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REVIEW: THE GODDESS CARD PACK BY JUNI PARKHURST

THE GODDESS CARD PACK. DISCOVERING YOUR GODDESS WITHIN

by Juni Parkhurst

ABOUT THE AUTHOR

Unfortunately, it is one of these rare situations where I am not able to provide you with the information about the author because I cannot find much. There is no author’s bio in the booklet, no author’s page nor profile on social media. She seems non-existent in the Internet, all I could find was the address of the place where she is said to work as a hypnotherapist (in the booklet it is also mentioned she organises the goddess card readings and the goddess workshops). She also belongs to the UK Association for Humanistic Psychology Practitioners.

If you know anything about her, please share it with me.

ADVANTAGES

The first advantage is definitely a wide range of cultures included in this deck, you will find here the goddesses from different parts of the world.

Again the images turn out to be a strong advantage of this deck, they are all bright, colourful and similar in style of expressionist or fauvist artists such as Munch or Matisse. They may appear as a bit careless and childish yet it may also be treated as an advantage because this simple and direct way appeals to the reader’s intuition immediately. Intuition is the basic, primary and straightforward sense so colourful, uncomplicated images can be very helpful in making it work. Of course, as I always repeat after the ancient Romans de gustibus non est disputandum and some will consider it to be a disadvantage of this deck.

Big thumb up for including the real goddesses only, no card of Mary here.

Another huge advantage is the attempt to give structure to the oracle card deck. The whole deck is divided into six parts ruled by the archetypical deities who impersonate its features: Aphrodite, Kali, Diana, Hecate, Athena and Demeter. To find the goddess who corresponds best to your nature, you have to fill in a short personality test. Each ruling goddess is then described by the summary of  her mythology and her equivalent in modern psychology, also visualisations and rituals are given as well as divinatory meaning.

Other goddesses are classified to the clusters ruled by the above mentioned deities.

Kali’s Cluster of Goddesses of the Dark Side of the Moon

Pele

Medusa

Lilith

Sekhmet

Demeter’s Cluster of Goddesses Who Nurture

Gaia

Brigid

Kwan Yin

Sophia

Hecate’s Cluster of Goddesses of the Sacred Healing Mysteries

Persephone

Hygea

Ostara

Changing Woman

Diana’s Cluster of Nature Goddesses

Yemanya

Ceres

Cerridwen

Chalchiuhtlicue

Athena’s Cluster of Warrior Goddesses

The Morrigan

Victoria

Freyja

Inanna

Aphrodite’s Cluster of Love and Sex Goddesses

Frigg

Isis

Lakshmi

Oshun

I consider it to be an advantage of this deck, after all such subject as the goddesses mythology seems to be an excellent source of archetypes ready to be translated into the modern times. In fact, I am surprised that most of goddess oracle decks do not pay attention to this aspect but concentrate on the pure oracle or worship elements.

DISADVANTAGES

The division may as well be considered to be the disadvantage because it is controversial. The attribution of ruling deities to their clusters can be disputed. Some goddesses are rather versatile and it is difficult to classify them to one category only, Sekhmet could as well be a warrior goddess, Freyja and Inanna are as much love and sex goddesses as they are warlike and Lakshmi seems to match the nurturing goddess cluster. Personally I would like to see a whole new cluster of wisdom, intelligence and inspiration goddesses with Sophia, Brigid and Athena.

In my opinion the goddess card pack makes the impression of a slapdash if not messy edition. There are factual mistakes (I have already mentioned in my post about Demeter that Ceres was not a Greek but Latin goddess) as well as simple typos (‘Eostara’, ‘The Morrogon’ and ‘Lakshimi’). Instinctively I started to search for the name of the person responsible for correction but I found none. In fact the information about the edition is very limited as if just one person did the whole publishing work. There is the copyright recognition of Juni Parkhurst but for the text only, not for the images as I (and probably most users) initially thought! So who created the images? Similarly to Godsfield Press’ other issue The Goddess Power Pack there is no direct remark, bah! there is not even a list of the people participating in the card pack edition as it was in the case of Cordelia Brabbs’ deck so we cannot even guess who did the pictorial work. I was baffled even more when I read the following sentence in the booklet

Juni Parkhurst asserts the moral right to be identified as the author of this work.

‘Moral’? Seems ambiguous to me… When it comes to copyright it is common to establish clear and precise attribution to avoid any possible legal battles and ‘moral’ has too vast meanings to be exact. It is not the first time when the publication by Godsfield’s Press lacks clarity (see my review of Goddess Power Pack). I am not going to further explore the topic but I certainly treat it as a huge disadvantage of this deck.

To sum up, let me quote the Russian proverb signifying great plans but ineffectual result: We wanted to do our best but in the end it all turned out as usual

ISSUE

30 cards

a book containing the introduction, information how to use the card pack, ‘Which Goddess Are You?’ test, the descriptions of the goddesses and advice how to use cards (how to lay out the cards, a couple of spreads, how to interpret the cards), famous goddess types and index

a box

In a book each card is presented in the following way:

the descriptions of the cluster leading goddesses (history, today, challenges, love, ritual, visualisation, divinatory meaning)

+

other goddesses (key words and short divinatory meaning)

 box juni pankhurst

The size of cards is 13,5 x 8 cm

Back sides of cards show the brown and yellow fish swimming in the blue waves.

EXAMPLE CARDS

Athena

Athena in Goddess Card Pack by Juni Parkhurst

Brigid

Brigid in Goddess Card Pack by Juni Parkhurst

Demeter

Demeter in Goddess Card Pack by Juni Parkhurst

Isis

Isis – Hathor in Goddess Card Pack by Juni Parkhurst

Lakshmi

Lakshmi in Goddess Card Pack by Juni Parkhurst

Back side

back side juni parkhurst

© 1999 Godsfield Press and text © 1999 Juni Pankhurst

Publisher: Godsfield Press/Sterling

ISBN: 0 – 8069 – 9903 – 9

Aphrodite
Athena
Brigid
Ceres
Cerridwen
Chalchihuitlicue
Changing Woman
Demeter
Diana
Eostre
Freyja
Frigg
Gaia
Hecate
Hygea
Inanna
Isis
Kali
Kuan Yin
Lakshmi
Lilith
Medusa
The Morrigan
Oshun
Pele
Persephone
Sekhmet
Sophia
Victoria
Yemanya

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KALI

KALI

Hindu goddess of time, change and death, a warrior and a demon slayer who also has the aspect of goddess mother, Shiva’s shakti. Her name Kālī is a female form of the word kāla and signifies ‘black, dark one (the colour which is omnipresent before the light appears), time (she is beyond it), death (because it comes with time)’.

ABOUT GODDESS

Kali first appears in the story about the battle with demons when she jumped out of Durga’s forehead armed with a sword and a loop as the goddess was trying to kill the demon called Raktavija who multiplied whenever a drop of his blood fell down the ground. Kali sowed fear with her appearance, a piercing shriek and a thirst for murder. She devoured the slain ones and annihilated Raktavija by sucking the blood out of him. She was so drunk with victory and ichor that she started to dance on the battlefield wreaking havoc and becoming a threat to a further existence of life. She was not listening to any pleas for mercy and did not let anyone stop her until Shiva, her consort, has finally lain down on her path to prevent the extermination of the whole world. This eventually sobered the goddess up and she bit her tongue as a sign of her shame. The image of Kali dancing over Shiva’s body is called Daksinakali. According to another version Shiva appeared on the battlefield disguised as a crying child. When the goddess saw him, she took pity of a baby, embraced and fed with her milk.

It must be added that apart from her warrior aspect, Kali also manifests her gentler nature. According to Tantra Kali is Mahadevi i.e. essence, Divinity Itself and all the three most important gods Brahma, Vishnu and Shiva arise from her ‘like bubbles in the sea’ all the time, constantly ending, arising and passing away, however leaving her intact as the source. Shiva praises her in one of the texts as the Beginning of All, Creatrix, Protectress and Destroyer. She reminds of the inseparability of life and death, helps accept the existing order and encourages to become accustomed to death. Kali is a tough mother though, a Hindu poet Rāmprasād writes about her in this way,

Can mercy be found in the heart of her who was born of the stone?*
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you “Mother, Mother.” You hear me, but you will not listen.

And he later concludes that being Kali’s child means being deprived of earthly wealth and pleasures because the goddess does not give what we want, however this is what lets her worshippers reach beyond material world. Because of her Mahadevi’s aspect she is particularly respected in the Tantric teachings (Shiva laying at her feet is an embodiment of matter and Kali herself represents primordial feminine energy, according to the tantrics without energy the matter itself is lifeless*).

Another legend about Kali and Shiva tells the story of their dancing contest. Having defeated demons, the goddess settled down in the forests of  Thiruvalangadu on the south of India and terrorised its inhabitants with her violent nature. One of Shiva’s worshippers complained to him that he could not meditate in the forest because of her so Shiva decided to talk to Kali. She treated forest as her own territory so Shiva challenged her to a dancing contest. Kali was equal to him in every aspect until the moment when god performed a figure which required exposing sexual organs. Kali strongly refused and agreed to calm down enough to let Shiva’s worshippers perform their religious practices**.

Kali is particularly venerated in the north of India, especially in the region of Bengal and other areas situated within Himalayas (according to a legend Kali originates from these mountains, this is why Rāmprasād is wondering whether he can find compassion in the heart of the one who was born from the stone). A music genre called Shyama Sangeet (Dusky Music) is dedicated to Kali, it was traditionally performed by men but more and more women perform it nowadays. Goddess is venerated during the Kali Puja festivalu taking place at the new moon in the month of Ashwin (at the turn of September and October) which coincides with Diwali. A particular form of  Kali’s cult is venerating a hand painted image of her called Poteshawri (literary Goddess Drawn On The Piece Of Cloth), it is typical for the city of Shantipur.

IMAGES, SYMBOLS AND ANIMALS

Kali is presented as frighteningly skinny woman with bloodshot eyes, dishevelled hair, open mouth and tongue exposed, she wears a tiger skin, a belt of human hands around her waist and a necklace of skulls (traditionally 51 or 108 of them, they represent the Sanskrit letters therefore Kali is considered to be the mother of languages and mantras). She has four arms, one holds khadga (a curved sword or scimitar) or trident, the second onea severed head, the third one – a bowl (or cup made ​​from the skullcatching the dripping blood, and the fourth one is set in the shape of mudra. The weapon symbolises divine wisdom and a severed head signifies human ego explaining clearly that in order to develop soul one must get rid of daily restrictions (these items are usually held in left hands). Right hands set in mudras show that Kali provides support and blessings on the difficult path of self – development and that her follower is never alone.

As Daksinakali she keeps her right foot on the chest of lying Shiva and is accompanied by serpents and a jackal. Her skin is dark (as opposed to Shiva, whose skin is covered with white ashes from the burning pyres).

hindu-gods-kali
V0045118 Kali trampling Shiva. Chromolithograph by R. Varma.
When she is presented separately as Mahakala, she has a higher aspect of Mahadevi, the Great Goddess guarding the cosmic order. She is depicted with blue skin, three eyes, ten heads, ten arms and ten legs, each hand holds a different weapon or a sacred object, which symbolises the belief that the power of each of the gods comes from her.
kali ma 1
mahakali

DIVINATION MEANING

PERSON

The person represented by this card is constantly in motion, not afraid of taking risk and will not rest until they reach the target. The person who says the things straight and can enforce their own point of view. Also someone dominant whose presence overwhelms us, a person who seems to suck the energy out of us.

Professions: a member of law enforcement services (military, police, customs, etc.), an athlete, a liquidator, a bailiff, a controller, the person responsible for the restructuring process

ADVICE

It is not the time to be afraid and to hesisate, it is time to act and confront.

If you resist change, life will force you to change anyway but then you may have less options.

Changes are already taking place in your life, you cannot stop them. Even if everything around is falling apart, remember that something new will begin soon. Obstacles stimulate our development, thanks to them you get motivated and achieve what seemed impossible. Problems are necessary for growth. The mind and soul will not develop if they are remaining without challenges for too long. To see the light you need darkness.

Following old patterns will not get you anywhere. If a problem was growing for a long time, you will not solve it with the old methods, you need new ones. 

Think of what would you do if you were not afraid.

Key words: Movement. Change. Dance. Lack of control. Hunger. Being drunken. Ecstasy. Insatiability. Conscious or unconscious fear of death. The order of the world. Expressing yourself.

LOVE

If you are in the relationship:   Time of change which cannot be avoided, either strengthening or ending relationship. Widowhood.

If you are single:  High levels of woman’s libido. Reluctance to permanent relationship. Inability to compromise. Make sure that you do not drink too much alcohol at a party so that you do not wake up in the wrong bed in the morning.

FINANCES

A sudden and inevitable change of situation. Be prepared for arguments among workers or hostile actions from outside. Impoverishment. Work overload, too many duties, feeling burnout. Something that sucks finances out of the company.

HEALTH

Operation. Removal of body part(s). Radical therapy. Severe trauma or injury. When surrounded by other alarming cards, it signifies changes caused by proliferating cells. Too much of adrenaline and stress. Lack or excess of energy. Eating disorders. Problems with mental hyperactivity disorder (ADHD, bipolar disorder). Endangered parts of the body: limbs.

CARDS

A model image of Kali with the symbol of female energy shakti in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Kali in The Goddess Oracle Deck by Thalia Took

Kali in The Goddess Oracle Deck by Thalia Took

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali dancing on Shiva’s body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali dancing on Shiva's body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano as Death

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia.

* Tantra’s teachings are about co-existence and co-dependence of male element (shiva) with the female one (shakti). Tantra says that it is shakti, a creative and dynamic energy which stimulates shiva, a driving and static consciousness to act. The tantrics see it literary because in case of most men their strategic body part rises and “awakes to life” as a reaction to woman’s presence. One of folk tales about deities tells the story of Parvati asking Shiva which one of her ten forms he likes best. He immediately pointed out at Kali because without jewellery, garments, emotions and humanity she is a pure, raw and chaotic energy as terryfying as the time itself and perhaps even greater. When she assumes this free from limitations, wild and uncontrolled form, Shiva lays down at her feet and asks her to put the feet on his heart. Only Shiva is able to tame her and only  Kali is able to enliven him.

** However, when presented on modern images Kali is naked because as a representation of time she is beyond the veil of Maya – Illusion. Kali is perceived as an eternal life force and driving energy providing the existence of the world so the categories of “good” and “evil” cannot be attributed to her. To understand her nature, one must reject this duality and accept the fact that just like death does not exist without life, life cannot exist without death.

KORE PERSEPHONE (PROSERPINE)

KORE PERSEPHONE (PROSERPINA)

Hellenic goddess of the Underworld, vegetation and changing of the seasons, guardian of the souls of the dead, daughter of Demeter and Zeus, wife of Hades. The myth of her abduction was an explanation of seasons changing and the base for Eleusinian Mysteries. Her first name, Kore, means ‘a young girl, a maiden’, her second name probably originates from a foreign language which was unknown to the Hellens, one of the possible etymology is perein phonon meaning  ‘bringing death, causing death’.

ABOUT GODDESS

The myth of Kore’s abduction has already been told in the post about Demeter so let me simply quote it

Kore was a young girl when she was playing on the meadow with fellow nymphs on a sunny day. Her mother allowed her to weave wreaths from all the flowers but a narcissus dedicated to the gods of the Underworld. Unfortunately, Kore forgot her mother’s warning and picked this flower. It brought the darkness over the meadow, the ground cracked and a chariot led by black horses  emerged from the abyss. It was Hades, the lord of the Underworld, he captured Kore and abducted her to his realm below the surface of the earth. It was all so sudden that nobody was able to react or even realise that Demeter’s daughter disappeared. Only Cyane (Kyane), a water nymph and Kore’s companion, heard her friend’s cry and hurried to save her. However, it was too late and one of the horses kicked her in the shoulder so she could only massage the sore spot and cry after Kore. Terrified Demeter kept searching for her daughter everywhere but she did not realise that Zeus had promised his daughter as a wife without her mother’s knowledge and consent.

When Demeter found out about the conspiracy (either from all-seeing Helios the sun god or Hekate, goddess of the night and witchcraft), she became so furious  that she cursed the earth and told her not to raise crops until her daughter comes back to her. This interrupted the order of the seasons so plants began to wither and people started to complain they would not be able to gather them and they would suffer from hunger.  Zeus had no option but to return Kore to her mother. However, the girl was lured to eat a couple of grains of pommegranate in the Underworld and this made her belong there forever. In the end the gods and goddesses entered into a compromise: Kore was to spend one third of the year with her husband as Persephone the Queen of the Underworld but for the remaining two thirds she could return on the surface and enjoy the time with her mother. This is how the Hellens understood the seasons change: in winter the earth was saddened by the absence of Kore Persephone together with Demeter and in spring and summer when she was coming back, the earth was showing joy by letting leaves and blossoming the flowers.

Kore's abduction

It is the first and the most significant appearance of Kore Persephone in the Hellenic mythology but not the last one. She is present as the wife of Hades in many stories telling about the hero’s descent to the Underworld. She is so moved by Orpheus’ song that she convinces her husband to return his wife Eurydike to him. She helps Heraclesowi fulfill his twelfth labour of tying Cerberus, the guardian dog of the Underworld. She is sometimes involved in a story whether she wants it or not, such as in the case of Pirithous, a hero and a friend of Theseus, decided to take Kore Persephone away from Hades as a revenge for the death of his own beloved wife Hippodamia. The plan failed and both heroes were sentenced to be imprisoned in Hades and enchained to the rock. Theseus was freed from the ordeal by Heracles,  Pirithous, however, had to remain enchained in Hades forever.

Kore Persephone has also participated in the dispute with Aphrodite concerning Adonis. According to myths Adonis was and illegitimate child of Princess Myrrha who made Aphrodite angry, the goddess punished Myrrha by making her fall in love with her own father. Princess managed to deceive him and spend a couple of nights with him but when the affair came to the light, furious king seized the knife and started to run after her. Escaping his rage, Myrrha begged gods for rescue and they turned her into a tree which was later named after her. After nine months tree bark cracked and a boy came out of the trunk. Aphrodite put the baby into the chest and entrusted to Kore Persephone. However, the goddess of the Underworld fell in love with young Adonis herself and decided to keep him in Hades forever. This made Aphrodite furious. The disagreement must have been eventually resolved by Zeus who decided that Adonis was to spend one third of the year with Aphrodite, one third with Kore Persephone and the remaining part of the year wherever he wants to. According to another version of this myth young man died pierced by the tusks of boar, the animal was in fact jealous Ares in disguise. Aphrodite’s grief was so big that Zeus let her lover return to the goddess during spring and summer, Adonis, however, must have come back to Hades for autumn and winter.

According to most of the myths the marriage of Kore Persephone and Hades remained childless* but some versions claim that she was the mother of  Zagreus/Iakchos/Dionizos (with Zeus).

Deity descending into the Underworld was a popular explanation of seasons changing in the ancient times. A similar motif in present in the mythologies of the Middle – East, be it Attis (see the post about Cybele) or Osisris (post about Isis) and the theme of a young woman abducted to the Underworld is also present in the story of Ereshkigal (see the myth of Ishtar). Basing on mythology and archaeological remains it can be assumed that an agrarian cult of Demeter and Kore Persephone was one of the oldest in the Hellas, older than the cults of Olympian deities. It is possible that it came to Hellas from other countries (Hellens were writing the name ‘Persephone’ in many ways, it may suggest that they were unable to pronounce it themselves so it either originated from a pre-Hellenic language or was a borrowing from a foreign language). The beginnings can be dated up to 1400 – 1200 before Christ based on the inscriptions on the tablets found in Pylos, her name is written as Preswa and this may be its oldest form. There is also enough evidence to asume that Persephone was venerated in the Minoan Crete. Similarly to Egypt, the eldest deities were strictly associated with nature and often depicted as half – humans and half – animals (a Cretan figure of Minotaur, centaurs, satyrs, tritones, mermaids, sirens etc seem to be the remaining of this cult in mythology). An image of two women was discovered in the temple of Despoina in Mycene, it is assumed that these were either Demeter and Kore Persephone themselves or their priestesses wearing animal masks (this proves how early their cult was. Cretan agrarian cults have not used images of any deities  (similarly to the oldest forms of the Great Mother Cybele’s cult), they were mostly performed by females and the rites themselves included dancing, shaking trees and worshipping stones (most probably prawdopodobnie meteorytom). There are also reasons to believe that Kore Persephone was identified with yet older goddesses such as Despoina or Ariadna. Excavations on the temple sites suggest that places of worship were situated near springs and fire was burning in them all the time.

women wearing clothes from the Minoean age and dancing around (most probably) Kore Persephone, the Isopata ring

Córka Demeter’s daughter was the goddess of both Underworld (as Persephone) and vegetation (as Kore). She was depicted on sarcophagi as a symbol of revival and eternity. Apart from the Eleusinian Mysteries Kore Persephone was also venerated separately in the temples located in Corinth, Megara and Sparta. She was worshipped as Despoina (Mistress of the House) in Arcadia, furthermore she was known under other nicknames, the most popular were those presenting her in the most favourable way to gain her benevolence: Hagne („Pure”, it was primarily the name of a spring nymph), Melindia or Melinoia („Of Honey”), Melivia, Melitodes, Aristi Tchonia („The Best of Chtonic”). In her aspect of the vegetation goddess she was called Kore Soteira („The Saviour Maiden”), Neotera („The Younger One”), etc., she also often appears together with her mother as Two Goddesses (Demeter being The Older and Kore The Younger) in Eleusis, The Great Goddesses and The Mistresses in Arcadia, Karpophoroi („The Bringers of Fruit”) in Tegea and Thesmophoroi („The Legislators”) during the Thesmophoria festival.

The cult of Demeter and Kore Persephone had many local versions but the most important festival was of course the Eleusinian Mysteries celebrated in the autumn. Celebrations were aimed at the immortality of life and were filling the initiated with hope for the good fate (it was most probably believed that they were sent to the best part of Hades called The Elysian Fields after death). Mysteries were divided into the Lesser ones (celebrated every year) and Greater ones (celebrated every five years, on the fifteenth day of boedromion month ie. at the turn of August and September/September and October, they lasted ten days). A prerequisite for participation was only freedom form “blood guilt”, the festival was open for women and slaves. This was the time of  initiation and involved a couple of degrees of initiation. The Eleusinian Mysteries required keeping the secret so only a few people with the highest degree of initiation knew what was hidden in kiste, a sacred chest and kalathos, a lidded basket. It is speculated that the Demeter’s sacred objects were golden serpent, an egg, a phallus and seeds.

It remains unknown what were the mysteries like because revealing the secret was punished by death, however the descriptions of public celebrations were written down. The Greater Mysteries in Athens began on the fourteenth of boedromion when the sacred objects were brought to Eleusinion, a temple situated at the base of the Acropolis Hill.  The next day was the time of Agyrmos (“the gathering”) when the priests annonced the beginning of holiday and offered sacrifice. On the sixteenth day of the month, the rituals of purification in the sea were taking place near the port of Phaleron and on the seventeenth it was the time for Epidauria (so called “festival within festival”), celebrations for Asklepios, god of healing, when he was invited symbolically to the city with his daughter Hygieia goddess of hygiene and led in procession to Eleusion. On the nineteenth day procession was moving from the Kerameikos cementary to Eleusis along Hierá Hodós (“Sacred Way”), participants were swinging the branches called bacchoi. At a certain point they started to shout obscenities to commemorate (Iambe), an elderly woman who was trying to make Demeter laugh while she was grieving the loss of daughter by pulling the skirt up and saying naughty jokes, people were also shouting “Íakch’, O Íakche!” to celebrate Iacchus. When the procession reached Eleusis, it was the time for one day fasting to commemorate Demeter’s hunger while she was searching for her daughter, the only thing allowed to drink was kykeon made of barley and pennyroyal. On the 20th and 21st it was time for the proper celebrations when the crowd was gathering in Telestrion, a great hall („Initiation Hall”) where those waiting to be initiated gathered, in the centre there was Anaktoron („Palace”) where only the priests were allowed to come because sacred objects were stored here. Before entering Telestrion adepts had to say, I have fasted, I have drunk the kykeon, I have taken from the kiste (“box”) and after working it have put it back in the kalathos (“open basket”).  At first two special vessels were filled, then one was emptied in the direction of west and the other towards east and the worshippers were looking at the sky and earth whispering the rain fertilising the ground. The story of Kore Persephone’s abduction was told in three acts, first descent, then search and finally ascend and reconnection with mother. A ‘divine child’ was placed on hearth (check the story of Triptolemus in the post about Demeter) and those initiated to the highest degrees were to cut in silence a sheaf symbolising revival of life after death. The festival was completed with Pannychis, an all-night feast with dancing and rejoicing accompanied by the sacrifice from the bull and remembrance of the dead by libation the next day.

This is how Cicero wrote about these celebrations, For among the many excellent and indeed divine institutions which your Athens has brought forth and contributed to human life, none, in my opinion, is better than those mysteries. For by their means we have been brought out of our barbarous and savage mode of life and educated and refined to a state of civilization; and as the rites are called “initiations,” so in very truth we have learned from them the beginnings of life, and have gained the power not only to live happily, but also to die with a better hope.. (Laws II, XIV, 36)

Another holiday for Demeter and Kore Persephone was the festival of Thesmophoria celebrated all over Hellas from the 11th to 13th of the Pyanepsion month (October) when married women were free to come out of the houses** and participated in the women exclusive rites. Not much is known about this festival for a very simple reason: only married women participated in them and they were not the ones who wrote chronicles or memories. What we do know is that there were processions on the first day, the second one was the time of mourning, extinguishing the fire and eating pomegranates and the third was sacrificed to the rather unknown in mythology Kalligenea, goddess of beautiful birth. There were also records saying that at night swines were sacrificed in the trenches and caves and the remains of the animals sacrificed in previous year were retrieved and placed on the altar, mixed with seeds and planted. There was also Anthesphoria, the festival of flowers and cereals, celebrated in the Hellenic colonies in Italy (so called Magna Grecia) and in the Peloponnesus.

Ancient Romans took the cult of Kore Persephone over from Hellenic colonies established on the south of Italy and Sicily. She was called Proserpine in the local local dialect and this version of her name was adopted in the Apennine Peninsula. It is interesting to notice that she was venerated as the patroness of marriages in one of these cities called Epizephyrian Locris (present day Locri), this usually was the domain of Juno (Hera). Children were entrusted to Persephone and brides were bringing her their garments before weddings as votive offerings. A very popular image of Kore Persephone and Hades surrounded by plants and animals attributed to them comes precisely from Epizephyrian Locris.

Kore Persephone and Hades

In the 5th century before Christ Empedocles, a poet, philosopher and healer, has created the concept of four elements. He connected Kore Persephone named here Nestis with the element (or to be more with the root, it was not until Plato when the word ‘element’ was used) of water: Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears. Empedocles uses the nickname of Nestis and does not pronounce her real name which was considered to be a taboo since the earliest times. It was not advised to call the Queen of the Dead even in a simple conversation nor to speak her name aloud so Nestis was used as her cult title (Homer in his hymns refers to her as the Queen of the Shades).

IMAGES, SYMBOLS AND ANIMALS

The type of the oldest Hellenic sculpture is called kore, some hyptheses assume the figures represent Demeter’s daughter.

 KoreKore

Moreover, Kore Persephone is also presented sitting on the throne as majestic Queen of the Underworld with a sceptre, fruit, sheaves of grain and a liknon basket used to separate seeds from chaff.

Kore Persephone

DIVINATION MEANING

Person

A young girl, a teenager. A person who experienced a sudden or tough events. A person who is emotionally immature. Someone who was charged with too much responsability too early. Somebody who became bitter due to bad experiences, childhood traumas or seriously betrayed trust. In negative a person with a victim pattern and not enough self – esteem and maturity to face the problems on their own.

Advice

What you need is patience. This card shows maturing in a hard way and learning to compromise. You cannot accelerate anything. Let things run their course matters. Give some time to time. What you reap is what you sow. At first you will have to work hard to put and make a lot of effort to put your plans into action and you will be rewarded later. Everything changes sooner or later.

I personally associate strongly the card of Kore Persephone with the rune Jera.

Patience. Maturing. Harvest, crops, abundance, wealth, plenty. Revival. Beginning or end of the cycle. Bad timing, hurrying too much, poor plans, acting blindfold. An insufficient harvest, loss, scarcity.Intervention in the natural cycle. Possible trip but not for pleasure, rather forced by circumstances. Trauma. Abandonment. Compromise. Inevitability. A strong influence of mother. Secret knowledge, esoterics.

 Love

 If you are in the relationship: lack of maturity to a stable and adult relationship. Compromises and patience are required. Hiding from problems. Early marriage, possibly enforced somehow. Being childless. A strong influence of the mother. A cold, emotionally detached or manipulative partner.

If you are single: lack of maturity to a stable and adult relationship. A strong influence of the mother. Patience is suggested. It is also advised not to getting into a relationship just to avoid being alone.

Finances

Trip forced by circumstances.  Beginning or ending a certain stage of career. Business involving volatility of revenues depending on time or season. Suspension of business activity. Time of harvesting profits.

 Health

Women: fertility and regular cycle, pregnancy and successful, natural delivery. Therapy limited to taking medicine. Vegetarian, macrobiotic or vegetable, fruit and cereal based diet. Regenerative skills. Checking your health regularly. Negative: laziness, wrong diet, insufficiency, problem with high cholesterol and obesity. Woman’s cycle disorder. Neglecting regular health tests. Eating in a hurry. Endangered parts of the body: the digestive system (particularly stomach, colon, small intestine and the large intestine).

CARDS

Kore Persephone  in Goddesses of the New Light by Pamela Matthews

Kore Persephone  in Goddesses of the New Light by Pamela Matthews 

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone (together with Hades and Cerberus) in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

 Kore Persephone in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Kore Persephone in The Goddess Oracle Deck by Thalia Took

 Kore Persephone in The Goddess Oracle Deck by Thalia Took

Kore Persephone in Goddess Card Pack by Juni Parkhurst

 Kore Persephone in Goddess Card Pack by Juni Parkhurst

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr 

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

 Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

 Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://www.webwinds.com/myth/elemental.htm

* It seems logical that the deities associated with death could not have children themselves. In Egypt Seth, god of desert and death, was infertile and his wife Nephthys craving for a child, got pregnant with their brother Osiris (that could be the reason for Seth’s hatred towards Osiris).

 *** In Hellas women did not participate in public life.

LILITH

LILITH

Goddess of the night, Adam’s first wife who according to Jewish beliefs was created together with him, she, however, rebelled against his need to dominate and fled from Eden. The meaning of her name varies from Night Creature, Night Monster, Demon, Screech Owl, Lady Air, Wind or Spirit.

First I have state clearly that the character of Lilith can be interpreted in two manners, either in the same way as she was perceived by the ancient folks or in a modernised one. I am going to describe how she was depicted throughout the ages but as far as the divinationary section is concerned I refer to present time reality (and so do most authors of goddesses decks).

ABOUT GODDESS

Creatures resembling Lilith are first mentioned in the Mesopotamian mythology, however they do not take the shape of the characters from subsequent Jewish legends yet. While researching the Epic of Gilgamesh Samuel Noah Kramer studied the text of Twelfth Tablet which was not originally included in the poem. What he found there was the story of Inanna who planted the huluppu tree (most probably a willow) in her garden in Uruk so that she could make a throne for herself from its wood. However, when she came back after ten years to cut the tree, it turned out to be inhabited: a serpent was living in its base, a Zu bird (a huge bird with the head of a lion) had the nest with its young in the crown and ki-sikil-lil-la-ke found the home in its trunk. According to the tablet Gilgamesh, asked by Inanna, has smitten the serpent, made the Zu bird fly away to the mountains with its young and ki-sikil-lil-la-ke destroyed her house and fled to the forest. There is not enough evidence to identify Lilith with ki-sikil-lil-la-ke, in fact modern scholars reject this connection. The only thing that can be determined with high probability is the analysis of the tree spirit’s name: ki-sikil means ‘acred place’, lil is ‘spirit’ and il-la-ke can be either ‘water spirit’ or an owl. According to one of the Sumerian texts, Lilitu is Inanna’s handmaiden, a beautiful prostitute whom the goddess sends to the streets so that she seduce men there.

Moreover, in the texts of incantations from Nippur in Babylon dated back to around 600 bC there is a mention of vardat lilitu meaning a female spirit connected with storms and winds; the word lili itself was associated with magic and demons. According to a hypothesis the Sumerians and the Akkadians, the native inhabitants of Mesopotamia were bilinguial and their deities syncretised, in this case in the Summerian language the spirit was named ki-sikil-lil-la-ke while for the Akkadians the name of the same spirit was Ardat-lili (Ardatû). Lilitu were also present in the myths of Assyrians, the heirs of the Summerian and the Akkadians, as the demons hunting for women and children associated with lions, deserts, storms and diseases. Originally they were linked to the wind and storms and then to the night and copulating with people while they were sleeping; lilitu were hostile towards families, seduced men (it was believed that sick men were possessed by lilitu), caused infertility, miscarriages, complications during delivery and death of babies. Prostitutes were also called ardatû.

It was not until Jewish culture came that Lilith was distinguished from other night demons and gained her own mythology. Her appearance in the Bible is disputed, the only remark mentioning her is the Book of Isaiah 34: 13 – 15 where the word lilit/lilith is enumerated as one of the impure animals (most probably because of the associations with demons), it is unclear, however, whether the author refers to a particular person or the species of demons. In most translations of Bible into foreign languages lilith is treated as a specified creature bringing bad connotations for the contemporary  who shall nest and lay eggs, hatch them out and gather them in her shadow (in Septuaginta, Greek transation of the Bible, a satyr is an equivalent, being a creature of a significant sexual freedom, an embodiment of the forces of nature, in Vulgata, Latin translation, lilith is translated as Lamia, a figure from Greek mythology who was said to abduct and devour children etc). In the King James Bible, the classical translation to Old and New Testament to English, the word screech owl is used and this manner was generally adapted in further renditions.

 Lilith is given a specific embodiment in modern Jewish texts, particularly Talmud and Kabballah. According to these, she was created by God at the same time and from the same clay as Adam thus was his first wife. Several versions of this story have been noted: either she had been brought to life before Adam was, on the fifth day of creation or just a moment before him or Adam and Lilith were created as one being but Lilith’s soul was lodged in the depths of the Great Abyss until God called her to join Adam lying on the ground as lifeless body, it was not until that moment when God created soul for him and divided a woman from a man. According to yet another version Lilith was not created by God but emanated spontaneously as a separate deity and is connected to the Sefirot of Gevurah in the Tree of Life. There is also an alternative version claiming that Adam&Eve and Lilith& Samael came into living as twin couples of hermaphrodites.

Adam wanted Lilith to have sex with him but when it turned out that she was expected to lie below him, she refused firmly. She could not accept such a position because she was created from the same clay as Adam therefore she was equal to a man, not subjected to him. Enfuriated she spoke the Ineffable Name and flew to the Red Sea. Adam complained to his Creator and Yahwe sent three angels Sanvi, Sansanvi and Semangelaf* to Lilith  to convince her to return. But this made Lilith even more enraged so she refused to come back and began relationship with Samael, an angel rebelled against Yahwe. Angels warned her that if she would not return to Adam, she would have to bear one hundred little demons every day but they would all die. Despite this threat Lilith did not surrender and did not return to Eden. This is why Yahwe created an obedient and subordinate Eve from Adam’s rib and Lilith, out of revenge that her own children die, captures the newly born descendants of Adam. Other legends say that Lilith incarnated as a vengeful serpent who convinced Eve to pluck the apple. It is also said that having been expelled from the Paradise Adam separated from his second wife and lived as a hermit, at that time Lilith returned to him as a demon in his dreams.

We have to remember that the ancient did not know what viruses, bacteria and genetic diseases were so when a baby was dying or a woman miscarried (and it did happen often) they were explaining it by the intervention of a jealous female demon. This was not only the case of Mesopotamia but also ancient Hellas where the above mentioned Lamia, half – woman, half – serpent came from). Wet dreams were explained in the same way, it was believed that these were incubus and succubus, night spirits, copulating with men and women. In mythology Lilith was presented either as filled with lust that made her seduce men or filled with jealousy over neonates, the root for the legend of murdering them. It must be noted, however, that these two characters have been evolving separately, there is very few stories where Lilith plays both roles. Patriarchal cultures stigmatize women who do not want to be subjected, they are considered to be bad, vicious and culpable; up to this day women who do not agree on arranged marriages or escape abusive husbands are convinced by their relatives to return in order not to dishonour their  families. It is forbidden for a woman living in a patriarchal culture to show desire and interest in sex and most of all it is suggested to her not to wear or behave in a manner that enhances her beauty (but it is man who decides how far is too much, this is where all those ‘explanations’ of rapists that they were provoked come from). Briefly speaking, Lilith’s history is everlasting. To check how to cope with it and not to get mad, please visit the divination meaning below.

IMAGES, SYMBOLS AND ANIMALS

Here is the Burney Relief with the image of Inanna/Ishtar (or Ereshkigal) which has already been discussed in the post about Ishtar. For some time researchers have been identifying the female figure as Lilith for the sake of wings, birdlike feet and being surrounded by birds resembling owls. This assumption was mostly based on the translation of the Twelfth Tablet of  the Epic of Gilgamesh.

The Burney Relief

However, this identification is now being disputed and mostly rejected.

Lilith appears in the early Romantic culture and art thanks to Faust by Johann Goethe and famous portraits by Dante Gabriel Rosetti, the leader of an English art group of Pre-Raphaelites

'Lady Lilith' by Dante Gabriel Rosetti

and of John Collier

'Lilith' by John Collier

Modern culture did not take the odium of a harlot and infanticide off her. Modern day images portray Lilith as having fair skin and long dark hair (in Jewish and Muslim tradition it symbolises dangerous female power of seduction) and staring at the mirror, the symbol of vanity. As a heroine of 19th century book Lilith by George MacDonald she possesses not only all the features that the ancient attributed to her but is also a vampire sucking blood out of people, she is similarly presented in a modern TV – series True Blood. She is treated as the first mother by the occult societies and traditionally connected to the new moon and the zodiac sign of Scorpio.

DIVINATION MEANING

PERSON

 Person shown by this card is strong – willed and adamant, definitely aware of her influence and strengths and knows how to use them (therefore may not be liked by the environment). She may have problems at work due to insubordination and because of intransigence in relationships. Beauty and sensuality attract men to her even in a subconscious way. In negative aspects she cannot deal with inner tension, past experiences, aversion towards men and subconscious fears or complexes (including sexual ones). This card also shows a person who misuses their attractiveness just because they can.

ADVICE

 DO ON BE SCARED TO SAY ‘NO’!

Our culture requires woman to be nice and polite but these requirements limit freedom of thought and behaviour. In the long run it is impossible to meet them without some loss of own psyche. Being nothing but sweetness is deadly. To be ourselves causes us to be exiled by many others, and yet to comply with what others want causes us to be exiled from ourselves.

Being faithful to yourself requires courage and resistance which is not an easy thing to do as women are taught to be nice and please others. When you start setting the boundaries, people in your environment will be reluctant to accept it or may even behave in a hostile way. And yet if you do not do it, you will not acquire positive attitude and respect to yourself. Being submissive and will not make people love you but use you instead.

Give only as much as you really want to give. Being assertive is not easy, people in your environment may try to force you to explain your behaviour or will call you an egoist. Do not let them do that. Speak in a calm way and use simple, short statements e.g., I have no money, I have no time, etc. If anyone insists, do not engage in further discussion, just repeat the same sentence I have no money, I have no time over and over again, s/he will stop soon. Perhaps people in your environment will consider you to be a hag but they will do what they need without your help.

Express yourself clearly. Speak only things you really mean. Be consequent in what you do. Establish rules and stick to them. Giving your energy, time and money to others is good as long you do it with joy, not because you are expected to do it, the latter only leads to frustration and fatigue. You will not make anyone happy in this way.

Be prepared for the fact that showing your power will cause some unfriendly comments. People may suggest that powerful women discourage men, that you should behave in more feminine way, wear more feminine clothes or even play the role of dumb woman (‘sweet idiot’). Note that a man searching for a relationship with a woman will never get advice to be more male, wear more male clothes or play the role of strong man.

Be prepared that if you are being picked up and express your objection clearly, the person who picks you up will try to withdraw, begin to ridicule you or to say, ‘I was only joking’, ‘What were you thinking?’ etc. This tactics is aimed at “softening’ you and weakening your self – esteem but once you say ‘no’, most probably you will not be bothered again.

Think of the reasons why you are in your relationship. Perhaps it is because you are scared of being alone, not because you truly love your partner. If you are scared of being alone then do not expect someone to adore your company. If you are not scared to be alone, you will not be afraid to wait for a worthy person and you will not fritter away in an unsatisfactory relationship.

Make sure you are not dominated by your partner either in emotional, intellectual or financial way. Remember that men and women may differ but are equal. We cannot build happiness on the dependence on someone else. A cage made of gold is still a cage.

Think of whether it is worth to bind your emotions and energy to a person who is not free either legally or emotionally.

You have right to feel desire and want to have sex. Have a positive attitude to your body. Sex is a powerful tool which can either charge you with lots of positive energy or make you feel terribly down. As far as intimacy is concerned you should only do what YOU want to do. Do not let yourself be manipulated. If you do not feel like you want to have sex, do not go to bed with someone. Do not have sex just because you feel lonely, you are drunk, you want to achieve sth via bed, keep your partner or you think this will make you adult. Sex is an exchange of energy, do not waste yours on a wrong person. Do not be scared to talk about your needs and contraception.

My personal understanding of this card is not to be afraid to talk with children about their bodies, gender and sex (in the range depending on their age). Teach your daughters and sons how to say no and to set boundaries. Teach your daughters and sons that when another person says no they mean no and they have to respect their boundaries. Remember that your children’s future attitude towards relationships and sex is shaped by the behaviour they observe at their home. You also have to teach your children that not all the adults have good intentions and may hurt them.

Never forget that patriarchal culture also hurts men forcing them to play roles they do not want to or cannot bear.

Courage. Freedom. Equality. Strength. Opposition. Independence. Setting boundaries. Refusing to be enslaved. Freedom of mind, heart and body. Moving forward. Surprise.

LOVE

If you are in the relationship:  Lack of satisfaction in relationship. Romance. Partner may not be able to have children. Problems with getting pregnant, miscarriage or complications during delivery. First wife. Lover.

If you are single:  Romance. Being alone by choice. Being with someone who is already in a relationship.

(In both contexts this card warns against sexual harassment or rape)

FINANCES

 Strike. Discontent with present conditions. Inequality in wages for the same amount of work. Discrimination. Exploitation. Abuse at work (including sexual harassment).

HEALTH

 Infectious diseases. Visit your gynaecologist. Endangered parts of the body: sex organs.

CARDS

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton 

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith accompanied by owls in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Lilith in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lilith in The Goddess Power Pack by Cordelia Brabbs

Lilith in The Goddess Power Pack by Cordelia Brabbs  

Lilith fleeing from Eden in Goddess Card Pack by Juni Parkhurst

Lilith in Goddess Card Pack by Juni Parkhurst

 Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Owl – eyed Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 Lilith as Devil in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lilith in Universal Goddess Tarot by Maria Caratti&Antonella Platano

* The names of the same angels were written on the amulets for babies aimed at keeping Lilith away from them. Legend says that the angels sent to bring her back to Eden forced her to promise that she would not attack children wearing amulets with their names.

Based on English Wikipedia (unfortunately some information used in this post were removed from the current version of the article about Lilith) and http://www.pantheon.org/articles/l/lilith.html

LAKSHMI

LAKSHMI

A Hindu goddess of abundance, wealth, prosperity both in the material and spiritual field, fertility, generosity, good luck, splendour, light, wisdom and courage. An incarnation of shakti, the feminine energy and an embodiment of beauty, charm and grace. She is also venerated as Mahalakshmi and her name in its full form means ‘Remover of Universal Agonies’. She is also called Śri, Padma, Thirumagal or Gunas. Some Hindu beliefs such as Sri Vaishnava consider her to be Iswarigm sarva bhootanam i.e. the supreme deity, not only the goddess of wealth.

ABOUT GODDESS

Lakshmi came to being during Samudra Manthan, the quest to get amrit by churning the Ocean of Milk. At the very beginning both Devas (gods) and Asuras (demons) were mortal but they all wanted to become immortal. Therefore they decided to stop wars against one another, call a truce and collaborate together to churn Kshirsagar – ‘The Ocean of Milk’ in order to get amrit (soma), a nectar which granted immortality and eternal youth. They used Mount Mandarachala and Vasuki, the king of serpents as their churning rode and churning rope; Devas stood on one side, Asuras on the other and they started to pull back and forth. Fourteen precious objects appeared during churning, among them

– Kamadhenu, divine cow granting wishes,

– a seven – headed horse,

– Kaustubha, the most valuable jewel in the world which was later worn by Vishnu

– Parijat, an ever-blossoming tree

– Varuni, the goddess of wine

– the moon

– the sun

– and last but not least goddess Lakshmi. Emerging from the petals of a lotus, she amazed everyone and de concentrated Asuras. Because of her associations with lotus (she was either resting in the flower or holding it in her hand) she is called Padma (‘Lotus Dweller’). Vishnu has immediately fallen in love with her and she soon became his consort; it is believed that she accompanies him in all his incarnations.

Lakshmi is considered to be the shakti of Vishnu (his feminine power). She grants well-being to her followers, brings a stroke of luck and protects against any poverty and worries caused by material issues. She is also an intermediary between her husband Vishnu and the humankind; a protectress who influences the fate, mitigates disputes and is more approachable than her husband, that is why the Hindu call upon him through Lakshmi (she resembles Christian Mary in this aspect). She is also a personification of spiritual energy Kundalini and believed to be the Mother of Universe.

It has to be noticed that Hinduism stresses the fact that wealth and abundance are not restricted to the material area but also spiritual one as they are related.  Lakshmi’s divinity is also manifested through Fame, Knowledge, Courage, Strength, Victory, Children, Valour, Gold, Gems, Grain, Happiness, Bliss, Intelligence, Beauty, Higher Aims, High Thinking, Higher Meditation, Morality, Ethics, Good Health, Long Life and other examples of well being. Ashta Lakshmi (eight Lakshmis, goddess’ secondary expressions) are distinguished in her cult: Adi Lakshmi, Dhana Lakshmi, Dhanya Lakshmi, Gaja Lakshmi, Santana Lakshmi, Veera Lakshmi, Vijaya Lakshmi, Vidya Lakshmi). Ashta Lakshmi are represented by an eight pointer star called the star of Lakshmi

star of lakshmi

This is why money is treated as a manifestation of the goddess; when a coin falls down or touches a foot, the gesture of Pranāma is performed (person first touches the coin with the finger tip of their right hand and then their forehead and/or chest). Similarly this gesture is the apology for books and written materials which are treated as the manifestation of goddess Saraswati.

Another earthly manifestation of Lakshmi is a cow. Cattle is treated as a sign of wealth in various religions, not only in Hinduism but also Buddhism, Zoroaster and European beliefs. Cows were respected also in ancient Egypt, Hellas and Rome; cow is a central figure of creation myth in the legends of Germanic tribes (Audhumla). Those of you who have basic knowledge of runes surely know that the sign which begins the Elder Futhark, Fehu, is associated with cattles because cows and bulls were the visible evidence of wealth. Hindu texts suggest that a cow is an embodiment of many gods and goddesses, Lakshmi resides at its hind part.

cow fehuv

Lakshmi conditions life according to Hindu beliefs, without her there would not be harvests, air to breathe nor offspring therefore she is called pranadayini (“giver of vital life-sustaining energy”). For that reason Lakshmi can be identified with Hellenic Demeter as the goddess of vegetation and life force, in fact one of Lakshmi Puran(a) legends resembles the one about abducting Kore. Shriya, a woman originating from a lower caste, was so devoted to the goddess that she visited her in person which resulted in the anger of god Balabhadra. He forbade Lakshmi entry to the temple and the goddess became so sad that she left the place and went to her father. However, with her departure all the wealth and abundance disappeared from the temple and Balabhadra had to beg for food. It was at that time that he realised his mistake, he came to Lakshmi to apologise her and invite back to the temple to which she agreed.

The Hindu venerate her every day but her sacred time is October with Diwali, the Festival of Lights, when small olive lamps are traditionally brought in front of the house for Lakshmi to give her blessing to the family dwelling in it. An offering of food and sweets is given to her, Lakshmi’s followers pray and chant a litany of her 108 names. It is believed that on that night Lakshmi descends to Earth on her owl to remove poverty, stagnation and laziness and showers her worshippers with wealth. It is a special day for the Hindu when they give presents to one another and go gambling because Lakshmi is considered to be the one who brings good luck. She is also celebrated during the full moon of Ashvin (September – October) in the Eastern state of Orisa during the holiday called Sharad Purnima (or Kumar Purnima, purnima meaning ‘the full moon’). It is one of the most important and the most popular festivals in the state; it lasts up to ten days filled with singing, dancing and decorating Lakshmi’s figures. Young girls are given new clothes as presents, they prepare food offerings for the sun in the morning and go fasting the whole day and having performed rituals eat them when the moon rises. Sharad Purnima is said to release so much joy and positive energy that even non-Hindu participate in the celebrations. The Hindu also thank Lakshmi for the harvest in the month of Mrigashirsha (December – January) during the festival Manabasa Gurubara (also called Lakshmi Puja), houses are decorated with flowers and girlands each Thursday and the traces of feet are painted on the stairs as if Lakshmi entered the household. All the rituals are performed by housewives, rice is given to the goddess as an offering and then eaten by the family and the legend of Lakshmi Puran(a) is told in the evening. It is also the time of closing the year of trade, new trade books are established and sacrificed to Lakshmi in any places dealing with circulation of merchandise.

Traditionally the chakras of heart and solar plexus are attributed to Lakshmi.

IMAGES, SYMBOLS AND ANIMALS

Lotus is traditionally attributed to Lakshmi, she has numerous nicknames connected to this flower (Padma – ‘Lotus Dweller’, Padmamaladhara Devi – ‘The One Who Wears a Garland of Lotuses’, Padmamukhi -‘ The One Whose Face Is as Beautiful as a Lotus’ etc). Lotus symbolises the force and fertility of plants; the Hindu myths claim that the world constantly revives from the lotus placed on the Vishnu’s belly button. Her sacred animal is cow but she is usually depicted accompanied by two elephants. An animal associated with her is owl symbolising royalty, sharp eyes and intelligence; both an owl and an elephant are her vahana, ‘vehicle’ i.e.  animals identified with a particular deity (e.g. a tiger and a lion are assigned to Durga).

Lakshmi is depicted peaceful and smiling either sitting or standing on a large lotus. She wears a saree made from red (a symbol of permanent activity) or gold (a symbol of fulfilment) material, she usually has golden jewellery and a golden crown with rubies, her hair is dark and weavy and her skin has a golden tone. Lakshmi typically pours coins out of her hand while in her three other arms she holds a jar with gold, a sheaf of grain or presents a mudra.

DIVINATION MEANING

Person

A person with a warm, creative, protective, tender, energetic and joyful personality who attracts people. The person who is beautiful both inside and outside. Somebody who suddenly appears in our lives to help us and brings us optimism and joie de vivre. Somebody whom we feel free and happy with. In negative this card signifies a person lacking Lakshmi’s energy: complaining, avaricious, rigid, self – limiting, focusing on the negative, poor not necessarily in the financial field but rather spiritually.

Professions: all the professions connected with the flow of money, food processing and agriculture, a teacher, a guardian, a psychologist, people working in the gambling and lottery industry

ADVICE

Wealth is manifested both in the material and the spiritual field, the first one appears in the form of objects while the second one in the form of health, optimism, friendship, courage etc. Even having few objects you can still be rich as long as you do not lack mental and spiritual capital. Thanks to wisdom and spirit you can always get more objects while having a lot of objects would not make you happy and fulfilled. Wealth can be manifested through the quality of your life: satisfactory job, loving partner, children bringing joy, good health, free time, devoted friends etc. Wealth based on objects is never enough and keeps demanding for more.

Think of your actual attitude to money. Coin is a symbol that people adopted as a determinant of worth and of exchange of goods, it is also a manifestation of life – giving abundance which Higher Forces pour onto you. As long as you remember that money is a mean, not the ultimate goal, you do not have to feel shame or any other negative emotions about owning. Money is an energy too, and it attracts likewise energy. If you concentrate your thoughts on lack of money and think of yourself as a poor person, it is rather doubtful that you will get more money. If you start thinking that you will not lack anything, you will program your subconsciousness in a positive way. Your subconsciousness has a bigger influence in decision-making process than you would expect. A mind open to abundance does not guarantee high numbers on your bank account but closing it with fear and anxieties will certainly not attract prosperity nor wealth neither. Free yourself from thinking focusing on lack, it is not a one time activity but a long term process. Start repeating to yourself, I always have money or Money come to me easily. You do not even have to believe it, just repeat it to yourself every day for a couple of months. When money is flowing, energy is flowing, too. Invite abundance and luxury by buying yourself a small gift (and do not feel guilty about it).

Be responsible for what you have. Apply a reasonable balance between gathering and spending. Do not forget that even having a small income, you can give others a lot simply by your wisdom, involvement or at least smile and kindness. Welcome wealth in your life no matter what form it takes. When you spend money, do not think that you are losing it, focus on what you are gaining.

Being successful in the financial field does not necessarily mean you are shallow or not spiritual.

Watch over your wealth, if you use it for a wrong purpose, it will get you into trouble.

There are some features which describe a wealthy mind. Try to perceive the world like a child does: everything is a new and fresh opportunity. The older you get the less enthusiasm you have, to start anew you have to let your previous  perception die. Keep your mind concentrated on here and now, it liberates your mind from worries. This is what wealthy mind does. Energy follows attention so be careful where you direct it. Your perception helps in changing your reality. Concentrate on achieving your goals but do not forget to have fun, too. Authenticity, serenity and flexibility are like gold for your psyche.

BE THANKFUL FOR EVERY MANIFESTATION OF WEALTH IN YOUR LIFE

(I rarely suggest visualisations in my posts but the image of Lakshmi is itself a visualisation, it is easy to imagine her pouring coins at you and a light emanating from a lotus calms you down and fills you with serenity).

Love

If you are in the relationship: a good card if you ask about marriage and offspring, possible pregnancy. A very good life partner who makes you blossom. In negative: a miser or somebody who does not show emotions.

If you are single: a new partner may appear in your life as a complete surprise, it is worth to give the new relationship a try.

Finances

In most cases this card gives a positive answer to a question concerning finances. It suggests the flow of money or an investment.

Health

Good health. An excess or deficiency of nutrients in body. Risk of obesity and diabetes. Check the level of cholesterol. Endangered parts of the body: stomach, pancreas, colon, intestines.

CARDS

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi with Vishnu as Wheel of Fortune in The Goddess Tarot by Kris Waldherr

Lakshmi in The Goddess Tarot by Kris Waldherr

and in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi as King of Coins in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Goddess Guidance Oracle Cards by Doreen Virtue

Lakshmi w Goddess Guidance Oracle Cards by Doreen Virtue

and in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in The Goddess Oracle Deck by Thalia Took

Lakshmi w The Goddess Oracle Deck by Thalia Took

Lakshmi with Vishnu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmiin Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Based on: http://jyotish.yogamaya.pl/index.php?op … Itemid=104
http://en.wikipedia.org/wiki/Cattle_in_religion http://www.priestservices.com/our-services/gho-pooja/, http://www.goseva.net/cowanddivinity.aspx

SOPHIA (CHOKMAH/SHEKHINAH)

SOPHIA

God’s wisdom and the co-creatrix of the world considered by many Christian philosophers and artists to be a female manifestation of God appearing to the humankind and Holy Spirit,the third person of Trinity. Sophia means Wisdom in Greek.

ABOUT GODDESS

The concept of Sophia i.e. Wisdom has already been known in the times of antiquity, Pitagoras, Socrates and Plato perceived philosophy literary as philo (‘love for’) – sophia (‘wisdom’). According to Plato, Wisdom was one of four cardinal virtues (as Prudence) therefore it was believed that the philosophers should rule the Utopian country because such rulers would admire prudence. The love for wisdom itself was also shown in the behaviour of Socrates when he said I know that I know nothing. Contrary to what may seem, such statement opens the mind for Wisdom because this makes it resemble an empty jar which can be filled with knowledge; it is also a contrast to the attitude of Sophists who claimed they were able to teach wisdom, for an appropriate price of course. Later the Hellenistic philosophers merged the concept of Sophia with Logos (‘Word’), this idea was then adopted by the author of the Gospel of John (introduction: In the beginning was the Word, and the Word was with God, and the Word was God) and it is resulted in perceiving Jesus as the Word of the Father.

Sophia has a special status in monotheistic religions. Wisdom is called Chokmah/Hokmah in a Jewish tradition and she is the subject of many books of the Old Testament (Proverbs, Song of Songs, Psalms, Ecclesiastes, Book of Wisdom, Wisdom of Sirach). The part which is crucial for the interpretation of Divine Wisdom is the quote from Proverbs when Wisdom speaks about herself

The Lord brought me forth as the first of his works,
before his deeds of old;

I was formed long ages ago,
at the very beginning, when the world came to be (…)

I was filled with delight day after day,
rejoicing always in his presence,

rejoicing in his whole world
and delighting in mankind.

(NIV Bible, Proverbs 8:22).

This fragment is widely discussed, some claim that it the basis to assume that Chokmah is a divine person while others believe that it is only a symbolic representation. Honestly speaking  I am not surprised at all by the latter attitude because the female element is usually treated in a symbolic way in monotheistic religions . The description of creating the first human is an additional reason to believe in a personal, not symbolic interpretation of Chokhmah

Then God said, “Let us make mankind in our image, in our likeness”

  (NIV Bible, Genesis 1:26).

If God was all alone, he would probably have said ‘my’, not ‘our’. And from limited but still logical human point of view the personal interpretation seems to be justified, in the end you need both male and female energy for the act of creation.

Those interested in the Kabballah are aware of the fact that  Chokmah is the name of the Tree of Life’s sephirot, which together with Binah is the closest to the sephirot Kether (it must be said however that Chokmah represents male energy there). The word Shekhinah meaning God’s Presence on Earth (e.g. in the Temple of Jerusalem, in the burning bush when God appears to Moses, in the inspiration of the prophets and King David when he creates psalms) is feminine which allows some researchers to identify her as Chokmah basing on what she speaks about herself, I was filled with delight day after day, rejoicing always in his presence, rejoicing in his whole world and delighting in mankind (NIV Bible, Proverbs 8:22).

According to the Jewish law Shekhinah is where at least seven pious Jews gather. In Kaballah Shekhinah is also called Matronit and in some religious songs she is identified as the Bride from Song of Songs. According to the Jewish tradition Shekhinah is the essence of womanhood with whom every man contacts through his wife.  Kabballah teaches that every pious Jew has two partners, one on Earth and the other in Heavens; the mystery of matrimony reflects in the fact that mating with his earthly companion he becomes close to the heavenly one in a natural way because the one on Earth represents the one in Heavens. There are also different interpretations of the name Ruach Ha Kodesh which is used to describe God in Psalms 51:11 and in the Book of Isahiah meaning ‘the Divine spark, the Divine inspiration, insight, breath, wind, invisible moving force’ (‘ruach’ is also feminine).

In Christianity Divine Wisdom is also one of the most important themes as it appears in gospels and apostolic letters. She is particularly worshipped in the Eastern Christianity where she is identified as Divine Word (Logos) which was incarnated into Christ. In the Orthodox liturgy the priest is introducing the reading of the Bible with the word Sophia! to make everyone pay attention. The best example of the big respect shown to Divine Wisdom is certainly basilica Hagia Sophia (which had been built in Christian Constantinople, later it was turned into a mosque and it is a museum now).

 

Hagia Sophia

Hagia Sophia

However in the Western Christianity there were also people who had a special reverence to Sophia. These were among others  Hildegard of Bingen (below you will find her picture of Sophia), Jakob Böhme , 16th century visionaire whose philosophy strongly influenced other thinkers or Jane Leade, 17th century English mystic who was describing her visions and dialogues with Sophia (similarly to Vladimir Solovyov who will be presented later).

It may seem natural for Christianity to follow the Jewish tradition of Chokmah and Shekhinah and to attribute the feminine features to the Holy Ghost. Indeed the representation of the Holy Trinity as Father, Son&Sophia remained in the church in Urschalling in Upper Bavaria

However, when the Old and New Testament were translated into Greek, the Holy Ghost was described with the word pneuma (literary ‘breath’, it is neuter) and in Latin the form Spiritus Sancti was used (it is a second declension so the gender is definitely masculine). The Holy Ghost was therefore presented either as a man (below you will find a famous icon Trinity by Andrei Rublev, all the three divine persons are young men) or as a dove.

It should be mentioned that doves have always been connected to womanhood (below the picture of Aphrodite from the deck by Hrana Janto).

Nevertheless if you asked an average Christian what does the Holy Trinity look like, the answer would probably be, An old man, a young man and a bird .

It was Gnosticism, the religious and philosophical movement popular in the East of the Roman Empire in the first and the second century, which developed the concept of Sofia. The Gnostics were inspired by many beliefs and religious systems such as Judaism, Christianity, Zoroaster and Hellenic and Roman philosophers. Its main assumption was the belief that the material world in which we live is imperfect and gnosis (cognition) is the only way to liberate oneself from its limits. It is difficult to analyse it nowadays because not many materials remained and particular Gnostic currents differed from one another but there are some common points for all of them:

1. Sophia is a female emanation from the very beginnings (which connects her to SigeSilence Before Creation). It is in Pleroma (Fullness, Oneness) with other  emanations (aeons). It is associated with the Divine Wisdom known from the Jewish stories which was co-creating the world, although in the Gnostic version it happened in quite an untoward manner. Sophia is an emanation of God and represents his female aspect who extracted herself spontaneously from the unnamed highest creature, the primary aeon (Jah/Bythos) as his „reflection”, mental power and wisdom. She is his lowest and furthest emanation together with Christ (aeons are paired, male and female ones exist together).

2. She experiences the first cognition, Sophia becomes pregnant all by herself, without the participation of God, and brings Demiurge (also called Archon or Yaltabaoth – ‘Child of Chaos’) to the Universe (quoting The Secret Book of John from the Nag Hammadi archives, And an imperfect product appeared from her, and it was different from her pattern because she created it without her partner. And it was not patterned after the likeness of its Mother, for it had a different form. When she saw (the product of) her will, it was dif­ferent, a model of a lion-faced serpent. His eyes were like flashing fires of lightning. She cast him out from her, outside of those places so that none among the immortals might see him, for she had cre­ated him in ignorance).

Demiurge organises the material world which is not perfect because it lacks a spiritual element. He is not aware of God’s existence therefore he considers himself to be God and together with seven Archons (‘Rulers, Watchers’) keeps the mankind in the veil of illusion thus breaking the primary divine oneness. There are different reasons given to explain why Sophia becomes pregnant, it is either the will of disconnecting from God or haughtiness  or an uncontrolled need of creating or madness.

3. Through disconnecting from the divine oneness it is also Sophia who has to exist in two forms: Sofia Ennoia i.e. the High Sofia, Neverending One, The Power of the Thoughts as well as the Low Sofia called the Small Sophia or Sophia of Death. In this way Sophia combines two elements: the divine and the human one.

4. After the creation of the material world, Sophia gets stuck there and God feeling compassion for her, sends Christ to help her. Thanks to him, Sophia gets rid of low motives and comes back to the Oneness with Divinity (in another version it remains in the material world for the sake of the humankind whom she loves). Christ comes to Earth to teach people how to recognise wisdom so that they could participate in Pleroma, too.

In 19th century a movement based on the Gnostic tradition called sophiology was born in Russia. Sophiology is a belief in the metaphysical cognition of the Absolute through the contemplation of Sophia as his emanation. The Russian movement was started by Vladimir Solovyov, a thinker and esoteric whose doctrine was called ‘a mystic intuition of Sophia’. According to what he said himself he had experienced three meetings with Sophia which enlightened him; his first vision occurred when he was nine and during the service he saw a female image of God. When he grew up and this image kept appearing in his dreams, he decided to take up theological studies. He was particularly impressed by the texts of Jakob Böhme and Emanuel Swedenborg, he also got interested in Kabballah and then Sophia reappeared to him and ordered to go to Egypt to continue his study about her. Probably because of that Sophia had some aspects of Isis: the vision was accompanied by the scent of roses, goddess’ flowers,  besides it was Egypt where the cult of Isis began to transform into the belief in Sophia identified as Mary and all the doctrines assuming the faith in the female aspect of God’s Wisdom such as Hermetism, Gnosis and alchemy also originated from Egypt. Sophia’s message to Solovyov and other people was that the world is changing through love and human choices which allow to return to the divine Oneness.

Solovyov paid attention that regardless of a language her name is always feminine: in Hebrew it is ‘Chokmah’ (Wisdom, Knowledge), in Greek and Russian – ‘Sophia’ (Wisdom), in Hindi ‘Maya’ (Idea, female image of divinity), in Latin ‘Sapientia’ (Wisdom). He also claimed that throughout the Jewish and Christian tradition she has never been a separate deity but a female emanation of God. He perceived Sophia through the Gnostic and Kabballistic tradition as both Chokhmah and Shekhinah (a female beginning in God). The messages conveyed by his automatic writing survived  and among them there was one with the notice An-Soph, Jah, Soph-Jah wchich can be translated as An Soph – ‘Hidden God of Kabballah’, Soph – ‘End’, Jah – ‘Unnamed God’. The whole notice means that Sophia is  ‘the end of God’, a link between God and human kind, a mediator between energy and matter (which corresponds to the Gnostic tradition of Sophia as the aeon closest to Earth). Solovyov also maintained the Jewish belief that a female aspect of God is reflected in the beloved woman on Earth and love allows to see his visible image in the material world. He was following the philosophy of Jakob Böhme about death being the disintegration which began when the sexes of a primary androgenic creature were divided. He also assumed that a human who comes back to Oneness can become immortal therefore a harmonious relationship based on higher feelings can lead to the eternal life.

It is interesting to notice that in the 19th century Solovyov had only been capable to study Gnosticism from the texts of its opponents such as St.Irenaeus, Origen, Tertullian, Clement of Alexandria or Hippolytus of Rome because a great number of Gnostic works was not discovered until the forties of last century when the archives of libraries in Nag Hammadi and Qumran were discovered. And yet despite Solovyov’s unacquaintance of these essential texts, his sophiological concepts are surprisingly consistent with the main assumptions of Gnocistism.

Solovyov has created very personal and sensual poems to Sophia which somehow resembled the relation between a priest and his goddess. He was calling her Eternal Friend, Queen, Goddess, Mystical Bride, Nature of the Universe, Most Beautiful Lady, Heavenly Maiden, Maiden of the Rainbow Gate, Dawn (Aurora), Ewig Weibliche, Boehme, etc. Sophia has many names in his works because she is divine therefore she can be anything. Solovyov has showed a special appreciation to love making because it is a chemical bond of two creatures thus it leads to the oneness. Even maternal love cannot be compared to it because it is always accompanied by the mother’s loss of individuality. This is why building good relationships with other people especially with women was for him the best expression of worship Sophia as woman had an exceptional position in sophiology.

Solovyov has immediately found many followers even though revelation is an individual and very intimate experience. Among those who shared his belief in Sophia were his brother Mikhail and nephew Sergey Solovyov, Alexander Blok, Boris Bugaev (Andrei Bely), also Pavel Florienski, Nikolai Berdyaev and most of all Sergey Bulgakov who perceived Sophia not as a part of Trinity but a being co-existing with the Trinity, equally powerful and acting as a female force apart from male Trinity (which was considered to be a heresy). Why was sophiology so popular in Russia? A possible explanation is that unlike Western Europe this country has not gone through the Age of Reason with its cult of logics and rational perception while the Orthodox Christianity retained some aspects of old religions with its visions of a cosmic order which resulted in mysticism and following spiritual leaders. Moreover, if you take a closer look at the Western culture, art and literature in the second part of the 19th century, you will find an image of a femme fatale as a main representation of womanhood (the motif of Salome with the head of John the Baptist was particularly popular). Such attitude was probably caused by progressive emancipation of women and men’s fear of losing their position. Meanwhile in Russia the trend was totally different. Some kind of mental revolution occurred in the middle of 19th century which promoted the image of woman being an intellectual partner for a man as the ideal image of a woman. This is why the well – born maidens were educated and encouraged to develop themselves, of course it was only possible in those families who were able to afford it.

IMAGES, SYMBOLS AND ANIMALS

In Hellenic culture Sophia was rather a philosophical concept but sometimes her personifications have been made (here is her allegoric figure from the Library of Celsus in Ephesus).

It was similar with Shekhinah as the Israeli were forbidden to represent God through sculptures or pictures thus there are no figures nor other images of Wisdom neither.

As it has already been mentioned the most popular symbol representing Sophia in the Western Christianity is a dove while in the Eastern one the sophiological iconography is well developed.

Sophia’s symbol in the Christian culture is also a circle of seven pillars of knowledge (Proverbs again: Wisdom has built her house; she has set up its seven pillars. Proverbs 9:1)

There is also a certain riddle concerning The Creation of Adam fresco by Michelangelo. Here it is if you don’t remember the details

Have a closer look at the person with blond hair, distinct eyes and slender silhouette who is embracing the Creator and differs from other cherubs.

The identity of this person was discussed; some believe that because of her female beauty this may be the figure of Eve waiting to be created, however if you look at the other parts of the fresco you will find Eve painted in a completely different manner

So who can that be? At least a couple of researchers believe it is Sophia herself.

According to Proverbs, I was formed long ages ago, at the very beginning, when the world came to be (…) Then I was constantly at his side. I was filled with delight day after day, rejoicing always in his presence, rejoicing in his whole world and delighting in mankind, which implies that Sophia must have been present at the creation of the first human (additionally look at Genesis 1:26, Then God said, “Let US make mankind in OUR image, in our likeness”).

It makes sense for me 🙂

I also highly recommend the article by Miguel Conner from Aeon Byte Gnostic Radio about Sophia and her connections to pagan myths.

DIVINATION MEANING

Person

This card represents someone who is wise, not only intelligent. Unlike the card of Athena which concentrates on facts and cold logic the card of Sophia pays attention more to an inner wisdom gathered by observations and not necessarily based on the bookish knowledge. In my personal understanding the card of Athena means studying Science while the one of Sophia talks about Humanities and Foreign Languages). This knowledge is based on love and understanding for others regardless of age, education or race. The person shown by this card is open and forgiving and in negative superficial, unable to predict the consequences of their acting and conceited.

Professions:  a scientist, a lecturer, a teacher (rather on university level than on primary school), an inventor, a person using the intellect and language in their work, a mediator and any kind of intermediary.

ADVICE

Your thoughts create your reality, filter those which may harm you.

Look deeper. Observe without judging. In the situation you are inquiring about you may be expected to behave on a higher level than others. Trust your own wisdom, no those who surround you. Know when it is good to speak and when it is better not to. Do not be discouraged by difficult beginnings, help will come.

This card confirms that your way of perceiving the world is correct. You may feel like being caged in structures, superstitions and superficiality. You may feel lonely and underestimated. Loneliness is often the price of wisdom but remember that wisdom itself has not got a high value if it is not shared.  Others may learn from you and you from them.

Find inspiration.

Education. Understanding. Enlightenment. Time to think. Communication. Mediation.

Love

If you are in the relationship: this card often signifies the beginnings of a relationship, time of joy and playing but accompanied by other cards it also suggests the need of strengthening the bond and behaving in a more careful way. Your partner’s mistake comes from their ignorance, not malice.

If you are single: your loneliness may be caused by the fact that you have not become mature enough for a stable relationship.

Finances

In the situation you are inuring about you may need to consult a specialist or a intermediary. Beginnings of a new project which is very probable to be successful despite initial problems. Do not focus only on profit, look from a wider perspective.

Health

Beware of psychosomatic illnesses and those resulting from stress. Migraines. Insomnia. Possible miscarriage or premature delivery. Endangered parts of the body: psyche rather than a particular part of the body.

CARDS

My favourite image of Sophia and the favourite card of all the possible decks is the one from Goddesses of the New Light by Pamela Matthews (referring to Gnostic philosophy)

The image of Sophia in Goddess Inspiration Oracle by Kris Waldherr resembles the style of Orthodox icons which undoubtedly makes sense if you take into account the respect shown to Sophia by Eastern Christianity

Sophia in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky is presented as being pregnant (again in accordance with a Gnostic tradition), she is holding a chalice of wisdom in her hands and is accompanied by a dove (a Western Christian tradition), you can also see the halo of Shekhinah above her head (a Jewish tradition)

Sophia in Goddess Card Pack by Juni Parkhurst has the face of Black Madonna and roses attributed to both Isis and Mary

Sophia in The Goddess Oracle Deck by Thalia Took, I have an impression that this deep look of her eyes somehow refers to the fresco by Michelangelo which was discussed above

Sophia in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc (as Chokmah)

Sophia in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Based on:

Rzeczycka Monika, Fenomen Sofii-Wiecznej Kobiecości w prozie powieściowej symbolistów rosyjskich (Andrieja Biełego, Fiodora Sołoguba, Walerija Briusowa), Gdańsk 2002, Divine Sophia: the Wisdom Writings of Vladimir Solovyov by Vladimir Sergeyevich Solovyov, Judith Deutsch Kornblatt (available here), The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald Bonnie Gaarden (available here), http://youtu.be/Azrh3IwLFTM, http://www.jstor.org/pss/3045958, http://www.jstor.org/pss/1483492, http://www.oocities.org/athens/agora/6776/break1.htm , http://northernway.org/presentations/godwife/33.html , http://northernway.org/presentations/godwife/38.html ,http://www.gnosis.org/naghamm/apocjn-long.html and English Wikipedia. All the quotes from the Bible come from http://www.biblegateway.com (NIV)

And because that was the most complex and the most extensive post I have ever written about any goddess then let me reward myself with an appropriate music which may suit you too

Therion The Perennial Sophia

And one more, very different but also equally moving:

Victoria Williams Holy Spirit

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ISIS (ISET, ASET, AUSET)

ISIS (ISET, ASET, AUSET)

An Egyptian goddess of magic, wisdom, renewal, healing, power, love, marriage, motherhood and the deads. Sister and wife of Osiris, mother of Horus. One of the most famous and the most influencial goddesses not only in Egypt but in the whole ancient Roman Empire and perhaps even in the modern era because Catholic and Orthodox Marian cult is largely based on the one of Isis. Her original name was probably Aset and it meant ‘She Of The Throne’*.

ABOUT GODDESS

According to most of the myths Isis is the eldest daughter of Geb (Earth) and Nut (Sky) born on the fourth day of intercalation and the sister of Osiris, Seth and Nephthys. According to most myths Osiris married Isis and Seth – Nephthys; the first pair represented the fertility and fruitfulness of nature while the second was the symbol of wildness and vastness of desert. A lot of legends about the children of Geb and Nut survived into modern times but I am going to concentrate on the most famous one telling the story of Seth’s jealousy towards Osiris resulting in the assasination and the resurrection of his brother.

This myth has a couple of versions but the most detailed one comes from De Iside et Osiride by Plutarch. Viscious Seth  gave the banquet in honour of his brother where he showed a beautifully decorated chest and announced that the one who fits it perfectly may keep it as a gift. Many tried but they did not realise that Seth had already measured Osiris while he was asleep and the chest could only fit him. When Isis’ husband entered it, Seth slammed the cover, sealed it with lead, carried the chest away and threw it straight into the waters of the Nile. Goddess started to search the coffin to bury her husband in an appropriate manner** but a swift current of the river has already taken it to Byblos in Phoenicia and placed on a cedar tree (or tamarisk). Isis took the coffin back to Egypt and hid it in the swamps, alas Seth went hunting at night and found it. He was so furious that he chopped Osiris’ body into fourteen (sixteen or forty – two in other versions) pieces and scattered them all over Egypt so that his wife could not make a proper funeral for him. Then both sisters, Isis and Nephthys, turned into kites, keen-eyed birds of prey, and went searching. They found thirteen of the body pieces except of the penis which had already been swallowed by a fish. Isis, not discouraged at all, made a penis of gold, put her husband’s body together again and she wrapped it with resin – soaked linen strips with the help of Anubis, god of embalming. She created a cobra from spitting which Amon Ra the highest deity left on the ground and then she made the cobra bite him. I am the only one who has got the antidote for its venom, she announced. I will give it to you if you reveal to me your Secret Name. Wise goddess understood that knowing Secret Name will give her the power of his owner including performing rituals connected with resurrection. Amon Ra had no choice but to agree.  By chanting and making magical spells Isis managed to resurrect  Osiris and she conceived Horus with him (according to other versions she only used a golden penis). Horus was born in the Nile delta, however Osiris having already passed the gate of death, could not stay in the world of the living and he became the ruler of the Underworld. Isis took care of the child herself protecting her son from the anger of Seth. She was teaching him to guard the Egyptians from his uncle and Osiris kept coming back as a ghost to talk with Horus about the responsabilities of a ruler. When Horus grew up, he was fighting long battles with Seth and he nearly killed him but Isis stood between her son and brother and did not let that happen (the goddess even hurt Horus so that Seth would be able to escape but she healed him later). Eventually after the boat race won by Osiris’ son, Seth had to resign and to give the power over Egypt to him.

As her name reveals Isis was closely associated with the power of pharaohs and she represented literally their authority (she was depicted with a miniature of a throne as a headdress, pharaoh was Isis’ child whom she was giving her throne to). It has to be said that she was a very versatile goddess and all the classes adored her; she was guarding both rulers and noble or rich people  as much as craftsmen, slaves, sinners and the rejected and she particularly supported the deads and children. She is often mentioned in the funeral papyri of the rulers and later in those of nobility and ordinary people. Not only she is protecting a pharaoh in the Underworld but she is also ‘the mother of Horus’ four sons’, four deities guarding the canopic jars where the organs taken away before the mumification were stored. Isis herself was protecting the jar with liver, Nephtys was watching over the one with lungs and both these goddesses were shown with arms outstretched on the coffins  and sarcophagi so that no one dared to undermine the peace of deceased. Isis is depicted as pharaoh’s guardian, wife or mother.

Here she is shown together with Hathor when they are passing Queen Nefertari to the Underworld

Isis’ cult probably began in Sebennytos at least 3100 b.C. and soon spread all over Upper and Lower Egypt. She was especially venerated in the Nile delta, in the Per-Hebitet (modern Behbeit El-Hagar) sanctuary and the Philae island which used to be situated next to the First Cataract of the Nile. When the Aswan Dam was built in 1970, the remainings of temples were relocated to the  island on Lake Naser created as a result of inudating the areas near the dam. According to Herodotus she was the only goddess worshipped by all the Egyptians, both in Upper and Lower Egypt. From the times of New Kingdom Osiris, Isis and Horus were forming trinity of the most important Egyptian deities which was later transformed in the Hellenistic times into Serapis (an Alexandrian god who came into existence when Egyptian and Hellen religious beliefs merged), Harpocrates (one of representations of hellenised Horus) and Isis who kept her position.

Priests and priestesses of the goddess were considered to be healers, they were also able to explain the meaning of a dream or even to control the weather through braiding or not combing their hair (this is why Isis’ knot was believed to be magical). The cult on the Philae island survived until 6th century when Emperor Justinian ordered to destroy it. It was the last ancient sanctuary to be closed down.

At the beginning particular deities were worshipped locally but then their cults began to spread all over the country and gods and goddesses were merged. Isis was identified as goddes Hathor and around that time the myth of resurrecting Osiris has become more and more popular. From the Hellenistic  period throughout the whole era of Roman Empire the cult of Isis became increasingly popular in the lands far from Egypt and she became of one the main deities of the ancient world. She was venerated during the mysteries called Navigium Isidis (literally The Vessel of Isis) in Rome on March 5th. The celebrations included processions with the offerings of milk and spices, flowers, torches, laterns and her sacred objects; her worshippers were singing and dancing. Another popular Roman celebration was Isia which was taking place between October 28th and November 3rd/4th. It was retelling the story of ressurecting Osiris; both priests, priestesses and common believers were divided into guilds: pastophori were carrying small chapels during processions and melanephors were wearing black gowns to remind about Isis’ grief after Osiris’ death. She was venerated by many inhabitants of Rome including emperors: Caligula built a temple of her on the Campus Martius which was called Isis Campensis i.e Isis of the Fields, among her worshippers were also Vespasian, Titus, Domitian, Trajan, Hadrian, Galerius and others. To understand her importance one should read the quote from Metamorphoses by a Roman writer Apuleius

‘I come, Lucius, moved by your entreaties: I, mother of the universe, mistress of all the elements, first-born of the ages, highest of the gods, queen of the shades, first of those who dwell in heaven, representing in one shape all gods and goddesses. My will controls the shining heights of heaven, the health-giving sea-winds, and the mournful silences of hell; the entire world worships my single godhead in a thousand shapes, with divers rites, and under many a different name. The Phrygians, first-born of mankind, call me the Pessinuntian Mother of the gods; the native Athenians the Cecropian Minerva; the island-dwelling Cypriots Paphian Venus; the archer Cretans Dictynnan Diana; the triple-tongued Sicilians Stygian Proserpine; the ancient Eleusinians Actaean Ceres; some call me Juno, some Bellona, others Hecate, others Rhamnusia; but both races of Ethiopians, those on whom the rising and those on whom the setting sun shines, and the Egyptians who excel in ancient learning, honour me with the worship which is truly mine and call me by my true name: Queen Isis. I am here in pity for your misfortunes, I am here with favour and goodwill. Cease now your weeping, put an end to your lamentation, banish your grief: now by my Providence the day of your release is dawning. Attend therefore with your whole mind to the orders I give you. The day which will be born of this night has been consecrated to me by immemorial religious usage. It is the day on which the tempests of winter have abated and the stormy sea-waves have subsided, when the ocean is again navigable and my priests sacrifice a brand-new ship as the first-offering of the season’s trade. It is this ceremony that you must await without anxiety and without unholy thoughts. ***.

In the Hellenistic era, after Alexander the Great’s conquest of the East, Isis was identified with such goddesses as Demeter, Astarte or Aphrodite, at that time she gained the titles which were associated with them: Queen of Heaven  and Star of the Sea (Latin Stella Maris, Hellenic Pelagia – ‘Of the Sea’, in this represenation she was depicted with a sail) as a guardian of seafarers and merchants who were spreading her cult throughout the Mediterranean area. Her temples were called Isidions (Isideons) and were situated not only in such important cities of the ancient world as Delos, Delphi, Eleusis or Athens, but also in Gaul (contemporary France), Spain, Portugal, the British Isles, Panonia (the area of modern Austria, Hungary and the Balcans), Germany, Asia Minor and Arabia. Archeologists have also found the remainings of her temple in Pompei and Herculanum. The cult of Isis was only abandoned when Christianity was introduced as an official religion of the Empire and pagans were persecuted.

But was it really abandoned?

Isis was depicted as a devoted wife and mother, the protector of the poor and the slaves and when Christianity was becoming increasingly popular, one of its most important drawbacks was the lack of female element accompanying the cult of Jesus.  It was a serious shortage in the ancient world where divinity had both male and female form. To complete this deficiency Mary the mother of Jesus was given the features of Isis, often literally, on pictures and sculptures:

Of course, those of us who have been ‘initiated’ into this topic, are aware of the issue but an average Catholic or Orthodox would be really surprised that in reality they worship an eternal Egyptian goddess under the disguise of Mary.

There are also other, indirect but symbolic associations of Isis with Christianity through Magdalene and her participation in the mystery of Jesus’ death. It is Magdalene whom he appears to as the first person after resurrection, Isis is guarding a canopic jar and Magdalene is also often depicted with a jar. As a curiosity I am showing an image Madonna with a Child and St. John the Baptist and Mary Magdalene by Giovanni Battista Cima/Cima de Conegliano (around 1510, Musée du Louvre) where Magdalene is wearing a knot in the shape of Isis’ Tyet,   (read below).

She is the goddess who is quite adeqately referred to as  Isis of Ten Thousand Names, here go some of them: Queen of Heaven, Star of the Sea, Mother of the Gods, Divine Mother, Great Lady of Magic, The One Who is All, Lady of the West, Lady of the Pyramid, Lady of Green Crops, The Brilliant One in the Sky, Mistress of the House of Life, Lady of Truth (together with Nephthys), Ideal of the Throne, She Who Knows How To Make Right Use of the Heart, Light-Giver of Heaven, Life – Giver, Lady of the Words of Power, Moon Shining Over the Sea, She Who Seeks Justice For the Poor People, She Who Seeks Shelter For the Weak People, She Who Seeks the Righteousness In Her People, She Who Gives Birth to Heaven And Earth, Lady of the Osiris’ Tomb, She Who Knows the Orphan, She Who Knows the Widow Spider.

IMAGES, SYMBOLS AND ANIMALS

The animals closely related to Isis are birds of prey especially a hawk and a kite. Hawk has been connected with power, the sun, the wind and masculinity, the canopic jar with a liver which Isis was guarding had a the figure of hawk at the top, her son Horus has also been depicted with the head of this bird. Kite is a similar species to a hawk and an eagle which lives on the areas of Europe and northern Africa. It is capable to fly high and when it is endangered, a mother sends a signal to her young to pretend they are dead and they do it so convincingly that a predator usually leaves them alone. Quoting Wikipedia, a kite may attack aggressively other birds of prey even the bigger ones to grab their victims. This is the only possible expanation of the remainings found in kites’ stomaches; the birds of the size of a kite are not be able to catch such victims by themselves. Kite has weak legs but very long wings and its flight is considered to be very elegant.

Isis’ plants are lotus, cedar tree, sycamore tree  (pharaoh Thutmose III, Hatshepsut’s nephew, was depicted as drinking milk from a sycamore tree which had a breast, it may also be an association with his mother Iset, one of Thutmose II wives) and roses which began to be attributed to her in the Hellenistic era probably because of the associations with Aphrodite and her symbols. It is interesting that the demand for the roses necessary for rituals and rites was so big that a rose industry which was aimed at supplying the flowers became very profitable. A garland of roses was being left in the tombs as the symbol of Isis.

The planet associated with Osiris and Isis is Syrius (this star’s appearance was announcing the Nile’s flooding and thus fertile soil, abundant harvest and small chance of hunger). They are also both connected with the Moon and lunar cycle through the aspect of waxing and waning. Because of identifying her as Aphrodite and Astarte during the Roman times, she was also related to the  planet Venus.

Isis is also related with a type of knot called Tiet, Tyet or Tet (or simply Isis’ Knot). Its name can be translated as welfare or life and as it can be easily observed it is linked to the symbol of ANKH. The knot was probably the part of clothing of deity and it is possible it was also worn by the priestesses of the goddess. When made of red wood, glass or stone, it was the Blood of Isis , a  funeral amulet which probably represented menstrual blood flow from the goddess womb and the magical properties of birth – death – rebirth cycle.  The Blood of Isis is mentioned in the 156th verse of the Book of the Dead: You possess your blood, Isis, you possess your power, Isis, you possess your magic, Isis. The amulet is a protection for this Great One, which will drive off anyone who would perform a criminal act against him.

As it was already mentioned Isis was initially presented with a miniature of a  throne as a headdress, here she is also carrying a sceptre with flower often carried by goddesses and ANKH, the symbol of eternal life as the guardian of the deads.

From the time when she started to be identified with goddess Hathor, she was shown as the mother of Horus and her headdress changed into the one with a solar disc (the symbol of Ra whose mother was originally Hathor) and cow horns as a representation of abundance and fertility. At that time she is also attributed objects symbolising fun such as sistrum and menat necklace which had been so far associated with Hathor. Her headdress also acquired the vulture which had previously been the symbol of goddesses  Nekhbet and Mut as well as uraeus (cobra) of goddess Wadjet. All these goddesses were related to the power of pharaohs.

In the Book of the Deads Isis is depicted standing on the prow of the Solar Bark with her arms outstretched. And here are modern representations of Isis – Hathor

DIVINATION MEANING

Person

The person represented by this card is talented, versatile, educated, universal and incredible. S/he is able to arrange literally everything and convince everyone. This person has a huge wisdom but is young at heart regardless of real age. Someone not only intelligent but also wise. A person of high – ranking, a boss or superior but also a parent.

Professions: a physician, an official, a scientist, an inventor, a psychologist, regardless of profession this person is of either high – ranking or of great achievements.

ADVICE

Personally this card is always positive to me unless it is accompanied by really ‘heavy’ cards.

In the situation you are inquiring about there is nothing that you would not be able to fix.

Respect yourself and the others will respect you too. Straighten up, go ahead, be assertive. You have the right to feel power and authority. Do not believe anyone who perceives you as weak or helpless.

Do not be afraid of changes, you will adapt to a new situation easier than you expect. Going abroad is beneficial for you.

Do not try to force your loved ones to stay with you. Even if it is you who brought them to this world or was supporting them in difficult moments, it does not mean you must guard them until death. You have to know when it is time to let go.

In negative this card may show inability to solve problems at once, trying to kill many birds with one stone or problems with  balancing professional and domestic life.

Power. Healing. Magic. Mystery. Intuition. Self – Awareness. Determination. Cycle. Natural Adaptability Skills. Versatility. Past Returning. Invention. Courage. Care

Love

If you are in the relationship: time of renewal. Relation which requires effort but provides emotional satisfaction. Mature love. Deep feelings which remain even if attraction is gone.

If you are single: this card suggests that sooner or later you will find your true love. Single parenthood.

Finances

Time for learning, developing and educating on higher levels. You have the potential you must not waste. Expanding your activity to other fields or including new products in your offer is recommended. Profits from the abroad.

Health

This is a card of regeneration and renewal. Check your circulatory system. If you have already been examined, it is suggested to repeat the tests. Endangered parts of the body: liver.

CARDS

Isis might have been the most important goddess in the whole antiquity so it is no wonder that she appears in all the decks I have come across. However, it has to be noticed that in none of them she appears in her original throne appearance but instead on most images she already has the attributes of Hathor.

This time I am starting with Tarot decks and the assignments to Major Arcana: in the deck by Kris Waldherr Isis is the Mage while in the deck by Maria Caratti&Antonella Platano she is the High Priestess. It is probably the only situation when I agree that the classification to both these cards is correct. Despite big diferrences in meaning this particular goddess suits perfectly both Major Arcana. Isis has courage, skills and need for acting of the Mage and secret wisdom, tenderness and protectiveness of the High Priestess. In fact the second Major Arcane comes from the tradition of Isis – Hathor (it can be seen especially in the Rider – Waite – Smith deck where the High Priestess is wearing her crown, also the moon and the sea are related with her).

And if someone should classify Isis as the Empress, it would also be well – founded on the base of mythology.

Isis – Hathor as the Mage in The Goddess Tarot and in Goddess Inspiration Oracle by Kris Waldherr accompanied by kite/hawk and behind her there are images of  Osiris and Horus on the wall

 

A cartoon – like Isis – Hathor as the High Priestess in Universal Goddess Tarot by Maria Caratti&Antonella Platano . But at least she is sitting on the throne  . Maybe it is just me but doesn’t she look like an Italian woman?  Even considering her cartoon – like appearance… Both authors come from Italy, perhaps this is a self – portrait or an image of a mother, a sister or a friend?

Isis with a throne, wings, ANKH and Horus in Oracle of the Goddess by Anna Franklin&Paul Mason

Isis in Oracle of the Goddess by Anna Franklin&Paul Mason

A beautiful representation of Isis with Osiris and baby Horus in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky (according to some sources Isis resurrected Osiris by covering him with wings)

Isis – Hathor with double ANKH in Goddesses of the New Light by Pamela Matthews

Isis with a cobra in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis – Hathor with roses, sistrum, Solar Bark and the sea in the background in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

A blue eyed Isis in The Goddess Oracle Deck by Thalia Took

Isis – Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis-Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis – Hathor in Goddess Guidance Oracle Cards by Doreen Virtue (image by the same Jonathan Earl Bowser who painted Ishtar – Cleopatra http://jonathonart.com/isis.html , on the website you can see clearly that Isis is being observed by her mother Nut – Heaven)

Isis in Ascended Masters Oracle Cards by Doreen Virtue

Isis – Hathor in Goddess Card Pack by Juni Parkhurst stylised on contemporary images

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in The Goddess Power Pack by Cordelia Brabbs

A combat and war – like Isis – Hathor straight from fantasy game ‘Resurrect Osiris’  in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Isis as a special guest star on the card of Osiris in Gods&Titans by Stacey Demarco&Jimmy Manton

Based on Wikipedia and the following pages

http://www.symbolizm.obrazy-olejne.org/symbol-jastrzab/457/
http://www.thegoddesstree.com/GoddessGallery/ISIS%20Final%20Project.htm
http://www.nemo.nu/ibisportal/0egyptintro/1egypt/index.htm
http://www.knotofisis.net/Tiet.html
http://www.path-ways.com/forums/showthread.php?t=80
http://www.thaliatook.com/AMGG/isis.html
http://www.egyptianmyths.net/mythisis.htm
http://books.google.pl/books/about/The_Cult_of_Isis_Among_Women_in_the_Grae.html?id=1MkUAAAAIAAJ&redir_esc=y
http://www.naderlibrary.com/goldenass.11.htm

*‘Isis’ is a Hellenic form, similary to other languages of the Middle – East, in native Egyptian vowels were not marked in writing, Egyptologists guess that her name was pronounced as Iset, Auset or Aset, moreover a female suffix ‘t’ vanished with the time.

**It has to be said that according to the beliefs of ancient Egypt, body must have been preserved afer death so that soul did not suffer in the Underworld thus the custom of balming the corpses.

*** A fragment of Metamorphoses or Golden Ass by Apuleius translated by E. J. Kenney.