Tag Archives: tarot

Excerpt: Which Came First, Divisionary System Or A Deck?

Here is a short extract from Episode 6 called What Kind of Deck You Should Use, you can see the whole here. Below the video you will find the written version.

land.of.goddesses@gmail.com
https://www.facebook.com/LandOfGoddesses/
https://www.facebook.com/TheQueendomOfAnnaSolun

I will not tell you ‘Like, Share and Subscribe’ because I assume that if you like my channel, you will do it anyway. And if you don’t, I am ok with that, no hard feelings.

But if you have any questions, just let me know.

Thank you for watching!

Anna Solun

 SHOULD YOU CHOOSE THE DECK OR THE DIVINATIONARY SYSTEM FIRST

You may wonder whether you should choose the divinationary system first and then search for the appropriate deck within this system or choose the deck first and simply adjust to its system.

I have experienced both ways of finding the deck.

When I was very young, just twenty, I got interested in the Tarot cards and was studying its theory although I limited myself only to books and articles at that time without owning an actual deck. A couple of years later I finally felt ready to buy my own deck (it was Tarot of the Mermaids by Lo Scarabeo) and started to work with the cards.

However, my experience with runes was totally different. One day I saw a beautiful, absolutely stunning deck used by a fortune teller on TV (later I found out it was Power of the Runes by Voenix) and found it so fascinating that I felt I simply must have it :D. So I bought it and later started to search for the information about the runes, its meanings, origins, legends and so on.

  Both attitudes are good but the essential thing is to be ready to work hard with the cards and to transform your personality while discovering them.

Excerpt: Cards Are Great Tool For Self-development

Here is a short extract from Episode 5 called What You Need To Spread The Cards, you can see the whole here. Below the video you will find the written version.

 I also want to remind you that I am spreading cards professionally now so if you want to order card reading, you can contact me here

land.of.goddesses@gmail.com
https://www.facebook.com/LandOfGoddesses/
https://www.facebook.com/TheQueendomOfAnnaSolun

I will not tell you ‘Like, Share and Subscribe’ because I assume that if you like my channel, you will do it anyway. And if you don’t, I am ok with that, no hard feelings.

But if you have any questions, just let me know.

Thank you for watching!

Anna Solun

WHAT KIND OF CARDS YOU WANT TO USE

I think anyone can use oracle cards which are based on egregores. I will explain in further videos what egregores are but for now let me just say that an egregore is a collective thoughtform which is present in our mind. One of the examples of the egregores are angels so if you pick up an angel oracle card, you perceive it as the message from the angels and are naturally open to the meaning of the card. You will not obtain the detailed answer but you do not need much knowledge to interpret them. This is why the oracle cards are so simple to use (and so popular right now).

However, when it comes to the structured, divinationary cards (Tarot, runes, Lenormand cards, geomantic cards, gypsy cards, playing cards), they are definitely more requiring. They include symbols and archetypes therefore they need an interpretation and deeper way of thinking. You have to be able to see things from a wider perspective. When you work with this type of cards you have to be open to change, transform, change your thought patterns, develop and grow.  This is never an easy and quick process so you might get frustrated at some point. If you do not have thee basic emotional maturity, you might project your feeling of failure onto cards and think they are ‘Satan’s tool’ but in reality this attitude only shows your lack of maturity.

Cards are great tool for self – development if you are ready to learn. Even if you do not believe they can foretell the future, they can show you the present situation and help you understand it.

 THE DIVINATIONARY CARDS ARE NOT FOR EVERYONE

They require a lot from you and to work with them you must be patient and persistent. You have to work with your own psyche and become self-aware because cards reflect also the Shadow part of it. If you analyse the cards you come to the moment when you have to face them and here the question appears whether you are ready to do it or not. If you are not, you will reject the cards (and the Shadow part of yourself).

All the cards but particularly this type of decks also require pure intentions and integrity in every day life. Even if you are being mentally fed with the ‘I-don’t-have-to-be-perfect’ or ‘I-am-already-perfect’ or ‘I-am-beautifully-flawed’ mantras of your spiritual teachers, you should give up this way of thinking when it comes to cards. They need you to be better and better person, you cannot stick to average personality if you want to work with them. If you want to listen to the ‘I-don’t-have-to-be-perfect’ mantras in every day life, you can do it. It is your choice and I am not going to comment on it.

However, if you want to use this attitude toward the work with cards I must warn you it is very limiting. You simply have to try to be better person than you were yesterday, otherwise you will only learn the craft, not the art of spreading cards. You have to be ready to abandon some aspects of your behaviour which might be comfortable for you but do not help you to grow beyond your comfort zone and are in fact blocking you. You have to be careful about your intentions because if you act out of the basic parts of your psyche such as Ego or Shadow, you might actually do more harm than good.  You have to make your thoughts, words and deeds one, not to say one thing, think about the other and act in yet another way.  You have to be impeccable. You have to be immaculate like the Persian goddess Anahita.

If you are not ready to commit yourself to this aspect of working with cards, you better not take up the divinationary decks. Nobody forces you after all.

Excerpt: My Divination Decks. Tarot

Here is a short extract from Episode 3 called My Divinationary Decks, you can see the whole here. Below the video you will find the written version.

 I also want to remind you that I am spreading cards professionally now so if you want to order card reading, you can contact me here

land.of.goddesses@gmail.com
https://www.facebook.com/LandOfGoddesses/
https://www.facebook.com/TheQueendomOfAnnaSolun

I will not tell you ‘Like, Share and Subscribe’ because I assume that if you like my channel, you will do it anyway. And if you don’t, I am ok with that, no hard feelings.

But if you have any questions, just let me know.

Thank you for watching!

Anna Solun

In this video I would like to show you the divinationary (traditional and structured) card decks I use.

TAROT

There are three standard pattern decks of Tarot cards:

– Tarot of Marseilles, most probably the oldest deck which appears for the first time in the XVth century

– Rider Waite Smith Tarot created by Arthur Edward Waite and Pamela Colman Smith and published in 1909

– Thoth Tarot Deck created by Aleister Crowley and Lady Frieda Harris and published in 1969

This divinationary system is the world champion in using symbolic and archetypical language as I am trying to show you on the example of the Mage (the man is wearing white and red clothes symbolising the new ideas and his eagerness to put them into action, he is pointing at the sky and the earth reminding us that as above so below, the principle of Hermes Trismegistus who was an inspiration for this card, the Mage has all the Minor Arcana ready at the table near him showing that he has all he needs to act, there is the sign of infinity above his head and his belt is in the shape of Ouroboros, etc).

 

Video: My Divinationary Decks

I continue with the videos about the art of spreading cards, today it is time to talk about the cards I use.

Remember you can find me here

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And here is the video explaining how does card reading work, you can also find its written version on my personal blog.

REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

REVIEW: THE GODDESS TAROT BY KRIS WALDHERR

THE GODDESS TAROT

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as Goddess Inspiration Oracle, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

It is not strictly the goddess oracle deck, it is Tarot deck inspired by goddesses. I find the paintings of Kris Waldherr to be the main advantage. As I have already mention in the review of Goddess Inspiration Cards her graphics appeal to me and the cards are alluring visually. In fact Goddess Inspiration Cards were created after success of The Goddess Tarot as a deck of oracle cards for the users who are not fluent in reading the Major and Minor Arcana.

Obviously when you interpret the readings of The Goddess Tarot, the question arises immediately what to mostly concentrate on: the primary meaning of the Tarot card or the myth about the goddess presented on this card? That is why it is essential to attribute goddess to the arcane adequately, basing on the myths, symbols or elements. It is a complex task and matching female deities to the quintessentially male figures seems to be the main limitation. I must admit that Kris Waldherr somehow managed to fulfil this task. The only things I don’t agree with are:

– incredibly feminine Freyja attributed to the arcane of The Emperor. I find a severe Athena more appropriate choice, however Athena represents the arcane of Justice in this deck (and I admit this assignment makes sense, too)

 – I am not convinced by the assignment of the sea goddess to the arcane of The Devil (here called Temptation) associated with an earth sign of Capricorn 

– I believe that if you take into consideration the nature of Gwenwhwyfar (‘the May Queen’), the card of Judgement which she represents should rather be named Revival

I believe and strongly insist that the original meaning of Tarot arcane should be the primary interpretative level and the goddess myth should only be its completion (especially that the mythological background is presented in a very  cursory manner in the booklet).

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

The deck is really interesting, however remembering the previously asked question (which came first? Tarot card meaning or the goddess myth?) I must say that its semantic chaos is really disturbing. The author somehow took shortcuts  because goddesses are only present on the 22 Major Arcana while the Minor Arcana are the reproductions of the images from Rider – Waite – Smith deck while the order is taken from Tarot of Marseilles and the deck of Alistair Crowley. It is actually the deck of goddess half – Tarot wink3 .

I also think that the rejection of traditional names is a disadvantage and it may be confusing. If you look at the name of Freyja’s card, Power, you may confuse it with the actual card of The Strength.

Kris Waldherr has attributed divine patronesses to all the four suits of the Minor Arcana and the figures representing each suit have characteristic features of people living in the place where the goddess was worshipped. And so Chalices (beginning the cycle of Minor Arcana against the tradition) are attributed to Venus, Wands to Freyja, Swords to Isis and Coins to Lakshmi.

ISSUE

78 cards + 3 additional ones with the information about the deck

a booklet with an introduction written by the author, short description of the Major and Minor Arcana meanings and example spreads (3 Cards + the Celtic Cross) and some empty pages for notes

a box

the goddess tarot

In a booklet each card is presented in the following way:

– name of a card

– a short description of goddess (Major Arcana) or the image on the card (Minor Arcana)

– meaning of the card when it is placed in a regular position

– meaning of the card when it is placed in a reversed position

The size of cards is 12 x 8,5 cm

Back side of the card is an ornamental motif of golden leaves placed between vertical and horizontal golden lines on a light blue background.

EXAMPLE CARDS

Athena as Justice

Athena in The Goddess Tarot by Kris Waldherr

Isis as Mage

Isis – Hathor in The Goddess Tarot by Kris Waldherr

Lakshmi as Wheel of Fortune

Lakshmi in The Goddess Tarot by Kris Waldherr

Nine of Wands

9 of staves

Three of Chalices

3 of cups

Two of Swords

2 of swords

Six of Coins

6 of coins

Back side

3

Copyright©1997 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1-57281-066-1

MAJOR ARCANA

O BEGINNINGS – Tara
I MAGIC – Isis
II WISDOM – Saraswati
III FERTILITY – Estsanatlehi (Changing Woman)
IV POWER – Freyja
V TRADITION – Juno
VI LOVE – Venus
VII MOVEMENT – Rhiannon
VIII JUSTICE – Athena
IX CONTEMPLATION – Chang O
X FORTUNE – Lakshmi
XI STRENGTH – Oya
XII SACRIFICE – Kuan Yin
XIII TRANSFORMATION – Ukemochi
XIV BALANCE – Yemanya
XV TEMPTATION – Nyai Loro Kidul
XVI OPRESSION – The Wawalak
XVII THE STAR – Inanna
XVIII THE MOON – Diana
XIX THE SUN – The Zorya
XX JUDGEMENT – Gwenwhwyfar
XXI THE WORLD – Gaia

AMATERASU

AMATERASU

A Japanese goddess of the sun, co – creatrix of the world who watches over its order, protectress of people and ancestress of the Japanese imperial family according to the beliefs of Shinto. Her name originates from the stem amateru meaning „Shining in Heavens” and when its full form is used, she is called Amaterasu-ōmikami (The Great August Goddess Shining in Heavens), Ōhirume-no-muchi-no-kami and Tensho Daijan (Goddess of the Sun).

ABOUT GODDESS

Her name first appears in Japan’s oldest chronicles Kojiki and Nihon Shoki. According to most myths kami (spirit, deity) Amaterasu came to being with her two brothers when their father, the first man in the world, Izanagi returned from Yomi, the Underworld.  He went there to take his late wife Izanami back but he failed (according to another version Izanami gave birth to Amaterasu as their first child as soon as the Japanese Archipelago came into being). He came back to the world of the living and purified himself; when he was cleaning left eye, Amaterasu, goddess of the sun, was born, cleaning his right eye resulted in the birth of Tsukuyomi, god of the moon and cleaning his nose, Izanagi created  Susanoo, god of the storms and the sea. Amaterasu and Tsukuyomi got married and became the rulers of heavens, however when Tsukuyomi killed Uke Mochi, the goddess of food, Amaterasu, abhoring violence and bloodshed, sent him away, dividing in this way the day from the night.

Amaterasu’s relations with her other brother were tense as well. When impulsive and unpredictable as a storm Susanoo was to travel to the Underworld, he came to say goodbye to his sister, she, however, knowing his nature, doubted he had good intentions and got ready for the fight. God of the winds challenged her to prove her wrong and Amaterasu agreed. The aim was to create living creatures from an object: goddess of the sun broke Susanoo’s sword into three, chewed the parts and spat them out creating three women while her brother made five men from her necklace Mikuratana-no-kami, the symbol of power. When they started to argue who was the winner, a coarse god of the sea fell into rage and started to devastate rice and silkworm fields to that point that he eventually demolished her heavenly palace. Amaterasu was so scared and discouraged that she escaped to earth and hid in a cave (later to be called Ama-no-Iwato – ‘The Cave of the Sun God’ or ‘Heavenly Rock Cave’). She had no intention to get out even though Susanoo was punished and banished from heavens. Grief – stricken goddess did not realise that all the radiance and warmth of the sun disappeared from the surface of earth with her departure. Knowing that life could not survive without the sun, other gods kept begging Amaterasu to get out of the cave but she strongly refused. Desperate gods thought of making her leave with a trick. They have organised a party with noisy music right outside the cave and a clever goddess Uzume (Ame-no-Uzume-no-mikoto) placed an eight pointed mirror and a tub in front of the entrance to the cave. She overturned the tub and started to dance on it throwing her clothes off. Other gods found it so humorous that they burst into loud laughter and Amaterasu got so curious of what was happening outside that she moved slightly the stone blocking an entrance. When a sunbeam reached the mirror and the goddess saw what radiating beauty she was, she got out of the cave and gods blocked immediately the entrance  with a rock. They asked Amaterasu not to leave heavens ever again and she agreed.

Amaterasu emerging from the cave

(Amaterasu emerging from the cave with the Imperial Regalia, painting: Origin of Iwato Kagura Dance by Utagawa Kunisada, 1857 )

Susanoo was apologetic and brought Amaterasu his sword  Kusanagi-no-Tsurugi (‘Grass Cutting Sword’) as a sign of good will. She then gave the sword, the jewel Yasakani no Magatama and the mirror Yata no Kagami to her grandson Ninigi, son of Oshihomimi, one of the humans created during Susanoo’s challenge. According to Shinto mythology, these objects were to provide help in terminating wars ravaging Japan when Ninigi’s great-grandson Jimmu claimed the throne as the first Emperor. They became the Imperial Regalia and up to this day they are a closely guarded treasure which is only used during the coronation of emperors. Japanese rulers have been considered to be Amaterasu’s descendants and worshipped as deities, this cult has not been finished until the end of WWII when the American authorities demanded it as a part of peace treaty. Also the Japanese flag was changed at that time as the previous one depicted the sun  (here is a naval version)

Naval_Ensign_of_Japan.svg

However, the motif of chrysanthemum, symbolising the sun, was preserved as the sign of an Imperial Family.

the flag of Imperial Family

Amaterasu was considered to be a peaceful, balanced, protective and generous goddess. She was believed to be the protectress of people and helped them to develop such crafts as weaving, building or rice cultivation. The sun goddess is venerated in the Ise Jingū temple in the city of Ise and Hibiya Daijingū in Tokyo. The Yata no Kagami mirror is stored in Ise Jingū; the sanctuary is also famous for its ceremony called Shikinen Sengu when every 20 years the temple wooden buildings are rebuilt on a the area nearby and the goddess is offered new robes and food. The Hibiya Daijingū temple was erected in Tokyo in 1880 so that the followers do not have to go on a pilgrimage to Ise.

Amaterasu’s official cult resembled somehow the one of Hestia. The goddess was venerated by a high – priestess called Saiō on the behalf of the Emperor. Saiō originated from the Imperial Family and held her office throughout the reign of the Emperor who appointed her. According to legend this tradition was established by Princess Yamatohime-no-mikoto, the daughter of Emperor Suinin, who was searching for the best place to worship Amaterasu for twenty years until she found Ise and decided to build a sanctuary there. Saiō was being chosen when a previous Emperor died and the previous Saiō’s term of office expired with his death. The choice was based on divination, although it was a custom that one of new Emperor’s daughter was to become a Saiō. High – Priestess had to be a virgin, health and beauty were also important factors. When a new Emperor was crowned, a future Saiō moved to a separate part of the palace and was undergoing the processes of purification and learning a proper ceremonial (including a special language of priestesses where the the impure words were replaced with a special cipher). After eight months the new Saiō was sent to a building called Nonomiya prepared especially for that purpose and one year later she was going with her retinue to Saikū, the seat of priestesses near the Ise shrine (on those days it was forbidden to bury the deads). Her service included praying for peace, offering the first harvests to deities in September and performing ceremonies during the Tsukinamisai festival at the Ise temple in June and November. Being Saiō was treated as an honour and the will of heavens so if she fell significantly ill, she could have been dismissed from her office. She was bound to remain a virgin throughout her stay in the temple therefore breaking the vow of chastity was treated as a reason to remove the high – priestess from the service to the goddess. There were some cases of suicides among priestesses when their reputation was questioned (according to chronicles Takuhatahime, daughter of the Emperor Yūryaku, fell the victim of her enemies’ calumnies so she buried the sacred mirror and then hanged herself). After the Emperor’s death or resignation, Saiō could come back to the court, get married and have children (similarly to the Roman beliefs marrying a former priestess was a great honour). If for some reasons Saiō was dismissed before the end of her office, no other was chosen in her place until the reign of a new Emperor. The office of Saiō was held until 14th century.

When Buddhism became more and more popular in Japan, Amaterasu was recognised as a manifestation of bodhisattwa (either Kuan Yin or one of the forms of Buddha himself).

IMAGES, SYMBOLS AND ANIMALS

Apart from the Imperial Regalia Amaterasu is closely connected to roosters crowing at the dawn and a raven called Yatagarasu (Eight-Span Raven), her personal messenger to Emperor Jimmu who not only helped his army pass the rocky mountains safely but also went scouting and even negotiated on his behalf.

Yatagarasu the Raven

DIVINATION MEANING

PERSON

A person of great beauty, knowledge, talents and serenity who yet does not want to shine in the company. Someone reliable but modest who does much and talks little. Also a shy and timid person who escapes from problems and hides from the reality. In negative a narcissistic person focusing on their appearance and awaiting flatteries.

ADVICE

Come out of your hiding place. Regardless of how talented you are, you will waste it if you do not let yourself shine. Even if you are tired and discouraged now, remember that life still holds many pleasant surprises for you.

Do not escape from problems. Focus on one goal even if it seems trivial. Do not start many things at the time because you will not complete any of them or they will not be done thoroughly and you will get even more frustrated.

It is not your task to hide in the corner. It is your task to shine with your beauty, wisdom and smile. Beauty is not just pretty face and body but rather charm which attracts people to you. Build your self-worth from the inside, do not base it on the opinion of others. Without self worth it will be difficult for you to keep balance, set boundaries and love others wisely.

Silence or withdrawing from the annoying conversation is not giving up or failure. You win by not allowing the mental aggressor suck energy out of you. It reminds pulling the rope, if you let it, the person on the other end will fall down. Withdrawing from people and focusing on your inner life to think an important matter over is a very good idea. However, when you draw conclusions, do not keep them for yourself but rather put them into practice.

Hiding emotions inside will not make them disappear, instead they will be consuming you so it is much better to throw them out. If you do one thing, feel sth different and speak yet another thing, you are dispersing your energy. Let your thoughts, words and acts be one. Show integrity. If you put masks on, you will not let others to like, respect and love the real you. They will only like, respect and love the image of you that they have. It is impossible to build a true relationship with another person if you use illusions as a base.

Even if you feel like being immersed in darkness now, be sure that eventually you will shine.

Coming back to the world. New beginning. Competition. Strong position. Beauty. Radiance. Warmth. Fun. Music. Dance. Laughter. End of sadness. Harmony. Peace. Sensitivity. Creation. Teaching. Life Force.

In my personal interpretation, this card has often the similar meaning to The Sun, 19th Major Arcane of Tarot. Its energy is a bit “softer”, though, unlike a clearly male The Sun in Tarot.

LOVE

If you are in the relationship:  cooling down in a relationship, partner may become silent or withdraw from family life but it is also the time of improvement and solving problems out. Regardless of whether the union will resurrect like a phoenix or not, this card definitely assures you that the ultimate outcome will be positive to you.

If you are single: you are single because you isolate yourself from the world on the external or internal level. Either you do not go out to the places where you can meet new people or you do not let people approach you and you keep distance even when you are at the party or in the company of acquaintances.

FINANCES

Good time in finances. Promotion or pay rise. If the question concerns a new venture, this card suggests it will bring a satisfying result.

HEALTH

Internal diseases. Inflammation of organs. High temperature. Unrecognised depression. Post traumatic stress disorder. Excessive or low activity. Endangered parts of the body: heart, eyes.

CARDS

Classical representation of Amaterasu inspired by the picture of Utagawa Kunisada in Goddess Inspiration Oracle by Kris Waldherr

Amaterasu in Goddess Inspiration Oracle by Kris Waldherr

A very similar image of Amaterasu looking at the cave in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Amaterasu in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton-

Amaterasu with the mirror in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Amaterasu in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Radiating Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu with a rooster and a decorative headdress in Universal Goddess Tarot by Maria Caratti&Antonella Platano as The Sun (according to one of the myth version seeing Susanoo approaching Amaterasu pinned wild boar tusks into hair to protect herself. Her brother used them, not her necklace, to create human beings)

Amaterasu in Universal Goddess Tarot by Maria Caratti&Antonella Platano

A fainting nymph…oh sorry, Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Blue Haired Fairy from Pinocchio…oh sorry, Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Based on English and Polish Wikipedia, http://www.japantimes.co.jp/text/fl20090712x1.html and http://www.angelfire.com/de/poetry/Whoswho/Amaterasu.html .

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