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REVIEW: UNIVERSAL GODDESS TAROT BY MARIA CARATTI &ANTONELLA PLATANO

UNIVERSAL GODDESS TAROT

ABOUT THE AUTHORS

MARIA CARATTI uses Tarot, runes, I Ching and a crystal ball for divination, she also deals with magic and focuses on the cult of the Great Goddess, paganism and spells. She is the author of Wheel of the Year Tarot and Wicca Divination Kit and has also collaborated in the development of Secret Forest Tarot and Harmonious Tarot decks. She lives with cats.

Find out more about her on her website:  http://www.mariacaratti.com/

ANTONELLA PLATANO (called by Maria Caratti ‘MagicaAntodalleManidOro“‘ meaning Magical Antonella of the Golden Hands) is an Italian cartoonist. She was born February 12 1973 in Cuneo and graduated from an art college in 1991. She has always been fascinated by comic books and collaborated with Sergio Bonelli Editore, the comics oriented publishing house (she is the co – author of such titles as Legs Weaver and Nathan Never), she has also collaborated with such publishing houses as San Paolo and Rainbow. Antonella has illustrated some popular Tarot decks released by Lo Scarabeo: Witchy Tarot, Gay Tarot, Tarot of the 78 Doors and Wheel of the Year Tarot.  Her favourite techniques are pencil and ink. I have not come across her personal webpage but you can find her profile in a Wikia about comics here.

You can also check the deck’s profile on Lo Scarabeo page and all the cards on Maria Caratti’s Youtube channel. She has also posted some initial sketches of the deck by Antonella Platano on her Facebook profile.

ADVANTAGES

Most important advantage of this deck is the fact that it indeed presents 78 goddesses and nymphs from all over the world. Authors have matched them quite adequately to the Minor and Major Arcana and included not only the most important goddesses but also those less known making the user search and google them. Maria Caratti explains on her page that she initially intended to publish a deck called The Ladies of Magic consisting of around forty cards and presenting the Wiccan themes, however Piero Alligo, an artistic director of Lo Scarabeo, suggested she could instead create the Tarot deck where a goddess would be assigned to each Arcane. It was a real challenge and required deep research in the mythologies, legends and folklore of the world. I have already mentioned in my review of the Goddess Tarot that it is not an easy task to connect the goddesses’ myths, elements and symbols with the original meanings of the Tarot cards.

Most of the choices the author has made seem to  merge successfully goddesses myths with the basic meanings of each Arcane. The best associations seem to be Athena as The Emperor, Aphrodite as The Lovers, Hekate as The Hermit, Arianrhod as The Wheel of Fortune, Ishtar as Strength, Kali as Death, Lilith as The Devil, Morrigan as The Tower and Gaia as The World. As far as the Minor Arcana are concerned , the best assignments seem to be Psyche (Two of Chalices), Leto (Five of Chalices), Maya (Seven of Chalices), Calypso (Eight of Chalices), Hestia (Ten of Chalices), Yemanya (Queen of Chalices), Saraswati (King of Chalices), Sif (Five of Swords), Nehalennia (Six of Swords), Blodeuwedd (Seven of Swords), Fortuna (Ace of Coins), Juno (Queen of Coins) and Lakshmi (King of Coins).

In most cases goddesses are presented in accordance with the cultures they were venerated in and are depicted in archetypical situations and places with typical attributes (with some exceptions which I will present below).

The order and names are taken from a traditional Tarot de Marseilles (Justice as the eighth card and Strength as the eleventh one), authors kept the original names of cards with the exception of The Wheel of Fortune which is renamed simply as The Wheel and The Star (the Pleiades are presented on the card so the name takes plural The Stars).

DISADVANTAGES

I mentioned the cards which seem to be well assigned to the original Tarot meaning but there are also some to which I have some serious objections. Starting with the Major Arcana, I do not think that Demeter, the goddess of earth and vegetation, should represent the card of The Mage who is linked to the element of fire. I believe that much better choice for this arcane would be Brigid who appears in this deck as King of Wands. I do not understand at all the assignment of Kuan Yin to the card of Queen of Wands, firstly because she does not fit the original meaning of Tarot card and secondly because I associate her with the element of water rather than with fire typical for Wands. Studying the legends about her, you will indeed find the description of fire as it is seen on the picture but it is just a piece of plot and it does not characterise the heroine. I absolutely do not perceive Kuan Yin as Queen of Wands, in reality she seems to be her complete opposite smirk2. I would rather match Freyja to this card, especially that she is not present in this deck at all. I do not really understand the reasons why Flora was assigned to a swift like an arrow whizzing in the air Eight of Wands (particularly that she encourages: Lie down with me on this soft grassy carpet and close your eyes in the deck’s booklet), I’d rather see Iris here, however she is Knight of Wands in this deck. I would connect Oya not with the card of Knave of Wands but with Knight of Swords as she is traditionally linked to the element of air, storms and expressing oneself i.e the domain of Swords. I do not really understand what is Inanna, Queen of Heaven, doing on quintessentially earthly Four of Coins.

You also have to face the basic problem whether a goddess really is a goddess zeby. What to do with the figures who are not clearly defined in stories as women? Is it really worth to risk including them in the deck? I can understand attributing Lan Tsai Ho (Lan Caihe), one of Eight Immortals, whose gender is not determined, to the arcane of The Fool, this choice can be explained by the original meaning of this card (ambiguity, lack of focus, numerous different possibilities, something which may lead to many options). However, in the case of Akycha (Seven of Wands) it is doubtful because according to the sources I accessed, Akycha is male. Ten of Wands shows a very interesting motif of Caeneus/Caenis whose myth seems consistent with the original meaning of this arcane, however if we followed this way of thinking, Tiresias could equally be included in this deck.

Unfortunately, unlike Maria Caratti I am not amazed by the illustrations made by Antonella Platano. I do not like this cartoon and comic like style. As far as I know, opinions about Lo Scarabeo’s artwork vary, there are certainly a lot of fans but there is also a large number of opponents. I always repeat after Romans, de gustibus non disputandum, however I have got the right to disagree with the way of depicting goddesses. They are mostly presented in a manner adequate to their eras and civilisations, but in some cases their clothing differs radically, the most obvious examples are Pandora (Four of Chalices), Nehalennia (Six of Swords), Rhiannon (Knight of Swords) and Aine (Knight of Coins).

pandora

nehalennia1

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

aine

Honestly speaking, I do not know whether it is a deliberate action or just a mistake (however after doing so much research, it seems to be rather unlikely). Perhaps I am a traditionalist in this particular area but I simply do not accept such attitude. When I watch the cards of goddesses or historical series, I do want to see the clothing from that particular era and civilisation, not a fashion show à la goddesses or catwalk clothes “inspired by” a certain dynasty. I only accept a deliberate modernisation of archetypes as it happened in case of Cordelia Brabbs’ deck.

ISSUE

78 cards + 2 additional ones, a title card and the one with other Lo Scarabeo decks enlisted

a booklet in English, Italian, Spanish, French and German, it contains introduction by both authors, short messages from goddesses on each card and a spread called The Temple

a box

universal goddess tarot

A booklet added to the cards contains a short presentation of each goddess and her first person message consistent with the original meaning of the Tarot arcana.

The size of cards is  12 x 6,5 cm

Back sides of cards show double female profile joint by a hexagram inscribed in a Wiccan symbol.

EXAMPLE CARDS

Athena as The Emperor

Athena in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Brigid as King of Wands

Brigid as King of Staves in the Universal Goddess Tarot deck

Demeter as Mage

Demeter in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Isis as The High Priestess

Izyda – Hathor w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Lakshmi as King of Coins

Lakszmi w Universal Goddess Tarot Marii Caratti&Antonelli Platano

Seven of Wands

seven of wands

Nine of Chalices

nine of chalices

Five of Swords

sif1

Seven of Coins

seven of pentacles

Back side

2

©2006 Copyright Lo Scarabeo

Publisher:  Lo Scarabeo

ISBN: 888395523-4

MAJOR ARCANA

 0. THE FOOL – Lan Tsai Ho
1. THE MAGICIAN – Demeter
2. THE HIGH PRIESTESS – Isis
3. THE EMPRESS – Astarte
4. THE EMPEROR – Athena
5. THE HIEROPHANT – Aditi
6. THE LOVERS – Venus
7. THE CHARIOT – Eos
8. JUSTICE – Maat
9. THE HERMIT – Hekate
10. THE WHEEL – Arianrhod
11. STRENGTH – Ishtar
12. THE HANGED MAN – Frigg
13. DEATH – Kali
14. TEMPERANCE – Anahita
15. THE DEVIL – Lilith
16. THE TOWER – Morrigan
17. THE STARS – the Pleiades
18. THE MOON – Selene
19. THE SUN – Amaterasu
20. JUDGEMENT – Cerridwen
21. THE WORLD – Gaia

MINOR ARCANA

WANDS

Ace – Bast
2 – Ataentsic
3 – the Horae
4 – White She Buffalo
5 – Pele
6 – Andraste
7 – Akycha
8 – Flora
9 – Angerona
10 – Caeneus/Caenis
Knave – Oya 
Knight – Iris
Queen – Kuan Yin
King – Brigid

CHALICES

Ace  –  Habondia
2 – Psyche
3 – the Graces
4 – Pandora
5 – Leto
6 – Hina
7 – Maya
8 – Calypso
9 – Nike
10 – Hestia
Knave – Hebe
Knight – Epona
Queen – Yemaya
King– Saraswati

SWORDS

Ace – Bellona
2 – Fides
3 – the Norns
4 – Ch’ang O
5 – Sif
6 – Nehalennia
7 – Blodeuwedd
8 – Persephona
9 – Ate
10 – Sakuntala
Knave –  Diana
Knight– Rhiannon
Queen – Tara
King– Coatlicue

COINS

Ace  –  Fortuna
2 – Hemera and Nyx
3 – the Esperides
4 – Inanna
5 – Hel
6 – Acca Larentia
7 – Estsanatlehi (Changing Woman)
8 – Nu Kua
9 – Rosmerta
10 – Ben Saiten
  Knave – Fulla
  Knight – Aine
  Queen – Juno
King – Lakshmi

REVIEW: THE GODDESS TAROT BY KRIS WALDHERR

THE GODDESS TAROT

ABOUT THE AUTHOR

Kris Waldherr is an illustrator, writer and designer. Her works were exhibited in the National Museum of Women in the Arts, she is an author of popular decks such as Goddess Inspiration Oracle, The Lover’s Path Tarot, The Anubis Oracle and books Doomed Queens, The Book of Goddesses and The Lily Maid. She lives in New York with her husband, anthropologist Thomas Ross Miller and their little daughter Thea.

Find out more about her on her website: http://kriswaldherr.net/main/

ADVANTAGES

It is not strictly the goddess oracle deck, it is Tarot deck inspired by goddesses. I find the paintings of Kris Waldherr to be the main advantage. As I have already mention in the review of Goddess Inspiration Cards her graphics appeal to me and the cards are alluring visually. In fact Goddess Inspiration Cards were created after success of The Goddess Tarot as a deck of oracle cards for the users who are not fluent in reading the Major and Minor Arcana.

Obviously when you interpret the readings of The Goddess Tarot, the question arises immediately what to mostly concentrate on: the primary meaning of the Tarot card or the myth about the goddess presented on this card? That is why it is essential to attribute goddess to the arcane adequately, basing on the myths, symbols or elements. It is a complex task and matching female deities to the quintessentially male figures seems to be the main limitation. I must admit that Kris Waldherr somehow managed to fulfil this task. The only things I don’t agree with are:

– incredibly feminine Freyja attributed to the arcane of The Emperor. I find a severe Athena more appropriate choice, however Athena represents the arcane of Justice in this deck (and I admit this assignment makes sense, too)

 – I am not convinced by the assignment of the sea goddess to the arcane of The Devil (here called Temptation) associated with an earth sign of Capricorn 

– I believe that if you take into consideration the nature of Gwenwhwyfar (‘the May Queen’), the card of Judgement which she represents should rather be named Revival

I believe and strongly insist that the original meaning of Tarot arcane should be the primary interpretative level and the goddess myth should only be its completion (especially that the mythological background is presented in a very  cursory manner in the booklet).

A huge advantage is the possibility to try this deck yourself here.

DISADVANTAGES

The deck is really interesting, however remembering the previously asked question (which came first? Tarot card meaning or the goddess myth?) I must say that its semantic chaos is really disturbing. The author somehow took shortcuts  because goddesses are only present on the 22 Major Arcana while the Minor Arcana are the reproductions of the images from Rider – Waite – Smith deck while the order is taken from Tarot of Marseilles and the deck of Alistair Crowley. It is actually the deck of goddess half – Tarot wink3 .

I also think that the rejection of traditional names is a disadvantage and it may be confusing. If you look at the name of Freyja’s card, Power, you may confuse it with the actual card of The Strength.

Kris Waldherr has attributed divine patronesses to all the four suits of the Minor Arcana and the figures representing each suit have characteristic features of people living in the place where the goddess was worshipped. And so Chalices (beginning the cycle of Minor Arcana against the tradition) are attributed to Venus, Wands to Freyja, Swords to Isis and Coins to Lakshmi.

ISSUE

78 cards + 3 additional ones with the information about the deck

a booklet with an introduction written by the author, short description of the Major and Minor Arcana meanings and example spreads (3 Cards + the Celtic Cross) and some empty pages for notes

a box

the goddess tarot

In a booklet each card is presented in the following way:

– name of a card

– a short description of goddess (Major Arcana) or the image on the card (Minor Arcana)

– meaning of the card when it is placed in a regular position

– meaning of the card when it is placed in a reversed position

The size of cards is 12 x 8,5 cm

Back side of the card is an ornamental motif of golden leaves placed between vertical and horizontal golden lines on a light blue background.

EXAMPLE CARDS

Athena as Justice

Athena in The Goddess Tarot by Kris Waldherr

Isis as Mage

Isis – Hathor in The Goddess Tarot by Kris Waldherr

Lakshmi as Wheel of Fortune

Lakshmi in The Goddess Tarot by Kris Waldherr

Nine of Wands

9 of staves

Three of Chalices

3 of cups

Two of Swords

2 of swords

Six of Coins

6 of coins

Back side

3

Copyright©1997 U.S. Games Systems, Inc.

Publisher: U.S. Games Systems, Inc.

ISBN: 1-57281-066-1

MAJOR ARCANA

O BEGINNINGS – Tara
I MAGIC – Isis
II WISDOM – Saraswati
III FERTILITY – Estsanatlehi (Changing Woman)
IV POWER – Freyja
V TRADITION – Juno
VI LOVE – Venus
VII MOVEMENT – Rhiannon
VIII JUSTICE – Athena
IX CONTEMPLATION – Chang O
X FORTUNE – Lakshmi
XI STRENGTH – Oya
XII SACRIFICE – Kuan Yin
XIII TRANSFORMATION – Ukemochi
XIV BALANCE – Yemanya
XV TEMPTATION – Nyai Loro Kidul
XVI OPRESSION – The Wawalak
XVII THE STAR – Inanna
XVIII THE MOON – Diana
XIX THE SUN – The Zorya
XX JUDGEMENT – Gwenwhwyfar
XXI THE WORLD – Gaia

LILITH

LILITH

Goddess of the night, Adam’s first wife who according to Jewish beliefs was created together with him, she, however, rebelled against his need to dominate and fled from Eden. The meaning of her name varies from Night Creature, Night Monster, Demon, Screech Owl, Lady Air, Wind or Spirit.

First I have state clearly that the character of Lilith can be interpreted in two manners, either in the same way as she was perceived by the ancient folks or in a modernised one. I am going to describe how she was depicted throughout the ages but as far as the divinationary section is concerned, I refer to present time reality (and so do most authors of goddesses decks).

ABOUT GODDESS

Creatures resembling Lilith are first mentioned in the Mesopotamian mythology, however they do not take the shape of the characters from subsequent Jewish legends yet. While researching the Epic of Gilgamesh Samuel Noah Kramer studied the text of Twelfth Tablet which was not originally included in the poem. What he found there was the story of Inanna who planted the huluppu tree (most probably a willow) in her garden in Uruk so that she could make a throne for herself from its wood. However, when she came back after ten years to cut the tree, it turned out to be inhabited: a serpent was living in its base, a Zu bird (a huge bird with the head of a lion) had the nest with its young in the crown and ki-sikil-lil-la-ke found the home in its trunk. According to the tablet Gilgamesh, asked by Inanna, has smitten the serpent, made the Zu bird fly away to the mountains with its young and ki-sikil-lil-la-ke destroyed her house and fled to the forest. There is not enough evidence to identify Lilith with ki-sikil-lil-la-ke, in fact modern scholars reject this connection. The only thing that can be determined with high probability is the analysis of the tree spirit’s name: ki-sikil means ‘sacred place’, lil is ‘spirit’ and il-la-ke can be either ‘water spirit’ or an owl. According to one of the Sumerian texts, Lilitu is Inanna’s handmaiden, a beautiful prostitute whom the goddess sends to the streets so that she seduce men there.

Moreover, in the texts of incantations from Nippur in Babylon dated back to around 600 BC there is a mention of vardat lilitu meaning a female spirit connected with storms and winds; the word lili itself was associated with magic and demons. According to some hypotheses, the Sumerians and the Akkadians, the native inhabitants of Mesopotamia, were bilingual and their deities became syncretised, in this case in the Sumerian language the spirit was named ki-sikil-lil-la-ke while for the Akkadians the name of the same spirit was Ardat-lili (Ardatû). Lilitu were also present in the myths of Assyrians, the heirs of the Sumerian and the Akkadians, as the demons hunting for women and children associated with lions, deserts, storms and diseases. Originally they were linked to the wind and storms and then to the night and copulating with people while they were sleeping; lilitu were hostile towards families, seduced men (it was believed that sick men were possessed by lilitu), caused infertility, miscarriages, complications during delivery and death of babies. Prostitutes were also called ardatû.

It was not until Jewish culture came that Lilith was distinguished from other night demons and gained her own mythology. Her appearance in the Bible is disputed, the only remark mentioning her is the Book of Isaiah 34: 13 – 15 where the word lilit/lilith is enumerated as one of the impure animals (most probably because of the associations with demons), it is unclear, however, whether the author refers to a particular person or the species of demons. In most translations of Bible into foreign languages lilith is treated as a specified creature bringing bad connotations for the contemporary  who shall nest and lay eggs, hatch them out and gather them in her shadow (in Septuaginta, Greek translation of the Bible, a satyr is an equivalent, being a creature of a significant sexual freedom, an embodiment of the forces of nature, in Vulgata, Latin translation, lilith is translated as Lamia, a figure from Greek mythology who was said to abduct and devour children etc). In the King James Bible, the classical translation to Old and New Testament to English, the word screech owl is used and this manner was generally adapted in further renditions.

 Lilith is given a specific embodiment in modern Jewish texts, particularly Talmud and Kabballah. According to these, she was created by God at the same time and from the same clay as Adam thus was his first wife. Several versions of this story have been noted: either she had been brought to life before Adam was, on the fifth day of creation or just a moment before him or Adam and Lilith were created as one being but Lilith’s soul was lodged in the depths of the Great Abyss until God called her to join Adam lying on the ground as lifeless body, it was not until that moment when God created soul for him and divided a woman from a man. According to yet another version Lilith was not created by God but emanated spontaneously as a separate deity and is connected to the Sefirot of Gevurah in the Tree of Life. There is also an alternative version claiming that Adam&Eve and Lilith& Samael came into living as twin couples of hermaphrodites.

Adam wanted Lilith to have sex with him but when it turned out that she was expected to lie below him, she refused firmly. She could not accept such a position because she was created from the same clay as Adam therefore she was equal to a man, not subjected to him. Infuriated, she spoke the Ineffable Name and flew to the Red Sea. Adam complained to his Creator and Yahwe sent three angels Sanvi, Sansanvi and Semangelaf* to Lilith  to convince her to return. But this made Lilith even more enraged so she refused to come back and began relationship with Samael, an angel rebelled against Yahwe. Angels warned her that if she would not return to Adam, she would have to bear one hundred little demons every day but they would all die. Despite this threat Lilith did not surrender and did not return to Eden. This is why Yahwe created an obedient and subordinate Eve from Adam’s rib and Lilith, out of revenge that her own children die, captures the newly born descendants of Adam. Other legends say that Lilith incarnated as a vengeful serpent who convinced Eve to pluck the apple. It is also said that having been expelled from the Paradise Adam separated from his second wife and lived as a hermit, at that time Lilith returned to him as a demon in his dreams.

We have to remember that the ancient did not know what viruses, bacteria and genetic diseases were, so when a baby was dying or a woman miscarried (and it did happen often) they were explaining it by the intervention of a jealous female demon. This was not only the case of Mesopotamia but also ancient Hellas where the above mentioned Lamia, half – woman, half – serpent came from. Wet dreams were explained in the same way, it was believed that these were incubus and succubus, night spirits, copulating with men and women. In mythology Lilith was presented either as filled with lust that made her seduce men or filled with jealousy over neonates, the root for the legend of murdering them. It must be noted, however, that these two characters have been evolving separately, there is very few stories where Lilith plays both roles. Patriarchal cultures stigmatize women who do not want to be subjected, they are considered to be bad, vicious and culpable; up to this day women who do not agree on arranged marriages or escape abusive husbands are convinced by their relatives to return in order not to dishonour their  families. It is forbidden for a woman living in a patriarchal culture to show desire and interest in sex and most of all it is suggested to her not to wear or behave in a manner that enhances her beauty (but it is man who decides how far is too much, this is where all those ‘explanations’ of rapists that they were provoked come from). Briefly speaking, Lilith’s history is everlasting. To check how to cope with it and not to get mad, please visit the divination meaning below.

IMAGES, SYMBOLS AND ANIMALS

Here is the Burney Relief with the image of Inanna/Ishtar (or Ereshkigal) which has already been discussed in the post about Ishtar. For some time researchers have been identifying the female figure as Lilith for the sake of wings, birdlike feet and being surrounded by birds resembling owls. This assumption was mostly based on the translation of the Twelfth Tablet of  the Epic of Gilgamesh.

The Burney Relief

However, this identification is now being disputed and mostly rejected.

Lilith appears in the early Romantic culture and art thanks to Faust by Johann Goethe and famous portraits by Dante Gabriel Rosetti, the leader of an English art group of Pre-Raphaelites

'Lady Lilith' by Dante Gabriel Rosetti

and of John Collier

'Lilith' by John Collier

Modern culture did not take the odium of a harlot and infanticide off her. Modern day images portray Lilith as having fair skin and long dark hair (in Jewish and Muslim tradition it symbolises dangerous female power of seduction) and staring at the mirror, the symbol of vanity. As a heroine of 19th century book Lilith by George MacDonald she possesses not only all the features that the ancient attributed to her but is also a vampire sucking blood out of people, she is similarly presented in a modern TV – series True Blood. She is treated as the first mother by the occult societies and traditionally connected to the new moon and the zodiac sign of Scorpio.

DIVINATION MEANING

PERSON

 Person shown by this card is strong – willed and adamant, definitely aware of her influence and strengths and knows how to use them (therefore may not be liked by the environment). She may have problems at work due to insubordination and because of intransigence in relationships. Beauty and sensuality attract men to her even in a subconscious way. In negative aspects she cannot deal with inner tension, past experiences, aversion towards men and subconscious fears or complexes (including sexual ones). This card also shows a person who misuses their attractiveness just because they can.

ADVICE

 DO ON BE SCARED TO SAY ‘NO’!

Our culture requires woman to be nice and polite but these requirements limit freedom of thought and behaviour. In the long run it is impossible to meet them without some loss of own psyche. Being nothing but sweetness is deadly. To be ourselves causes us to be exiled by many others, and yet to comply with what others want causes us to be exiled from ourselves.

Being faithful to yourself requires courage and resistance which is not an easy thing to do as women are taught to be nice and please others. When you start setting the boundaries, people in your environment will be reluctant to accept it or may even behave in a hostile way. And yet if you do not do it, you will not acquire positive attitude and respect to yourself. Being submissive and will not make people love you but use you instead.

Give only as much as you really want to give. Being assertive is not easy, people in your environment may try to force you to explain your behaviour or will call you an egoist. Do not let them do that. Speak in a calm way and use simple, short statements e.g., I have no money, I have no time, etc. If anyone insists, do not engage in further discussion, just repeat the same sentence I have no money, I have no time over and over again, s/he will stop soon. Perhaps people in your environment will consider you to be a hag but they will do what they need without your help.

Express yourself clearly. Speak only things you really mean. Be consequent in what you do. Establish rules and stick to them. Giving your energy, time and money to others is good as long you do it with joy, not because you are expected to do it, the latter only leads to frustration and fatigue. You will not make anyone happy in this way.

Be prepared for the fact that showing your power will cause some unfriendly comments. People may suggest that powerful women discourage men, that you should behave in more feminine way, wear more feminine clothes or even play the role of dumb woman (‘sweet idiot’). Note that a man searching for a relationship with a woman will never get advice to be more male, wear more male clothes or play the role of strong man.

Be prepared that if you are being picked up and express your objection clearly, the person who picks you up will try to withdraw, begin to ridicule you or to say, ‘I was only joking’, ‘What were you thinking?’ etc. This tactics is aimed at “softening’ you and weakening your self – esteem but once you say ‘no’, most probably you will not be bothered again.

Think of the reasons why you are in your relationship. Perhaps it is because you are scared of being alone, not because you truly love your partner. If you are scared of being alone then do not expect someone to adore your company. If you are not scared to be alone, you will not be afraid to wait for a worthy person and you will not fritter away in an unsatisfactory relationship.

Make sure you are not dominated by your partner either in emotional, intellectual or financial way. Remember that men and women may differ but are equal. We cannot build happiness on the dependence on someone else. A cage made of gold is still a cage.

Think of whether it is worth to bind your emotions and energy to a person who is not free either legally or emotionally.

You have right to feel desire and want to have sex. Have a positive attitude to your body. Sex is a powerful tool which can either charge you with lots of positive energy or make you feel terribly down. As far as intimacy is concerned you should only do what YOU want to do. Do not let yourself be manipulated. If you do not feel like you want to have sex, do not do it. Do not have sex just because you feel lonely, you are drunk, you want to achieve sth via bed, keep your partner or you think this will make you adult. Sex is an exchange of energy, do not waste yours on a wrong person. Do not be scared to talk about your needs and contraception.

My personal understanding of this card is not to be afraid to talk with children about their bodies, gender and sex (in the range depending on their age). Teach your daughters and sons how to say no and to set boundaries. Teach your daughters and sons that when another person says no they mean no and they have to respect their boundaries. Remember that your children’s future attitude towards relationships and sex is shaped by the behaviour they observe at their home. You also have to teach your children that not all the adults have good intentions and may hurt them.

Never forget that patriarchal culture also hurts men forcing them to play roles they do not want to or cannot bear.

Courage. Freedom. Equality. Strength. Opposition. Independence. Setting boundaries. Refusing to be enslaved. Freedom of mind, heart and body. Moving forward. Surprise.

LOVE

If you are in the relationship:  Lack of satisfaction in relationship. Romance. Partner may not be able to have children. Problems with getting pregnant, miscarriage or complications during delivery. First wife. Lover.

If you are single:  Romance. Being alone by choice. Being with someone who is already in a relationship.

(In both contexts this card warns against sexual harassment or rape)

FINANCES

 Strike. Discontent with present conditions. Inequality in wages for the same amount of work. Discrimination. Exploitation. Abuse at work (including sexual harassment).

HEALTH

 Infectious diseases. Visit your gynaecologist. Endangered parts of the body: sex organs.

CARDS

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Lilith in Goddesses&Sirens by Stacey Demarco&Jimmy Manton 

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Lilith accompanied by owls in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Lilith in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Lilith in The Goddess Power Pack by Cordelia Brabbs

Lilith in The Goddess Power Pack by Cordelia Brabbs  

Lilith fleeing from Eden in Goddess Card Pack by Juni Parkhurst

Lilith in Goddess Card Pack by Juni Parkhurst

 Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Lilith in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

 Owl – eyed Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in The Goddess Oracle Deck by Thalia Took

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Lilith in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

 Lilith as Devil in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Lilith in Universal Goddess Tarot by Maria Caratti&Antonella Platano

* The names of the same angels were written on the amulets for babies aimed at keeping Lilith away from them. Legend says that the angels sent to bring her back to Eden forced her to promise that she would not attack children wearing amulets with their names.

Based on English Wikipedia (unfortunately, some information used in this post were removed from the current version of the article about Lilith) and http://www.pantheon.org/articles/l/lilith.html