege.

The flame in the temple was renewed every year on March 1st and the goddess’ festival called Vestalia was celebrated between 7th and 15th of June. The temple was the place where no one except of Vestal virgins had access to but on the first day of festival mothers were allowed to enter it to bring the offering of food.

Vesta’s flame had been burning in Rome for about nine centuries until it was extinguished in 391/394  of our era when Emperor Theodosius forbade any other religions than Christianity. According to contemporary recordings Serena, a Christian and Emperor’s adopted daughter, entered Vesta’s temple, took a necklace off the statue of Rhea Silvia and put it on. An old woman, Coelia Concordia, the last Virgo Vestalis Maxima, got indignant seeing such an act of sacrilege and prophesised a punishment to her. Indeed, Serena had later the dreams about her own death (and she died executed during the siege of Rome in 409, accused of conspiring with the enemy and high treason). An old Vestal was not the only one who got outraged at what Theodosius was doing; plenty of Romans was saying aloud that the sack of Rome in 410 by the Visigoths led by King Alaric and the following fall of an actual power of Roman Empire was a punishment for a Christian anihilation of cults celebrating deities who were protecting the Eternal City for almost one thousand years.

IMAGES, SYMBOLS AND ANIMALS

Some  sculptures of Hestia remained presenting her as a majestic woman wearing simple clothes and a veil and holding a stick or a staff in a hand. She was, however, mainly represented by a hearth and a burning flame itself.

Hestia

DIVINATION MEANING

PERSON

In positive meaning the person shown by this card is peaceful and balanced, often working in the profession dealing with implementing law or ensuring that everything is done in accordance to procedures. Somebody who values tradition and order and does not want to violate them. In negative meaning a person who is passive, conformist, shallow and superficial; possibly avoids making decisions and wants to make everybody happy. This person may be too strict and rigid and sticks to the decision made earlier no matter what. A person who is very much dvoted to family and house.

Profession: an official, a clerk, a police officer, a firefighter, an auditor, a controller, an architect, an interior designer, parent working at home or a housewife/househusband, a clergy person, a priest/priestess, a monk/nun.

ADVICE

This cards concentrates mostly on family life as well as law&official cases. Make sure everything is ok in these areas of your life. Try to smooth over disputes with your loved ones, Hestia encourages you to be gentle. Even if you disagree with somebody, you do not have to impose them your own opinions. Remember that holding grudges and keeping anger inside is mostly harmful to you.

Perhaps you do not have your own space in the house or it is only the place to sleep before you leave early for work. Your home should be your retreat and shelter from rush, stress and anger , not another source of them. If you cannot stand the atmosphere at home, this card definitely suggests moving out. You choose who should be in your environment. Either biological or emotional family gives us support and the feeling of continuity and belonging to a larger whole. Home is above all the feeling of belonging.

It is good to take care of your flat or house because your environment influences directly your mood, the level of energy and the ability to regenerate. This card suggest a major clean up or repairs, throwing unnecessary things away and rearranging your space. If you live in a house without a fireplacee, you may consider installing it; you would be surprised how much it may improve the spirits at home.

In the situation you are inquiring you should act honestly and lawfully, otherwise consequences may be very serious.

This card also suggests a certain ritual: regardless of your religion or lack of faith, you should light a candle and/or an incense at least for a couple of minutes every day and while staring at it rethink your day, attitude and behaviour. Learn from your mistakes and then clean your mind from negative thoughts. We are accustomed to the fact that altar is situated at church and yet even the simplest domestic activities may be sacred. It is worth to follow the ancient who offered sacrifices and prepared food on the same hearth. What is intended for the body must be paired with what is intended for the spirit.

Never let your inner flame extinguish. Soul needs warmth to bloom.

Family. Home. House or flat. Religion. Law. Rules. Tradition. Journey. Celebrations and festivals. City.

LOVE

If you are in the relationship: Marriage or official confirmation of a relationship. Do not forget to fan the flame in the relationship, otherwise it will be extinguished. Provide warmth in mutual relations. A moment when casual matters begin to dominate reality.

If you are single: Perhaps you pay too much attention to external aspect of romantic relationship. If you want your partner to declare their feelings, propose and start a family too fast, you may startle a potential candidate. Beware of thinking I want to be in a relationship with anyone, just not to be alone. Reluctance to engage emotionally. An inner need to remain single.

FINANCES

Promotion. A strong position. Respect of co-workers. Restriction of freedom. An influence of law or office on your work and the way it functions. An official control in your workplace. To resolve the problem you are inquiring you should follow precisely the letter of the law. Work at home.

HEALTH

Fever. Inflammation. Body temperature fluctuations. Exacerbation of medical conditionPatient care at homeExcess or lack of energy.  Endangered parts of the body: heart, arteries, reproductory system, small intestine.

CARDS

As I mentioned above Hestia/Vesta was manifesting herself through the fire itself, not necessairly through statues. This is why I appreciate the cards from Thalia Took and Kay Stevenson’s decks which represent her in this way:

Hestia in The Goddess Oracle Deck by Thalia Took (as Vesta)

Hestia in The Goddess Oracle Deck by Thalia Took

Hestia in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Hestia in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Hestia in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Hestia in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Hestia in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton (as Vesta)

Hestia in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Hestia in Goddesses of the New Light by Pamela Matthews (as Vesta)

Hestia in Goddesses of the New Light by Pamela Matthews

Hestia in Oracle of the Goddess by Anna Franklin&Paul Mason (as Vesta)

Hestia in Oracle of the Goddess by Anna Franklin&Paul Mason

Hestia in Goddess Guidance Oracle Cards by Doreen Virtue (as Vesta)

Hestia in Goddess Guidance Oracle Cards by Doreen Virtue

Hestia in The Goddess Power by Cordelia Brabbs (as Vesta)

Hestia in The Goddess Power by Cordelia Brabbs

Beware! Hestia from Goddesses&Sirens by Stacey Demarco&Jimmy Manton (as Vesta) will hit you with a candlestick in a momentgrinrotfl2!

Hestia from Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Hestia with her lips pumped up with silicone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Hestia in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Hestia as Ten of Cups in in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Hestia in Universal Goddess Tarot by Maria Caratti&Antonella Platano

*Georges Dumezil, a French philologist exploring the roots of proto-Indo – European, presents numerous similarities between the Vedic (Agni), Persian and Hestia/Vesta cult of fire. The cult of fire and purity remained to this very day in the Zoroaster rites. Similarities with Celtic goddess Brigid are obvious, too.

** Esoteric tradition recognises Fire as the beginning, the first element followed by Water, Air and Earth. First four figures of Major Arcana in Tarot correspond to this division: The Mage, The High Priestess, The Empress and The Emperor as well as the traditional order of Minor Arcana: Wands (Fire), Chalices (Water), Swords (Air) and Coins (Earth).

***It also included protecting sacred objects such as palladion, a wooden statue of Pallas Athena which as the legend says was saved by Aeneas from burning Troy. Palladium was the symbol of city and its civilisation.

**** Additionally these are recordings of stories which seem very similar to Middle – Age legends. One of them tells the story of a Vestal virgin Tuccia who brought the water from the Tiber to the temple of Vesta in a sieve to prove her innocence (told by Pliny the Elder). Another legend speaks about a Vestal virgin Aemilia who let the sacred flame extinguish by accident and asked Vesta to protect her against the punishment. She rekindled the flame miraculously by throwing a piece of garment on the coals of the hearth (it brings the resemblance with Brigid and clooties).

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://books.google.pl/books?id=cRS3E3u3HuAC&pg=PA104&lpg=PA104&dq=114+b.c.+vestal+virgins&source=bl&ots=KmguiRMVfX&sig=i6sp2-vfotMzp9TBhRX_reS2n7g&hl=en&sa=X&ei=1nu3T6SZCdDHtAbez7nzBw&redir_esc=y#v=onepage&q=114%20b.c.%20vestal%20virgins&f=false , http://www.roman-colosseum.info/roman-clothing/vestal-virgins-clothing.htm .