Tag Archives: parvati


I have recently got some nasty comments and emails expressing anger about posting the oracle cards with nude Hindu goddesses on my blog. I ignored them at first but perhaps it is better to explain this matter in a clear and logical way to finish it once and for all. As Michelle from Allo, Allo used to say, Listen very carefully, I shall say this only once.

So here are my three short points.

Primo: writing to me is useless because I am not the author of these images (and I point it clearly on my blog that I post them for cognitive and educational purpose). If you really are so angry that a goddess is presented nude, you should address the painters themselves.

In a very polite way, I suggest.

Secundo: someone wrote to me in this manner:

But u guys need to understand and that is pls stop using the word Mythology … Becos these personalities are not fictional… They are real… U never say bible mythology or quran mythology … And that to whr the world knw these two are formed religions which are formed on faith… Whereas vedic culture is for everybody…

And secondly pls dont depict nude images of Goddesss … They wont present themselves so nude and sensually… They had a divinty in them…. In west that would be the culture…but not in Vedic civilisation…

Well, but IT IS MYTHOLOGY! 😀 Every religion is based on mythology that you for some reasons believe in, whether you like it or not. The fact that you have a certain image of deity in your mind does not mean that this is an exact representation of the divinity. It is just the image your religion instilled in your mind. God/Goddess/higher force does not have to look and behave like this (or they do not have to exist at all as the atheists claim). In fact the more human traits we see in a deity, the more we worship egregore, not the divinity itself. But that is another topic and it is too complicated to explain it here. If you wish to explore this topic, I suggest reading the texts of Rudolf Steiner and Joseph Campbell. If you dare, of course… I must warn you this knowledge may destroy the beliefs you are fond of and broaden yours horizons.

To put things simple: the fact that you believe in a certain image of a deity does not have to imply that everyone else must believe in it, too. This is the basic truth and I shall stick to that even though personally I prefer the traditional art rather than New Age pictures. But if someone feels like showing a god or goddess without clothes, they have the right to do it. People do have the right not to feel the same as you when it comes to different things, including religion or spirituality. In fact, the people of art have always had more freedom in doing so than the worshippers of any religion.

Deal with that.

I also suggest you take a deeper look at your culture and art because as far as I know it is not strictly prohibited to present partially nude deities. Have a look at the murals in Kerala presenting Shiva and Parvati

shiva and parvati

Or the numerous sculptures of Kali (here is the one from Calcutta)


It seems that the attitude to body and sex is not as rigid as in the case of monotheistic religions. I am not even going to mention the sculptures adorning the Khajuraho Temple which could embarrass even the porn stars.

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But sure, if you want to, you can always say I am a Westerner so I cannot understand. I do not care much about it and accusing me of being wrong will automatically make you feel better.

In fact while checking what phrases make people come to this blog, I was puzzled why the combination ‘kali/lakshmi/parvati/durga/saraswati + nude + sex + pics’ appears so often in search. To show you what I mean let me post just a yesterday’s sample:

hindu goddesses1

And it is not a unique case, it has been going like this since many months.

This gives me the right to conclude that some people search for these phrases just to come here and get offended (and show me how offended they are). If you do this, then I am sorry to inform you that such behaviour is pathetic.

Tertio: Do not threaten to sue me. Do not try to make me feel guilty (‘you would not show your mother like this!’). Do not threaten me with bad karma. These are just coarse emotional blackmails and I got quite a blackmail-proof throughout my life. Take care of your own karma and I shall take care of mine.

If you want to see the goddesses the way you were taught, go rather to the temple, do not waste your time on searching on the Internet.

I have written all of that not because I hate the Hindu beliefs. I do not hate religions but I do not have to obey their rules either.

It is perfectly all right to be critical about something and yet respect the people who believe in it. But having respect for somebody does not have to mean following their beliefs.

I hope I made myself clear.



Hindu goddess of time, change and death, a warrior and a demon slayer who also has the aspect of goddess mother, Shiva’s shakti. Her name Kālī is a female form of the word kāla and signifies ‘black, dark one (the colour which is omnipresent before the light appears), time (she is beyond it), death (because it comes with time)’.


Kali first appears in the story about the battle with demons when she jumped out of Durga’s forehead armed with a sword and a loop as the goddess was trying to kill the demon called Raktavija who multiplied whenever a drop of his blood fell down the ground. Kali caused fear with her appearance, a piercing shriek and a thirst for murder. She devoured the slain ones and annihilated Raktavija by sucking the blood out of him. She was so drunk with victory and ichor that she started to dance on the battlefield wreaking havoc and becoming a threat to a further existence of life. She was not listening to any pleas for mercy and did not let anyone stop her until Shiva, her consort, has finally lain down on her path to prevent the extermination of the whole world. This eventually sobered the goddess up and she bit her tongue as a sign of her shame. The image of Kali dancing over Shiva’s body is called Daksinakali. According to another version Shiva appeared on the battlefield disguised as a crying child. When the goddess saw him, she took pity of a baby, embraced and fed with her milk.

It must be added that apart from her warrior aspect, Kali also manifests her gentler nature. According to Tantra Kali is Mahadevi i.e. essence, Divinity Itself and all the three most important gods Brahma, Vishnu and Shiva arise from her ‘like bubbles in the sea’ all the time, constantly ending, arising and passing away, however leaving her intact as the source. Shiva praises her in one of the texts as the Beginning of All, Creatrix, Protectress and Destroyer. She reminds of the inseparability of life and death, helps accept the existing order and encourages to become accustomed to death. Kali is a tough mother though, a Hindu poet Rāmprasād writes about her in this way,

Can mercy be found in the heart of her who was born of the stone?*
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you “Mother, Mother.” You hear me, but you will not listen.

And he later concludes that being Kali’s child means being deprived of earthly wealth and pleasures because the goddess does not give what we want, however this is what lets her worshippers reach beyond material world. Because of her Mahadevi’s aspect she is particularly respected in the Tantric teachings (Shiva laying at her feet is an embodiment of matter and Kali herself represents primordial feminine energy, according to the tantrics without energy the matter itself is lifeless*).

Another legend about Kali and Shiva tells the story of their dancing contest. Having defeated demons, the goddess settled down in the forests of  Thiruvalangadu on the south of India and terrorised its inhabitants with her violent nature. One of Shiva’s worshippers complained to him that he could not meditate in the forest because of her so Shiva decided to talk to Kali. She treated forest as her own territory so Shiva challenged her to a dancing contest. Kali was equal to him in every aspect until the moment when god performed a figure which required exposing sexual organs. Kali strongly refused and agreed to calm down enough to let Shiva’s worshippers perform their religious practices**.

Kali is particularly venerated in the north of India, especially in the region of Bengal and other areas situated within Himalayas (according to a legend Kali originates from these mountains, this is why Rāmprasād is wondering whether he can find compassion in the heart of the one who was born from the stone). A music genre called Shyama Sangeet (Dusky Music) is dedicated to Kali, it was traditionally performed by men but more and more women perform it nowadays. Goddess is venerated during the Kali Puja festival taking place at the new moon in the month of Ashwin (at the turn of September and October) which coincides with Diwali. A particular form of  Kali’s cult is venerating a hand painted image of her called Poteshawri (literary Goddess Drawn On The Piece Of Cloth), it is typical for the city of Shantipur.


Kali is presented as frighteningly skinny woman with bloodshot eyes, dishevelled hair, open mouth and tongue exposed, she wears a tiger skin, a belt of human hands around her waist and a necklace of skulls (traditionally 51 or 108 of them, they represent the Sanskrit letters therefore Kali is considered to be the mother of languages and mantras). She has four arms, one holds khadga (a curved sword or scimitar) or trident, the second onea severed head, the third one – a bowl (or cup made ​​from the skullcatching the dripping blood, and the fourth one is set in the shape of mudra. The weapon symbolises divine wisdom and a severed head signifies human ego explaining clearly that in order to develop soul one must get rid of daily restrictions (these items are usually held in left hands). Right hands set in mudras show that Kali provides support and blessings on the difficult path of self – development and that her follower is never alone.

As Daksinakali she keeps her right foot on the chest of lying Shiva and is accompanied by serpents and a jackal. Her skin is dark (as opposed to Shiva, whose skin is covered with white ashes from the burning pyres).

V0045118 Kali trampling Shiva. Chromolithograph by R. Varma.
When she is presented separately as Mahakala, she has a higher aspect of Mahadevi, the Great Goddess guarding the cosmic order. She is depicted with blue skin, three eyes, ten heads, ten arms and ten legs, each hand holds a different weapon or a sacred object, which symbolises the belief that the power of each of the gods comes from her.
kali ma 1



The person represented by this card is constantly in motion, not afraid of taking risk and will not rest until they reach the target. The person who says the things straight and can enforce their own point of view. Also someone dominant whose presence overwhelms us, a person who seems to suck the energy out of us.

Professions: a member of law enforcement services (military, police, customs, etc.), an athlete, a liquidator, a bailiff, a controller, the person responsible for the restructuring process


It is not the time to be afraid and to hesitate, it is time to act and confront.

If you resist change, life will force you to change anyway but then you may have less options.

Changes are already taking place in your life, you cannot stop them. Even if everything around is falling apart, remember that something new will begin soon. Obstacles stimulate our development, thanks to them you get motivated and achieve what seemed impossible. Problems are necessary for growth. The mind and soul will not develop if they are remaining without challenges for too long.

Following old patterns will not get you anywhere. If a problem was growing for a long time, you will not solve it with the old methods, you need new ones. 

Think of what would you do if you were not afraid.

Key words: Movement. Change. Dance. Lack of control. Hunger. Being drunken. Ecstasy. Insatiability. Conscious or unconscious fear of death. The order of the world. Expressing yourself.


If you are in the relationship:   Time of change which cannot be avoided, either strengthening or ending relationship. Widowhood.

If you are single:  High levels of woman’s libido. Reluctance to permanent relationship. Inability to compromise. Make sure that you do not drink too much alcohol at a party so that you do not wake up in the wrong bed in the morning.


A sudden and inevitable change of situation. Be prepared for arguments among workers or hostile actions from outside. Impoverishment. Work overload, too many duties, feeling burnout. Something that sucks finances out of the company.


Surgery. Amputation of body part(s). Radical therapy. Severe trauma or injury. When surrounded by other alarming cards, it signifies changes caused by proliferating cells. Too much of adrenaline and stress. Lack or excess of energy. Eating disorders. Problems with mental hyperactivity disorder (ADHD, bipolar disorder). Endangered parts of the body: limbs.


A model image of Kali with the symbol of female energy shakti in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Kali in The Goddess Oracle Deck by Thalia Took

Kali in The Goddess Oracle Deck by Thalia Took

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali dancing on Shiva’s body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali dancing on Shiva's body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano as Death

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia.

* Tantra’s teachings are about co-existence and co-dependence of male element (shiva) with the female one (shakti). Tantra says that it is shakti, a creative and dynamic energy which stimulates shiva, a driving and static consciousness to act. The tantrics see it literary because in case of most men their strategic body part rises and “awakes to life” as a reaction to woman’s presence. One of folk tales about deities tells the story of Parvati asking Shiva which one of her ten forms he likes best. He immediately pointed out at Kali because without jewellery, garments, emotions and humanity she is a pure, raw and chaotic energy as terrifying as the time itself and perhaps even greater. When she assumes this free from limitations, wild and uncontrolled form, Shiva lays down at her feet and asks her to put the feet on his heart. Only Shiva is able to tame her and only  Kali is able to enliven him.

** However, when presented on modern images Kali is naked because as a representation of time she is beyond the veil of Maya – Illusion. Kali is perceived as an eternal life force and driving energy providing the existence of the world so the categories of “good” and “evil” cannot be attributed to her. To understand her nature, one must reject this duality and accept the fact that just like death does not exist without life, life cannot exist without death.



A Hindu goddess of learning, knowledge, intelligence, creativity, eloquence, education, craft, enlightement and cosmic order. Saraswati is shakti (female energy) of Brahma and a patroness of literature, art and music. She personifies an already dried out river of the same name and she is also revered in Buddhism as the guardian of Buddha’s teachings to whom adepts adress their requests for protection and help in understanding. The name Saraswati means literary She Who Has Flow*.


At the very beginning Saraswati was a personified the river of the same name but she soon became a separate goddess. There are various versions of her origins in mythology, she is believed to be either Durga or Shiva’s daughter or to come into existence from Vishnu’s left side of the body while he was asleep. Most of all she is venerated as a companion and female energy (shakti) of Brahma the Creator, one the Trimurti (trinity) of the most important gods (Brahma, Vishnu and Shiva) and therefore she belongs to the Tridevi i.e. their female counterparts (Saraswati, Lakshmi and Parvati).

Just like Sophia Saraswati is associated not only with academic knowledge but also with divine wisdom. She appears in important Hindu texts such as Puranas and Vedas where she is described as a deity who appreciates merits rather than form and teaches about superiority of the spiritual beauty over good looks. In a Hindu philosophy of Vedanta Saraswati is an embodiment of knowledge aspect in shakti, feminine force of life, and her worshippers believe she will help them to leave saṃsāra, the wheel of incarnation. She is also one of important figures of Buddhism both in India and in the Far East (China and Japan where she is identified as a Shinto goddess Benzaiten). She is believed to guard the teachings of Buddha and offers protection and help in understanding to the believers.

Main offering to Saraswati is honey, a symbol of absolute wisdom and the most important holiday celebrating her is Saraswati Puja (also called Vasant Panchami or Shree Panchami) which takes place on the first day of Spring, i.e. the fifth day of Magh, the time of late January and early February.  Children are taught to write their first letters, special prayers to Saraswati are organised at schools and universities and the worshippers wear yellow clothes and treat themselves with yellow sweets. In Punjab this festival is known as ‘the Kite Festival’ because children fly kites as the signs of Spring and the beginning of the Holi season. Personally I am very much intrigued by the fact that during Saraswati Puja books and instruments are placed in front of the goddess’ statue or image and on this very day in the year they are not used because she is blessing them. Students also enjoy Saraswati Puja because there are no classes at schools and universities at that time. In southern India this holiday is celebrated on September – October. Saraswati’s most famous place of cult is an 8th century Shringeri Sharadamba Temple situated in Shringeri in Karnataka state.

Similarly to coins being the manifestation of Lakshmi, books and writings are considered to be Saraswati’s manifestation and therefore highly respected (if a book touches the ground or leg by accident, a special gesture called Pranāma is performed as an apology).


Saraswati is depicted as peaceful, serene and beautiful woman wearing a white saree representing  her immaculate nature and clear mind (she sometimes is associated with yellow, the colour of the mustard plant which blooms at the time of Saraswati Puja festival in spring). She sits on a white lotus, a symbol of an absolute truth, experience and wisdom. Contrary to goddess Lakshmi she does not wear much jewellery and the one she has is simple to show clearly that she is not too fond of material goods. She usually has four arms representing either four Vedas or four aspects of human personality in the process of learning: mind, intellect, alertness, and ego. In one hand she holds a book in the form of a scroll which is the symbol of universal, eternal and divine wisdom, in second one she holds mālā, crystal prayer beads, representing the power of contemplation and spirituality, in third one – a pot of water as a sign of creativity and purification and in the fourth one – a musical instrument similar to sitar called vina (veena) showing the perfection of music and arts. She is usually depicted near water which is a reference to the river from which she originates; her figure is reflected on the surface of water which shows her control over emotions and clear, peaceful mind, both are necessary to express oneself precisely.

Saraswati is accompanied by hansa (white swan), goose or peacock at her feet or behind her. Hansa is also her vahana, vehicle; it was believed that given the mixture of milk and water, the bird will only drink milk which symbolizes the ability to distinguish between the good and the evil. Swan is associated with soul, inspiration and higher levels in many cultures  (it is connected to Celtic goddess Brigid who is also the goddess of perfectioning the craft and knowledge; her name means Exalted). Peacock is a symbol of majesty and dignity which is often attributed to a goddesses of high position (peacock is also the sacred animal of Anahita, another water goddess, who was worshipped in Persia and of Hera, a Hellen goddess of matrimony). In 1963 a peacock became India’s national emblem.



In positive meaning this card shows an intelligent, educated and well-read person who is good at self – expressing and is able to write down everything that mind dictates. A person of creative and fertile mind who does not need to make detailed plans because s/he trusts intuition. Someone who does not force things to happen but goes with the flow instead. Person who has an open mind, a fresh look at the matter and perceives it from a broad perspective.

In negative meaning this person is overwise and likes preaching what is right and wrong. This card also shows a talented person who does not develop knowledge nor talent due to laziness. A person who speaks faster than thinks.

Professions: scientist, lecturer, instructor, teacher, a person whose work involves the use of intellect and language, translator, commentator, artist, musician, writer, actor/actress


This card definitely suggests further learning, especially higher education.

Do not let ignorance enter your mind. Do not let yourself fall into mental laziness or lethargy.

Do not concentrate on the material world. If you do, you may be surprised when opening a beautifully wrapped gift box, you will find nothing inside the box.

You spend some time every day on beautifying your body. How often do you beautify your mind?

You provide your body with nutrients. What do you feed your mind with?

Mind and psyche need a good diet and workout just like your body. Do not neglect their needs.

Paying your attention to celebrity gossip websites or silly entertainment programmes is like junk food for your brain. If you keep your mind on such diet, it will not be growing nor developing.

Express your talents either by writing, painting, composing, singing or any other way. Reemember that the need of expressing what lies inside us is the driving force of our existence. Creativity can be expressed by the simplest and the cheapest means. Do not feel ashamed. Keep experimenting.

Time of improving. Wisdom. Speech. Music. Creation. Enlightement. Quality of mind.


If you are in the relationship:  it is possible that you are the teacher in your relationship; you are the wiser who “should surrender” to a partner who is far behind in mental, spiritual and emotional development just like an older sibling to the younger. It is also possible that your partner preaches and admonishes you. In both cases it may cause frustration so to avoid unnecessary suffering be like a river. River does not hold grudges nor it does not stop, it simply flows ahead and overcomes all the obstacles.

If you are single: you demand a lot from the person whom you would like to form the relationship with. That is ok, indeed it makes no sense to be with someone just to be with someone. Do not get frustrated that you are alone, instead spend your free time and energy in a positive way on learning, creating and improving your skills. If you attend any classes aimed at developing your talent, it is probable that you will meet a like-minded person with similar interests.


Investment in the field of education will pay off. Help of a specialist or introducing new technologies is necessary at work. This card also informs that you need the job which guarantees intellectual and creative freedom. It also signifies an excellent subject knowledge and profound education.


Check the flow of fluids in your body regularly. A strong influence of mind on body. Music therapy. Endangered parts of the body: blood vessels especially those situated in head.


Saraswati in Goddesses of the New Light by Pamela Matthews

Saraswati in Goddesses of the New Light by Pamela Matthews

Saraswati in The Goddess Wisdom Cards by Jill Fairchild,  Regina Schaare & Sandra M. Stanton

Saraswati in The Goddess Wisdom Cards by Jill Fairchild,  Regina Schaare & Sandra M. Stanton

Saraswati in Goddess Inspiration Oracle by Kris Waldherr

Saraswati in Goddess Inspiration Oracle by Kris Waldherr

and as High-Priestess in The Goddess Tarot by Kris Waldherr

Saraswati  in The Goddess Tarot by Kris Waldherr

Saraswati in Goddesses Guidance Oracle Cards by Doreen Virtue

Saraswati in Goddesses Guidance Oracle Cards by Doreen Virtue

Saraswati in Oracle of the Goddess by Anna Franklin&Paul Mason

Saraswati in Oracle of the Goddess by Anna Franklin&Paul Mason

Saraswati in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Saraswati in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Saraswati as King of Cups in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Saraswati in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia and http://www.indiaguide.pl/india/brahma_i_saraswati.html .

* Flow both in the meaning of river flow and flow of thoughts, ideas, words etc.


With my special dedication to

Amitabh Ghosh

the Bengali Tiger 😉



Durga is a Hindu warrior goddess, an incarnation of feminine force of creation, preservation and destruction.

Her name means The Inaccessible.  According to myths she appeared when Hindu gods were exhausted by the war with demons led by Mahishasura (‘Buffalo’). He caused chaos and terror in the worlds and he could have been defeated neither by god nor man. A shiny orb propellant flames arose from the anger of Vishnu, Shiva and other gods. The light infiltrated three worlds, concentrated and took the feminine shape. The lady who introduced herself as the form of Brahma, the creator of all gods* had three eyes (left one was associated with the moon and desire, right one – with the sun and activity while the central one was connected with fire and wisdom) and ten or eight arms to be able to carry more weapons. Durga was riding a tiger** and started to slay the demons immediately with the deadly gifts from gods: a club, a loop, a lance, a bow, a disk, a sword, a trident and even a lightning.

When she annihilated all of the demons and stood in front of Mahishasura himself, he initially neglected her saying, How can a woman kill me who has already defeated gods? Durga laughed so mightily that she caused an earthquake and this made the demon realize how dangerous his enemy was. Mahishasura attacked her tiger which infuriated the goddess so much that she caught him with a lasso but he transformed into a lion. Durga beheaded him and yet a clever demon managed to turn into a man with a sword. When she tried to pierce him with her weapon, he took the shape of an elephant, when she cut his trunk down, he changed back to a buffalo and so lasted the duel until Durga’s patience ran out. She blinded him with the light emanating from her body, jumped close to the demon, pinned him to the wall with her trident and beheaded once and for all. Their duel is shown beautifully on this picture:

Durga fighting Mahisasura

According to a Hindu mythology the world is influenced by two forces: the Devs (deities) and the Asurs (demons) who are balanced and cannot win one another. Durga is born from the rage of Devs and their frustration that they cannot defeat the Asurs.  To show the nature of their war I’d like to quote this siteThis personification of cosmic energy is one of the most wonderful and the richest in meanings. Durga’s battle shows an eternal fight between wisdom and ignorance, truth and untruth, Dev’s noble activity maintaining the balance in the world and Asurs’ destructive ego. She defeats the last and the most powerful demon Mahishasura who attacks her under the form of buffalo representing the power of chaos. Durga must also face the  male charm which the Asurs use to seize her power and weapon and she keeps her female dignity and the ability of self-determination.

Durga is self-sufficient and independent from male Hindu gods (they did not create her therefore they have no power over her). She is considered to be an aspect of Goddess Mother and all the other Hindu goddesses are perceived as the emanation of Durga. It must be mentioned that the notion of energy is crucial in Hinduism and the main female energy is Shakti, the feminine element reflected in inspiration, passion, charisma, intensive activity and vitality. Shakti is always paired with Shiva, the male element, and these two create the balance and build the basis of the world. Durga is an emanation of Shakti along with Parvati, Kali and Uma. Durga herself appears in nine forms called Navdurga: Skondamata, Kusumanda, Shailaputri, Kaalratri, Brahmacharini, Maha Gauri, Katyayani, Chandraghanta and Siddhidatri (you can see them here). She knows no fear, she is patient and she never loses the sense of humour even during the battle. Her name is called upon in the cases which seem to be lost.

The main celebration is famous Durga Puja, very popular especially in Bengal, India’s Himalayan regions, Bangladesh and Nepal in late September and October. The holiday lasts ten days because according to the myth the goddess was fighting demons that long. The altars are being built, the figures of Durga are being created, painted, decorated and carried around and finally drowned in the river. Read more about the festival here.


When it comes to pictures she is usually portayed very dynamically while battling Mahishasura, presented in a side profile pose, riding a tiger and holding weapons in all her hands (in this form she is called Mahishasurmardhini – ‘Mahishasura’s Killer’).

However,  in sculptures and figures she is presented statically as a peaceful woman with a gentle and often smiling face.  She holds flower garlands, pearl necklaces, shells and the lotus flowers in her hands or she places fingers in mudras or symbolic gestures.  In this milder form she is called Maha Gauri (‘The Fair Lady’).

The animal mostly associated with her is tiger.



The card of Durga shows a woman who is independent, ambitious and courageous. She is often a boss or she runs her own business.When she wants to achieve something, she does not give up until she gets it and she is able to move heaven and earth for an important purpose. She can also be quarrelsome, requiring, intolerant to different opinions and stubborn. A workaholic. This card represents a boss, a soldier, a police officer, a judge, a social worker, a craftsman (according to one of the legends Durga was leading her own army against demons and after the victory she thanked the warriors by teaching them how to make jewellery).


The problem which you are inquiring about can be resolved by various means (as the proverb says ‘if they don’t let you in through the door, get in through the window’) just like the duel with Mahishasura shows.

Situation requires courage, intransigence, concentration and patience.

Key words: Transformation.  Solitude.  Counting on yourself only. Concentration. Independence. A success gained thanks to patience, ambition and determination.


If you’re single: You have an independent nature and it is difficult for you to compromise. It is possible that your work means more than a relationship. Lack of trust to men caused by bad experiences or bringing up without a father. Men may feel respect to you but not necessairly attraction.

If you’re in a relationship: This card may show tension in a relationship, quarrels, claims, etc. Perhaps one of the partners is dominated by the other. Lack of communication. Transformation.


It is a good time to start your own business or to change the job. If you do not have a job, this card suggests searching for something different than what you used to do. In your resume mention all your diplomas, certificates, skills and abilities even if you consider some of them to be less important, you need to use versatile methods.


Beware of injuries and accidents. Too much stress. Lack of energy or too much energy. Possible imbalance in the body. A disease difficult to diagnose or a long and difficult therapy. With other alarming cards it can signify changes caused by multiplying cells. Endangered parts of the body: limbs, eyes and brain.


Durga in Goddesses of the New Light by Pamela Matthewss.

Durga in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Durga in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Durga in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Durga in The Goddess Power Pack by Cordelia Brabbs

Based on English and Polish Wikipedia and the following pages:   http://www.indiaguide.pl/india/devi_durga_kali.html

*Fire is the male element required to perform an action but when incarnated in the body of a woman it creates peace and harmony.

** According to another version it was a lion.