Tag Archives: paul mason

KALI

KALI

Hindu goddess of time, change and death, a warrior and a demon slayer who also has the aspect of goddess mother, Shiva’s shakti. Her name Kālī is a female form of the word kāla and signifies ‘black, dark one (the colour which is omnipresent before the light appears), time (she is beyond it), death (because it comes with time)’.

ABOUT GODDESS

Kali first appears in the story about the battle with demons when she jumped out of Durga’s forehead armed with a sword and a loop as the goddess was trying to kill the demon called Raktavija who multiplied whenever a drop of his blood fell down the ground. Kali caused fear with her appearance, a piercing shriek and a thirst for murder. She devoured the slain ones and annihilated Raktavija by sucking the blood out of him. She was so drunk with victory and ichor that she started to dance on the battlefield wreaking havoc and becoming a threat to a further existence of life. She was not listening to any pleas for mercy and did not let anyone stop her until Shiva, her consort, has finally lain down on her path to prevent the extermination of the whole world. This eventually sobered the goddess up and she bit her tongue as a sign of her shame. The image of Kali dancing over Shiva’s body is called Daksinakali. According to another version Shiva appeared on the battlefield disguised as a crying child. When the goddess saw him, she took pity of a baby, embraced and fed with her milk.

It must be added that apart from her warrior aspect, Kali also manifests her gentler nature. According to Tantra Kali is Mahadevi i.e. essence, Divinity Itself and all the three most important gods Brahma, Vishnu and Shiva arise from her ‘like bubbles in the sea’ all the time, constantly ending, arising and passing away, however leaving her intact as the source. Shiva praises her in one of the texts as the Beginning of All, Creatrix, Protectress and Destroyer. She reminds of the inseparability of life and death, helps accept the existing order and encourages to become accustomed to death. Kali is a tough mother though, a Hindu poet Rāmprasād writes about her in this way,

Can mercy be found in the heart of her who was born of the stone?*
Were she not merciless, would she kick the breast of her lord?
Men call you merciful, but there is no trace of mercy in you, Mother.
You have cut off the heads of the children of others, and these you wear as a garland around your neck.
It matters not how much I call you “Mother, Mother.” You hear me, but you will not listen.

And he later concludes that being Kali’s child means being deprived of earthly wealth and pleasures because the goddess does not give what we want, however this is what lets her worshippers reach beyond material world. Because of her Mahadevi’s aspect she is particularly respected in the Tantric teachings (Shiva laying at her feet is an embodiment of matter and Kali herself represents primordial feminine energy, according to the tantrics without energy the matter itself is lifeless*).

Another legend about Kali and Shiva tells the story of their dancing contest. Having defeated demons, the goddess settled down in the forests of  Thiruvalangadu on the south of India and terrorised its inhabitants with her violent nature. One of Shiva’s worshippers complained to him that he could not meditate in the forest because of her so Shiva decided to talk to Kali. She treated forest as her own territory so Shiva challenged her to a dancing contest. Kali was equal to him in every aspect until the moment when god performed a figure which required exposing sexual organs. Kali strongly refused and agreed to calm down enough to let Shiva’s worshippers perform their religious practices**.

Kali is particularly venerated in the north of India, especially in the region of Bengal and other areas situated within Himalayas (according to a legend Kali originates from these mountains, this is why Rāmprasād is wondering whether he can find compassion in the heart of the one who was born from the stone). A music genre called Shyama Sangeet (Dusky Music) is dedicated to Kali, it was traditionally performed by men but more and more women perform it nowadays. Goddess is venerated during the Kali Puja festival taking place at the new moon in the month of Ashwin (at the turn of September and October) which coincides with Diwali. A particular form of  Kali’s cult is venerating a hand painted image of her called Poteshawri (literary Goddess Drawn On The Piece Of Cloth), it is typical for the city of Shantipur.

IMAGES, SYMBOLS AND ANIMALS

Kali is presented as frighteningly skinny woman with bloodshot eyes, dishevelled hair, open mouth and tongue exposed, she wears a tiger skin, a belt of human hands around her waist and a necklace of skulls (traditionally 51 or 108 of them, they represent the Sanskrit letters therefore Kali is considered to be the mother of languages and mantras). She has four arms, one holds khadga (a curved sword or scimitar) or trident, the second onea severed head, the third one – a bowl (or cup made ​​from the skullcatching the dripping blood, and the fourth one is set in the shape of mudra. The weapon symbolises divine wisdom and a severed head signifies human ego explaining clearly that in order to develop soul one must get rid of daily restrictions (these items are usually held in left hands). Right hands set in mudras show that Kali provides support and blessings on the difficult path of self – development and that her follower is never alone.

As Daksinakali she keeps her right foot on the chest of lying Shiva and is accompanied by serpents and a jackal. Her skin is dark (as opposed to Shiva, whose skin is covered with white ashes from the burning pyres).

hindu-gods-kali
V0045118 Kali trampling Shiva. Chromolithograph by R. Varma.
When she is presented separately as Mahakala, she has a higher aspect of Mahadevi, the Great Goddess guarding the cosmic order. She is depicted with blue skin, three eyes, ten heads, ten arms and ten legs, each hand holds a different weapon or a sacred object, which symbolises the belief that the power of each of the gods comes from her.
kali ma 1
mahakali

DIVINATION MEANING

PERSON

The person represented by this card is constantly in motion, not afraid of taking risk and will not rest until they reach the target. The person who says the things straight and can enforce their own point of view. Also someone dominant whose presence overwhelms us, a person who seems to suck the energy out of us.

Professions: a member of law enforcement services (military, police, customs, etc.), an athlete, a liquidator, a bailiff, a controller, the person responsible for the restructuring process

ADVICE

It is not the time to be afraid and to hesitate, it is time to act and confront.

If you resist change, life will force you to change anyway but then you may have less options.

Changes are already taking place in your life, you cannot stop them. Even if everything around is falling apart, remember that something new will begin soon. Obstacles stimulate our development, thanks to them you get motivated and achieve what seemed impossible. Problems are necessary for growth. The mind and soul will not develop if they are remaining without challenges for too long.

Following old patterns will not get you anywhere. If a problem was growing for a long time, you will not solve it with the old methods, you need new ones. 

Think of what would you do if you were not afraid.

Key words: Movement. Change. Dance. Lack of control. Hunger. Being drunken. Ecstasy. Insatiability. Conscious or unconscious fear of death. The order of the world. Expressing yourself.

LOVE

If you are in the relationship:   Time of change which cannot be avoided, either strengthening or ending relationship. Widowhood.

If you are single:  High levels of woman’s libido. Reluctance to permanent relationship. Inability to compromise. Make sure that you do not drink too much alcohol at a party so that you do not wake up in the wrong bed in the morning.

FINANCES

A sudden and inevitable change of situation. Be prepared for arguments among workers or hostile actions from outside. Impoverishment. Work overload, too many duties, feeling burnout. Something that sucks finances out of the company.

HEALTH

Surgery. Amputation of body part(s). Radical therapy. Severe trauma or injury. When surrounded by other alarming cards, it signifies changes caused by proliferating cells. Too much of adrenaline and stress. Lack or excess of energy. Eating disorders. Problems with mental hyperactivity disorder (ADHD, bipolar disorder). Endangered parts of the body: limbs.

CARDS

A model image of Kali with the symbol of female energy shakti in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Kali in The Goddess Oracle Deck by Thalia Took

Kali in The Goddess Oracle Deck by Thalia Took

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Goddess Card Pack by Juni Parkhurst

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali in Oracle of the Goddess by Anna Franklin&Paul Mason

Kali dancing on Shiva’s body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali dancing on Shiva's body in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Guidance Oracle Cards by Doreen Virtue

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess Inspiration Oracle by Kris Waldherr

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in The Goddess Power Pack by Cordelia Brabbs

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano as Death

Kali in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia.

* Tantra’s teachings are about co-existence and co-dependence of male element (shiva) with the female one (shakti). Tantra says that it is shakti, a creative and dynamic energy which stimulates shiva, a driving and static consciousness to act. The tantrics see it literary because in case of most men their strategic body part rises and “awakes to life” as a reaction to woman’s presence. One of folk tales about deities tells the story of Parvati asking Shiva which one of her ten forms he likes best. He immediately pointed out at Kali because without jewellery, garments, emotions and humanity she is a pure, raw and chaotic energy as terrifying as the time itself and perhaps even greater. When she assumes this free from limitations, wild and uncontrolled form, Shiva lays down at her feet and asks her to put the feet on his heart. Only Shiva is able to tame her and only  Kali is able to enliven him.

** However, when presented on modern images Kali is naked because as a representation of time she is beyond the veil of Maya – Illusion. Kali is perceived as an eternal life force and driving energy providing the existence of the world so the categories of “good” and “evil” cannot be attributed to her. To understand her nature, one must reject this duality and accept the fact that just like death does not exist without life, life cannot exist without death.

Advertisements

LILITH

LILITH

Goddess of the night, Adam’s first wife who according to Jewish beliefs was created together with him, she, however, rebelled against his need to dominate and fled from Eden. The meaning of her name varies from Night Creature, Night Monster, Demon, Screech Owl, Lady Air, Wind or Spirit.

First I have state clearly that the character of Lilith can be interpreted in two manners, either in the same way as she was perceived by the ancient folks or in a modernised one. I am going to describe how she was depicted throughout the ages but as far as the divinationary section is concerned, I refer to present time reality (and so do most authors of goddesses decks).

ABOUT GODDESS

Creatures resembling Lilith are first mentioned in the Mesopotamian mythology, however they do not take the shape of the characters from subsequent Jewish legends yet. While researching the Epic of Gilgamesh Samuel Noah Kramer studied the text of Twelfth Tablet which was not originally included in the poem. What he found there was the story of Inanna who planted the huluppu tree (most probably a willow) in her garden in Uruk so that she could make a throne for herself from its wood. However, when she came back after ten years to cut the tree, it turned out to be inhabited: a serpent was living in its base, a Zu bird (a huge bird with the head of a lion) had the nest with its young in the crown and ki-sikil-lil-la-ke found the home in its trunk. According to the tablet Gilgamesh, asked by Inanna, has smitten the serpent, made the Zu bird fly away to the mountains with its young and ki-sikil-lil-la-ke destroyed her house and fled to the forest. There is not enough evidence to identify Lilith with ki-sikil-lil-la-ke, in fact modern scholars reject this connection. The only thing that can be determined with high probability is the analysis of the tree spirit’s name: ki-sikil means ‘sacred place’, lil is ‘spirit’ and il-la-ke can be either ‘water spirit’ or an owl. According to one of the Sumerian texts, Lilitu is Inanna’s handmaiden, a beautiful prostitute whom the goddess sends to the streets so that she seduce men there.

Moreover, in the texts of incantations from Nippur in Babylon dated back to around 600 BC there is a mention of vardat lilitu meaning a female spirit connected with storms and winds; the word lili itself was associated with magic and demons. According to some hypotheses, the Sumerians and the Akkadians, the native inhabitants of Mesopotamia, were bilingual and their deities became syncretised, in this case in the Sumerian language the spirit was named ki-sikil-lil-la-ke while for the Akkadians the name of the same spirit was Ardat-lili (Ardatû). Lilitu were also present in the myths of Assyrians, the heirs of the Sumerian and the Akkadians, as the demons hunting for women and children associated with lions, deserts, storms and diseases. Originally they were linked to the wind and storms and then to the night and copulating with people while they were sleeping; lilitu were hostile towards families, seduced men (it was believed that sick men were possessed by lilitu), caused infertility, miscarriages, complications during delivery and death of babies. Prostitutes were also called ardatû.

It was not until Jewish culture came that Lilith was distinguished from other night demons and gained her own mythology. Her appearance in the Bible is disputed, the only remark mentioning her is the Book of Isaiah 34: 13 – 15 where the word lilit/lilith is enumerated as one of the impure animals (most probably because of the associations with demons), it is unclear, however, whether the author refers to a particular person or the species of demons. In most translations of Bible into foreign languages lilith is treated as a specified creature bringing bad connotations for the contemporary  who shall nest and lay eggs, hatch them out and gather them in her shadow (in Septuaginta, Greek translation of the Bible, a satyr is an equivalent, being a creature of a significant sexual freedom, an embodiment of the forces of nature, in Vulgata, Latin translation, lilith is translated as Lamia, a figure from Greek mythology who was said to abduct and devour children etc). In the King James Bible, the classical translation to Old and New Testament to English, the word screech owl is used and this manner was generally adapted in further renditions.

 Lilith is given a specific embodiment in modern Jewish texts, particularly Talmud and Kabballah. According to these, she was created by God at the same time and from the same clay as Adam thus was his first wife. Several versions of this story have been noted: either she had been brought to life before Adam was, on the fifth day of creation or just a moment before him or Adam and Lilith were created as one being but Lilith’s soul was lodged in the depths of the Great Abyss until God called her to join Adam lying on the ground as lifeless body, it was not until that moment when God created soul for him and divided a woman from a man. According to yet another version Lilith was not created by God but emanated spontaneously as a separate deity and is connected to the Sefirot of Gevurah in the Tree of Life. There is also an alternative version claiming that Adam&Eve and Lilith& Samael came into living as twin couples of hermaphrodites.

Adam wanted Lilith to have sex with him but when it turned out that she was expected to lie below him, she refused firmly. She could not accept such a position because she was created from the same clay as Adam therefore she was equal to a man, not subjected to him. Infuriated, she spoke the Ineffable Name and flew to the Red Sea. Adam complained to his Creator and Yahwe sent three angels Sanvi, Sansanvi and Semangelaf* to Lilith  to convince her to return. But this made Lilith even more enraged so she refused to come back and began relationship with Samael, an angel rebelled against Yahwe. Angels warned her that if she would not return to Adam, she would have to bear one hundred little demons every day but they would all die. Despite this threat Lilith did not surrender and did not return to Eden. This is why Yahwe created an obedient and subordinate Eve from Adam’s rib and Lilith, out of revenge that her own children die, captures the newly born descendants of Adam. Other legends say that Lilith incarnated as a vengeful serpent who convinced Eve to pluck the apple. It is also said that having been expelled from the Paradise Adam separated from his second wife and lived as a hermit, at that time Lilith returned to him as a demon in his dreams.

We have to remember that the ancient did not know what viruses, bacteria and genetic diseases were, so when a baby was dying or a woman miscarried (and it did happen often) they were explaining it by the intervention of a jealous female demon. This was not only the case of Mesopotamia but also ancient Hellas where the above mentioned Lamia, half – woman, half – serpent came from. Wet dreams were explained in the same way, it was believed that these were incubus and succubus, night spirits, copulating with men and women. In mythology Lilith was presented either as filled with lust that made her seduce men or filled with jealousy over neonates, the root for the legend of murdering them. It must be noted, however, that these two characters have been evolving separately, there is very few stories where Lilith plays both roles. Patriarchal cultures stigmatize women who do not want to be subjected, they are considered to be bad, vicious and culpable; up to this day women who do not agree on arranged marriages or escape abusive husbands are convinced by their relatives to return in order not to dishonour their  families. It is forbidden for a woman living in a patriarchal culture to show desire and interest in sex and most of all it is suggested to her not to wear or behave in a manner that enhances her beauty (but it is man who decides how far is too much, this is where all those ‘explanations’ of rapists that they were provoked come from). Briefly speaking, Lilith’s history is everlasting. To check how to cope with it and not to get mad, please visit the divination meaning below.

IMAGES, SYMBOLS AND ANIMALS

Here is the Burney Relief with the image of Inanna/Ishtar (or Ereshkigal) which has already been discussed in the post about Ishtar. For some time researchers have been identifying the female figure as Lilith for the sake of wings, birdlike feet and being surrounded by birds resembling owls. This assumption was mostly based on the translation of the Twelfth Tablet of  the Epic of Gilgamesh.

The Burney Relief

However, this identification is now being disputed and mostly rejected.

Lilith appears in the early Romantic culture and art thanks to Faust by Johann Goethe and famous portraits by Dante Gabriel Rosetti, the leader of an English art group of Pre-Raphaelites

'Lady Lilith' by Dante Gabriel Rosetti

and of John Collier

'Lilith' by John Collier

Modern culture did not take the odium of a harlot and infanticide off her. Modern day images portray Lilith as having fair skin and long dark hair (in Jewish and Muslim tradition it symbolises dangerous female power of seduction) and staring at the mirror, the symbol of vanity. As a heroine of 19th century book Lilith by George MacDonald she possesses not only all the features that the ancient attributed to her but is also a vampire sucking blood out of people, she is similarly presented in a modern TV – series True Blood. She is treated as the first mother by the occult societies and traditionally connected to the new moon and the zodiac sign of Scorpio.

DIVINATION MEANING

PERSON

 Person shown by this card is strong – willed and adamant, definitely aware of her influence and strengths and knows how to use them (therefore may not be liked by the environment). She may have problems at work due to insubordination and because of intransigence in relationships. Beauty and sensuality attract men to her even in a subconscious way. In negative aspects she cannot deal with inner tension, past experiences, aversion towards men and subconscious fears or complexes (including sexual ones). This card also shows a person who misuses their attractiveness just because they can.

ADVICE

 DO ON BE SCARED TO SAY ‘NO’!

Our culture requires woman to be nice and polite but these requirements limit freedom of thought and behaviour. In the long run it is impossible to meet them without some loss of own psyche. Being nothing but sweetness is deadly. To be ourselves causes us to be exiled by many others, and yet to comply with what others want causes us to be exiled from ourselves.

Being faithful to yourself requires courage and resistance which is not an easy thing to do as women are taught to be nice and please others. When you start setting the boundaries, people in your environment will be reluctant to accept it or may even behave in a hostile way. And yet if you do not do it, you will not acquire positive attitude and respect to yourself. Being submissive and will not make people love you but use you instead.

Give only as much as you really want to give. Being assertive is not easy, people in your environment may try to force you to explain your behaviour or will call you an egoist. Do not let them do that. Speak in a calm way and use simple, short statements e.g., I have no money, I have no time, etc. If anyone insists, do not engage in further discussion, just repeat the same sentence I have no money, I have no time over and over again, s/he will stop soon. Perhaps people in your environment will consider you to be a hag but they will do what they need without your help.

Express yourself clearly. Speak only things you really mean. Be consequent in what you do. Establish rules and stick to them. Giving your energy, time and money to others is good as long you do it with joy, not because you are expected to do it, the latter only leads to frustration and fatigue. You will not make anyone happy in this way.

Be prepared for the fact that showing your power will cause some unfriendly comments. People may suggest that powerful women discourage men, that you should behave in more feminine way, wear more feminine clothes or even play the role of dumb woman (‘sweet idiot’). Note that a man searching for a relationship with a woman will never get advice to be more male, wear more male clothes or play the role of strong man.

Be prepared that if you are being picked up and express your objection clearly, the person who picks you up will try to withdraw, begin to ridicule you or to say, ‘I was only joking’, ‘What were you thinking?’ etc. This tactics is aimed at “softening’ you and weakening your self – esteem but once you say ‘no’, most probably you will not be bothered again.

Think of the reasons why you are in your relationship. Perhaps it is because you are scared of being alone, not because you truly love your partner. If you are scared of being alone then do not expect someone to adore your company. If you are not scared to be alone, you will not be afraid to wait for a worthy person and you will not fritter away in an unsatisfactory relationship.

Make sure you are not dominated by your partner either in emotional, intellectual or financial way. Remember that men and women may differ but are equal. We cannot build happiness on the dependence on someone else. A cage made of gold is still a cage.

Think of whether it is worth to bind your emotions and energy to a person who is not free either legally or emotionally.

You have right to feel desire and want to have sex. Have a positive attitude to your body. Sex is a powerful tool which can either charge you with lots of positive energy or make you feel terribly down. As far as intimacy is concerned you should only do what YOU want to do. Do not let yourself be manipulated. If you do not feel like you want to have sex, do not do it. Do not have sex just because you feel lonely, you are drunk, you want to achieve sth via bed, keep your partner or you think this will make you adult. Sex is an exchange of energy, do not waste yours on a wrong person. Do not be scared to talk about your needs and contraception.

My personal understanding of this card is not to be afraid to talk with children about their bodies, gender and sex (in the range depending on their age). Teach your daughters and sons how to say no and to set boundaries. Teach your daughters and sons that when another person says no they mean no and they have to respect their boundaries. Remember that your children’s future attitude towards relationships and sex is shaped by the behaviour they observe at their home. You also have to teach your children that not all the adults have good intentions and may hurt them.

Never forget that patriarchal culture also hurts men forcing them to play roles they do not want to or cannot bear.

Courage. Freedom. Equality. Strength. Opposition. Independence. Setting boundaries. Refusing to be enslaved. Freedom of mind, heart and body. Moving forward. Surprise.

LOVE

If you are in the relationship:  Lack of satisfaction in relationship. Romance. Partner may not be able to have children. Problems with getting pregnant, miscarriage or complications during delivery. First wife. Lover.

If you are single:  Romance. Being alone by choice. Being with someone who is already in a relationship.

(In both contexts this card warns against sexual harassment or rape)

FINANCES

 Strike. Discontent with present conditions. Inequality in wages for the same amount of work. Discrimination. Exploitation. Abuse at work (including sexual harassment).

HEALTH

 Infectious diseases. Visit your gynaecologist. Endangered parts of the body: sex organs.

CARDS

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton 

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith accompanied by owls in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Lilith in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lilith in The Goddess Power Pack by Cordelia Brabbs

Lilith in The Goddess Power Pack by Cordelia Brabbs  

Lilith fleeing from Eden in Goddess Card Pack by Juni Parkhurst

Lilith in Goddess Card Pack by Juni Parkhurst

 Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Owl – eyed Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 Lilith as Devil in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lilith in Universal Goddess Tarot by Maria Caratti&Antonella Platano

* The names of the same angels were written on the amulets for babies aimed at keeping Lilith away from them. Legend says that the angels sent to bring her back to Eden forced her to promise that she would not attack children wearing amulets with their names.

Based on English Wikipedia (unfortunately, some information used in this post were removed from the current version of the article about Lilith) and http://www.pantheon.org/articles/l/lilith.html

LAKSHMI

LAKSHMI

A Hindu goddess of abundance, wealth, prosperity both in the material and spiritual field, fertility, generosity, good luck, splendour, light, wisdom and courage. An incarnation of shakti, the feminine energy and an embodiment of beauty, charm and grace. She is also venerated as Mahalakshmi and her name in its full form means ‘Remover of Universal Agonies’. She is also called Śri, Padma, Thirumagal or Gunas. Some Hindu beliefs such as Sri Vaishnava consider her to be Iswarigm sarva bhootanam i.e. the supreme deity, not only the goddess of wealth.

ABOUT GODDESS

Lakshmi came to being during Samudra Manthan, the quest to get amrit by churning the Ocean of Milk. At the very beginning both Devas (gods) and Asuras (demons) were mortal but they all wanted to become immortal. Therefore they decided to stop wars against one another, call a truce and collaborate together to churn Kshirsagar – ‘The Ocean of Milk’ in order to get amrit (soma), a nectar which granted immortality and eternal youth. They used Mount Mandarachala and Vasuki, the king of serpents as their churning rode and churning rope; Devas stood on one side, Asuras on the other and they started to pull back and forth. Fourteen precious objects appeared during churning, among them

– Kamadhenu, divine cow granting wishes,

– a seven – headed horse,

– Kaustubha, the most valuable jewel in the world which was later worn by Vishnu

– Parijat, an ever-blossoming tree

– Varuni, the goddess of wine

– the moon

– the sun

– and last but not least goddess Lakshmi. Emerging from the petals of a lotus, she amazed everyone and de concentrated Asuras. Because of her associations with lotus (she was either resting in the flower or holding it in her hand) she is called Padma (‘Lotus Dweller’). Vishnu has immediately fallen in love with her and she soon became his consort; it is believed that she accompanies him in all his incarnations.

Lakshmi is considered to be the shakti of Vishnu (his feminine power). She grants well-being to her followers, brings a stroke of luck and protects against any poverty and worries caused by material issues. She is also an intermediary between her husband Vishnu and the humankind; a protectress who influences the fate, mitigates disputes and is more approachable than her husband, that is why the Hindu call upon him through Lakshmi (she resembles Christian Mary in this aspect). She is also a personification of spiritual energy Kundalini and believed to be the Mother of Universe.

It has to be noticed that Hinduism stresses the fact that wealth and abundance are not restricted to the material area but also spiritual one as they are related.  Lakshmi’s divinity is also manifested through Fame, Knowledge, Courage, Strength, Victory, Children, Valour, Gold, Gems, Grain, Happiness, Bliss, Intelligence, Beauty, Higher Aims, High Thinking, Higher Meditation, Morality, Ethics, Good Health, Long Life and other examples of well being. Ashta Lakshmi (eight Lakshmis, goddess’ secondary expressions) are distinguished in her cult: Adi Lakshmi, Dhana Lakshmi, Dhanya Lakshmi, Gaja Lakshmi, Santana Lakshmi, Veera Lakshmi, Vijaya Lakshmi, Vidya Lakshmi). Ashta Lakshmi are represented by an eight pointer star called the star of Lakshmi

star of lakshmi

This is why money is treated as a manifestation of the goddess; when a coin falls down or touches a foot, the gesture of Pranāma is performed (person first touches the coin with the finger tip of their right hand and then their forehead and/or chest). Similarly this gesture is the apology for books and written materials which are treated as the manifestation of goddess Saraswati.

Another earthly manifestation of Lakshmi is a cow. Cattle is treated as a sign of wealth in various religions, not only in Hinduism but also Buddhism, Zoroaster and European beliefs. Cows were respected also in ancient Egypt, Hellas and Rome; cow is a central figure of creation myth in the legends of Germanic tribes (Audhumla). Those of you who have basic knowledge of runes surely know that the sign which begins the Elder Futhark, Fehu, is associated with cattles because cows and bulls were the visible evidence of wealth. Hindu texts suggest that a cow is an embodiment of many gods and goddesses, Lakshmi resides at its hind part.

cow fehuv

Lakshmi conditions life according to Hindu beliefs, without her there would not be harvests, air to breathe nor offspring therefore she is called pranadayini (“giver of vital life-sustaining energy”). For that reason Lakshmi can be identified with Hellenic Demeter as the goddess of vegetation and life force, in fact one of Lakshmi Puran(a) legends resembles the one about abducting Kore. Shriya, a woman originating from a lower caste, was so devoted to the goddess that she visited her in person which resulted in the anger of god Balabhadra. He forbade Lakshmi entry to the temple and the goddess became so sad that she left the place and went to her father. However, with her departure all the wealth and abundance disappeared from the temple and Balabhadra had to beg for food. It was at that time that he realised his mistake, he came to Lakshmi to apologise her and invite back to the temple to which she agreed.

The Hindu venerate her every day but her sacred time is October with Diwali, the Festival of Lights, when small olive lamps are traditionally brought in front of the house for Lakshmi to give her blessing to the family dwelling in it. An offering of food and sweets is given to her, Lakshmi’s followers pray and chant a litany of her 108 names. It is believed that on that night Lakshmi descends to Earth on her owl to remove poverty, stagnation and laziness and showers her worshippers with wealth. It is a special day for the Hindu when they give presents to one another and go gambling because Lakshmi is considered to be the one who brings good luck. She is also celebrated during the full moon of Ashvin (September – October) in the Eastern state of Orisa during the holiday called Sharad Purnima (or Kumar Purnima, purnima meaning ‘the full moon’). It is one of the most important and the most popular festivals in the state; it lasts up to ten days filled with singing, dancing and decorating Lakshmi’s figures. Young girls are given new clothes as presents, they prepare food offerings for the sun in the morning and go fasting the whole day and having performed rituals eat them when the moon rises. Sharad Purnima is said to release so much joy and positive energy that even non-Hindu participate in the celebrations. The Hindu also thank Lakshmi for the harvest in the month of Mrigashirsha (December – January) during the festival Manabasa Gurubara (also called Lakshmi Puja), houses are decorated with flowers and garlands each Thursday and the traces of feet are painted on the stairs as if Lakshmi entered the household. All the rituals are performed by housewives, rice is given to the goddess as an offering and then eaten by the family and the legend of Lakshmi Puran(a) is told in the evening. It is also the time of closing the year of trade, new trade books are established and sacrificed to Lakshmi in any places dealing with circulation of merchandise.

Traditionally the chakras of heart and solar plexus are attributed to Lakshmi.

IMAGES, SYMBOLS AND ANIMALS

Lotus is traditionally attributed to Lakshmi, she has numerous nicknames connected to this flower (Padma – ‘Lotus Dweller’, Padmamaladhara Devi – ‘The One Who Wears a Garland of Lotuses’, Padmamukhi -‘ The One Whose Face Is as Beautiful as a Lotus’ etc). Lotus symbolises the force and fertility of plants; the Hindu myths claim that the world constantly revives from the lotus placed on the Vishnu’s belly button. Her sacred animal is cow but she is usually depicted accompanied by two elephants. An animal associated with her is owl symbolising royalty, sharp eyes and intelligence; both an owl and an elephant are her vahana, ‘vehicle’ i.e.  animals identified with a particular deity (e.g. a tiger and a lion are assigned to Durga).

Lakshmi is depicted peaceful and smiling either sitting or standing on a large lotus. She wears a saree made from red (a symbol of permanent activity) or gold (a symbol of fulfilment) material, she usually has golden jewellery and a golden crown with rubies, her hair is dark and wavy and her skin has a golden tone. Lakshmi typically pours coins out of her hand while in her three other arms she holds a jar with gold, a sheaf of grain or presents a mudra.

DIVINATION MEANING

Person

A person with a warm, creative, protective, tender, energetic and joyful personality who attracts people. The person who is beautiful both inside and outside. Somebody who suddenly appears in our lives to help us and brings us optimism and joie de vivre. Somebody whom we feel free and happy with. In negative this card signifies a person lacking Lakshmi’s energy: complaining, avaricious, rigid, self – limiting, focusing on the negative, poor not necessarily in the financial field but rather spiritually.

Professions: all the professions connected with the flow of money, food processing and agriculture, a teacher, a guardian, a psychologist, people working in the gambling and lottery industry

ADVICE

Wealth is manifested both in the material and the spiritual field, the first one appears in the form of objects while the second one in the form of health, optimism, friendship, courage etc. Even having few objects you can still be rich as long as you do not lack mental and spiritual capital. Thanks to wisdom and spirit you can always get more objects while having a lot of objects would not make you happy and fulfilled. Wealth can be manifested through the quality of your life: satisfactory job, loving partner, children bringing joy, good health, free time, devoted friends etc. Wealth based on objects is never enough and keeps demanding for more.

Think of your actual attitude to money. Coin is a symbol that people adopted as a determinant of worth and of exchange of goods, it is also a manifestation of life – giving abundance which Higher Forces pour onto you. As long as you remember that money is a mean, not the ultimate goal, you do not have to feel shame or any other negative emotions about owning. Money is an energy too, and it attracts likewise energy. If you concentrate your thoughts on lack of money and think of yourself as a poor person, it is rather doubtful that you will get more money. If you start thinking that you will not lack anything, you will program your subconsciousness in a positive way. Your subconsciousness has a bigger influence in decision-making process than you would expect. A mind open to abundance does not guarantee high numbers on your bank account but closing it with fear and anxieties will certainly not attract prosperity nor wealth neither. Free yourself from thinking focused on lack, it is not a one time activity but a long term process. Start repeating to yourself, I always have money or Money come to me easily. You do not even have to believe it, just repeat it to yourself every day for a couple of months. When money is flowing, energy is flowing, too. Invite abundance and luxury by buying yourself a small gift (and do not feel guilty about it).

Be responsible for what you have. Apply a reasonable balance between gathering and spending. Do not forget that even having a small income, you can give others a lot simply by your wisdom, involvement or at least smile and kindness. Welcome wealth in your life no matter what form it takes. When you spend money, do not think that you are losing it, focus on what you are gaining.

Being successful in the financial field does not necessarily mean you are shallow or not spiritual.

Watch over your wealth, if you use it for a wrong purpose, it will get you into trouble.

There are some features which describe a wealthy mind. Try to perceive the world like a child does: everything is a new and fresh opportunity. This is what wealthy mind does. Energy follows attention so be careful where you direct it. Your perception helps in changing your reality. Concentrate on achieving your goals but do not forget to have fun, too. Authenticity, serenity and flexibility are like gold for your psyche.

BE THANKFUL FOR EVERY MANIFESTATION OF WEALTH IN YOUR LIFE

(I rarely suggest visualisations in my posts but the image of Lakshmi is itself a visualisation, it is easy to imagine her pouring coins at you and a light emanating from a lotus calms you down and fills you with serenity).

Love

If you are in the relationship: a good card if you ask about marriage and offspring, possible pregnancy. A very good life partner who makes you blossom. In negative: a miser or somebody who does not show emotions.

If you are single: a new partner may appear in your life as a complete surprise, it is worth to give the new relationship a try.

Finances

In most cases this card gives a positive answer to a question concerning finances. It suggests the flow of money or an investment.

Health

Good health. An excess or deficiency of nutrients in body. Risk of obesity and diabetes. Check the level of cholesterol. Endangered parts of the body: stomach, pancreas, colon, intestines.

CARDS

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi in the Goddesses of the New Light by Pamela Matthews

Lakshmi with Vishnu as Wheel of Fortune in The Goddess Tarot by Kris Waldherr

Lakshmi in The Goddess Tarot by Kris Waldherr

and in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Goddess Inspiration Oracle by Kris Waldherr

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in Oracle of the Goddess by Anna Franklin&Paul Mason

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lakshmi as King of Coins in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lakshmi in Goddess Guidance Oracle Cards by Doreen Virtue

Lakshmi w Goddess Guidance Oracle Cards by Doreen Virtue

and in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in Ascended Masters Oracle Cards by Doreen Virtue

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in The Oracle of the Goddess Gayan by Sylvie Winter&Jo Dosé

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in Goddess Card Pack by Juni Parkhurst

Lakshmi in The Goddess Oracle Deck by Thalia Took

Lakshmi w The Goddess Oracle Deck by Thalia Took

Lakshmi with Vishnu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmiin Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Lakshmi in The Goddess Power Pack by Cordelia Brabbs

Based on: http://jyotish.yogamaya.pl/index.php?op … Itemid=104
http://en.wikipedia.org/wiki/Cattle_in_religion http://www.priestservices.com/our-services/gho-pooja/, http://www.goseva.net/cowanddivinity.aspx

Save

HESTIA (VESTA)

HESTIA (VESTA)

A Hellenic goddess of house, home, hearth and family as well as order and organisation. Hestia is Cronus and Rhea’s eldest daughter and a sister to Demeter, Hera, Zeus, Poseidon and Hades. She has never got married nor had children herself.  There was Hestia’s sacred hearth in every house,  village or town of the ancient Hellenic world and the first offering was always dedicated to this goddess. Her name means hearth, fireside. She was venerated in Rome as Vesta and considered to be one of the top deities of a Roman pantheon.

ABOUT GODDESS

Hestia was highly respected for her immaculate nature. She disapproved bloodshed, did not participate in wars and intrigues, did not gossip nor was spiteful. She valued peace most and apparently was disgusted by the behaviour of Olympic deities because she gave her place in the council of gods to Dyonisos as soon as he came to the mount (there could be no more than twelve deities in the Olympian council). Despite Poseidon and Apollo’s wooing she decided to stay a virgin.

Hestia was particularly respected as a goddess literary closest to people. She resembles an Egyptian goddess Maat in the way that she does not appear in a lot of myths and does not have many temples, she is, however, a base of social order in Hellas and her cult is manifested through rituals. A hearth was situated in the centre of a Hellenic house, giving the inhabitants warmth and shelter when darkness fell, being a place where both sacrifices were offered to gods and food was prepared for people. When a baby was born, it was carried around a hearth and the family was asking the goddess for blessings, the child was then put on a cooled down ash of a heart to introduce it to heaven and earth. A marriage rite in ancient Hellas focused on a hearth too; a bride’s mother was lightning a torch up in the hearth of her house and was carrying it in a procession to newly-weds’ house where a new fire was lit up, from that moment marriage was considered to be concluded. Prayers have always begun with invoking Hestia, women have asked her to protect their children and grandchildren; she was also called upon before setting off a journey to help travellers come back home safely. It was a form of an early divination to observe a smoke from burning altars to see whether gods accepted the offering or not: if the smoke was rising straight to heavens, it was an omen of gods’ grace but if the smoke was circling down among altars, it signified that deities were not supportive.

Her sacred flame was present in every Hellenic settlement, people were watching over it carefully because if fire extinguished, it would signify gods’ disgrace (on a more practical level it was not easy to rekindle it in the times when matches have not been invented yet). The flame was only extinguished to be ritually renewed during the purification ceremonies. When ships were leaving Hellas to start a new colony, there was always a flame from the city they were setting off. This flame burning in a new place was a symbol of unity between the colony and its hometown. Outlaws and those escaping a vengeance or being chased, found a refugee by her altar, no one could hurt them from that moment on because they were protected by the goddess.

Hestia’s cult as Vesta has developed in a special way in Rome where her temple was the only sacral building of a round shape and having a roof to protect the sacred flame against the rain. Similarly to the inhabitants of Hellas, Romans also believed that fire represented their state and it was essential to keep it burning, however according to Georges Dumezil* they have associated Vesta strictly with earth and its burning core hidden under a crust which was sometimes breaking through  e.g during the eruption of a volcano. They also noticed the connection of fire with the nature’s cycles, cultivation and life, especially with the beginning of life**. Also similarly to Hellas, Vesta’s altar was a hearth in atrium; she was likewise associated mainly with women who generally functioned in a family space, not a public one. Interestingly, when it comes to order of Roman prayers Vesta was called upon as the last deity, not the first one as in Hellas.

Vesta’s sacred fire was watched over by six (seven in the end-stage era of Rome) vestal virgins i.e. Vesta’s priestesses. The service at the temple lasted thirty years; Rome’s high priest (pontifex maximus) was choosing girls of preschool age originating from the patrician families who were to move to a three storey building of Atrium Vestae near forum.

220px-Vestalvirgins11

Here is the reconstruction.

220px-Casa-vestali

There were twelve younger girls in the house apart from main vestal virgins, they were adepts who were preparing themselves to the service in the goddess’ temple and vowed chastity for thirty years (it liberated them from the custody of their fathers and other men, a vestal virgin was the daughter of a state). The thirty years of service was divided into three decades: for the first ten years they were learning, for the next ten years they watched over the fire and for the last ten years they were teaching young girls. There were not many requirements for a girl to become a vestal virgin, she only had to be healthy and sane, both her parents had to be alive and Roman citizens (at first only patricians, later also plebeians were included). In case of one of vestal virgins’ sudden death, candidates to take her place were presented, the only requirement was woman’s good opinion; she didn’t have to be neither a child nor a virgin, usually young widows or even divorcees were appointed (although divorcees were considered to bring bad luck). Vestal virgins were easily recognised by their apparel, apart from a regular tunic and stola, they were wearing a white woollen fillet called infula, a white woollen veil worn during rituals and sacrifices called suffibulum,  white and red woollen ribbons symbolising Vesta’s fire and the vow of chastity and a long shawl draped over a left shoulder called palla.

200px-Vestalin

Vestal virgins’ duties included keeping the fire from extinguishing (allowing that happen was punished by flogging), bringing water from a sacred spring, taking care of sacred objects such as palladium***, preparing ritual food and mola salsa, a mixture of salt, flour and wheat, which was later used to sprinkle animal victims. Vestal virgins were so respected that they were often put in charge of executing testaments  (this is what Julius Cesar and Mark Anthony did among others). Any inhabitant of Rome could receive fire to take it to their house and in the times of Empire, Vesta’s hearth was considered to be the emperor’s household fire.

Breaking the vow of chastity was punished by being buried alive in a tomb on Campus Sceleratus (Evil Field) with a supply of food and water for a couple of days only. This way of punishing resulted from the interdiction of spilling blood and burying within the city limits. During one thousand years of Vesta’s fire cult only several of such cases were noted. The one from 114 bC is particularly interesting when as many as three Vestal virgins Aemilia,  Marcia and Licinia were condemned death for ‘multiple adultery’; most probably their processes were fabricated and they became scapegoats. Evidence against them included the Sibylline prophecies and witnesses describing literally orgies taking place in the Vestal house; the process itself was provoked by a thunder striking a travelling girl so superstitious Romans immediately thought of that as of gods’ anger and started to search for a reason***. According to the legend Rhea Silvia, daughter of King Numitor of Alba Longa was also punished this way. Numitor’s brother seized the throne and forced Rhea Silvia to become a Vestal virgin hoping this will prevent her from giving birth to a potential avenger who in turn would deprive him of power. However, Mars the god of war took advantage of Rhea Silvia who gave birth to twins Remus and Romulus. Children were left in a forest to die there, luckily their divine father sent a she-wolf to feed them with her own milk. Shame on him that he show no similar care about their mother and did not save her from the consequences that she had to face because of him; after all such deux ex machina (unexpected turn of events) is often featured in myths of Hellenic gods who seduced mortal women.

This story may be the symbol of how women were treated in Rome, it must be noted that comparing with average female inhabitants Vestal virgins were an exception. They were ‘the daughters of Rome’, so did not belong to their fathers, brothers or sons, they were respected, could act independently, vote, possess and manage property, give oaths because their word was trusted without question. They were free to travel in a carriage preceded by a lictor, they were participating in celebrations and performances with the right to sit in a reserved place of honour and had right to free a condemned prisoner (which they showed by touching him,  also if a person sentenced to death saw a Vestal on his way to an execution place was automatically pardonned). Because of Vestal virgins’ immaculate reputation they were entrusted with particularly valuable state documents such as treaties. Their person was sacrosanct so every attack on a Vestal virgin was considered to be a coup d’etat and punished by death for treason.

The chief Vestal (Virgo Vestalis Maxima or Vestalium Maxima – ‘the greatest, the eldest of Vestals’) was the only woman to be included in the College of Pontiffs gathering all the high priests of native Roman cults. After 30 years of service a former Vestal virgin was obtaining a pension and had the right to leave the temple, get married and give birth to children. A marriage to a former Vestal was considered to be a huge honour and very lucky. Emperor Elagabalus did something more and married a Vestal virgin Aquilia Severa who was an officeholder at the time of her marriage. It was a very logical thing to do from his point of view as a follower of Eastern religions (vide post about Ishtar and the instytution of sacred marriage between a king and a high priestess), however the Romans considered it to be a sacrilege.

The flame in the temple was renewed every year on March 1st and the goddess’ festival called Vestalia was celebrated between 7th and 15th of June. The temple was the place where no one except of Vestal virgins had access to but on the first day of festival mothers were allowed to enter it to bring the offering of food.

Vesta’s flame had been burning in Rome for about nine centuries until it was extinguished in 391/394  of our era when Emperor Theodosius forbade any other religions than Christianity. According to contemporary recordings Serena, a Christian and Emperor’s adopted daughter, entered Vesta’s temple, took a necklace off the statue of Rhea Silvia and put it on. An old woman, Coelia Concordia, the last Virgo Vestalis Maxima, got indignant seeing such an act of sacrilege and prophesied a punishment to her. Indeed, Serena had later the dreams about her own death (and she died executed during the siege of Rome in 409, accused of conspiring with the enemy and high treason). An old Vestal was not the only one who got outraged at what Theodosius was doing; plenty of Romans was saying aloud that the sack of Rome in 410 by the Visigoths led by King Alaric and the following fall of an actual power of Roman Empire was a punishment for a Christian annihilation of cults celebrating deities who were protecting the Eternal City for almost one thousand years.

IMAGES, SYMBOLS AND ANIMALS

Some  sculptures of Hestia remained presenting her as a majestic woman wearing simple clothes and a veil and holding a stick or a staff in a hand. She was, however, mainly represented by a hearth and a burning flame itself.

Hestia

DIVINATION MEANING

PERSON

In positive meaning the person shown by this card is peaceful and balanced, often working in the profession dealing with implementing law or ensuring that everything is done in accordance to procedures. Somebody who values tradition and order and does not want to violate them. In negative meaning a person who is passive, conformist, shallow and superficial; possibly avoids making decisions and wants to make everybody happy. This person may be too strict and rigid and sticks to the decision made earlier no matter what. A person who is very much devoted to family and house.

Profession: an official, a clerk, a police officer, a firefighter, an auditor, a controller, an architect, an interior designer, parent working at home or a housewife/househusband, a clergy person, a priest/priestess, a monk/nun.

ADVICE

This cards concentrates mostly on family life as well as law&official cases. Make sure everything is ok in these areas of your life. Try to smooth over disputes with your loved ones, Hestia encourages you to be gentle. Even if you disagree with somebody, you do not have to impose your own opinions on them. Remember that holding grudges and keeping anger inside is mostly harmful to you.

Perhaps you do not have your own space in the house or it is only the place to sleep before you leave early for work. Your home should be your retreat and shelter from rush, stress and anger , not another source of them. If you cannot stand the atmosphere at home, this card definitely suggests moving out. You choose who should be in your environment. Either biological or emotional family gives us support and the feeling of continuity and belonging to a larger whole. Home is above all the feeling of belonging.

It is good to take care of your flat or house because your environment influences directly your mood, the level of energy and the ability to regenerate. This card suggest a major clean up or repairs, throwing unnecessary things away and rearranging your space. If you live in a house without a fireplace, you may consider installing it; you would be surprised how much it may improve the spirits at home.

In the situation you are inquiring you should act honestly and lawfully, otherwise consequences may be very serious.

This card also suggests a certain ritual: regardless of your religion or lack of faith, you should light a candle and/or an incense at least for a couple of minutes every day and while staring at it rethink your day, attitude and behaviour. Learn from your mistakes and then clean your mind from negative thoughts. We are accustomed to the fact that altar is situated at church and yet even the simplest domestic activities may be sacred. It is worth to follow the ancient who offered sacrifices and prepared food on the same hearth. What is intended for the body must be paired with what is intended for the spirit.

Never let your inner flame extinguish. Soul needs warmth to bloom.

Family. Home. House or flat. Religion. Law. Rules. Tradition. Journey. Celebrations and festivals. City.

LOVE

If you are in the relationship: Marriage or official confirmation of a relationship. Do not forget to fan the flame in the relationship, otherwise it will be extinguished. Provide warmth in mutual relations. A moment when casual matters begin to dominate reality.

If you are single: Perhaps you pay too much attention to external aspect of romantic relationship. If you want your partner to declare their feelings, propose and start a family too fast, you may startle a potential candidate. Beware of thinking I want to be in a relationship with anyone, just not to be alone. Reluctance to engage emotionally. An inner need to remain single.

FINANCES

Promotion. A strong position. Respect of co-workers. Restriction of freedom. An influence of law or office on your work and the way it functions. An official control in your workplace. To resolve the problem you are inquiring you should follow precisely the letter of the law. Work at home.

HEALTH

Fever. Inflammation. Body temperature fluctuations. Exacerbation of medical conditionPatient care at homeExcess or lack of energy.  Endangered parts of the body: heart, arteries, reproductory system, small intestine.

CARDS

As I mentioned above Hestia/Vesta was manifesting herself through the fire itself, not necessarily through statues. This is why I appreciate the cards from Thalia Took and Kay Stevenson’s decks which represent her in this way:

Hestia in The Goddess Oracle Deck by Thalia Took (as Vesta)

Hestia in The Goddess Oracle Deck by Thalia Took

Hestia in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Hestia in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Hestia in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Hestia in The Goddess Oracle deck by Hrana Janto&Amy Sophia Marashinsky

Hestia in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton (as Vesta)

Hestia in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Hestia in Goddesses of the New Light by Pamela Matthews (as Vesta)

Hestia in Goddesses of the New Light by Pamela Matthews

Hestia in Oracle of the Goddess by Anna Franklin&Paul Mason (as Vesta)

Hestia in Oracle of the Goddess by Anna Franklin&Paul Mason

Hestia in Goddess Guidance Oracle Cards by Doreen Virtue (as Vesta)

Hestia in Goddess Guidance Oracle Cards by Doreen Virtue

Hestia in The Goddess Power by Cordelia Brabbs (as Vesta)

Hestia in The Goddess Power by Cordelia Brabbs

Beware! Hestia from Goddesses&Sirens by Stacey Demarco&Jimmy Manton (as Vesta) will hit you with a candlestick in a momentgrinrotfl2!

Hestia from Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Hestia with her lips pumped up with silicone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Hestia in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Hestia as Ten of Cups in in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Hestia in Universal Goddess Tarot by Maria Caratti&Antonella Platano

*Georges Dumezil, a French philologist exploring the roots of proto-Indo – European, presents numerous similarities between the Vedic (Agni), Persian and Hestia/Vesta cult of fire. The cult of fire and purity remained to this very day in the Zoroaster rites. Similarities with Celtic goddess Brigid are obvious, too.

** Esoteric tradition recognises Fire as the beginning, the first element followed by Water, Air and Earth. First four figures of Major Arcana in Tarot correspond to this division: The Mage, The High Priestess, The Empress and The Emperor as well as the traditional order of Minor Arcana: Wands (Fire), Chalices (Water), Swords (Air) and Coins (Earth).

***It also included protecting sacred objects such as palladion, a wooden statue of Pallas Athena which as the legend says was saved by Aeneas from burning Troy. Palladium was the symbol of city and its civilisation.

**** Additionally these are recordings of stories which seem very similar to Middle – Age legends. One of them tells the story of a Vestal virgin Tuccia who brought the water from the Tiber to the temple of Vesta in a sieve to prove her innocence (told by Pliny the Elder). Another legend speaks about a Vestal virgin Aemilia who let the sacred flame extinguish by accident and asked Vesta to protect her against the punishment. She rekindled the flame miraculously by throwing a piece of garment on the coals of the hearth (it brings the resemblance with Brigid and clooties).

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://books.google.pl/books?id=cRS3E3u3HuAC&pg=PA104&lpg=PA104&dq=114+b.c.+vestal+virgins&source=bl&ots=KmguiRMVfX&sig=i6sp2-vfotMzp9TBhRX_reS2n7g&hl=en&sa=X&ei=1nu3T6SZCdDHtAbez7nzBw&redir_esc=y#v=onepage&q=114%20b.c.%20vestal%20virgins&f=false , http://www.roman-colosseum.info/roman-clothing/vestal-virgins-clothing.htm .

Save

ISHTAR

ISHTAR

Babylonian and Assyrian goddess of love, fertility, sensuality, sexuality and war, Anu’s daughter, Ereshkigal’s sister and Tammuz’s lover. She represents two aspects of Venus: as the Morning Star she brings love and as the Evening Star she causes war. Similarly to Sumerian Inanna  and Phoenician Astarte  she is the Queen of Heaven and that’s what most likely her name means.

ABOUT GODDESS

In most myths Ishtar was either the daughter of Anu, the god of heaven or Sin/Nanna, the god of the moon. Although she was very much attracted to men, her love brought them bad luck. When Ishtar wanted to seduce Gilgamesh, he rejected her saying that she was not faithful. It infuriated Ishtar so much that she complained about the hero to her father Anu and demanded punishment for him. Quoting the fragments of Tablet VI of Epic of Gilgamesh

He washed out his marred hair and cleaned up his equipment,
shaking out his locks down over his back,
throwing off his dirty clothes and putting on clean ones.
He wrapped himself in regal garments and fastened the sash.
When Gilgamesh placed his crown on his head,
a princess Ishtar raised her eyes to the beauty of Gilgamesh.
“Come along, Gilgamesh, be you my husband,
to me grant your lusciousness.’
Be you my husband, and I will be your wife.
I will have harnessed for you a chariot of lapis lazuli and gold,
with wheels of gold and ‘horns’ of electrum (…)

Gilgamesh addressed Princess Ishtar saying:
“What would I have to give you if I married you!
Do you need oil or garments for your body! Do you lack anything for food or drink!
I would gladly feed you food fit for a god,
I would gladly give you wine fit for a king (…)
Where are your bridegrooms that you keep forever’
Where is your ‘Little Shepherd’ bird that went up over you!
See here now, I will recite the list of your lovers (…)
You loved the Shepherd, the Master Herder,
who continually presented you with bread baked in embers,
and who daily slaughtered for you a kid.
Yet you struck him, and turned him into a wolf,
so his own shepherds now chase him
and his own dogs snap at his shins.
You loved Ishullanu, your father’s date gardener,
who continually brought you baskets of dates,
and brightened your table daily.
You raised your eyes to him, and you went to him:
‘Oh my Ishullanu, let us taste of your strength,
stretch out your hand to me, and touch our vulva.
Ishullanu said to you:
‘Me! What is it you want from me!
Has my mother not baked, and have I not eaten
that I should now eat food under contempt and curses
and that alfalfa grass should be my only cover against the cold?
As you listened to these his words
you struck him, turning him into a dwarf,
and made him live in the middle of his (garden of) labors,
where the mihhu do not go up, nor the bucket of dates down.
And now me! It is me you love, and you will ordain for me as for them!”

When Ishtar heard this, in a fury she went up to the heavens,
going to Anu, her father, and crying,
going to Anrum, her mother, and weeping:
“Father, Gilgamesh has insulted me over and over,
Gilgamesh has recounted despicable deeds about me,
despicable deeds and curses!”
Anu addressed Princess Ishtar, saying: “What is the matter?
Was it not you who provoked King Gilgamesh?
So Gilgamesh recounted despicable deeds about you,
despicable deeds and curses!”
Ishtar spoke to her father, Anu, saying:
“Father, give me the Bull of Heaven,
so he can kill Gilgamesh in his dwelling.
If you do not give me the Bull of Heaven,
I will knock down the Gates of the Netherworld,
I will smash the door posts, and leave the doors flat down,
and will let the dead go up to eat the living!
And the dead will outnumber the living!”

Anu addressed princess Ishtar, saying:
“If you demand the Bull of Heaven from me,
there will be seven years of empty husks for the land of Uruk.
Have you collected grain for the people!
Have you made grasses grow for the animals?”
Ishtar addressed Anu, her father, saying:
“I have heaped grain in the granaries for the people,
I made grasses grow for the animals,
in order that they might eat in the seven years of empty husks.
I have collected grain for the people,
I have made grasses grow for the animals.”
When Anu heard her words, he placed the noserope of the Bull of Heaven in her hand.
Ishtar led the Bull of Heaven down to the earth.

Enkidu stalked and hunted down the Bull of Heaven.
He grasped it by the thick of its tail
and held onto it with both his hands,
while Gilgamesh, like an expert butcher,
boldly and surely approached the Bull of Heaven.
Between the nape, the horns, and… he thrust his sword.

Ishtar went up onto the top of the Wall of Uruk-Haven,
cast herself into the pose of mourning, and hurled her woeful curse:
“Woe unto Gilgamesh who slandered me and killed the Bull of Heaven!”
When Enkidu heard this pronouncement of Ishtar,
he wrenched off the Bull’s hindquarter and flung it in her face:
“If I could only get at you I would do the same to you!
I would drape his innards over your arms!”

Even gods were helpless while faced Ishtar’s power. Gilgamesh’s words about the Shepherd refer to her adolescent lover Tammuz, the god of nature, vegetation and shepherds who died because of her. Most probably getting him back was the reason why she entered the Underworld as it is described in Descent of the Goddess Ishtar into the Lower World*. Queen of Heaven has to descend into Irkalla, the Underworld, called the land of no return in the poem. Proud goddess stands before the gatekeeper and orders him to let her in and bring her to her sister Ereshkigal, Queen of Underworld.

Gatekeeper, ho, open thy gate!
Open thy gate that I may enter!
If thou openest not the gate to let me enter,
I will break the door, I will wrench the lock,
I will smash the door-posts, I will force the doors.
I will bring up the dead to eat the living.
And the dead will outnumber the living.

Although Ishtar is divine being, she belongs to the world of the living so the gatekeeper is not entitled to simply let her in. He consults his ruler, Queen Ereshkigal, and she allows him to enter Ishtar but he can only do it according to the ancient decree. It means that Ishtar must pass seven gates and leave a piece of garment or jewellery at each of them. When she finally reaches Ereshkigal she is stark naked and enraged. She throws herself at her sister who orders her servant Namtar, the god of death and pestilence, to imprison Ishtar and unleash sixty diseases against her. This makes goddess fall into a lethargy similar to death.

When Ishtar is closed in the Underworld, the whole sexual activity disappears from Earth, animals stop mating and people sleep separately. Of course it causes anxiety of gods, especially Ea, the supreme deity who is told the news about Ishtar by the god Papsukal. Wise Ea creates an intersex being called Asu – shu – namir and sends him to Ereshkigal to demand the bag containing the waters of life in the name of all the most important gods. Queen of the Underworld is very much displeased about the order but she cannot refuse. Asu – shu – namir sprinkles Ishtar with water of life and revives her. Goddess is passing seven gates again regaining the garments and jewellery which she left there.

Tammuz and Ishtar’s myth has similar features as Greek Adonis and Aphrodite mourning him  (it comes as no surprise for those who know that Aphrodite’s cult came to Hellas through Cyprus from the East). Since summer solstice the time of mourning Tammuz began in the countries of ancient Middle East; when the days were getting shorter it was believed that he descended into the Underworld so his symbolic funeral rites were taking place for six days. There is an evidence of these celebrations even in the Old Testament, Then he brought me to the entrance of the north gate of the house of the Lord, and I saw women sitting there, mourning the god Tammuz  (Ezekiel 8:14 NIV). Even today July is named Tammuz in Hebrew and an Iraqi dialect of Arabic.

Ishtar’s cult was most popular in the cities of Uruk, Nineveh, Ashur and Arbela. It was the fertility cult which is why it involved  so called sacred prostitution, Ishtar herself had numerous lovers and no husband (no children of hers are mentioned in myths neither). Herodotus claimed that each woman in Babylon had the duty to arrive to Ishtar’s temple once a lifetime and to have a sexual intercourse with the man who pays for that. It has to be said that Herodotus was not an objective observer and modern researches assume that this custom was not as common nor perceived in the way the traveller described it.  If this custom was true, it was not what we perceive as prostitution today; a sexual intercourse itself was an act of faith in Ishtar. Even the Old Testament recognises the difference as it distinguishes between the words kedeshah (qedesha) meaning ‘consecrated woman’ who lives in a temple and zonah signifying the woman having sex for money. It is important to mention that it was not until monotheistic religions that the fear of woman, her body and sex was introduced to the system of beliefs. It is only the Old Testament which makes woman in her menstrual days or puerperal period ‘impure’, in the cults based on cycles, agriculture and fertility woman’s body was valuable itself because it carried a new life to the world. Kedeshah had a high position in the society, she was allowed to start a family and to hold other offices. It was Judaism that first introduced the rule excluding women from priesthood and this common law was later continued by Christianity and Islam. Basing on archaeological and cultural research we can now assume that the custom of Hieros Gamos (sacred marriage) was conducted. It involved the king of Sumer and the High Priestess of Inanna and this practice was preserved in the times of Babylon when Inanna began to be worshipped as Ishtar. New king’s power was legitimized when he spent one night in the temple of Inanna during the 10th day of New Year in the month of Akitu. No exact description of rite was preserved but it was ‘the marriage of Heaven and Earth’  which was aimed at bringing fecundity and fertility in the coming year. It is also worth mentioning that not only kedeshah but also other words describing female temple titles were translated as ‘prostitute’. These include qadishtu, entu and naditu (it may come as a surprise to find out that naditu were obliged to keep sexual abstinence zeby). All these women have originated from higher classes and had a high social status; most probably only entu were taking part in the rites of Hieros Gamos but still it is dubious to call it prostitution. Additionally it is also assumed that especially in the city of Arbela, the cult of Ishtar involved prophesying, performed predominantly by women similarly to the Pythia in the Hellenic sanctuary of  Delphi.

Ishtar was one of Babylon and Assyria’s main deities and to honour her King Nebuchadnezzar II built and named the north gate to the city of Babylon after the goddess.  The Ishtar Gate was created around 575 bC, it consisted of roof and doors made of cedar tree and the walls constructed using different types of bricks including glazed ones; it was decorated with lapis lazuli tiles and reliefs showing lions, Ishtar’s sacred animals, mušḫuššu (a hybrid of a dragon, an eagle and a cat) dedicated to god Marduk and aurochs of god Ardad. The Processional Way went through the gate and each year at the time of New Year the inhabitants of Babylon were using this path to arrive to the temple of Marduk. The Ishtar Gate had been considered to be one of the seven wonders of an ancient world until it was replaced by the Lighthouse of Alexandria on the island of Pharos. The gate was excavated and partially reconstructed in the thirties of last century and it is now displayed in the Pergamon Museum in Berlin. A replica was also constructed in Iraq in the place where it was located in ancient times.

Reconstruction in Berlin:

SAMSUNG DIGIMAX 420 Pergamonmuseum_Ishtartor_06

OLYMPUS DIGITAL CAMERA   the Ishtar Gate

Details from the Ishtar Gate and a building inscription of King Nebuchadnezzar

details from the Ishtar Gate

Pergamonmuseum_Ishtartor_02

BerlC3ADn_-_Pergamon_-_Porta_d27Ishtar_-_Lleons

450px-Pergamon_Museum_Berlin_2007085

A miniature model of the Procession Way with the Ishtar Gate

Pergamon_Museum_Berlin_2007110

620px-Pergamon_Museum_Berlin_2007109

800px-Pergamon_Museum_Berlin_2007108

Original excavation site from the beginning of the 20th century and a modern replica in Iraq

Ishtar-gate-D8A8D988D8A7D8A8D8A9-D8B9D8B4D8AAD8A7D8B1

modern replica in Iraq

IMAGES, SYMBOLS AND ANIMALS

Lion was Ishtar’s sacred animal. Ishtar herself was considered to be a divine personification of planet Venus, traditionally depicted as eight – pointed star. The images which survived the antiquity show her as the goddess of war standing on lions and holding weapon.

Ishtar standing on lions

ishtar_7

ishtar_5

Ishtar Ishtar

assyrian-ishtar

ishtar-cow-calf

ishtar-and-worshipper

As Queen of the Night

ishtar_2

ishtar_8

ishtar_1

DIVINATION MEANING

Person

The person shown by this card is strong, self – assured, courageous and not afraid of taking risks. She is beautiful, sensual and full of passion, she is eager to meet new people, especially men. In her negative aspect she is arrogant, haughty and spoilt; she may be convinced that she is like the Eight Wonder of the World and she has the power to do whatever she wants. She treats sex as a game, sport or mean to achieve sth and does not get involved in it emotionally.

ADVICE

It is time to come back to life and joy. Get rid of what is holding you back and keeping you hidden, grieving, angry, guilty and ashamed. Draw conclusions from your mistakes but do not concentrate your whole attention on them.

Be courageous. Start out. You will not gain anything by standing in the same place. Leave chaos behind you, you are worth much more than being stuck in it. You were not born to stay in the darkness but to radiate. You do have strength and knowledge to make your plans work.

Think about your attitude towards your body and sex. Are they limitations in your life or the source of joy?

Time for joy, entertainment and romance. Feel good in your body. Spread your wings.

Courage. Devotion. Time of rejuvenation. Beauty. Sex appeal. Sexuality. Fertility. Conjunction.

The star of hope shines over you even in the greatest darkness.

Love

If you are in the relationship: sacrifice or compromise especially to get the partner back, in case of an argument this card suggests taking the first step to reconciliation.

If you are single: a good time for a romance but not so good for searching a lifetime partner. It is possible that your sensuality raises concerns because  sexual freedom has for ages been tolerated in case of men, but not women.

Finances

Time to act and to put your plans into practice. Risk will pay off. Beware of conflicts between co-workers or exterior hostile activity. Romance at work.

Health

Beware of accidents and injuries. Check the level of hormones. Risk of obesity and diabetes. You have to exercise more. Possible urine system infection or kidney stones. Do not forget to protect yourself from sexually transmitted diseases. Endangered parts of the body: face, neck, parathyroid, pharynx, kidneys, bladder, adrenals, sexual hormones, reproductive system.

CARDS

Ishtar as Strength in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano, I think it is a very adequate assignment

Ishtar in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

A beautiful representation of Ishtar as Queen of Heaven with the crown of planets and zodiac signs in Goddesses of the New Light by Pamela Matthews

Ishtar in Goddesses of the New Light by Pamela Matthews

Ishtar with her gate in the background in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Ishtar in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Ishtar in Oracle of the Goddess by Anna Franklin&Paul Mason

Ishtar in Oracle of the Goddess by Anna Franklin&Paul Mason

Image in Goddess Guidance Oracle Cards by Doreen Virtue was painted by Jonathan Earl Bowser wherein it must be clearly stated that original one depicts Cleopatra, not Ishtar. You can check the original painting here

Ishtar in Goddess Guidance Oracle Cards by Doreen Virtue

Ishtar with lions and eight – pointed star in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Ishtar in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Ishtar in the darkness of Irkalla but still with the shining star above her head in The Goddess Oracle Deck by Thalia Took

Ishtar in The Goddess Oracle Deck by Thalia Took

Ishtar in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Ishtar in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Ishtar in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Ishtar in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Based on the myth of Descent Of The Goddess Ishtar Into The Lower World, Epic of Gilgamesh,  http://www.themystica.com/mythical-folk … shtar.html, http://www.matrifocus.com/SAM05/spotlight.htm, http://www.matrifocus.com/SAM08/spotlight.htm, http://en.wikipedia.org/wiki/Ishtar , http://en.wikipedia.org/wiki/Sacred_prostitution , http://en.wikipedia.org/wiki/Hieros_gamos , http://www.kchanson.com/ANCDOCS/meso/ishtarins.html , http://www.thaliatook.com/AMGG/ishtar.html

* There are also other explanations why Ishtar descended into the Underworld, I will develop the topic in the post concerning Inanna.

Save

SARASWATI

SARASWATI

A Hindu goddess of learning, knowledge, intelligence, creativity, eloquence, education, craft, enlightement and cosmic order. Saraswati is shakti (female energy) of Brahma and a patroness of literature, art and music. She personifies an already dried out river of the same name and she is also revered in Buddhism as the guardian of Buddha’s teachings to whom adepts adress their requests for protection and help in understanding. The name Saraswati means literary She Who Has Flow*.

ABOUT GODDESS

At the very beginning Saraswati was a personified the river of the same name but she soon became a separate goddess. There are various versions of her origins in mythology, she is believed to be either Durga or Shiva’s daughter or to come into existence from Vishnu’s left side of the body while he was asleep. Most of all she is venerated as a companion and female energy (shakti) of Brahma the Creator, one the Trimurti (trinity) of the most important gods (Brahma, Vishnu and Shiva) and therefore she belongs to the Tridevi i.e. their female counterparts (Saraswati, Lakshmi and Parvati).

Just like Sophia Saraswati is associated not only with academic knowledge but also with divine wisdom. She appears in important Hindu texts such as Puranas and Vedas where she is described as a deity who appreciates merits rather than form and teaches about superiority of the spiritual beauty over good looks. In a Hindu philosophy of Vedanta Saraswati is an embodiment of knowledge aspect in shakti, feminine force of life, and her worshippers believe she will help them to leave saṃsāra, the wheel of incarnation. She is also one of important figures of Buddhism both in India and in the Far East (China and Japan where she is identified as a Shinto goddess Benzaiten). She is believed to guard the teachings of Buddha and offers protection and help in understanding to the believers.

Main offering to Saraswati is honey, a symbol of absolute wisdom and the most important holiday celebrating her is Saraswati Puja (also called Vasant Panchami or Shree Panchami) which takes place on the first day of Spring, i.e. the fifth day of Magh, the time of late January and early February.  Children are taught to write their first letters, special prayers to Saraswati are organised at schools and universities and the worshippers wear yellow clothes and treat themselves with yellow sweets. In Punjab this festival is known as ‘the Kite Festival’ because children fly kites as the signs of Spring and the beginning of the Holi season. Personally I am very much intrigued by the fact that during Saraswati Puja books and instruments are placed in front of the goddess’ statue or image and on this very day in the year they are not used because she is blessing them. Students also enjoy Saraswati Puja because there are no classes at schools and universities at that time. In southern India this holiday is celebrated on September – October. Saraswati’s most famous place of cult is an 8th century Shringeri Sharadamba Temple situated in Shringeri in Karnataka state.

Similarly to coins being the manifestation of Lakshmi, books and writings are considered to be Saraswati’s manifestation and therefore highly respected (if a book touches the ground or leg by accident, a special gesture called Pranāma is performed as an apology).

IMAGES, SYMBOLS AND ANIMALS

Saraswati is depicted as peaceful, serene and beautiful woman wearing a white saree representing  her immaculate nature and clear mind (she sometimes is associated with yellow, the colour of the mustard plant which blooms at the time of Saraswati Puja festival in spring). She sits on a white lotus, a symbol of an absolute truth, experience and wisdom. Contrary to goddess Lakshmi she does not wear much jewellery and the one she has is simple to show clearly that she is not too fond of material goods. She usually has four arms representing either four Vedas or four aspects of human personality in the process of learning: mind, intellect, alertness, and ego. In one hand she holds a book in the form of a scroll which is the symbol of universal, eternal and divine wisdom, in second one she holds mālā, crystal prayer beads, representing the power of contemplation and spirituality, in third one – a pot of water as a sign of creativity and purification and in the fourth one – a musical instrument similar to sitar called vina (veena) showing the perfection of music and arts. She is usually depicted near water which is a reference to the river from which she originates; her figure is reflected on the surface of water which shows her control over emotions and clear, peaceful mind, both are necessary to express oneself precisely.

Saraswati is accompanied by hansa (white swan), goose or peacock at her feet or behind her. Hansa is also her vahana, vehicle; it was believed that given the mixture of milk and water, the bird will only drink milk which symbolizes the ability to distinguish between the good and the evil. Swan is associated with soul, inspiration and higher levels in many cultures  (it is connected to Celtic goddess Brigid who is also the goddess of perfectioning the craft and knowledge; her name means Exalted). Peacock is a symbol of majesty and dignity which is often attributed to a goddesses of high position (peacock is also the sacred animal of Anahita, another water goddess, who was worshipped in Persia and of Hera, a Hellen goddess of matrimony). In 1963 a peacock became India’s national emblem.

DIVINATION MEANING

Person

In positive meaning this card shows an intelligent, educated and well-read person who is good at self – expressing and is able to write down everything that mind dictates. A person of creative and fertile mind who does not need to make detailed plans because s/he trusts intuition. Someone who does not force things to happen but goes with the flow instead. Person who has an open mind, a fresh look at the matter and perceives it from a broad perspective.

In negative meaning this person is overwise and likes preaching what is right and wrong. This card also shows a talented person who does not develop knowledge nor talent due to laziness. A person who speaks faster than thinks.

Professions: scientist, lecturer, instructor, teacher, a person whose work involves the use of intellect and language, translator, commentator, artist, musician, writer, actor/actress

ADVICE

This card definitely suggests further learning, especially higher education.

Do not let ignorance enter your mind. Do not let yourself fall into mental laziness or lethargy.

Do not concentrate on the material world. If you do, you may be surprised when opening a beautifully wrapped gift box, you will find nothing inside the box.

You spend some time every day on beautifying your body. How often do you beautify your mind?

You provide your body with nutrients. What do you feed your mind with?

Mind and psyche need a good diet and workout just like your body. Do not neglect their needs.

Paying your attention to celebrity gossip websites or silly entertainment programmes is like junk food for your brain. If you keep your mind on such diet, it will not be growing nor developing.

Express your talents either by writing, painting, composing, singing or any other way. Reemember that the need of expressing what lies inside us is the driving force of our existence. Creativity can be expressed by the simplest and the cheapest means. Do not feel ashamed. Keep experimenting.

Time of improving. Wisdom. Speech. Music. Creation. Enlightement. Quality of mind.

Love

If you are in the relationship:  it is possible that you are the teacher in your relationship; you are the wiser who “should surrender” to a partner who is far behind in mental, spiritual and emotional development just like an older sibling to the younger. It is also possible that your partner preaches and admonishes you. In both cases it may cause frustration so to avoid unnecessary suffering be like a river. River does not hold grudges nor it does not stop, it simply flows ahead and overcomes all the obstacles.

If you are single: you demand a lot from the person whom you would like to form the relationship with. That is ok, indeed it makes no sense to be with someone just to be with someone. Do not get frustrated that you are alone, instead spend your free time and energy in a positive way on learning, creating and improving your skills. If you attend any classes aimed at developing your talent, it is probable that you will meet a like-minded person with similar interests.

Finances

Investment in the field of education will pay off. Help of a specialist or introducing new technologies is necessary at work. This card also informs that you need the job which guarantees intellectual and creative freedom. It also signifies an excellent subject knowledge and profound education.

Health

Check the flow of fluids in your body regularly. A strong influence of mind on body. Music therapy. Endangered parts of the body: blood vessels especially those situated in head.

CARDS

Saraswati in Goddesses of the New Light by Pamela Matthews

Saraswati in Goddesses of the New Light by Pamela Matthews

Saraswati in The Goddess Wisdom Cards by Jill Fairchild,  Regina Schaare & Sandra M. Stanton

Saraswati in The Goddess Wisdom Cards by Jill Fairchild,  Regina Schaare & Sandra M. Stanton

Saraswati in Goddess Inspiration Oracle by Kris Waldherr

Saraswati in Goddess Inspiration Oracle by Kris Waldherr

and as High-Priestess in The Goddess Tarot by Kris Waldherr

Saraswati  in The Goddess Tarot by Kris Waldherr

Saraswati in Goddesses Guidance Oracle Cards by Doreen Virtue

Saraswati in Goddesses Guidance Oracle Cards by Doreen Virtue

Saraswati in Oracle of the Goddess by Anna Franklin&Paul Mason

Saraswati in Oracle of the Goddess by Anna Franklin&Paul Mason

Saraswati in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Saraswati in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Saraswati as King of Cups in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Saraswati in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on English Wikipedia and http://www.indiaguide.pl/india/brahma_i_saraswati.html .

* Flow both in the meaning of river flow and flow of thoughts, ideas, words etc.

ISIS (ISET, ASET, AUSET)

ISIS (ISET, ASET, AUSET)

An Egyptian goddess of magic, wisdom, renewal, healing, power, love, marriage, motherhood and the deads. Sister and wife of Osiris, mother of Horus. One of the most famous and the most influencial goddesses not only in Egypt but in the whole ancient Roman Empire and perhaps even in the modern era because Catholic and Orthodox Marian cult is largely based on the one of Isis. Her original name was probably Aset and it meant ‘She Of The Throne’*.

ABOUT GODDESS

According to most of the myths Isis is the eldest daughter of Geb (Earth) and Nut (Sky) born on the fourth day of intercalation and the sister of Osiris, Seth and Nephthys. According to most myths Osiris married Isis and Seth – Nephthys; the first pair represented the fertility and fruitfulness of nature while the second was the symbol of wildness and vastness of desert. A lot of legends about the children of Geb and Nut survived into modern times but I am going to concentrate on the most famous one telling the story of Seth’s jealousy towards Osiris resulting in the assasination and the resurrection of his brother.

This myth has a couple of versions but the most detailed one comes from De Iside et Osiride by Plutarch. Viscious Seth  gave the banquet in honour of his brother where he showed a beautifully decorated chest and announced that the one who fits it perfectly may keep it as a gift. Many tried but they did not realise that Seth had already measured Osiris while he was asleep and the chest could only fit him. When Isis’ husband entered it, Seth slammed the cover, sealed it with lead, carried the chest away and threw it straight into the waters of the Nile. Goddess started to search the coffin to bury her husband in an appropriate manner** but a swift current of the river has already taken it to Byblos in Phoenicia and placed on a cedar tree (or tamarisk). Isis took the coffin back to Egypt and hid it in the swamps, alas Seth went hunting at night and found it. He was so furious that he chopped Osiris’ body into fourteen (sixteen or forty – two in other versions) pieces and scattered them all over Egypt so that his wife could not make a proper funeral for him. Then both sisters, Isis and Nephthys, turned into kites, keen-eyed birds of prey, and went searching. They found thirteen of the body pieces except of the penis which had already been swallowed by a fish. Isis, not discouraged at all, made a penis of gold, put her husband’s body together again and she wrapped it with resin – soaked linen strips with the help of Anubis, god of embalming. She created a cobra from spitting which Amon Ra the highest deity left on the ground and then she made the cobra bite him. I am the only one who has got the antidote for its venom, she announced. I will give it to you if you reveal to me your Secret Name. Wise goddess understood that knowing Secret Name will give her the power of his owner including performing rituals connected with resurrection. Amon Ra had no choice but to agree.  By chanting and making magical spells Isis managed to resurrect  Osiris and she conceived Horus with him (according to other versions she only used a golden penis). Horus was born in the Nile delta, however Osiris having already passed the gate of death, could not stay in the world of the living and he became the ruler of the Underworld. Isis took care of the child herself protecting her son from the anger of Seth. She was teaching him to guard the Egyptians from his uncle and Osiris kept coming back as a ghost to talk with Horus about the responsabilities of a ruler. When Horus grew up, he was fighting long battles with Seth and he nearly killed him but Isis stood between her son and brother and did not let that happen (the goddess even hurt Horus so that Seth would be able to escape but she healed him later). Eventually after the boat race won by Osiris’ son, Seth had to resign and to give the power over Egypt to him.

As her name reveals Isis was closely associated with the power of pharaohs and she represented literally their authority (she was depicted with a miniature of a throne as a headdress, pharaoh was Isis’ child whom she was giving her throne to). It has to be said that she was a very versatile goddess and all the classes adored her; she was guarding both rulers and noble or rich people  as much as craftsmen, slaves, sinners and the rejected and she particularly supported the deads and children. She is often mentioned in the funeral papyri of the rulers and later in those of nobility and ordinary people. Not only she is protecting a pharaoh in the Underworld but she is also ‘the mother of Horus’ four sons’, four deities guarding the canopic jars where the organs taken away before the mumification were stored. Isis herself was protecting the jar with liver, Nephtys was watching over the one with lungs and both these goddesses were shown with arms outstretched on the coffins  and sarcophagi so that no one dared to undermine the peace of deceased. Isis is depicted as pharaoh’s guardian, wife or mother.

Here she is shown together with Hathor when they are passing Queen Nefertari to the Underworld

Isis’ cult probably began in Sebennytos at least 3100 b.C. and soon spread all over Upper and Lower Egypt. She was especially venerated in the Nile delta, in the Per-Hebitet (modern Behbeit El-Hagar) sanctuary and the Philae island which used to be situated next to the First Cataract of the Nile. When the Aswan Dam was built in 1970, the remainings of temples were relocated to the  island on Lake Naser created as a result of inudating the areas near the dam. According to Herodotus she was the only goddess worshipped by all the Egyptians, both in Upper and Lower Egypt. From the times of New Kingdom Osiris, Isis and Horus were forming trinity of the most important Egyptian deities which was later transformed in the Hellenistic times into Serapis (an Alexandrian god who came into existence when Egyptian and Hellen religious beliefs merged), Harpocrates (one of representations of hellenised Horus) and Isis who kept her position.

Priests and priestesses of the goddess were considered to be healers, they were also able to explain the meaning of a dream or even to control the weather through braiding or not combing their hair (this is why Isis’ knot was believed to be magical). The cult on the Philae island survived until 6th century when Emperor Justinian ordered to destroy it. It was the last ancient sanctuary to be closed down.

At the beginning particular deities were worshipped locally but then their cults began to spread all over the country and gods and goddesses were merged. Isis was identified as goddes Hathor and around that time the myth of resurrecting Osiris has become more and more popular. From the Hellenistic  period throughout the whole era of Roman Empire the cult of Isis became increasingly popular in the lands far from Egypt and she became of one the main deities of the ancient world. She was venerated during the mysteries called Navigium Isidis (literally The Vessel of Isis) in Rome on March 5th. The celebrations included processions with the offerings of milk and spices, flowers, torches, laterns and her sacred objects; her worshippers were singing and dancing. Another popular Roman celebration was Isia which was taking place between October 28th and November 3rd/4th. It was retelling the story of ressurecting Osiris; both priests, priestesses and common believers were divided into guilds: pastophori were carrying small chapels during processions and melanephors were wearing black gowns to remind about Isis’ grief after Osiris’ death. She was venerated by many inhabitants of Rome including emperors: Caligula built a temple of her on the Campus Martius which was called Isis Campensis i.e Isis of the Fields, among her worshippers were also Vespasian, Titus, Domitian, Trajan, Hadrian, Galerius and others. To understand her importance one should read the quote from Metamorphoses by a Roman writer Apuleius

‘I come, Lucius, moved by your entreaties: I, mother of the universe, mistress of all the elements, first-born of the ages, highest of the gods, queen of the shades, first of those who dwell in heaven, representing in one shape all gods and goddesses. My will controls the shining heights of heaven, the health-giving sea-winds, and the mournful silences of hell; the entire world worships my single godhead in a thousand shapes, with divers rites, and under many a different name. The Phrygians, first-born of mankind, call me the Pessinuntian Mother of the gods; the native Athenians the Cecropian Minerva; the island-dwelling Cypriots Paphian Venus; the archer Cretans Dictynnan Diana; the triple-tongued Sicilians Stygian Proserpine; the ancient Eleusinians Actaean Ceres; some call me Juno, some Bellona, others Hecate, others Rhamnusia; but both races of Ethiopians, those on whom the rising and those on whom the setting sun shines, and the Egyptians who excel in ancient learning, honour me with the worship which is truly mine and call me by my true name: Queen Isis. I am here in pity for your misfortunes, I am here with favour and goodwill. Cease now your weeping, put an end to your lamentation, banish your grief: now by my Providence the day of your release is dawning. Attend therefore with your whole mind to the orders I give you. The day which will be born of this night has been consecrated to me by immemorial religious usage. It is the day on which the tempests of winter have abated and the stormy sea-waves have subsided, when the ocean is again navigable and my priests sacrifice a brand-new ship as the first-offering of the season’s trade. It is this ceremony that you must await without anxiety and without unholy thoughts. ***.

In the Hellenistic era, after Alexander the Great’s conquest of the East, Isis was identified with such goddesses as Demeter, Astarte or Aphrodite, at that time she gained the titles which were associated with them: Queen of Heaven  and Star of the Sea (Latin Stella Maris, Hellenic Pelagia – ‘Of the Sea’, in this represenation she was depicted with a sail) as a guardian of seafarers and merchants who were spreading her cult throughout the Mediterranean area. Her temples were called Isidions (Isideons) and were situated not only in such important cities of the ancient world as Delos, Delphi, Eleusis or Athens, but also in Gaul (contemporary France), Spain, Portugal, the British Isles, Panonia (the area of modern Austria, Hungary and the Balcans), Germany, Asia Minor and Arabia. Archeologists have also found the remainings of her temple in Pompei and Herculanum. The cult of Isis was only abandoned when Christianity was introduced as an official religion of the Empire and pagans were persecuted.

But was it really abandoned?

Isis was depicted as a devoted wife and mother, the protector of the poor and the slaves and when Christianity was becoming increasingly popular, one of its most important drawbacks was the lack of female element accompanying the cult of Jesus.  It was a serious shortage in the ancient world where divinity had both male and female form. To complete this deficiency Mary the mother of Jesus was given the features of Isis, often literally, on pictures and sculptures:

Of course, those of us who have been ‘initiated’ into this topic, are aware of the issue but an average Catholic or Orthodox would be really surprised that in reality they worship an eternal Egyptian goddess under the disguise of Mary.

There are also other, indirect but symbolic associations of Isis with Christianity through Magdalene and her participation in the mystery of Jesus’ death. It is Magdalene whom he appears to as the first person after resurrection, Isis is guarding a canopic jar and Magdalene is also often depicted with a jar. As a curiosity I am showing an image Madonna with a Child and St. John the Baptist and Mary Magdalene by Giovanni Battista Cima/Cima de Conegliano (around 1510, Musée du Louvre) where Magdalene is wearing a knot in the shape of Isis’ Tyet,   (read below).

She is the goddess who is quite adeqately referred to as  Isis of Ten Thousand Names, here go some of them: Queen of Heaven, Star of the Sea, Mother of the Gods, Divine Mother, Great Lady of Magic, The One Who is All, Lady of the West, Lady of the Pyramid, Lady of Green Crops, The Brilliant One in the Sky, Mistress of the House of Life, Lady of Truth (together with Nephthys), Ideal of the Throne, She Who Knows How To Make Right Use of the Heart, Light-Giver of Heaven, Life – Giver, Lady of the Words of Power, Moon Shining Over the Sea, She Who Seeks Justice For the Poor People, She Who Seeks Shelter For the Weak People, She Who Seeks the Righteousness In Her People, She Who Gives Birth to Heaven And Earth, Lady of the Osiris’ Tomb, She Who Knows the Orphan, She Who Knows the Widow Spider.

IMAGES, SYMBOLS AND ANIMALS

The animals closely related to Isis are birds of prey especially a hawk and a kite. Hawk has been connected with power, the sun, the wind and masculinity, the canopic jar with a liver which Isis was guarding had a the figure of hawk at the top, her son Horus has also been depicted with the head of this bird. Kite is a similar species to a hawk and an eagle which lives on the areas of Europe and northern Africa. It is capable to fly high and when it is endangered, a mother sends a signal to her young to pretend they are dead and they do it so convincingly that a predator usually leaves them alone. Quoting Wikipedia, a kite may attack aggressively other birds of prey even the bigger ones to grab their victims. This is the only possible expanation of the remainings found in kites’ stomaches; the birds of the size of a kite are not be able to catch such victims by themselves. Kite has weak legs but very long wings and its flight is considered to be very elegant.

Isis’ plants are lotus, cedar tree, sycamore tree  (pharaoh Thutmose III, Hatshepsut’s nephew, was depicted as drinking milk from a sycamore tree which had a breast, it may also be an association with his mother Iset, one of Thutmose II wives) and roses which began to be attributed to her in the Hellenistic era probably because of the associations with Aphrodite and her symbols. It is interesting that the demand for the roses necessary for rituals and rites was so big that a rose industry which was aimed at supplying the flowers became very profitable. A garland of roses was being left in the tombs as the symbol of Isis.

The planet associated with Osiris and Isis is Syrius (this star’s appearance was announcing the Nile’s flooding and thus fertile soil, abundant harvest and small chance of hunger). They are also both connected with the Moon and lunar cycle through the aspect of waxing and waning. Because of identifying her as Aphrodite and Astarte during the Roman times, she was also related to the  planet Venus.

Isis is also related with a type of knot called Tiet, Tyet or Tet (or simply Isis’ Knot). Its name can be translated as welfare or life and as it can be easily observed it is linked to the symbol of ANKH. The knot was probably the part of clothing of deity and it is possible it was also worn by the priestesses of the goddess. When made of red wood, glass or stone, it was the Blood of Isis , a  funeral amulet which probably represented menstrual blood flow from the goddess womb and the magical properties of birth – death – rebirth cycle.  The Blood of Isis is mentioned in the 156th verse of the Book of the Dead: You possess your blood, Isis, you possess your power, Isis, you possess your magic, Isis. The amulet is a protection for this Great One, which will drive off anyone who would perform a criminal act against him.

As it was already mentioned Isis was initially presented with a miniature of a  throne as a headdress, here she is also carrying a sceptre with flower often carried by goddesses and ANKH, the symbol of eternal life as the guardian of the deads.

From the time when she started to be identified with goddess Hathor, she was shown as the mother of Horus and her headdress changed into the one with a solar disc (the symbol of Ra whose mother was originally Hathor) and cow horns as a representation of abundance and fertility. At that time she is also attributed objects symbolising fun such as sistrum and menat necklace which had been so far associated with Hathor. Her headdress also acquired the vulture which had previously been the symbol of goddesses  Nekhbet and Mut as well as uraeus (cobra) of goddess Wadjet. All these goddesses were related to the power of pharaohs.

In the Book of the Deads Isis is depicted standing on the prow of the Solar Bark with her arms outstretched. And here are modern representations of Isis – Hathor

DIVINATION MEANING

Person

The person represented by this card is talented, versatile, educated, universal and incredible. S/he is able to arrange literally everything and convince everyone. This person has a huge wisdom but is young at heart regardless of real age. Someone not only intelligent but also wise. A person of high – ranking, a boss or superior but also a parent.

Professions: a physician, an official, a scientist, an inventor, a psychologist, regardless of profession this person is of either high – ranking or of great achievements.

ADVICE

Personally this card is always positive to me unless it is accompanied by really ‘heavy’ cards.

In the situation you are inquiring about there is nothing that you would not be able to fix.

Respect yourself and the others will respect you too. Straighten up, go ahead, be assertive. You have the right to feel power and authority. Do not believe anyone who perceives you as weak or helpless.

Do not be afraid of changes, you will adapt to a new situation easier than you expect. Going abroad is beneficial for you.

Do not try to force your loved ones to stay with you. Even if it is you who brought them to this world or was supporting them in difficult moments, it does not mean you must guard them until death. You have to know when it is time to let go.

In negative this card may show inability to solve problems at once, trying to kill many birds with one stone or problems with  balancing professional and domestic life.

Power. Healing. Magic. Mystery. Intuition. Self – Awareness. Determination. Cycle. Natural Adaptability Skills. Versatility. Past Returning. Invention. Courage. Care

Love

If you are in the relationship: time of renewal. Relation which requires effort but provides emotional satisfaction. Mature love. Deep feelings which remain even if attraction is gone.

If you are single: this card suggests that sooner or later you will find your true love. Single parenthood.

Finances

Time for learning, developing and educating on higher levels. You have the potential you must not waste. Expanding your activity to other fields or including new products in your offer is recommended. Profits from the abroad.

Health

This is a card of regeneration and renewal. Check your circulatory system. If you have already been examined, it is suggested to repeat the tests. Endangered parts of the body: liver.

CARDS

Isis might have been the most important goddess in the whole antiquity so it is no wonder that she appears in all the decks I have come across. However, it has to be noticed that in none of them she appears in her original throne appearance but instead on most images she already has the attributes of Hathor.

This time I am starting with Tarot decks and the assignments to Major Arcana: in the deck by Kris Waldherr Isis is the Mage while in the deck by Maria Caratti&Antonella Platano she is the High Priestess. It is probably the only situation when I agree that the classification to both these cards is correct. Despite big diferrences in meaning this particular goddess suits perfectly both Major Arcana. Isis has courage, skills and need for acting of the Mage and secret wisdom, tenderness and protectiveness of the High Priestess. In fact the second Major Arcane comes from the tradition of Isis – Hathor (it can be seen especially in the Rider – Waite – Smith deck where the High Priestess is wearing her crown, also the moon and the sea are related with her).

And if someone should classify Isis as the Empress, it would also be well – founded on the base of mythology.

Isis – Hathor as the Mage in The Goddess Tarot and in Goddess Inspiration Oracle by Kris Waldherr accompanied by kite/hawk and behind her there are images of  Osiris and Horus on the wall

 

A cartoon – like Isis – Hathor as the High Priestess in Universal Goddess Tarot by Maria Caratti&Antonella Platano . But at least she is sitting on the throne  . Maybe it is just me but doesn’t she look like an Italian woman?  Even considering her cartoon – like appearance… Both authors come from Italy, perhaps this is a self – portrait or an image of a mother, a sister or a friend?

Isis with a throne, wings, ANKH and Horus in Oracle of the Goddess by Anna Franklin&Paul Mason

Isis in Oracle of the Goddess by Anna Franklin&Paul Mason

A beautiful representation of Isis with Osiris and baby Horus in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky (according to some sources Isis resurrected Osiris by covering him with wings)

Isis – Hathor with double ANKH in Goddesses of the New Light by Pamela Matthews

Isis with a cobra in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis – Hathor with roses, sistrum, Solar Bark and the sea in the background in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

A blue eyed Isis in The Goddess Oracle Deck by Thalia Took

Isis – Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis-Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis – Hathor in Goddess Guidance Oracle Cards by Doreen Virtue (image by the same Jonathan Earl Bowser who painted Ishtar – Cleopatra http://jonathonart.com/isis.html , on the website you can see clearly that Isis is being observed by her mother Nut – Heaven)

Isis in Ascended Masters Oracle Cards by Doreen Virtue

Isis – Hathor in Goddess Card Pack by Juni Parkhurst stylised on contemporary images

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in The Goddess Power Pack by Cordelia Brabbs

A combat and war – like Isis – Hathor straight from fantasy game ‘Resurrect Osiris’  in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Isis as a special guest star on the card of Osiris in Gods&Titans by Stacey Demarco&Jimmy Manton

Based on Wikipedia and the following pages

http://www.symbolizm.obrazy-olejne.org/symbol-jastrzab/457/
http://www.thegoddesstree.com/GoddessGallery/ISIS%20Final%20Project.htm
http://www.nemo.nu/ibisportal/0egyptintro/1egypt/index.htm
http://www.knotofisis.net/Tiet.html
http://www.path-ways.com/forums/showthread.php?t=80
http://www.thaliatook.com/AMGG/isis.html
http://www.egyptianmyths.net/mythisis.htm
http://books.google.pl/books/about/The_Cult_of_Isis_Among_Women_in_the_Grae.html?id=1MkUAAAAIAAJ&redir_esc=y
http://www.naderlibrary.com/goldenass.11.htm

*‘Isis’ is a Hellenic form, similary to other languages of the Middle – East, in native Egyptian vowels were not marked in writing, Egyptologists guess that her name was pronounced as Iset, Auset or Aset, moreover a female suffix ‘t’ vanished with the time.

**It has to be said that according to the beliefs of ancient Egypt, body must have been preserved afer death so that soul did not suffer in the Underworld thus the custom of balming the corpses.

*** A fragment of Metamorphoses or Golden Ass by Apuleius translated by E. J. Kenney.