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REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

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REVIEW: THE GODDESS TAROT BY KRIS WALDHERR

THE GODDESS TAROT

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as Goddess Inspiration Oracle, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

It is not strictly the goddess oracle deck, it is Tarot deck inspired by goddesses. I find the paintings of Kris Waldherr to be the main advantage. As I have already mention in the review of Goddess Inspiration Cards her graphics appeal to me and the cards are alluring visually. In fact Goddess Inspiration Cards were created after success of The Goddess Tarot as a deck of oracle cards for the users who are not fluent in reading the Major and Minor Arcana.

Obviously when you interpret the readings of The Goddess Tarot, the question arises immediately what to mostly concentrate on: the primary meaning of the Tarot card or the myth about the goddess presented on this card? That is why it is essential to attribute goddess to the arcane adequately, basing on the myths, symbols or elements. It is a complex task and matching female deities to the quintessentially male figures seems to be the main limitation. I must admit that Kris Waldherr somehow managed to fulfil this task. The only things I don’t agree with are:

– incredibly feminine Freyja attributed to the arcane of The Emperor. I find a severe Athena more appropriate choice, however Athena represents the arcane of Justice in this deck (and I admit this assignment makes sense, too)

 – I am not convinced by the assignment of the sea goddess to the arcane of The Devil (here called Temptation) associated with an earth sign of Capricorn 

– I believe that if you take into consideration the nature of Gwenwhwyfar (‘the May Queen’), the card of Judgement which she represents should rather be named Revival

I believe and strongly insist that the original meaning of Tarot arcane should be the primary interpretative level and the goddess myth should only be its completion (especially that the mythological background is presented in a very  cursory manner in the booklet).

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

The deck is really interesting, however remembering the previously asked question (which came first? Tarot card meaning or the goddess myth?) I must say that its semantic chaos is really disturbing. The author somehow took shortcuts  because goddesses are only present on the 22 Major Arcana while the Minor Arcana are the reproductions of the images from Rider – Waite – Smith deck while the order is taken from Tarot of Marseilles and the deck of Alistair Crowley. It is actually the deck of goddess half – Tarot wink3 .

I also think that the rejection of traditional names is a disadvantage and it may be confusing. If you look at the name of Freyja’s card, Power, you may confuse it with the actual card of The Strength.

Kris Waldherr has attributed divine patronesses to all the four suits of the Minor Arcana and the figures representing each suit have characteristic features of people living in the place where the goddess was worshipped. And so Chalices (beginning the cycle of Minor Arcana against the tradition) are attributed to Venus, Wands to Freyja, Swords to Isis and Coins to Lakshmi.

ISSUE

78 cards + 3 additional ones with the information about the deck

a booklet with an introduction written by the author, short description of the Major and Minor Arcana meanings and example spreads (3 Cards + the Celtic Cross) and some empty pages for notes

a box

the goddess tarot

In a booklet each card is presented in the following way:

– name of a card

– a short description of goddess (Major Arcana) or the image on the card (Minor Arcana)

– meaning of the card when it is placed in a regular position

– meaning of the card when it is placed in a reversed position

The size of cards is 12 x 8,5 cm

Back side of the card is an ornamental motif of golden leaves placed between vertical and horizontal golden lines on a light blue background.

EXAMPLE CARDS

Athena as Justice

Athena in The Goddess Tarot by Kris Waldherr

Isis as Mage

Isis – Hathor in The Goddess Tarot by Kris Waldherr

Lakshmi as Wheel of Fortune

Lakshmi in The Goddess Tarot by Kris Waldherr

Nine of Wands

9 of staves

Three of Chalices

3 of cups

Two of Swords

2 of swords

Six of Coins

6 of coins

Back side

3

Copyright©1997 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1-57281-066-1

MAJOR ARCANA

O BEGINNINGS – Tara
I MAGIC – Isis
II WISDOM – Saraswati
III FERTILITY – Estsanatlehi (Changing Woman)
IV POWER – Freyja
V TRADITION – Juno
VI LOVE – Venus
VII MOVEMENT – Rhiannon
VIII JUSTICE – Athena
IX CONTEMPLATION – Chang O
X FORTUNE – Lakshmi
XI STRENGTH – Oya
XII SACRIFICE – Kuan Yin
XIII TRANSFORMATION – Ukemochi
XIV BALANCE – Yemanya
XV TEMPTATION – Nyai Loro Kidul
XVI OPRESSION – The Wawalak
XVII THE STAR – Inanna
XVIII THE MOON – Diana
XIX THE SUN – The Zorya
XX JUDGEMENT – Gwenwhwyfar
XXI THE WORLD – Gaia

REVIEW: GODDESS INSPIRATION ORACLE BY KRIS WALDHERR

GODDESS INSPIRATION ORACLE

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as The Goddess Tarot, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

Personally I think that the first advantage of this deck is simply being really pleasant for the eye. If you have already seen The Goddess Tarot created by the same author then you more or less realise what style you can expect. I like those slightly careless, a bit blurry and not fully polished graphics, however I can understand that they may not appeal to everybody.

I recommend this deck to users who appreciate originality, there is quite a lot of more ‘exotic’ goddesses that you will not find in typical decks. It’s a particularly multi – cultural deck, indeed containing deities from all over the world.

Another huge advantage is that in includes ONLY REAL GODDESSES without any cards of Mary or other Christian pseudogoddesses. An author presents the goddesses in an universal way, she pays attention to mythical and cultural rather than detonative layer. You will not find any rituals, invocations or any other forms of goddess cult. I admit that I like this broad perspective, you do not have to be a Wiccan or to believe in goddesses at all to be able to use their cards.

An author suggests that this deck is particularly suitable for people working creatively. She advises to use it in the moment of crisis caused by lack of ideas, simply by asking which direction to head in and then picking a card.

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

It is a very interesting deck but in my opinion it is too large, that makes meanings repetitive and does not allow to present goddess more accurately. In fact just half of the page in the booklet is left for the legends, myths and symbols associated with a particular goddess. It is much too little, especially that many of them is almost unknown.

kris waldherr booklet

I think it would be wiser to pick just 40 – 50 cards but to elaborate the mythical and divination layer. Seriously it makes no sense to create a goddess oracle deck that is larger than Tarot! zeby On the other hand, I can certainly understand an author as the person who is creating her own deck herself. When you come across the goddess whose myths comprise a lot of meanings, archetypes and symbols, it is hard to reject her wink3 .

In general, it is a very good addition to the more regular goddess oracle deck that you are already using. A beginner may get lost in it.

I think that the container is a disadvantage as well because the cards box is made rather unintelligently (however a card bag is added to the issue).

And one more thing, Fricka is much better known as goddess Frigg.

ISSUE

80 cards

a booklet containing information on how to use cards and descriptions of goddesses

a card bag

a box

In a book each card is presented in the following way:

– name of a goddess 

– area of her influence

– key words describing a goddess

– short mythological background

– affirmation

box kris waldherr

The size of cards is  11 x 7 cm

Back sides of cards show a double female figure with wide wings on a yellow background adorned with spirals.

EXAMPLE CARDS

Athena

Athena in Goddess Inspiration Oracle by Kris Waldherr

Brigid

Brigid in Goddess Inspiration Oracle by Kris Waldherr

Demeter

Demeter in Goddess Inspiration Oracle by Kris Waldherr

Isis

Isis – Hathor in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi

Lakshmi in Goddess Inspiration Oracle by Kris Waldherr

Back side

kris waldherr

Goddesses Inspiration Oracle Guide© 2007 by Kris Waldherr

Publisher: Llewellyn Worldwide, Ltd.

ISBN: 978-0-7387-1167-6

Abeona
Aditi
Aine
Ajysit
Amaterasu
Annapurna
Anuket
Astarte
Athena
Baba Yaga
Bastet
Benzai-ten
Berchta
Brigit
Changing Woman
Chang O
Cimidye
Cybele
Danu
Demeter
Diana
Erda
Erzulie
Fortuna
Freyja
Fricka
Gaia
Glispa
Gwenhywfar
Haltia
Hathor
Haumea
Hekate
Heqet
Hera
Hsi Wang Mu
Huchi-Fuchi
Hygeia
Iduna
Inanna
Isamba
Isis
Juno
Kali Ma
Kishijoten
Kuan Yin
Lakshmi
Lalita
Maia
Maman Brigitte
Mama Quilla
The Moirae
The Muses
Mut
Nügua
Nut
Nyai Loro Kidul
Ogboinba
Oshun
Oya
Pajau Yan
Pele
Persephone
Psyche
Rati
Rhiannon
Saci
Sarasvati
Sehkmet
Shakti
Sophia
Spider Woman
Tara
Yemanja
Zhinu
The Zorya

KORE PERSEPHONE (PROSERPINE)

KORE PERSEPHONE (PROSERPINA)

Hellenic goddess of the Underworld, vegetation and changing of the seasons, guardian of the souls of the dead, daughter of Demeter and Zeus, wife of Hades. The myth of her abduction was an explanation of seasons changing and the base for Eleusinian Mysteries. Her first name, Kore, means ‘a young girl, a maiden’, her second name probably originates from a foreign language which was unknown to the Hellens, one of the possible etymology is perein phonon meaning  ‘bringing death, causing death’.

ABOUT GODDESS

The myth of Kore’s abduction has already been told in the post about Demeter so let me simply quote it

Kore was a young girl when she was playing on the meadow with fellow nymphs on a sunny day. Her mother allowed her to weave wreaths from all the flowers but a narcissus dedicated to the gods of the Underworld. Unfortunately, Kore forgot her mother’s warning and picked this flower. It brought the darkness over the meadow, the ground cracked and a chariot led by black horses  emerged from the abyss. It was Hades, the lord of the Underworld, he captured Kore and abducted her to his realm below the surface of the earth. It was all so sudden that nobody was able to react or even realise that Demeter’s daughter disappeared. Only Cyane (Kyane), a water nymph and Kore’s companion, heard her friend’s cry and hurried to save her. However, it was too late and one of the horses kicked her in the shoulder so she could only massage the sore spot and cry after Kore. Terrified Demeter kept searching for her daughter everywhere but she did not realise that Zeus had promised his daughter as a wife without her mother’s knowledge and consent.

When Demeter found out about the conspiracy (either from all-seeing Helios the sun god or Hekate, goddess of the night and witchcraft), she became so furious  that she cursed the earth and told her not to raise crops until her daughter comes back to her. This interrupted the order of the seasons so plants began to wither and people started to complain they would not be able to gather them and they would suffer from hunger.  Zeus had no option but to return Kore to her mother. However, the girl was lured to eat a couple of grains of pomegranate in the Underworld and this made her belong there forever. In the end the gods and goddesses entered into a compromise: Kore was to spend one third of the year with her husband as Persephone the Queen of the Underworld but for the remaining two thirds she could return on the surface and enjoy the time with her mother. This is how the Hellens understood the seasons change: in winter the earth was saddened by the absence of Kore Persephone together with Demeter and in spring and summer when she was coming back, the earth was showing joy by letting leaves and blossoming the flowers.

Kore's abduction

It is the first and the most significant appearance of Kore Persephone in the Hellenic mythology but not the last one. She is present as the wife of Hades in many stories telling about the hero’s descent to the Underworld. She is so moved by Orpheus’ song that she convinces her husband to return his wife Eurydice to him. She helps Heracles fulfil his twelfth labour of tying Cerberus, the guardian dog of the Underworld. She is sometimes involved in a story whether she wants it or not, such as in the case of Pirithous, a hero and a friend of Theseus, decided to take Kore Persephone away from Hades as a revenge for the death of his own beloved wife Hippodamia. The plan failed and both heroes were sentenced to be imprisoned in Hades and enchained to the rock. Theseus was freed from the ordeal by Heracles,  Pirithous, however, had to remain enchained in Hades forever.

Kore Persephone has also participated in the dispute with Aphrodite concerning Adonis. According to myths Adonis was an illegitimate child of Princess Myrrha who made Aphrodite angry, and the goddess punished Myrrha by making her fall in love with her own father. Princess managed to deceive him and spend a couple of nights with him but when the affair came to the light, furious king seized the knife and started to run after her. Escaping his rage, Myrrha begged gods for rescue and they turned her into a tree which was later named after her. After nine months tree bark cracked and a boy came out of the trunk. Aphrodite put the baby into the chest and entrusted to Kore Persephone. However, the goddess of the Underworld fell in love with young Adonis herself and decided to keep him in Hades forever. This made Aphrodite furious. The disagreement must have been eventually resolved by Zeus who decided that Adonis was to spend one third of the year with Aphrodite, one third with Kore Persephone and the remaining part of the year wherever he wants to. According to another version of this myth young man died pierced by the tusks of boar, the animal was in fact jealous Ares in disguise. Aphrodite’s grief was so big that Zeus let her lover return to the goddess during spring and summer, Adonis, however, must have come back to Hades for autumn and winter.

According to most of the myths, the marriage of Kore Persephone and Hades remained childless* but some versions claim that she was the mother of  Zagreus/Iakchos/Dionizos (with Zeus).

Deity descending into the Underworld was a popular explanation of seasons changing in the ancient times. A similar motif in present in the mythologies of the Middle – East, be it Attis (see the post about Cybele) or Osisris (post about Isis) and the theme of a young woman abducted to the Underworld is also present in the story of Ereshkigal (see the myth of Ishtar). Basing on the mythology and archaeological remains, it can be assumed that an agrarian cult of Demeter and Kore Persephone was one of the oldest in the Hellas, older than the cults of Olympian deities. It is possible that it came to Hellas from other countries (the Hellens were writing the name ‘Persephone’ in many ways, it may suggest that they were unable to pronounce it themselves so it either originated from a pre-Hellenic language or was a borrowing from a foreign language). The beginnings can be dated up to 1400 – 1200 before Christ based on the inscriptions on the tablets found in Pylos, her name is written as Preswa and this may be its oldest form. There is also enough evidence to assume that Persephone was venerated in the Minoan Crete. Similarly to Egypt, the eldest deities were strictly associated with nature and often depicted as half – humans and half – animals (a Cretan figure of Minotaur, centaurs, satyrs, tritones, mermaids, sirens etc seem to be the remaining of this cult in mythology). An image of two women was discovered in the temple of Despoina in Mycene, it is assumed that these were either Demeter and Kore Persephone themselves or their priestesses wearing animal masks, this proves how early their cult was. Cretan agrarian cults have not used images of any deities  (similarly to the oldest forms of the Great Mother Cybele’s cult), they were mostly performed by females and the rites themselves included dancing, shaking trees and worshipping stones (most probably  meteorites). There are also reasons to believe that Kore Persephone was identified with yet older goddesses such as Despoina or Ariadna. Excavations on the temple sites suggest that places of worship were situated near springs and fire was burning in them all the time.

women wearing clothes from the Minoean age and dancing around (most probably) Kore Persephone, the Isopata ring

Demeter’s daughter was the goddess of both Underworld (as Persephone) and vegetation (as Kore). She was depicted on sarcophagi as a symbol of revival and eternity. Apart from the Eleusinian Mysteries, Kore Persephone was also venerated separately in the temples located in Corinth, Megara and Sparta. She was worshipped as Despoina (Mistress of the House) in Arcadia, furthermore she was known under other nicknames, the most popular were those presenting her in the most favourable way to gain her benevolence: Hagne („Pure”, it was primarily the name of a spring nymph), Melindia or Melinoia („Of Honey”), Melivia, Melitodes, Aristi Tchonia („The Best of Chtonic”). In her aspect of the vegetation goddess she was called Kore Soteira („The Saviour Maiden”), Neotera („The Younger One”), etc., she also often appears together with her mother as Two Goddesses (Demeter being The Older and Kore The Younger) in Eleusis, The Great Goddesses and The Mistresses in Arcadia, Karpophoroi („The Bringers of Fruit”) in Tegea and Thesmophoroi („The Legislators”) during the Thesmophoria festival.

The cult of Demeter and Kore Persephone had many local versions but the most important festival was of course the Eleusinian Mysteries celebrated in the autumn. Celebrations were aimed at the immortality of life and were filling the initiated with hope for the good fate (it was most probably believed that they were sent to the best part of Hades called The Elysian Fields after death). Mysteries were divided into the Lesser ones (celebrated every year) and Greater ones (celebrated every five years, on the fifteenth day of boedromion month ie. at the turn of August and September/September and October, they lasted ten days). A prerequisite for participation was only freedom form “blood guilt”, the festival was open for women and slaves. This was the time of  initiation and involved a couple of degrees of initiation. The Eleusinian Mysteries required keeping the secret so only a few people with the highest degree of initiation knew what was hidden in kiste, a sacred chest and kalathos, a lidded basket. It is speculated that the Demeter’s sacred objects were golden serpent, an egg, a phallus and seeds.

It remains unknown what were the mysteries like because revealing the secret was punished by death, however the descriptions of public celebrations were written down. The Greater Mysteries in Athens began on the fourteenth of boedromion when the sacred objects were brought to Eleusinion, a temple situated at the base of the Acropolis Hill.  The next day was the time of Agyrmos (“the gathering”) when the priests announced the beginning of holiday and offered sacrifice. On the sixteenth day of the month, the rituals of purification in the sea were taking place near the port of Phaleron and on the seventeenth it was the time for Epidauria (so called “festival within festival”), celebrations for Asclepios, god of healing, when he was invited symbolically to the city with his daughter Hygieia goddess of hygiene and led in procession to Eleusion. On the nineteenth day procession was moving from the Kerameikos cementary to Eleusis along Hierá Hodós (“Sacred Way”), participants were swinging the branches called bacchoi. At a certain point they started to shout obscenities to commemorate (Iambe), an elderly woman who was trying to make Demeter laugh while she was grieving the loss of daughter by pulling the skirt up and saying naughty jokes, people were also shouting “Íakch’, O Íakche!” to celebrate Iacchus. When the procession reached Eleusis, it was the time for one day fasting to commemorate Demeter’s hunger while she was searching for her daughter, the only thing allowed to drink was kykeon made of barley and pennyroyal. On the 20th and 21st it was time for the proper celebrations when the crowd was gathering in Telestrion, a great hall („Initiation Hall”) where those waiting to be initiated gathered, in the centre there was Anaktoron („Palace”) where only the priests were allowed to come because sacred objects were stored here. Before entering Telestrion adepts had to say, I have fasted, I have drunk the kykeon, I have taken from the kiste (“box”) and after working it have put it back in the kalathos (“open basket”).  At first two special vessels were filled, then one was emptied in the direction of west and the other towards east and the worshippers were looking at the sky and earth whispering the rain fertilising the ground. The story of Kore Persephone’s abduction was told in three acts, first descent, then search and finally ascend and reconnection with mother. A ‘divine child’ was placed on hearth (check the story of Triptolemus in the post about Demeter) and those initiated to the highest degrees were to cut in silence a sheaf symbolising revival of life after death. The festival was completed with Pannychis, an all-night feast with dancing and rejoicing accompanied by the sacrifice from the bull and remembrance of the dead by libation the next day.

This is how Cicero wrote about these celebrations, For among the many excellent and indeed divine institutions which your Athens has brought forth and contributed to human life, none, in my opinion, is better than those mysteries. For by their means we have been brought out of our barbarous and savage mode of life and educated and refined to a state of civilization; and as the rites are called “initiations,” so in very truth we have learned from them the beginnings of life, and have gained the power not only to live happily, but also to die with a better hope.. (Laws II, XIV, 36)

Another holiday for Demeter and Kore Persephone was the festival of Thesmophoria celebrated all over Hellas from the 11th to 13th of the Pyanepsion month (October) when married women were free to come out of the houses** and participated in the women exclusive rites. Not much is known about this festival for a very simple reason: only married women participated in them and they were not the ones who wrote chronicles or memories. What we do know is that there were processions on the first day, the second one was the time of mourning, extinguishing the fire and eating pomegranates and the third was sacrificed to the rather unknown in mythology Kalligenea, goddess of beautiful birth. There were also records saying that at night swine were sacrificed in the trenches and caves and the remains of the animals sacrificed in previous year were retrieved and placed on the altar, mixed with seeds and planted. There was also Anthesphoria, the festival of flowers and cereals, celebrated in the Hellenic colonies in Italy (so called Magna Grecia) and in the Peloponnesus.

Ancient Romans took the cult of Kore Persephone over from Hellenic colonies established on the south of Italy and Sicily. She was called Proserpine in the local local dialect and this version of her name was adopted in the Apennine Peninsula. It is interesting to notice that she was venerated as the patroness of marriages in one of these cities called Epizephyrian Locris (present day Locri), this usually was the domain of Juno (Hera). Children were entrusted to Persephone and brides were bringing her their garments before weddings as votive offerings. A very popular image of Kore Persephone and Hades surrounded by plants and animals attributed to them comes precisely from Epizephyrian Locris.

Kore Persephone and Hades

In the 5th century before Christ Empedocles, a poet, philosopher and healer, has created the concept of four elements. He connected Kore Persephone named here Nestis with the element (or to be more precise with the root, it was not until Plato when the word ‘element’ was used) of water: Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears. Empedocles uses the nickname of Nestis and does not pronounce her real name which was considered to be a taboo since the earliest times. It was not advised to call the Queen of the Dead even in a simple conversation nor to speak her name aloud so Nestis was used as her cult title (Homer in his hymns refers to her as the Queen of the Shades).

IMAGES, SYMBOLS AND ANIMALS

The type of the oldest Hellenic sculpture is called kore, some hypotheses assume the figures represent Demeter’s daughter.

 KoreKore

Moreover, Kore Persephone is also presented sitting on the throne as majestic Queen of the Underworld with a sceptre, fruit, sheaves of grain and a liknon basket used to separate seeds from chaff.

Kore Persephone

DIVINATION MEANING

Person

A young girl, a teenager. A person who experienced a sudden or tough events. A person who is emotionally immature. Someone who was charged with too much responsibility too early. Somebody who became bitter due to bad experiences, childhood traumas or seriously betrayed trust. In negative a person with a victim pattern and not enough self – esteem and maturity to face the problems on their own.

Advice

What you need is patience. This card shows maturing in a hard way and learning to compromise. You cannot accelerate anything. Let things run their course. Give time some time. What you reap is what you sow. At first you will have to work hard and make a lot of effort to put your plans into action and you will be rewarded later. Everything changes sooner or later.

I personally associate strongly the card of Kore Persephone with the rune Jera.

Patience. Maturing. Harvest, crops, abundance, wealth, plenty. Revival. Beginning or end of the cycle. Bad timing, hurrying too much, poor plans, acting blindfold. An insufficient harvest, loss, scarcity.Intervention in the natural cycle. Possible trip but not for pleasure, rather forced by circumstances. Trauma. Abandonment. Compromise. Inevitability. A strong influence of mother. Secret knowledge, esoterics.

 Love

 If you are in the relationship: lack of maturity to a stable and adult relationship. Compromises and patience are required. Hiding from problems. Early marriage, possibly enforced somehow. Being childless. A strong influence of the mother. A cold, emotionally detached or manipulative partner.

If you are single: lack of maturity to a stable and adult relationship. A strong influence of the mother. Patience is suggested. It is also advised not to get into a relationship just to avoid being alone.

Finances

Trip forced by circumstances.  Beginning or ending a certain stage of career. Business involving volatility of revenues depending on time or season. Suspension of business activity. Time of harvesting profits.

 Health

Women: fertility and regular cycle, pregnancy and successful, natural delivery. Therapy limited to taking medicine. Vegetarian, macrobiotic or vegetable, fruit and cereal based diet. Regenerative skills. Checking your health regularly. Negative: laziness, wrong diet, insufficiency, problem with high cholesterol and obesity. Woman’s cycle disorder. Neglecting regular health tests. Eating in a hurry. Endangered parts of the body: the digestive system (particularly stomach, colon, small intestine and the large intestine).

CARDS

Kore Persephone  in Goddesses of the New Light by Pamela Matthews

Kore Persephone in Goddesses of the New Light by Pamela Matthews 

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone (together with Hades and Cerberus) in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

 Kore Persephone in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Kore Persephone in The Goddess Oracle Deck by Thalia Took

 Kore Persephone in The Goddess Oracle Deck by Thalia Took

Kore Persephone in Goddess Card Pack by Juni Parkhurst

 Kore Persephone in Goddess Card Pack by Juni Parkhurst

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr 

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

 Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

 Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://www.webwinds.com/myth/elemental.htm

* It seems logical that the deities associated with death could not have children themselves. In Egypt Seth, god of desert and death, was infertile and his wife Nephthys craving for a child, got pregnant with their brother Osiris (that could be the reason for Seth’s hatred towards Osiris).

 *** In Hellas women did not participate in public life.

ATHENA (MINERVA)

ATENA (MINERVA)

A Hellenic goddess of wisdom, justice, strategy, courage, just wars, invention, crafts, weaving and embroidery. According to Plato her name means Divine Intelligence.

ABOUT GODDESS

Athena was the daughter of Zeus and Metis the goddess of wisdom who was swallowed by Zeus while being pregnant (the oracle told him, ‘if Metis gives birth to a daughter, the girl’s offspring will dethrone you’). After a couple of months Zeus was suffering from huge migraines so he called his son Hephaestus and ordered him to chop his head with an axe (labrys). After some hesitation he did it and then a woman jumped out of Zeus head wearing a full armour and shouted like warrior so loudly that both heaven and earth started to shake. From the historical point of view Athena’s cult seems to originate in Libya where she was associated with Neith and her name appears before the one of Zeus at the palace in Knossos (Crete).

Athena was a devoted guardian of Hellenic heroes, a protectoress and a counsellor for Perseus, Hercules, Theseus, Jason, Achilles and Odysseus during their epic quests.  She was the goddess of war but considered as an act of defending territory, house and family rather than bloodshed itself which was the domain of Ares. She was also the goddess of knowledge but I would say rather knowledge based on logics and thinking rather than inner feminine wisdom coming from the inside which is symbolized by the Tarot arcane of High Priestess. Athena was the patroness of literature and art but again she was rather attracted to philosophy than music and singing. Her ingenuity has become legendary and she was considered to invent many useful tools, however her most blessed gift for the human kind was an olive tree. Poseidon and Athena both wanted Athens to be their city so they started a competition, Poseidon struck the rock with his trident and a spring sprang up while Athena planted an olive tree and thus won the city for herself*.

Athena remained a virgin and never got married. However, she took care of Erechthonius, the child that was conceived when Hephaestus was trying to rape her and the semen fell on Gaia. When Erechthonius grew up, he became the king of Athens.  Despite many features of character which are traditionally considered to be male such as rationality and bellicosity Athena was not free from vanity. Together with Aphrodite and Hera she wanted the title of The Most Beautiful and when Prince Paris of Troy attributed it to Aphrodite, she swore revenge to him and his city. This is why she was supporting the Achaean troops and was helping the Hellens any way she could. Even having all the knowledge and mental abilities she was unable to admit that she was wrong. When a mortal woman named Arachne challenged her to a duel in embroidering and won it by creating the scenes of gods enjoying carnal pleasures with mortal women, Athena torn the material with anger. Arachne could not stand such injustice and she hanged herself which eventually made the goddess realise what she has done. She brought Arachne back to life and changed her into a spider so that she could keep weaving (this is why the fear of spiders is called arachnophobia)**. She was not the only victim of the goddess, unsonsciously Athena brought bad luck to satyr Marsyas. She invented aulos (flute) but when she started playing, she noticed in the river that her cheeks seemed deformed so she cursed the poor instrument and threw it away. Marsyas found it and started to play, he soon developed such skills that he became famous and some even considered him to be the best musician in the world. This of course made Apollo the god of music very angry and he challenged Marsyas to a duel. The competition was so fierce that it remained unsettled for some time until eventually Apollo was announced to be the winner. Furious god flayed Marsyas alive. One of explanations for Tiresias’ blindness is the fact that he saw Athena bathing and  in anger she took away his physical sight but in return she gave him an inner sight with the ability to see the future.

Athena plays a major part in the myths involving Orestes. Orestes was the son of Agamemnon and  Clytemnestra who was just a child when his father sailed away to fight Troy. Clytemnestra was not much loved by her husband and was hurt many times so while he was away she found herself a lover Aegisthus  whom she has lived for many years with and whom she had children with. When Agamemnon came back from Troy bringing with him a captive Cassandra Princess of Troy who already bore his twins, Aegisthus and Clytemnestra decided to get rid of her husband whose revenge would be fatal for both of them. When Agamemnon was stepping out of bath, Clytemnestra entangled him in a cloth net and then Aegisthus came out of the closet and killed the king.

When Orestes grew up, his sister Electra started to incite him to take revenge on the murderes of their father (do you remember what is Electra complex?) and eventually he killed Aegisthus and his own mother.  This made The Erinyes, goddesses of vengeance persecute him constantly until being unable to have even one moment of rest he fell into madness.  The Delphic Oracle suggested coming to Athens and undergoing a trial before a court of law on the Areopagus hill. The trial turned into a discourse over who in fact is more important, mother or father. The prosecutors were The Erinyes and Apollo was the defender.  In his defense speech Apollo deprived motherhood of any significance stating that woman is only a passive soil in which man sows his seed. Thus Orestes’ crime is justified because father is the only respectable parent.  In the final verdict the amount of votes for and against the matricide was equal but eventually Orestes was found free of charges because the ultimate vote belonged to Athena and she was pro-Orestes.

Athena had many nicknames. The most famous include Pallas (taken either from her Titan father in an alternative version of her origin or from her companion whom she accidentally killed and took her name as the sign of grief), Parthenos (‘Virgin’, the name of Parthenon in Athens come from this meaning), Promachos (‘the First Fighter’), Polias (‘of the city’, it shows her as the patron of various Hellenic cities and their civilization), Glaukopis (‘the Bright – Eyed’, a Homeric expression), Hippeia (‘Horse’, as the inventor of chariot) and Alea (she was worshipped under this name in Sparta and Arcadia).

In Rome Athena was named Minerva and she was venerated in so called the Capitoline Triad together with Jupiter and Juno. She was worshipped as Minerva Medica and had her temple on the Esquiline Hill; her celebration was called Quinquatrus and was taking place on March the 19th.

IMAGES, SYMBOLS AND ANIMALS

Athena’s main attributes are the Corinthian helmet, a spear and an aegis (shield). Aegis was a powerful weapon because the head of Medusa was placed on it (Medusa was one of three Gorgons, snakes were her hair and her eyes were turning into stone anyone who looked at her, she was killed by Perseus who cut her head off and gave it to Athena***). Her sacred animal was an owl and the plant attributed to her was an olive tree. She was traditionally depicted as a tall woman of classical facial features, majestic rather than beautiful. As Promachos she is depicted holding the small statue of goddess Nike in her hand.

DIVINATION MEANING

Person

The card of Athena shows the woman who enters male dominated world (typically male jobs, power, etc).  She becomes similar to them neverthelss keeping the mask of a typical woman (Athena’s logical reasoning and courage are attributed to men in culture but her fondness of embroidery and weaving are considered to be typically female). She prefers male companionship than female one and her success does not open the gate for other women****.The card shows ambition, bravery, recognition, focusing on an aim and a victory gained thanks to the intelligence and ingenuity (heroes owe their triumphs to Athena’s advice and guidance).

In a deeper psychological layer this card shows a woman who identifies herself with father not mother (Athena jumped out of Zeus’s head not his heart; from the symbolic point of view head is attributed to man while heart represents feelings i.e. women’s world). Negative: this card shows lack of spontaneity, high self-control or even fear of inner self (Athena keeps her virginity, she refuses any contacts with emotions, love, carnality and passion, she destroys Arachne’s embroidery showing her relatives enjoying carnal pleasuers). Woman may be afraid to do sth spontaneous because she does not know in what way others would perceive her and she may ‘lose face’.  Personally I perceive Athena as a poor little girl without mother and self-confidence who needs to be assured she is beautiful and this does not happen, she swears vengeance to the mortal who claimed that the beauty of another goddess is bigger (but as I wrote that is my personal perception).

Profession: scientist, academic teacher escpecially in the fields requiring precise and logical thinking such as mathemathics, physics, architecture, philosophy etc, inventor, boss, soldier, police officer, judge, lawyer, court worker, municipal official, someone whose work involves strategy and logistics, weaver, taylor, embroidery person, athlete

Advice

In this situation follow your brain, not your heart. Consult an expert. You need further education or studies. If your question concerns promotion at work or passing an exam, this card suggests success.

Your thoughts are your spear and shield, they help you to concentrate on your aim and to protect you from negative influences. Be courageous and do not hesitate to use your brain as your weapon.

You may behave as someone overwise and too quick to judge. Beware of haughtiness. Look closely before you take someone’s side.

Love

If you’re in the relationship: either the time for marriage or divorce. Strong position of a woman in a relationship. Guidance of a woman. Possessiveness. Complexes. Lack of emotional commitment in the relationship. Jealousy. Problems with women. Attempt to buy someone’s love. Calculating.

If you are single: a woman who feels very well in a male companionship but does not want to get involved. Complexes. Problems with acceptance of your body. Showing yourself as strong but feeling insecure inside. Following the advice of your brain, not your heart.

Finances

In the matter you are inquiring about the legal aspect is involved. Consult a lawyer or an educated person.  You may need further studies or courses. Introduce innovations in your work. Be active and do not fear challenges. In case of any discord, try to arrange a settlement first.

Health

Consult a doctor, this card suggests a specialist or a clinic. Migraines. Mental health. Endangered parts of the body: head and all its organs.

CARDS

Athena is a very important goddess and she appears in every deck I have come across.

Athena in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky (as Minerva)

Athena in Goddesses of the New Light by Pamela Matthews

Athena in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Athena in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Athena in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Athena in Oracle of the Goddess by Anna Franklin&Paul Mason

Athena in Oracle of the Goddess by Anna Franklin&Paul Mason

Athena in Goddess Card Pack by Juni Parkhurst

Athena in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Athena in Goddess Inspiration Oracle by Kris Waldherr

Athena in The Goddess Oracle Deck by Thalia Took (as Athena Glaukopis)

Athena in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Athena in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Athena in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock (and as Minerva on the second card)

Athena in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Athena in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

I am a bit confused by the image of Athena in the deck of Doreen Virtue. She is pretty and the message simple and clear, You know what to do. Trust your inner wisdom, and take appropriate action without delay. I agree that knowledge is Athena’s feature but it concerns the process of thinking itself as well as sense and logics while this message speaks about intuition and subconsciousness which is rather connected with goddesses possessing creative and magical abilities (my personal match for such message would be Sophia or Isis).

Athena in Ascended Masters by Doreen Virtue

Athena in The Goddess Power by Cordelia Brabbs (as Minerva)

Athena  in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Athena in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Athena is very adequately paired with the Major Arcane of Emperor in Universal Goddess Tarot by Maria Caratti&Antonella Platano. The card of Emperor is the strongest male energy in Tarot.

In The Goddess Tarot by Kris Waldherr Athena represents the Arcane of Justice probably because the court in her city of Athens was situated on the Areopagus hill.

*There is evidence that Athena was venerated in Athens from the very beginnings of the city.

** It is believed that this myth does not come from the original Hellenic mythology but was added in the Roman era.

***There are various different explanation why was Medusa a monster. Most myths claim that all the Gorgons belonged to the first generation of gods, but in the Roman versions Medusa was initially a beautiful priestess of Athena who was raped or seduced by Poseidon. When the goddess caught them in her temple, she was so enraged that she changed Medusa into a monster (this version comes from Ovid’s Metamorphoses). The myth of Medusa is the base for many psychological interpretations including Sigmund Freud’s theory associating the punishment of Medusa with Athena’s hidden conflict with her father or the fact that Medusa might be Athena’s Shadow i.e. the dark part of personality that we prefer not to show to the world (for more information check this site and this blog). It must be also said that Medusa is a chtonic (Underworld) goddess closely associated with the symbol of serpent so killing her by a male hero led by male-like goddess is somehow symbolic.

****Margaret Thatcher is a modern example of Athena’s energy.

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves and Wikipedia.