Tag Archives: lilith

Lilith For The Time When The Sun Is Entering Scorpio

Scorpio is the sign of deep transformation and this is exactly what is taking place in my life now. New country, new city, new people, new profession… I will give you more details really soon because it concerns directly the goddess oracle cards and my own deck which you will be able to get known better.

I guess I have never enjoyed the moment of the Sun entering the sign of Scorpio as much as I do now, its transformative energy is supporting me when so much is changing in my life.

The card which has the equivalent energy in goddesses oracle decks is Lilith.

change

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Zapisz

Zapisz

Zapisz

REVIEW: THE GODDESS CARD PACK BY JUNI PARKHURST

THE GODDESS CARD PACK. DISCOVERING YOUR GODDESS WITHIN

by Juni Parkhurst

ABOUT THE AUTHOR

Unfortunately, it is one of these rare situations where I am not able to provide you with the information about the author because I cannot find much. There is no author’s bio in the booklet, no author’s page nor profile on social media. She seems non-existent in the Internet, all I could find was the address of the place where she is said to work as a hypnotherapist (in the booklet it is also mentioned she organises the goddess card readings and the goddess workshops). She also belongs to the UK Association for Humanistic Psychology Practitioners.

If you know anything about her, please share it with me.

ADVANTAGES

The first advantage is definitely a wide range of cultures included in this deck, you will find here the goddesses from different parts of the world.

Again the images turn out to be a strong advantage of this deck, they are all bright, colourful and similar in style of expressionist or fauvist artists such as Munch or Matisse. They may appear as a bit careless and childish yet it may also be treated as an advantage because this simple and direct way appeals to the reader’s intuition immediately. Intuition is the basic, primary and straightforward sense so colourful, uncomplicated images can be very helpful in making it work. Of course, as I always repeat after the ancient Romans de gustibus non est disputandum and some will consider it to be a disadvantage of this deck.

Big thumb up for including the real goddesses only, no card of Mary here.

Another huge advantage is the attempt to give structure to the oracle card deck. The whole deck is divided into six parts ruled by the archetypical deities who impersonate its features: Aphrodite, Kali, Diana, Hecate, Athena and Demeter. To find the goddess who corresponds best to your nature, you have to fill in a short personality test. Each ruling goddess is then described by the summary of  her mythology and her equivalent in modern psychology, also visualisations and rituals are given as well as divinatory meaning.

Other goddesses are classified to the clusters ruled by the above mentioned deities.

Kali’s Cluster of Goddesses of the Dark Side of the Moon

Pele

Medusa

Lilith

Sekhmet

Demeter’s Cluster of Goddesses Who Nurture

Gaia

Brigid

Kwan Yin

Sophia

Hecate’s Cluster of Goddesses of the Sacred Healing Mysteries

Persephone

Hygea

Ostara

Changing Woman

Diana’s Cluster of Nature Goddesses

Yemanya

Ceres

Cerridwen

Chalchiuhtlicue

Athena’s Cluster of Warrior Goddesses

The Morrigan

Victoria

Freyja

Inanna

Aphrodite’s Cluster of Love and Sex Goddesses

Frigg

Isis

Lakshmi

Oshun

I consider it to be an advantage of this deck, after all such subject as the goddesses mythology seems to be an excellent source of archetypes ready to be translated into the modern times. In fact, I am surprised that most of goddess oracle decks do not pay attention to this aspect but concentrate on the pure oracle or worship elements.

DISADVANTAGES

The division may as well be considered to be the disadvantage because it is controversial. The attribution of ruling deities to their clusters can be disputed. Some goddesses are rather versatile and it is difficult to classify them to one category only, Sekhmet could as well be a warrior goddess, Freyja and Inanna are as much love and sex goddesses as they are warlike and Lakshmi seems to match the nurturing goddess cluster. Personally I would like to see a whole new cluster of wisdom, intelligence and inspiration goddesses with Sophia, Brigid and Athena.

In my opinion the goddess card pack makes the impression of a slapdash if not messy edition. There are factual mistakes (I have already mentioned in my post about Demeter that Ceres was not a Greek but Latin goddess) as well as simple typos (‘Eostara’, ‘The Morrogon’ and ‘Lakshimi’). Instinctively I started to search for the name of the person responsible for correction but I found none. In fact the information about the edition is very limited as if just one person did the whole publishing work. There is the copyright recognition of Juni Parkhurst but for the text only, not for the images as I (and probably most users) initially thought! So who created the images? Similarly to Godsfield Press’ other issue The Goddess Power Pack there is no direct remark, bah! there is not even a list of the people participating in the card pack edition as it was in the case of Cordelia Brabbs’ deck so we cannot even guess who did the pictorial work. I was baffled even more when I read the following sentence in the booklet

Juni Parkhurst asserts the moral right to be identified as the author of this work.

‘Moral’? Seems ambiguous to me… When it comes to copyright it is common to establish clear and precise attribution to avoid any possible legal battles and ‘moral’ has too vast meanings to be exact. It is not the first time when the publication by Godsfield’s Press lacks clarity (see my review of Goddess Power Pack). I am not going to further explore the topic but I certainly treat it as a huge disadvantage of this deck.

To sum up, let me quote the Russian proverb signifying great plans but ineffectual result: We wanted to do our best but in the end it all turned out as usual

ISSUE

30 cards

a book containing the introduction, information how to use the card pack, ‘Which Goddess Are You?’ test, the descriptions of the goddesses and advice how to use cards (how to lay out the cards, a couple of spreads, how to interpret the cards), famous goddess types and index

a box

In a book each card is presented in the following way:

the descriptions of the cluster leading goddesses (history, today, challenges, love, ritual, visualisation, divinatory meaning)

+

other goddesses (key words and short divinatory meaning)

 box juni pankhurst

The size of cards is 13,5 x 8 cm

Back sides of cards show the brown and yellow fish swimming in the blue waves.

EXAMPLE CARDS

Athena

Athena in Goddess Card Pack by Juni Parkhurst

Brigid

Brigid in Goddess Card Pack by Juni Parkhurst

Demeter

Demeter in Goddess Card Pack by Juni Parkhurst

Isis

Isis – Hathor in Goddess Card Pack by Juni Parkhurst

Lakshmi

Lakshmi in Goddess Card Pack by Juni Parkhurst

Back side

back side juni parkhurst

© 1999 Godsfield Press and text © 1999 Juni Pankhurst

Publisher: Godsfield Press/Sterling

ISBN: 0 – 8069 – 9903 – 9

Aphrodite
Athena
Brigid
Ceres
Cerridwen
Chalchihuitlicue
Changing Woman
Demeter
Diana
Eostre
Freyja
Frigg
Gaia
Hecate
Hygea
Inanna
Isis
Kali
Kuan Yin
Lakshmi
Lilith
Medusa
The Morrigan
Oshun
Pele
Persephone
Sekhmet
Sophia
Victoria
Yemanya

REVIEW: THE ORACLE OF THE GODDESS BY GAYAN SYLVIE WINTER AND JO DOSE

THE ORACLE OF THE GODDESS

by Gayan Sylvie Winter&Jo Dosé

ABOUT THE AUTHORS

GAYAN SYLVIE WINTER is the writer who lives in Santa Fe in the USA. She was a model and an actress in the 70’s when she went to India and spent seven years in Osho’s Meditation Centre. She published 25 books and decks.

JO DOSE is a painter and an illustrator. She lives and works with her husband in Sedona in the USA.

Both ladies have already worked together on Vision Quest Tarot.

None of the authors has an official page nor social media sites (Gayan Sylvie Winter is only available on LinkedIn , she also seems to have her FB profile, but it looks like a private one, I have not come across her official page there)

ADVANTAGES

Images are certainly the advantage of this deck. Jo Dosé has done a tremendous work trying to render the goddesses from different lands and times. Her images of goddesses represent the myths, symbols and attributes of particular deities: Amaterasu shines in the skies, Athena has her owl, Demeter – her sheaf, Freyja – cats and falcon feathers cape, etc. There is an eight – pointed star representing Venus above the heads of Astarte, Inanna, Ishtar and Venus who were all associated with this planet.

I am delighted to see Skadi included in this deck, her myth is one of my favourite ones and she is rarely presented in other decks.

Another advantage is definitely a wide range of cultures included in this deck, you will see here goddesses from Mesopotamia, Hellas and Rome, Celtic lands, Africa, India, the Far East, Polynesia and both Americas. Although some of the choices the authors have made might be controversial (see below), the overall choice of goddesses is satisfying.

DISADVANTAGES

I find the booklet added to the cards rather disappointing even though it seems to be a substantial part of the set (big size, bibliography etc.). I find the geographical division to be completely messy, there is no chronological order in the contents so we jump from ‘Universal Goddesses’ through Indian and Chinese Goddesses to Greek Goddesses then Japanese Goddess just to end up with Phoenician Goddess. Phew! I am quite well informed when it comes to different cultures, but for those who are not, this may seem like riding a carousel. I also question some names used: I am not convinced that we can describe some goddesses as ‘universal’, after all they were still created by a particular culture. I totally disagree with calling Hekate a ‘Turkish Goddess’: in the ancient times there was no ‘Turkey’ as we see it now, the areas of modern day Turkey were generally called Anatolia and the mighty Hellenic colonies were present on its coast. Plus mythologically Hekate is rather connected to Thrace than to Anatolia.

The book itself is also rather disappointing. Some basic facts about the goddess are mentioned in each chapter but if you already have certain mythological and cultural knowledge, it is unlikely that you will find out much more.

There is The Oracle part added to each chapter but it seems rather vague and not related to the goddess at all. Here’s an example, the message added to the chapter about Freyja

A message can be understood in many ways…A message talks with many tongues…Learn to tell which message is right. Everything depends on the mind of the person who hears the message; on his or her eyes and ears. The low voices of nature spirits want to show you the way now. But often we don’t listen to the subtle voices that want to help us and follow the confusing voices in our head instead which keep talking to us without respite. Let go of these voices which come from the past and still wish to determinate your future. Let go of the things that suppress you, that hold your spirit prisoner and hide the truth from you.

Learn to see what is precious in your life and do away with things that prove unreal and thus worthless; don’t pursue them any longer. All it takes is a little light to see the difference. Sometimes all it takes is turning one’s head to see the truth behind all the appearance. It is not until you’ve found the truth inside yourself that your life will change and reveal its deeper meaning to you.

Now, I don’t want to cavil nor be nosy but what has this to do with Freyja? Which myth of her is it connected to? Which symbol does it mention? Sure, the author has the right to convey their own vision in the deck but if it is called ‘The Oracle of the Goddess’ then there SHOULD be some connection to their myths and symbols, right?

The more I read the more doubts I have.

As far as I know calling three Hindu goddesses Trimurti is a mistake. ‘Trimurti’ is a Hindu expression for three male deities: Brahma, Vishnu and Shiva, while the female ones, Saraswati, Lakshmi and Parvati are referred to as Tridewi.

I am also not sure whether it was a good idea to single out Shakti as a separate goddess. I am not an expert in Hinduism and please correct me if I am wrong, but as far as I understand this concept, Shakti is a universal female energy which manifests itself in particular goddesses. If you include Kali or Lakshmi in the deck, what is the point to include Shakti as well?

And I believe the most dubious assumption is calling Tao a goddess. Tao is the life force on Earth, it does not take any forms and it is impossible to define it therefore it has no sex. It cannot be represented as goddess. To make you understand this concept better let me quote Tao Te Ching, Taoism’s sacred book:

The Tao (Way) that can be told of is not the eternal Tao;
The name that can be named is not the eternal name.
The Nameless is the origin of Heaven and Earth.
 
This is why it is impossible to make the personification of Tao and it makes no sense to attribute either positive nor negative features to Tao (therefore you cannot say it symbolises ‘soft and female’, this is represented by the Yin energy).*
 
I am also not sure if all the three, Inanna, Ishtar and Ashtarte, had to be included in the deck, after all they are alike and represent similar features.

And of course, a huge minus for including Mary in this deck. I explained clearly here why she is NOT a goddess.

ISSUE

33 cards

a book containing introduction, short information how to use the cards and information about each goddess presented

a box

In a book each card is presented in the following way:

– name of a goddess 

– area of her influence, myths, the development of her cult

– the oracle

box the oracle of the goddess

The size of cards is 13,5 x 9,5 cm

Back sides of cards show the pink lotus – like flower surrounded by the stars on the night sky with clouds in the corners.

EXAMPLE CARDS

Athena

Athena in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Brigid

Brigid in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Demeter

Demeter in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Isis

Isis – Hathor in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lakshmi

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Back side

back side gayan winter

© 2005 AGM AGMüller Urania, Neuhausen/Switzerland

Publisher: AGM AGMüller Urania

ISBN: 3 –03819 – 026 – 8

Amaterasu Omikami
Astarte
Bridget
Changing Woman
Chalchihuitlicue
Demeter
Diana
Freya
Gaia
Hathor
Hekate
Hera
Inanna
Ishtar
Isis
Ix Chel
Kali
Kuan Yin
Lakshmi
Lilith
Mawu
Mary
Pele
Rhiannon
Skadi
Shakti
Spiderwoman
Songi
Tao
Tara
Trimurti
Venus

* Many thanks to danceronthewaves for explaining this concept to me.

REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

REVIEW: GODDESS POWER PACK BY CORDELIA BRABBS

GODDESS POWER PACK

ABOUT THE AUTHOR

According to a note published on Amazon  Cordelia Francesca Brabbs is a young British journalist and a freelance author who writes articles about health, well – being and lifestyle for many UK’s top magazines and newspapers. She is working on her master’s degree in women’s studies and likes travelling around the world, snowboarding, yoga and reiki. She also seems to run trainings concerning  magic and improving financial condition. You can follow her on Facebook, YouTube oraz na Twitter.

Find out more about her on her website: http://www.magicalbadass.com/

ADVANTAGES

The cards themselves are fabulous, colourful and easy to perceive. Goddesses are presented as contemporary women but still retain their symbols: Athena (Minerva) is accompanied by owl, Lakshmi by lotus and Lilith by snake. The effect is very interesting although I suspect the reason for that was to simplify the divinatory layer as much as possible in accordance with the motto of this deck Unleash Your Inner Goddess. However, it does not change the fact that cards are simply great, they present a hypothetical situation of goddesses moving from the ancient times into modern ones. One thing is strange…there is no remark suggesting any connection of these images directly to Cordelia Brabbs. In list of acknowledgments at the end of booklet you will find Brenda Rosen as consultant editor, Alice Bowden as project editor, Sally Bond as art editor, Pia Ingham for Cobalt Id as designer, Javier Joaquin as illustrator and Louise Hall as production controller. So, if I am not mistaken, this deck should be called Goddess Power Pack by Cordelia Brabbs&Javier Joaquin (or perhaps by Cordelia Brabbs, Pia Ingham&Javier Joaquin, depending on the amount of work) if only the publisher followed the good practices of issuing card decks as othes do. I do not understand why it did not happen rolleyes11.

DISADVANTAGES

If I had choice, I would only buy the cards themselves and would skip the booklet added to the deck. The booklet is full of banal esoterics and all that find the inner goddess babble, moreover it is written in everyday English which was probably intended to reach teenage girls but something tells me that even they would find this style artificial. The fact that someone is young does not mean than you can brush them off with simple tips for life. The cover of booklet itself reveals what is to come inside informing us that we will find thirty goddesses from independent Artemis and fun – loving Yemaya to nurturing Gaia and sexy Kali

The booklet discourages from using the pack rather than encourages to do it. It is a pity because the content itself is not that bad. The author draws accurate conclusions from the goddess mythology but she wastes them away by treating the reader as a child saying Do this! Do that! On one hand she encourages Stick to your beliefs, g – girl, no one can take them from you but on the other hand she determines a specific profile of what your beliefs should be: joining a protest rally, eating an apple instead of chocolate, exercising yoga, getting involved in the environment protection movement etc. I do not want to be misunderstood, it IS good lifestyle and I support it but at the same time I can understand that not everyone finds it suitable and wants to adopt it. The ton of superiority which the author uses definitely does not help:  You can be a loser and eat, drink and wear what the big – bucks companies tell you to, even if the food is stuffed full of chemicals, the lipstick was tested on animals and the T-shirt produced by sweat shop labour. Or you can  become informed about the products you buy, and make ethical choices that serve you and the planet. You can watch TV and play your games console, and live like a zombie in front of a flashing screen. Or you can exercise your body, nourish it with good food and spend your spare time having fun outdoors.  We have to remember that each of us is in a different point of their life path and it makes no sense to hurry them up. Calling someone loser will probably not help to drag them on ‘the light side of the Force’ wink3. This booklet rather than TO readers speaks ABOUT the author. I think before I started writing books with some advice for others, I would first check if I am mature enough and work with my own ego because it is ego that tells me to compare myself with others and present myself as the better one.

Nothing good will come out of imposing views on what is good and what is bad. Any person who has a very basic knowledge of esoterics and card spreading knows that cards only show a certain situation and never make a decision instead of the person inquiring. This is why the card of Lilith saying It’s time to ditch that loser is a huge faux pas 74282! If you look closely at the decks I consider to be good ones  (e.g the already analysed deck of Amy Sophia Marashinsky and Hrana Janto), you will notice that the authors only pose questions which the user should answer herself/himself. They do not take the responsibility out of user by saying Do this, do that! What will happen if a young girl indeed decides to ‘ditch that looser’ just like the author advises and will regret it later? Will Cordelia take the responsibility for it now that she was assuring it would bring the young girl such a fabulous life?

This deck includes Mary as a goddess which I find a huge disadvantage.

Another huge disadvantage is a horrible box. It naturally provokes the question, What the hell was the publisher thinking of?!

Generally speaking if you buy it, I would suggest concentrate on the deck of cards and skip the booklet. Establish the custom of drawing one card daily, observe the colours, symbols, situation presented on pictures, search for the correspondence in daily events and study the actual myths. This way you will learn much more than reading booklet.

ISSUE

30 cards

a booklet containing short information on how to use cards, who goddesses are, how to contact and worship them, how to listen to their advice, suggestions how to become the worshipper of goddess (‘g-girl’, an abbreviation from ‘goddess girl’), how to create g – gangs (‘goddess gangs’), what are the rules and codes of being ‘g-girl’ and being in ‘g-girl gangs’, descriptions of ceremonies, calendar of festive days, invocations, rituals, affirmations, sample spreads, descriptions of each card and index

box with carton insert to support cards

In a book each card is presented in the following way:

– name of a goddess

– name of a card

– short presentation of a goddess

– suggestions how a goddess can help and her message

– invocation to a goddess

– tips concerning an invocation

– affirmation

– one sentence general advice from a goddess

box cordelia brabbs

The size of cards is 13 x 8 cm

Back sides of cards show a yellow stage illuminated by headlights.

EXAMPLE CARDS

Athena (Minerva)

Athena in The Goddess Power by Cordelia Brabbs (as Minerva)

Brigid

Brigid in The Goddess Power deck by Cordelia Brabbs

Demeter

is not included in this deck

Isis

Isis in The Goddess Power Pack by Cordelia Brabbs

Lakshmi

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Back side

back side cordelia brabbs

Text copyright© Cordelia Brabbs 2005 

Publisher: Godsfield Press

ISBN: 1 84181 253 6

Aphrodite
Artemis
Brigid
Cerridwen
Corn Woman
Durga
Eostre
Freyja
Gaia
Hathor
Hekate
Isis
Kali
Kuan Yin
Lakshmi
Lilith
Maat
Maeve
Mary
Minerva
Oshun
Oya
Pele
Rhiannon
Sekhmet
Sulis
Tara
Uzume
Vesta
Yemanya

LILITH

LILITH

Goddess of the night, Adam’s first wife who according to Jewish beliefs was created together with him, she, however, rebelled against his need to dominate and fled from Eden. The meaning of her name varies from Night Creature, Night Monster, Demon, Screech Owl, Lady Air, Wind or Spirit.

First I have state clearly that the character of Lilith can be interpreted in two manners, either in the same way as she was perceived by the ancient folks or in a modernised one. I am going to describe how she was depicted throughout the ages but as far as the divinationary section is concerned, I refer to present time reality (and so do most authors of goddesses decks).

ABOUT GODDESS

Creatures resembling Lilith are first mentioned in the Mesopotamian mythology, however they do not take the shape of the characters from subsequent Jewish legends yet. While researching the Epic of Gilgamesh Samuel Noah Kramer studied the text of Twelfth Tablet which was not originally included in the poem. What he found there was the story of Inanna who planted the huluppu tree (most probably a willow) in her garden in Uruk so that she could make a throne for herself from its wood. However, when she came back after ten years to cut the tree, it turned out to be inhabited: a serpent was living in its base, a Zu bird (a huge bird with the head of a lion) had the nest with its young in the crown and ki-sikil-lil-la-ke found the home in its trunk. According to the tablet Gilgamesh, asked by Inanna, has smitten the serpent, made the Zu bird fly away to the mountains with its young and ki-sikil-lil-la-ke destroyed her house and fled to the forest. There is not enough evidence to identify Lilith with ki-sikil-lil-la-ke, in fact modern scholars reject this connection. The only thing that can be determined with high probability is the analysis of the tree spirit’s name: ki-sikil means ‘sacred place’, lil is ‘spirit’ and il-la-ke can be either ‘water spirit’ or an owl. According to one of the Sumerian texts, Lilitu is Inanna’s handmaiden, a beautiful prostitute whom the goddess sends to the streets so that she seduce men there.

Moreover, in the texts of incantations from Nippur in Babylon dated back to around 600 BC there is a mention of vardat lilitu meaning a female spirit connected with storms and winds; the word lili itself was associated with magic and demons. According to some hypotheses, the Sumerians and the Akkadians, the native inhabitants of Mesopotamia, were bilingual and their deities became syncretised, in this case in the Sumerian language the spirit was named ki-sikil-lil-la-ke while for the Akkadians the name of the same spirit was Ardat-lili (Ardatû). Lilitu were also present in the myths of Assyrians, the heirs of the Sumerian and the Akkadians, as the demons hunting for women and children associated with lions, deserts, storms and diseases. Originally they were linked to the wind and storms and then to the night and copulating with people while they were sleeping; lilitu were hostile towards families, seduced men (it was believed that sick men were possessed by lilitu), caused infertility, miscarriages, complications during delivery and death of babies. Prostitutes were also called ardatû.

It was not until Jewish culture came that Lilith was distinguished from other night demons and gained her own mythology. Her appearance in the Bible is disputed, the only remark mentioning her is the Book of Isaiah 34: 13 – 15 where the word lilit/lilith is enumerated as one of the impure animals (most probably because of the associations with demons), it is unclear, however, whether the author refers to a particular person or the species of demons. In most translations of Bible into foreign languages lilith is treated as a specified creature bringing bad connotations for the contemporary  who shall nest and lay eggs, hatch them out and gather them in her shadow (in Septuaginta, Greek translation of the Bible, a satyr is an equivalent, being a creature of a significant sexual freedom, an embodiment of the forces of nature, in Vulgata, Latin translation, lilith is translated as Lamia, a figure from Greek mythology who was said to abduct and devour children etc). In the King James Bible, the classical translation to Old and New Testament to English, the word screech owl is used and this manner was generally adapted in further renditions.

 Lilith is given a specific embodiment in modern Jewish texts, particularly Talmud and Kabballah. According to these, she was created by God at the same time and from the same clay as Adam thus was his first wife. Several versions of this story have been noted: either she had been brought to life before Adam was, on the fifth day of creation or just a moment before him or Adam and Lilith were created as one being but Lilith’s soul was lodged in the depths of the Great Abyss until God called her to join Adam lying on the ground as lifeless body, it was not until that moment when God created soul for him and divided a woman from a man. According to yet another version Lilith was not created by God but emanated spontaneously as a separate deity and is connected to the Sefirot of Gevurah in the Tree of Life. There is also an alternative version claiming that Adam&Eve and Lilith& Samael came into living as twin couples of hermaphrodites.

Adam wanted Lilith to have sex with him but when it turned out that she was expected to lie below him, she refused firmly. She could not accept such a position because she was created from the same clay as Adam therefore she was equal to a man, not subjected to him. Infuriated, she spoke the Ineffable Name and flew to the Red Sea. Adam complained to his Creator and Yahwe sent three angels Sanvi, Sansanvi and Semangelaf* to Lilith  to convince her to return. But this made Lilith even more enraged so she refused to come back and began relationship with Samael, an angel rebelled against Yahwe. Angels warned her that if she would not return to Adam, she would have to bear one hundred little demons every day but they would all die. Despite this threat Lilith did not surrender and did not return to Eden. This is why Yahwe created an obedient and subordinate Eve from Adam’s rib and Lilith, out of revenge that her own children die, captures the newly born descendants of Adam. Other legends say that Lilith incarnated as a vengeful serpent who convinced Eve to pluck the apple. It is also said that having been expelled from the Paradise Adam separated from his second wife and lived as a hermit, at that time Lilith returned to him as a demon in his dreams.

We have to remember that the ancient did not know what viruses, bacteria and genetic diseases were, so when a baby was dying or a woman miscarried (and it did happen often) they were explaining it by the intervention of a jealous female demon. This was not only the case of Mesopotamia but also ancient Hellas where the above mentioned Lamia, half – woman, half – serpent came from. Wet dreams were explained in the same way, it was believed that these were incubus and succubus, night spirits, copulating with men and women. In mythology Lilith was presented either as filled with lust that made her seduce men or filled with jealousy over neonates, the root for the legend of murdering them. It must be noted, however, that these two characters have been evolving separately, there is very few stories where Lilith plays both roles. Patriarchal cultures stigmatize women who do not want to be subjected, they are considered to be bad, vicious and culpable; up to this day women who do not agree on arranged marriages or escape abusive husbands are convinced by their relatives to return in order not to dishonour their  families. It is forbidden for a woman living in a patriarchal culture to show desire and interest in sex and most of all it is suggested to her not to wear or behave in a manner that enhances her beauty (but it is man who decides how far is too much, this is where all those ‘explanations’ of rapists that they were provoked come from). Briefly speaking, Lilith’s history is everlasting. To check how to cope with it and not to get mad, please visit the divination meaning below.

IMAGES, SYMBOLS AND ANIMALS

Here is the Burney Relief with the image of Inanna/Ishtar (or Ereshkigal) which has already been discussed in the post about Ishtar. For some time researchers have been identifying the female figure as Lilith for the sake of wings, birdlike feet and being surrounded by birds resembling owls. This assumption was mostly based on the translation of the Twelfth Tablet of  the Epic of Gilgamesh.

The Burney Relief

However, this identification is now being disputed and mostly rejected.

Lilith appears in the early Romantic culture and art thanks to Faust by Johann Goethe and famous portraits by Dante Gabriel Rosetti, the leader of an English art group of Pre-Raphaelites

'Lady Lilith' by Dante Gabriel Rosetti

and of John Collier

'Lilith' by John Collier

Modern culture did not take the odium of a harlot and infanticide off her. Modern day images portray Lilith as having fair skin and long dark hair (in Jewish and Muslim tradition it symbolises dangerous female power of seduction) and staring at the mirror, the symbol of vanity. As a heroine of 19th century book Lilith by George MacDonald she possesses not only all the features that the ancient attributed to her but is also a vampire sucking blood out of people, she is similarly presented in a modern TV – series True Blood. She is treated as the first mother by the occult societies and traditionally connected to the new moon and the zodiac sign of Scorpio.

DIVINATION MEANING

PERSON

 Person shown by this card is strong – willed and adamant, definitely aware of her influence and strengths and knows how to use them (therefore may not be liked by the environment). She may have problems at work due to insubordination and because of intransigence in relationships. Beauty and sensuality attract men to her even in a subconscious way. In negative aspects she cannot deal with inner tension, past experiences, aversion towards men and subconscious fears or complexes (including sexual ones). This card also shows a person who misuses their attractiveness just because they can.

ADVICE

 DO ON BE SCARED TO SAY ‘NO’!

Our culture requires woman to be nice and polite but these requirements limit freedom of thought and behaviour. In the long run it is impossible to meet them without some loss of own psyche. Being nothing but sweetness is deadly. To be ourselves causes us to be exiled by many others, and yet to comply with what others want causes us to be exiled from ourselves.

Being faithful to yourself requires courage and resistance which is not an easy thing to do as women are taught to be nice and please others. When you start setting the boundaries, people in your environment will be reluctant to accept it or may even behave in a hostile way. And yet if you do not do it, you will not acquire positive attitude and respect to yourself. Being submissive and will not make people love you but use you instead.

Give only as much as you really want to give. Being assertive is not easy, people in your environment may try to force you to explain your behaviour or will call you an egoist. Do not let them do that. Speak in a calm way and use simple, short statements e.g., I have no money, I have no time, etc. If anyone insists, do not engage in further discussion, just repeat the same sentence I have no money, I have no time over and over again, s/he will stop soon. Perhaps people in your environment will consider you to be a hag but they will do what they need without your help.

Express yourself clearly. Speak only things you really mean. Be consequent in what you do. Establish rules and stick to them. Giving your energy, time and money to others is good as long you do it with joy, not because you are expected to do it, the latter only leads to frustration and fatigue. You will not make anyone happy in this way.

Be prepared for the fact that showing your power will cause some unfriendly comments. People may suggest that powerful women discourage men, that you should behave in more feminine way, wear more feminine clothes or even play the role of dumb woman (‘sweet idiot’). Note that a man searching for a relationship with a woman will never get advice to be more male, wear more male clothes or play the role of strong man.

Be prepared that if you are being picked up and express your objection clearly, the person who picks you up will try to withdraw, begin to ridicule you or to say, ‘I was only joking’, ‘What were you thinking?’ etc. This tactics is aimed at “softening’ you and weakening your self – esteem but once you say ‘no’, most probably you will not be bothered again.

Think of the reasons why you are in your relationship. Perhaps it is because you are scared of being alone, not because you truly love your partner. If you are scared of being alone then do not expect someone to adore your company. If you are not scared to be alone, you will not be afraid to wait for a worthy person and you will not fritter away in an unsatisfactory relationship.

Make sure you are not dominated by your partner either in emotional, intellectual or financial way. Remember that men and women may differ but are equal. We cannot build happiness on the dependence on someone else. A cage made of gold is still a cage.

Think of whether it is worth to bind your emotions and energy to a person who is not free either legally or emotionally.

You have right to feel desire and want to have sex. Have a positive attitude to your body. Sex is a powerful tool which can either charge you with lots of positive energy or make you feel terribly down. As far as intimacy is concerned you should only do what YOU want to do. Do not let yourself be manipulated. If you do not feel like you want to have sex, do not do it. Do not have sex just because you feel lonely, you are drunk, you want to achieve sth via bed, keep your partner or you think this will make you adult. Sex is an exchange of energy, do not waste yours on a wrong person. Do not be scared to talk about your needs and contraception.

My personal understanding of this card is not to be afraid to talk with children about their bodies, gender and sex (in the range depending on their age). Teach your daughters and sons how to say no and to set boundaries. Teach your daughters and sons that when another person says no they mean no and they have to respect their boundaries. Remember that your children’s future attitude towards relationships and sex is shaped by the behaviour they observe at their home. You also have to teach your children that not all the adults have good intentions and may hurt them.

Never forget that patriarchal culture also hurts men forcing them to play roles they do not want to or cannot bear.

Courage. Freedom. Equality. Strength. Opposition. Independence. Setting boundaries. Refusing to be enslaved. Freedom of mind, heart and body. Moving forward. Surprise.

LOVE

If you are in the relationship:  Lack of satisfaction in relationship. Romance. Partner may not be able to have children. Problems with getting pregnant, miscarriage or complications during delivery. First wife. Lover.

If you are single:  Romance. Being alone by choice. Being with someone who is already in a relationship.

(In both contexts this card warns against sexual harassment or rape)

FINANCES

 Strike. Discontent with present conditions. Inequality in wages for the same amount of work. Discrimination. Exploitation. Abuse at work (including sexual harassment).

HEALTH

 Infectious diseases. Visit your gynaecologist. Endangered parts of the body: sex organs.

CARDS

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton 

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith accompanied by owls in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Lilith in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lilith in The Goddess Power Pack by Cordelia Brabbs

Lilith in The Goddess Power Pack by Cordelia Brabbs  

Lilith fleeing from Eden in Goddess Card Pack by Juni Parkhurst

Lilith in Goddess Card Pack by Juni Parkhurst

 Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Owl – eyed Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 Lilith as Devil in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lilith in Universal Goddess Tarot by Maria Caratti&Antonella Platano

* The names of the same angels were written on the amulets for babies aimed at keeping Lilith away from them. Legend says that the angels sent to bring her back to Eden forced her to promise that she would not attack children wearing amulets with their names.

Based on English Wikipedia (unfortunately, some information used in this post were removed from the current version of the article about Lilith) and http://www.pantheon.org/articles/l/lilith.html

REVIEW: THE GODDESS ORACLE BY AMY SOPHIA MARASHINSKY AND HRANA JANTO

THE GODDESS ORACLE

by Amy Sophia Marashinsky&Hrana Janto

ABOUT THE AUTHORS

AMY SOPHIA MARASHINSKY is a writer, director, theatre producer and spiritual counseller who began her interest in mythology&fairy tales when she was just ten. Her other books and oracle card decks include Mermaid Magic and Oracle of the Grail Code: Restauration of the Feminine.  She has worked in New York, Japan and she currently resides in Western, MA, US.

Find out more about her on her website: http://www.amysophia.com

HRANA JANTO is an artist oriented at fantasy, history and mythology. She has provided images for television, book covers, goddess calendars, magazines and has exibited her work throughout the United States; she also paints portraits and do private commissions. She lives in New York.

Find out more about her on her website: http://www.hranajanto.com

ADVANTAGES

The choice of goddesses to this deck is definitely very good, you will find here not only European and Asian deities but also the African and American ones. It also has to be said that the attention is paid to all the cultures so there is no overrepresentation of any in particular (in other decks I have noticed domination of Celtic or Egyptian goddesses). It was also a good idea to include goddesses which may seem ‘exotic’ to an average user; in the deck you will come across not only Isis, Athena, Freyja or Lakshmi, but also Gyhldeptis, Pachamama, Sheila Na Gig or Vila. Authors ‘have done the homework’ in the field of psychology, psychoanalisys and modern interpretations of ancient myths which can be clearly seen in the choice of some cards such as Baba Yaga (who is considered to be Goddess Mother by my favourite Dr Clarissa Pinkola Estés, she claims that when Christian beliefs were introduced Baba Yaga was condemned as a dangerous witch and pushed away into the subconsciousnes) or Eurynome (who is de facto the main heroine of the Pelasgian creation myth quoted in the Greek Myths by Robert Graves). I also find it very correct that ONLY REAL GODDESSES are included in this deck and authors did not attach such cards as the one of Mary.

Another advantage is the book added to the set which indeed faciliates working with cards. It can be noticed at the first glance because it is much bigger than standard booklets added to similar decks. The content is a real encouragement to do self-work, ask yourself questions and make some effort. It is not a typical  ‘comforting deck’ just as many other oracle cards. I do not always agree with the author but I support her focus on psychology and overcoming problems thanks to our own strength. You will also find invocations and ritual to each goddess apart from the myths and divinationary meanings. Another helpful thing is the name of each card (eg. Amaterasu – Beauty, Aphrodite – Love), it helps to connect and memorise them.

Images of deities are consistent with ancient archetypes and heroines are depicted with their typical animals, plants, symbols, objects and themes. I think that the diversity in showing goddesses is surely appreciated by many users of this deck. Deities are presented in a various ways depending on their origins and the features their worshippers attributed to them: they have different skin and hair colours, types of body, age etc.  Authors  are not afraid to present them nude if it is adequate to their nature. I consider it to be a big advantage of this deck because I have seen the ones where nudity is persistently covered. Perhaps it is due to the times we live in and we are between a rock and a hard place: on one hand we are tempted by all the forms of pornography and on the other in our culture&mentality all the matters associated with body, nudity and sex remain a taboo. Sometimes I get this impression that it was easier to show naked body in ancient Hellas than in contemporary America where it is an offense to morality for a woman to show a breast (even if it is only to feed her child). I think it is also visible in the self censorship which art imposes on itself so I appreciate the authors of The Goddess Oracle even more for not following this hysteria.

DISADVANTAGES

Seeking for disadvantages I came to conclusion that some goddesses seem to be doubled when it comes to meaning such as eg. Yemanya and Oshun or Bast and Sekhmet. Personally I find the size of cards to be the greatest disadvantage; they are really big and thus difficult to shuffle. It would be much more comfortable to have them in smaller or even mini format.

ISSUE

52 cards

a book containing introduction and information how to use the cards plus some example spreads

a box

set

In a book each card is presented in the following way:

– name of a goddess 

– name of a card

– a first person narrated poem representing the goddess

– mythological background

– divination meaning mainly containing qustions for self work

– ritual suggestion

The size of cards is 9,5 x 13 cm

Back sides of cards show Sybil, the legendary Roman clairvoyant who offered her chronicles to the rulers to reveal the future of the city

EXAMPLE CARDS

Athena (as Minerva)

Athena in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Brigid

Brigid in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Demeter

Demeter in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Isis

Isis in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi

Lakshmi in The Goddess Oracle by Amy Sophia Marashinsky&Hrana Janto

Back side

sybil

The Goddesses Oracle © 2006 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1 – 57281 – 546 – 9

Amaterasu
Aphrodite
Artemis
Baba Yaga
Bast
Blodeuwedd
Brigid
Cerridwen
Changing Woman
Coatlicue
Corn Woman
Demeter
Durga
Eostre
The Erinyes
Eurynome
Freyja
Gyhldeptis
Hathor
Hecate
Hestia
Inanna
Isis
Ix Chel
Kali
Kuan Yin
Lady of Beasts
Lakshmi
Lilith
Maat
Maeve
Maya
Minerva
Morgan le Faye
Nu Kua
Nut
Oshun
Oya
Pachamama
Pele
Rhiannon
Sedna
Sekhmet
Shakti
Sheila Na Gig
Sophia
Sphinx
Sulis
Tara
Uzume
Vila
Yemaya