Tag Archives: underworld

KORE PERSEPHONE (PROSERPINE)

KORE PERSEPHONE (PROSERPINA)

Hellenic goddess of the Underworld, vegetation and changing of the seasons, guardian of the souls of the dead, daughter of Demeter and Zeus, wife of Hades. The myth of her abduction was an explanation of seasons changing and the base for Eleusinian Mysteries. Her first name, Kore, means ‘a young girl, a maiden’, her second name probably originates from a foreign language which was unknown to the Hellens, one of the possible etymology is perein phonon meaning  ‘bringing death, causing death’.

ABOUT GODDESS

The myth of Kore’s abduction has already been told in the post about Demeter so let me simply quote it

Kore was a young girl when she was playing on the meadow with fellow nymphs on a sunny day. Her mother allowed her to weave wreaths from all the flowers but a narcissus dedicated to the gods of the Underworld. Unfortunately, Kore forgot her mother’s warning and picked this flower. It brought the darkness over the meadow, the ground cracked and a chariot led by black horses  emerged from the abyss. It was Hades, the lord of the Underworld, he captured Kore and abducted her to his realm below the surface of the earth. It was all so sudden that nobody was able to react or even realise that Demeter’s daughter disappeared. Only Cyane (Kyane), a water nymph and Kore’s companion, heard her friend’s cry and hurried to save her. However, it was too late and one of the horses kicked her in the shoulder so she could only massage the sore spot and cry after Kore. Terrified Demeter kept searching for her daughter everywhere but she did not realise that Zeus had promised his daughter as a wife without her mother’s knowledge and consent.

When Demeter found out about the conspiracy (either from all-seeing Helios the sun god or Hekate, goddess of the night and witchcraft), she became so furious  that she cursed the earth and told her not to raise crops until her daughter comes back to her. This interrupted the order of the seasons so plants began to wither and people started to complain they would not be able to gather them and they would suffer from hunger.  Zeus had no option but to return Kore to her mother. However, the girl was lured to eat a couple of grains of pomegranate in the Underworld and this made her belong there forever. In the end the gods and goddesses entered into a compromise: Kore was to spend one third of the year with her husband as Persephone the Queen of the Underworld but for the remaining two thirds she could return on the surface and enjoy the time with her mother. This is how the Hellens understood the seasons change: in winter the earth was saddened by the absence of Kore Persephone together with Demeter and in spring and summer when she was coming back, the earth was showing joy by letting leaves and blossoming the flowers.

Kore's abduction

It is the first and the most significant appearance of Kore Persephone in the Hellenic mythology but not the last one. She is present as the wife of Hades in many stories telling about the hero’s descent to the Underworld. She is so moved by Orpheus’ song that she convinces her husband to return his wife Eurydice to him. She helps Heracles fulfil his twelfth labour of tying Cerberus, the guardian dog of the Underworld. She is sometimes involved in a story whether she wants it or not, such as in the case of Pirithous, a hero and a friend of Theseus, decided to take Kore Persephone away from Hades as a revenge for the death of his own beloved wife Hippodamia. The plan failed and both heroes were sentenced to be imprisoned in Hades and enchained to the rock. Theseus was freed from the ordeal by Heracles,  Pirithous, however, had to remain enchained in Hades forever.

Kore Persephone has also participated in the dispute with Aphrodite concerning Adonis. According to myths Adonis was an illegitimate child of Princess Myrrha who made Aphrodite angry, and the goddess punished Myrrha by making her fall in love with her own father. Princess managed to deceive him and spend a couple of nights with him but when the affair came to the light, furious king seized the knife and started to run after her. Escaping his rage, Myrrha begged gods for rescue and they turned her into a tree which was later named after her. After nine months tree bark cracked and a boy came out of the trunk. Aphrodite put the baby into the chest and entrusted to Kore Persephone. However, the goddess of the Underworld fell in love with young Adonis herself and decided to keep him in Hades forever. This made Aphrodite furious. The disagreement must have been eventually resolved by Zeus who decided that Adonis was to spend one third of the year with Aphrodite, one third with Kore Persephone and the remaining part of the year wherever he wants to. According to another version of this myth young man died pierced by the tusks of boar, the animal was in fact jealous Ares in disguise. Aphrodite’s grief was so big that Zeus let her lover return to the goddess during spring and summer, Adonis, however, must have come back to Hades for autumn and winter.

According to most of the myths, the marriage of Kore Persephone and Hades remained childless* but some versions claim that she was the mother of  Zagreus/Iakchos/Dionizos (with Zeus).

Deity descending into the Underworld was a popular explanation of seasons changing in the ancient times. A similar motif in present in the mythologies of the Middle – East, be it Attis (see the post about Cybele) or Osisris (post about Isis) and the theme of a young woman abducted to the Underworld is also present in the story of Ereshkigal (see the myth of Ishtar). Basing on the mythology and archaeological remains, it can be assumed that an agrarian cult of Demeter and Kore Persephone was one of the oldest in the Hellas, older than the cults of Olympian deities. It is possible that it came to Hellas from other countries (the Hellens were writing the name ‘Persephone’ in many ways, it may suggest that they were unable to pronounce it themselves so it either originated from a pre-Hellenic language or was a borrowing from a foreign language). The beginnings can be dated up to 1400 – 1200 before Christ based on the inscriptions on the tablets found in Pylos, her name is written as Preswa and this may be its oldest form. There is also enough evidence to assume that Persephone was venerated in the Minoan Crete. Similarly to Egypt, the eldest deities were strictly associated with nature and often depicted as half – humans and half – animals (a Cretan figure of Minotaur, centaurs, satyrs, tritones, mermaids, sirens etc seem to be the remaining of this cult in mythology). An image of two women was discovered in the temple of Despoina in Mycene, it is assumed that these were either Demeter and Kore Persephone themselves or their priestesses wearing animal masks, this proves how early their cult was. Cretan agrarian cults have not used images of any deities  (similarly to the oldest forms of the Great Mother Cybele’s cult), they were mostly performed by females and the rites themselves included dancing, shaking trees and worshipping stones (most probably  meteorites). There are also reasons to believe that Kore Persephone was identified with yet older goddesses such as Despoina or Ariadna. Excavations on the temple sites suggest that places of worship were situated near springs and fire was burning in them all the time.

women wearing clothes from the Minoean age and dancing around (most probably) Kore Persephone, the Isopata ring

Demeter’s daughter was the goddess of both Underworld (as Persephone) and vegetation (as Kore). She was depicted on sarcophagi as a symbol of revival and eternity. Apart from the Eleusinian Mysteries, Kore Persephone was also venerated separately in the temples located in Corinth, Megara and Sparta. She was worshipped as Despoina (Mistress of the House) in Arcadia, furthermore she was known under other nicknames, the most popular were those presenting her in the most favourable way to gain her benevolence: Hagne („Pure”, it was primarily the name of a spring nymph), Melindia or Melinoia („Of Honey”), Melivia, Melitodes, Aristi Tchonia („The Best of Chtonic”). In her aspect of the vegetation goddess she was called Kore Soteira („The Saviour Maiden”), Neotera („The Younger One”), etc., she also often appears together with her mother as Two Goddesses (Demeter being The Older and Kore The Younger) in Eleusis, The Great Goddesses and The Mistresses in Arcadia, Karpophoroi („The Bringers of Fruit”) in Tegea and Thesmophoroi („The Legislators”) during the Thesmophoria festival.

The cult of Demeter and Kore Persephone had many local versions but the most important festival was of course the Eleusinian Mysteries celebrated in the autumn. Celebrations were aimed at the immortality of life and were filling the initiated with hope for the good fate (it was most probably believed that they were sent to the best part of Hades called The Elysian Fields after death). Mysteries were divided into the Lesser ones (celebrated every year) and Greater ones (celebrated every five years, on the fifteenth day of boedromion month ie. at the turn of August and September/September and October, they lasted ten days). A prerequisite for participation was only freedom form “blood guilt”, the festival was open for women and slaves. This was the time of  initiation and involved a couple of degrees of initiation. The Eleusinian Mysteries required keeping the secret so only a few people with the highest degree of initiation knew what was hidden in kiste, a sacred chest and kalathos, a lidded basket. It is speculated that the Demeter’s sacred objects were golden serpent, an egg, a phallus and seeds.

It remains unknown what were the mysteries like because revealing the secret was punished by death, however the descriptions of public celebrations were written down. The Greater Mysteries in Athens began on the fourteenth of boedromion when the sacred objects were brought to Eleusinion, a temple situated at the base of the Acropolis Hill.  The next day was the time of Agyrmos (“the gathering”) when the priests announced the beginning of holiday and offered sacrifice. On the sixteenth day of the month, the rituals of purification in the sea were taking place near the port of Phaleron and on the seventeenth it was the time for Epidauria (so called “festival within festival”), celebrations for Asclepios, god of healing, when he was invited symbolically to the city with his daughter Hygieia goddess of hygiene and led in procession to Eleusion. On the nineteenth day procession was moving from the Kerameikos cementary to Eleusis along Hierá Hodós (“Sacred Way”), participants were swinging the branches called bacchoi. At a certain point they started to shout obscenities to commemorate (Iambe), an elderly woman who was trying to make Demeter laugh while she was grieving the loss of daughter by pulling the skirt up and saying naughty jokes, people were also shouting “Íakch’, O Íakche!” to celebrate Iacchus. When the procession reached Eleusis, it was the time for one day fasting to commemorate Demeter’s hunger while she was searching for her daughter, the only thing allowed to drink was kykeon made of barley and pennyroyal. On the 20th and 21st it was time for the proper celebrations when the crowd was gathering in Telestrion, a great hall („Initiation Hall”) where those waiting to be initiated gathered, in the centre there was Anaktoron („Palace”) where only the priests were allowed to come because sacred objects were stored here. Before entering Telestrion adepts had to say, I have fasted, I have drunk the kykeon, I have taken from the kiste (“box”) and after working it have put it back in the kalathos (“open basket”).  At first two special vessels were filled, then one was emptied in the direction of west and the other towards east and the worshippers were looking at the sky and earth whispering the rain fertilising the ground. The story of Kore Persephone’s abduction was told in three acts, first descent, then search and finally ascend and reconnection with mother. A ‘divine child’ was placed on hearth (check the story of Triptolemus in the post about Demeter) and those initiated to the highest degrees were to cut in silence a sheaf symbolising revival of life after death. The festival was completed with Pannychis, an all-night feast with dancing and rejoicing accompanied by the sacrifice from the bull and remembrance of the dead by libation the next day.

This is how Cicero wrote about these celebrations, For among the many excellent and indeed divine institutions which your Athens has brought forth and contributed to human life, none, in my opinion, is better than those mysteries. For by their means we have been brought out of our barbarous and savage mode of life and educated and refined to a state of civilization; and as the rites are called “initiations,” so in very truth we have learned from them the beginnings of life, and have gained the power not only to live happily, but also to die with a better hope.. (Laws II, XIV, 36)

Another holiday for Demeter and Kore Persephone was the festival of Thesmophoria celebrated all over Hellas from the 11th to 13th of the Pyanepsion month (October) when married women were free to come out of the houses** and participated in the women exclusive rites. Not much is known about this festival for a very simple reason: only married women participated in them and they were not the ones who wrote chronicles or memories. What we do know is that there were processions on the first day, the second one was the time of mourning, extinguishing the fire and eating pomegranates and the third was sacrificed to the rather unknown in mythology Kalligenea, goddess of beautiful birth. There were also records saying that at night swine were sacrificed in the trenches and caves and the remains of the animals sacrificed in previous year were retrieved and placed on the altar, mixed with seeds and planted. There was also Anthesphoria, the festival of flowers and cereals, celebrated in the Hellenic colonies in Italy (so called Magna Grecia) and in the Peloponnesus.

Ancient Romans took the cult of Kore Persephone over from Hellenic colonies established on the south of Italy and Sicily. She was called Proserpine in the local local dialect and this version of her name was adopted in the Apennine Peninsula. It is interesting to notice that she was venerated as the patroness of marriages in one of these cities called Epizephyrian Locris (present day Locri), this usually was the domain of Juno (Hera). Children were entrusted to Persephone and brides were bringing her their garments before weddings as votive offerings. A very popular image of Kore Persephone and Hades surrounded by plants and animals attributed to them comes precisely from Epizephyrian Locris.

Kore Persephone and Hades

In the 5th century before Christ Empedocles, a poet, philosopher and healer, has created the concept of four elements. He connected Kore Persephone named here Nestis with the element (or to be more precise with the root, it was not until Plato when the word ‘element’ was used) of water: Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears. Empedocles uses the nickname of Nestis and does not pronounce her real name which was considered to be a taboo since the earliest times. It was not advised to call the Queen of the Dead even in a simple conversation nor to speak her name aloud so Nestis was used as her cult title (Homer in his hymns refers to her as the Queen of the Shades).

IMAGES, SYMBOLS AND ANIMALS

The type of the oldest Hellenic sculpture is called kore, some hypotheses assume the figures represent Demeter’s daughter.

 KoreKore

Moreover, Kore Persephone is also presented sitting on the throne as majestic Queen of the Underworld with a sceptre, fruit, sheaves of grain and a liknon basket used to separate seeds from chaff.

Kore Persephone

DIVINATION MEANING

Person

A young girl, a teenager. A person who experienced a sudden or tough events. A person who is emotionally immature. Someone who was charged with too much responsibility too early. Somebody who became bitter due to bad experiences, childhood traumas or seriously betrayed trust. In negative a person with a victim pattern and not enough self – esteem and maturity to face the problems on their own.

Advice

What you need is patience. This card shows maturing in a hard way and learning to compromise. You cannot accelerate anything. Let things run their course. Give time some time. What you reap is what you sow. At first you will have to work hard and make a lot of effort to put your plans into action and you will be rewarded later. Everything changes sooner or later.

I personally associate strongly the card of Kore Persephone with the rune Jera.

Patience. Maturing. Harvest, crops, abundance, wealth, plenty. Revival. Beginning or end of the cycle. Bad timing, hurrying too much, poor plans, acting blindfold. An insufficient harvest, loss, scarcity.Intervention in the natural cycle. Possible trip but not for pleasure, rather forced by circumstances. Trauma. Abandonment. Compromise. Inevitability. A strong influence of mother. Secret knowledge, esoterics.

 Love

 If you are in the relationship: lack of maturity to a stable and adult relationship. Compromises and patience are required. Hiding from problems. Early marriage, possibly enforced somehow. Being childless. A strong influence of the mother. A cold, emotionally detached or manipulative partner.

If you are single: lack of maturity to a stable and adult relationship. A strong influence of the mother. Patience is suggested. It is also advised not to get into a relationship just to avoid being alone.

Finances

Trip forced by circumstances.  Beginning or ending a certain stage of career. Business involving volatility of revenues depending on time or season. Suspension of business activity. Time of harvesting profits.

 Health

Women: fertility and regular cycle, pregnancy and successful, natural delivery. Therapy limited to taking medicine. Vegetarian, macrobiotic or vegetable, fruit and cereal based diet. Regenerative skills. Checking your health regularly. Negative: laziness, wrong diet, insufficiency, problem with high cholesterol and obesity. Woman’s cycle disorder. Neglecting regular health tests. Eating in a hurry. Endangered parts of the body: the digestive system (particularly stomach, colon, small intestine and the large intestine).

CARDS

Kore Persephone  in Goddesses of the New Light by Pamela Matthews

Kore Persephone in Goddesses of the New Light by Pamela Matthews 

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone with Demeter in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Kore Persephone (together with Hades and Cerberus) in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

 Kore Persephone in Ancient Feminine Wisdom by Kay Stevenson&Brian Clark

Kore Persephone in The Goddess Oracle Deck by Thalia Took

 Kore Persephone in The Goddess Oracle Deck by Thalia Took

Kore Persephone in Goddess Card Pack by Juni Parkhurst

 Kore Persephone in Goddess Card Pack by Juni Parkhurst

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr

Kore Persephone in Goddess Inspiration Oracle by Kris Waldherr 

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

 Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Mythic Oracle by Carisa Mellado&Michele-lee Phelan

Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

 Kore Persephone in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Kore Persephone as Eight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Based on Mity Greków i Rzymian by Wanda Markowska, Dictionnaire de la mythologie grecque et romaine by Pierre Grimal, The Greek Myths by Robert Graves, Wikipedia and http://www.webwinds.com/myth/elemental.htm

* It seems logical that the deities associated with death could not have children themselves. In Egypt Seth, god of desert and death, was infertile and his wife Nephthys craving for a child, got pregnant with their brother Osiris (that could be the reason for Seth’s hatred towards Osiris).

 *** In Hellas women did not participate in public life.

AMATERASU

AMATERASU

A Japanese goddess of the sun, co – creatrix of the world who watches over its order, protectress of people and ancestress of the Japanese imperial family according to the beliefs of Shinto. Her name originates from the stem amateru meaning „Shining in Heavens” and when its full form is used, she is called Amaterasu-ōmikami (The Great August Goddess Shining in Heavens), Ōhirume-no-muchi-no-kami and Tensho Daijan (Goddess of the Sun).

ABOUT GODDESS

Her name first appears in Japan’s oldest chronicles Kojiki and Nihon Shoki. According to most myths kami (spirit, deity) Amaterasu came to being with her two brothers when their father, the first man in the world, Izanagi returned from Yomi, the Underworld.  He went there to take his late wife Izanami back but he failed (according to another version Izanami gave birth to Amaterasu as their first child as soon as the Japanese Archipelago came into being). He came back to the world of the living and purified himself; when he was cleaning left eye, Amaterasu, goddess of the sun, was born, cleaning his right eye resulted in the birth of Tsukuyomi, god of the moon and cleaning his nose, Izanagi created  Susanoo, god of the storms and the sea. Amaterasu and Tsukuyomi got married and became the rulers of heavens, however when Tsukuyomi killed Uke Mochi, the goddess of food, Amaterasu, abhoring violence and bloodshed, sent him away, dividing in this way the day from the night.

Amaterasu’s relations with her other brother were tense as well. When impulsive and unpredictable as a storm Susanoo was to travel to the Underworld, he came to say goodbye to his sister, she, however, knowing his nature, doubted he had good intentions and got ready for the fight. God of the winds challenged her to prove her wrong and Amaterasu agreed. The aim was to create living creatures from an object: goddess of the sun broke Susanoo’s sword into three, chewed the parts and spat them out creating three women while her brother made five men from her necklace Mikuratana-no-kami, the symbol of power. When they started to argue who was the winner, a coarse god of the sea fell into rage and started to devastate rice and silkworm fields to that point that he eventually demolished her heavenly palace. Amaterasu was so scared and discouraged that she escaped to earth and hid in a cave (later to be called Ama-no-Iwato – ‘The Cave of the Sun God’ or ‘Heavenly Rock Cave’). She had no intention to get out even though Susanoo was punished and banished from heavens. Grief – stricken goddess did not realise that all the radiance and warmth of the sun disappeared from the surface of earth with her departure. Knowing that life could not survive without the sun, other gods kept begging Amaterasu to get out of the cave but she strongly refused. Desperate gods thought of making her leave with a trick. They have organised a party with noisy music right outside the cave and a clever goddess Uzume (Ame-no-Uzume-no-mikoto) placed an eight pointed mirror and a tub in front of the entrance to the cave. She overturned the tub and started to dance on it throwing her clothes off. Other gods found it so humorous that they burst into loud laughter and Amaterasu got so curious of what was happening outside that she moved slightly the stone blocking an entrance. When a sunbeam reached the mirror and the goddess saw what radiating beauty she was, she got out of the cave and gods blocked immediately the entrance  with a rock. They asked Amaterasu not to leave heavens ever again and she agreed.

Amaterasu emerging from the cave

(Amaterasu emerging from the cave with the Imperial Regalia, painting: Origin of Iwato Kagura Dance by Utagawa Kunisada, 1857 )

Susanoo was apologetic and brought Amaterasu his sword  Kusanagi-no-Tsurugi (‘Grass Cutting Sword’) as a sign of good will. She then gave the sword, the jewel Yasakani no Magatama and the mirror Yata no Kagami to her grandson Ninigi, son of Oshihomimi, one of the humans created during Susanoo’s challenge. According to Shinto mythology, these objects were to provide help in terminating wars ravaging Japan when Ninigi’s great-grandson Jimmu claimed the throne as the first Emperor. They became the Imperial Regalia and up to this day they are a closely guarded treasure which is only used during the coronation of emperors. Japanese rulers have been considered to be Amaterasu’s descendants and worshipped as deities, this cult has not been finished until the end of WWII when the American authorities demanded it as a part of peace treaty. Also the Japanese flag was changed at that time as the previous one depicted the sun  (here is a naval version)

Naval_Ensign_of_Japan.svg

However, the motif of chrysanthemum, symbolising the sun, was preserved as the sign of an Imperial Family.

the flag of Imperial Family

Amaterasu was considered to be a peaceful, balanced, protective and generous goddess. She was believed to be the protectress of people and helped them to develop such crafts as weaving, building or rice cultivation. The sun goddess is venerated in the Ise Jingū temple in the city of Ise and Hibiya Daijingū in Tokyo. The Yata no Kagami mirror is stored in Ise Jingū; the sanctuary is also famous for its ceremony called Shikinen Sengu when every 20 years the temple wooden buildings are rebuilt on a the area nearby and the goddess is offered new robes and food. The Hibiya Daijingū temple was erected in Tokyo in 1880 so that the followers do not have to go on a pilgrimage to Ise.

Amaterasu’s official cult resembled somehow the one of Hestia. The goddess was venerated by a high – priestess called Saiō on the behalf of the Emperor. Saiō originated from the Imperial Family and held her office throughout the reign of the Emperor who appointed her. According to legend this tradition was established by Princess Yamatohime-no-mikoto, the daughter of Emperor Suinin, who was searching for the best place to worship Amaterasu for twenty years until she found Ise and decided to build a sanctuary there. Saiō was being chosen when a previous Emperor died and the previous Saiō’s term of office expired with his death. The choice was based on divination, although it was a custom that one of new Emperor’s daughter was to become a Saiō. High – Priestess had to be a virgin, health and beauty were also important factors. When a new Emperor was crowned, a future Saiō moved to a separate part of the palace and was undergoing the processes of purification and learning a proper ceremonial (including a special language of priestesses where the the impure words were replaced with a special cipher). After eight months the new Saiō was sent to a building called Nonomiya prepared especially for that purpose and one year later she was going with her retinue to Saikū, the seat of priestesses near the Ise shrine (on those days it was forbidden to bury the deads). Her service included praying for peace, offering the first harvests to deities in September and performing ceremonies during the Tsukinamisai festival at the Ise temple in June and November. Being Saiō was treated as an honour and the will of heavens so if she fell significantly ill, she could have been dismissed from her office. She was bound to remain a virgin throughout her stay in the temple therefore breaking the vow of chastity was treated as a reason to remove the high – priestess from the service to the goddess. There were some cases of suicides among priestesses when their reputation was questioned (according to chronicles Takuhatahime, daughter of the Emperor Yūryaku, fell the victim of her enemies’ calumnies so she buried the sacred mirror and then hanged herself). After the Emperor’s death or resignation, Saiō could come back to the court, get married and have children (similarly to the Roman beliefs marrying a former priestess was a great honour). If for some reasons Saiō was dismissed before the end of her office, no other was chosen in her place until the reign of a new Emperor. The office of Saiō was held until 14th century.

When Buddhism became more and more popular in Japan, Amaterasu was recognised as a manifestation of bodhisattwa (either Kuan Yin or one of the forms of Buddha himself).

IMAGES, SYMBOLS AND ANIMALS

Apart from the Imperial Regalia Amaterasu is closely connected to roosters crowing at the dawn and a raven called Yatagarasu (Eight-Span Raven), her personal messenger to Emperor Jimmu who not only helped his army pass the rocky mountains safely but also went scouting and even negotiated on his behalf.

Yatagarasu the Raven

DIVINATION MEANING

PERSON

A person of great beauty, knowledge, talents and serenity who yet does not want to shine in the company. Someone reliable but modest who does much and talks little. Also a shy and timid person who escapes from problems and hides from the reality. In negative a narcissistic person focusing on their appearance and awaiting flatteries.

ADVICE

Come out of your hiding place. Regardless of how talented you are, you will waste it if you do not let yourself shine. Even if you are tired and discouraged now, remember that life still holds many pleasant surprises for you.

Do not escape from problems. Focus on one goal even if it seems trivial. Do not start many things at the time because you will not complete any of them or they will not be done thoroughly and you will get even more frustrated.

It is not your task to hide in the corner. It is your task to shine with your beauty, wisdom and smile. Beauty is not just pretty face and body but rather charm which attracts people to you. Build your self-worth from the inside, do not base it on the opinion of others. Without self worth it will be difficult for you to keep balance, set boundaries and love others wisely.

Silence or withdrawing from the annoying conversation is not giving up or failure. You win by not allowing the mental aggressor suck energy out of you. It reminds pulling the rope, if you let it, the person on the other end will fall down. Withdrawing from people and focusing on your inner life to think an important matter over is a very good idea. However, when you draw conclusions, do not keep them for yourself but rather put them into practice.

Hiding emotions inside will not make them disappear, instead they will be consuming you so it is much better to throw them out. If you do one thing, feel sth different and speak yet another thing, you are dispersing your energy. Let your thoughts, words and acts be one. Show integrity. If you put masks on, you will not let others to like, respect and love the real you. They will only like, respect and love the image of you that they have. It is impossible to build a true relationship with another person if you use illusions as a base.

Even if you feel like being immersed in darkness now, be sure that eventually you will shine.

Coming back to the world. New beginning. Competition. Strong position. Beauty. Radiance. Warmth. Fun. Music. Dance. Laughter. End of sadness. Harmony. Peace. Sensitivity. Creation. Teaching. Life Force.

In my personal interpretation, this card has often the similar meaning to The Sun, 19th Major Arcane of Tarot. Its energy is a bit “softer”, though, unlike a clearly male The Sun in Tarot.

LOVE

If you are in the relationship:  cooling down in a relationship, partner may become silent or withdraw from family life but it is also the time of improvement and solving problems out. Regardless of whether the union will resurrect like a phoenix or not, this card definitely assures you that the ultimate outcome will be positive to you.

If you are single: you are single because you isolate yourself from the world on the external or internal level. Either you do not go out to the places where you can meet new people or you do not let people approach you and you keep distance even when you are at the party or in the company of acquaintances.

FINANCES

Good time in finances. Promotion or pay rise. If the question concerns a new venture, this card suggests it will bring a satisfying result.

HEALTH

Internal diseases. Inflammation of organs. High temperature. Unrecognised depression. Post traumatic stress disorder. Excessive or low activity. Endangered parts of the body: heart, eyes.

CARDS

Classical representation of Amaterasu inspired by the picture of Utagawa Kunisada in Goddess Inspiration Oracle by Kris Waldherr

Amaterasu in Goddess Inspiration Oracle by Kris Waldherr

A very similar image of Amaterasu looking at the cave in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

 Amaterasu in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Amaterasu in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton-

Amaterasu with the mirror in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Amaterasu in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Radiating Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in The Goddess Oracle Deck by Thalia Took

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Amaterasu with a rooster and a decorative headdress in Universal Goddess Tarot by Maria Caratti&Antonella Platano as The Sun (according to one of the myth version seeing Susanoo approaching Amaterasu pinned wild boar tusks into hair to protect herself. Her brother used them, not her necklace, to create human beings)

Amaterasu in Universal Goddess Tarot by Maria Caratti&Antonella Platano

A fainting nymph…oh sorry, Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Amaterasu in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Blue Haired Fairy from Pinocchio…oh sorry, Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Amaterasu in Ascended Masters Oracle Cards by Doreen Virtue

Based on English and Polish Wikipedia, http://www.japantimes.co.jp/text/fl20090712x1.html and http://www.angelfire.com/de/poetry/Whoswho/Amaterasu.html .

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RHIANNON

RHIANNON (RIGATONA)

Celtic goddess of horses and the Underworld. A Welsh epic of Mabinogion describes her as Pryderi’s mother and the wife of first Pwyll and then Manawyddan. Her name Rhi Annon (Ri Ana) means ‘the Great Queen’.

ABOUT GODDESS

Rhiannon was a Celtic goddess of horses also known as Rigatona and identified with her continental counterpart Epona, the only Celtic goddess worshipped by the Romans. However, the Welsh mostly know her as the heroin of the First and the Third Branch of Mabinogion saga.

Not much is known about how her cult looked like because no written descriptions remained (the Celts have not written  their history not myths down so they only circulated in an oral tradition). The only items associated with Rhiannon which survived to this day are figures and reliefs of a woman sitting on a horse. Mabinogion is a cycle of Welsh legends which nevertheless were not recorded in writing until the Christian era. Christian scribes in monasteries were removing elements incompatible with the new religion therefore Rhiannon is not referred to as a goddess in the saga*. The first translation of Mabinogion from Welsh into English was not made until half  of the 19th century; the translator was Lady Charlotte Guest, an outstanding personality and the promoter of Welsh culture and literature.

Rhiannon first appears in the First Branch of Mabinogion when Pwyll the prince of Dyfed noticed her while hunting. She was sitting on a pure white horse of large size, with a garment of shining gold around her and when the prince asked his companions whether they knew her, they said they did not. Pwyll told them to ask the lady who she was but she fled on a horse back so quickly that Pwyll’s servants could not catch her. It happened again and again and finally Pwyll became so intrigued that he got on the horse himself and chased the mysterious lady but even having the swiftest horse in the kingdom, he was unable to reach her. At last he was so tired of the pursuit that he called, Lady, please do stop! She did and replied, I will gladly stop and it would have been better for your horse if you had done it much earlier. When she took off the part of a headdress which was covering her face, Pwyll realised she was the most beautiful woman he had ever met. The girl introduced herself as Rhiannon, the daughter of Heveydd Hên who wanted to marry her to a man against her will. She then added, But no husband would I have, and that because of my love for thee, neither will I yet have one unless thou reject me. Of course, Pwyll was not intending to reject her, moreover he added that if he could choose from all the women in the world, he would choose nobody but her. They arranged to meet in her father’s castle in exactly one year time and then parted.

Asked about the mysterious lady Pwyll changed the subject. However, when an arranged time came, he gathered one hundred horsemen and went to Heveydd Hên’s palace where he was welcomed cordially and a feast was arranged in his honour. Pwyll was seated between Heveydd Hên and Rhiannon but the good atmosphere was destroyed at the end of the feast when a richly dressed young man entered the chamber. His name was Gwawl the son of Clud and he was Rhiannon’s wealthy suitor. Gwawl started to talk with Pwyll and manoeuvred the unaware prince to agree on his marriage with Rhiannon. To prevent it, Rhiannon gave a bag to her beloved and ordered him to come back with his horsemen in one year time during her feast before the wedding. She ordered him to wear rags and ask for as much food as the bag could contain and she would use her magical powers to make it bottomless so the guests would wonder what to do to make it fill. Say thou then that it never will, until a man of noble birth and of great wealth arise and press the food in the bag with both his feet, saying, ‘Enough has been put therein’, said Rhiannon. I will cause him to go and tread down the food in the bag, and when he does so, turn thou the bag, so that he shall be up over his head in it, and then slip a knot upon the thongs of the bag. Let there be also a good bugle horn about thy neck, and as soon as thou hast bound him in the bag, wind thy horn, and let it be a signal between thee and thy knights.

This was exactly what happened one year later; hearing the signal Pwyll’s knights entered the chamber, disarmed Gwawl’s companions and cast them into the dungeons. Gwawl himself was still immobilised in the bag until he swore to Pwyll that he would resign from the marriage with Rhiannon, respect Pwyll’s relationship with her and would not take vengeance.  He was released with his people and left immediately. Pwyll and Rhiannon were able to get married. Pwyll gave a lot of gifts to his wife’s kinsmen and then he took  Rhiannon to his castle in Dyfed where in turn she gave gifts to her husband’s subjects.

The marriage was happy but still childless after two years. In the third year the noblemen came to Pwyll to express their sadness that he still did not have an heir. They suggested leaving Rhiannon and marrying another woman who would bear him a son. Pwyll answered that they were married for a relatively short time so they could still have children. Grant me a year from this time, and for the space of a year we will abide together, and after that I will do according to your wishes, he said. A year later Rhiannon gave birth to a healthy son. Tired after childbirth she fell asleep and the baby was entrusted to six women to watch over it at night. However, they fell asleep and when they woke up, the royal heir was gone. Terrified that they would pay for it with their own lives, they devised a plan: There is here a stag-hound bitch, and she has a litter of whelps. Let us kill some of the cubs, and rub the blood on the face and hands of Rhiannon, and lay the bones before her, and assert that she herself hath devoured her son, and she alone will not be able to gainsay us six.

When princess woke up and asked for her son, wicked women started  to persuade her that although they were trying to protect him, Rhiannon ate her own child. Of a truth we never saw any woman so violent as thou, they added. Rhiannon did not get caught by the accusations and assured women that she would defend them if they lied out of fear. They, however, kept lying. Soon the news spread all over the country and people demanded Rhiannon to be put to death for the crime. Pwyll did not agree but felt responsible as a ruler to draw consequences towards his wife. To expiate the act attributed to her, the princess was to sit in the gate to the castle for seven years, tell her story to anyone who did not know it yet and offer that she would carry the traveller on her back into the palace. Luckily, not many demanded that. Although innocent, Rhiannon was enduring her ordeal with dignity and humility.

Meanwhile at the night when Rhiannon’s son was born some other strange events took place. Teirnyon Twryv Vliant, Lord of Gwent Is Coed had an incredibly beautiful mare which regularly foaled on May, 1st but a colt kept vanishing mysteriously. Eventually angry Twryv decided to bring the mare into the house for the time of delivery and to watch over her fully armed. The mare indeed gave birth to a large and beautiful colt but right after that, he heard a great tumult and saw an enormous claw entering through the window and taking the colt. He threw himself at the big hand with his sword and cut it off in an elbow so only the hand with the colt remained. Outside tumult enhanced so Teirnyon ran away to check what happened but it was so dark that he could see nothing. When he came back home, he noticed a baby boy wrapped in a satine mantle lying on the door behold. He brought the baby to his wife and they both decided to adopt him and call Gwri Wallt Euryn for the sake of his blond hair. Boy was growing up rapidly, much faster other children; being just one year old he was bigger than a three year old child, while he was two, he seemed to be six and when he was four, he bribed the grooms to allow him to take the horses to water. Seeing how quickly he was growing, Teirnyon’s wife convinced husband to give boy the colt which was born on the same night as he.

Eventually the news of what happened with Rhiannon reached their castle. Teirnyon felt sorry for her and he started to ask what exactly happened and observed the boy whom he was raising. He noticed his great resemblance to Pwyll and realised he would have to give him back to his real parents. His wife agreed and the same day Teirnyon went to Dyfed with the boy. They met Rhiannon in the gate and in accordance to her penance, she offered to carry them on her back to the palace as a punishment for devouring her own child but Teirnyon refused. They got to the palace where Pwyll welcomed them cordially and invited for a meal. While they were eating Teirnyon told the prince of what had happened in the night when the boy and the colt were born. And behold here is thy son, lady– he said to Rhiannon. – And whosoever told that lie concerning thee, has done wrong. Everyone confirmed boy’s great resemblance to Pwyll and it finished Rhiannon’s ordeal. She called the boy Pryderi meaning ‘Loss’ and Teirnyon was offered great treasures, however being a modest man he did not accept them. Still he was in the great favour of both Rhiannon and Pwyll until his death. Pryderi grew up to be a talented and wise young man and he inherited the throne after his father’s death; he was greatly loved by his people. And thus ends this portion of the Mabinogion.

After Pwyll’s death Pryderi married Kicva and became ruler. He managed to enlarge his lands and went for a war with Ireland together with Bendigeid Vran (Bran) son of King Llyr** who attacked the lands of his brother-in-law in revenge for the treatment of his wife Branwen, Bendigeid’s sister. Pryderi was one of the seven men who survived the bloody battle between the Welsh and the Irish. He came back home accompanied by Manawyddan, Llyr’s other son whom he befriended so much that he decided to marry him to his widowed mother. He arranged a welcome feast to honour his guest and seated him next to Rhiannon. His plan succeeded, Manawyddan and Rhiannon took a fancy to each other and got married soon. For some time Pryderi, his wife, mother and stepfather lived peacefully but one day while they were outside, a storm raged and a strange mist descended on the country. When it disappeared, it turned out that they found neither buildings nor people nor cattles; it seemed as if in the whole Dyfed there was no single person except of the four of them. They remained all alone in their lands for two years but eventually they got bored of having no companionship.

So they set off to England where Manawyddan and Pryderi became so good craftsmen that local guilds turned against them because their products were much more popular  than the local ones. The Welsh decided to leave the town and move to another one but the same history repeated there. They moved to yet another town and again they were better than local craftsmen irrespective of whether they were producing saddles, shields or shoes. Their work made buyers delighted but it also aroused the anger of local craftsmen so eventually they decided that it was useless to stay there and came back to Dyfed. After a month  Manawyddan and Pryderi went hunting. They came across a great boar of pure white which led them straight to a newly built castle which they saw for the first time. The boar ran straight into the castle and Pryderi’s hunting dogs went after him. Since they were not coming back for a long time, he decided to go inside and take them even though Manawyddan suggested staying.

There was not a trace of a boar and hunting dogs inside neither any signs of people living there. There was, however, a murmur fountain in the centre with a golden bowl hanging over it. Pryderi was so amazed by the the quality of craft that he came to the bowl and placed his hands on it. He did not realise it was enchanted and when he wanted to take his hands back, it turned out to be impossible; he could not utter a word neither. Manawyddan was waiting for him to come back until the evening but eventually he returned to the palace and told Rhiannon about what had happen. She reproached him for not accompanying Pryderi and went searching for her son herself. When she entered the castle and saw him, she touched the bowl and fell under the spell too. Thunderstorm came again and mist enshrouded the castle making it vanish.

Kicva, Pryderi’s wife, fell into despair thinking she could lose him, however Manawyddan promised her that she would certainly have him back. Since they had neither hunting dogs nor food, they emigrated to England again where Manawyddan worked as a shoemaker once more. His products were of the highest quality as always so the local craftsmen turned against him and after a year Rhiannon’s husband had to flee from the town. Luckily, Manawyddan and Kicva took a burden of wheat with them to Dyfed so they sow the seeds which grew up profusely. Additionally, Manawyddan went fishing and deer hunting so they did not starve. Unfortunately, when the time of harvest came, it turned out that some mysterious creatures cut all the ears leaving stalks only. Manawyddan decided to watch over crops to save what had remained; it turned out that around midnight a big host of mice appeared on the field and carried the ears away. Manawyddan managed to catch one of them to the glove.

He was going to execute it but then suddenly a man appeared and came closer; he seemed to be a scholar which surprised Manawyddan because he saw no unknown person in this land for last seven years. When they started to converse and a stranger found out what Rhiannon’s husband was intending to do, he was trying to convince him to sell him the mouse. Manawyddan, however, did not agree so the scholar went away. Soon a priest rode with the same offer and  even higher price. Still Manawyddan did not want to sell the mouse so a priest left but Rhiannon’s husband could already see a bishop with his attendants approaching. He offered money again but Manawyddan kept refusing even though the price was getting higher and higher. Eventually bishop offered to release Pryderi and his mother. Manawyddan understood that the mouse is more valuable than it seemed so he additionally demanded the spell to be taken off Dyfed.

Bishop had no choice but to agree. He admitted that in fact he was a mage named Llwyd son of Kilcoed and his pregnant wife was disguised in the body of a mouse. He also revealed that he cast the spell on Dyfed to revenge the insult which Rhiannon and Pwyll made to his friend Gwawl son of Clud. He transformed into mice with his household members and went to Manawyddan’s fields, however because of her condition his wife could not run as fast as the others and was caught. He asked Rhiannon’s husband to release her and assured he would give up his revenge and take spell off Dyfed and he would never do it again. When Llwyd brought Rhiannon and Pryderi back, he returned his wife to him. Life came back to Dyfed and there were people, villages and cattles again. And thus ends this portion of the Mabinogi.

IMAGES, SYMBOLS AND ANIMALS

The animal mostly associated with Rhiannon/Rigatona is a horse. Roman images of a woman riding a horse remained to this day; they probably depict either Rigatona or Epona.

Rigatona

Rhiannon is also connected with the Underworld through her birds. Mabinogion mentions her miraculous birds which sang so sweetly that warriors listening to them fell under their charm for eighty years. Three birds had magical skills to wake the deads up and put the living to sleep. In an old Welsh legend about Culhwch and Olwen, one of Culhwch’s tasks is to get Adar Rhiannon – The Birds of Rhiannon  (he wants to marry Olwen but her father does not accept it and demands from suitors things impossible to get). Birds also appear during the feast in the Second Branch of Mabinogion:  the singing of the birds of Rhiannon (…) and there came three birds, and began singing unto them a certain song, and all the songs they had ever heard were unpleasant compared thereto; and the birds seemed to them to be at a great distance from them over the sea, yet they appeared as distinct as if they were close by, and at this repast they continued seven years.

Other animals associated with Rhiannon are a boar, dogs and a badger (Welsh game ‘a badger in a bag’ was traditionally initiated when Gwawl, Rhiannon’s suitor, was closed in a bag and teased).

Rhiannon is also associated with the symbol of cauldron (magical bowl in a castle), typical for Celtic goddesses (Welsh Cerridwen, Irish Brigid and triple Morrigan), which makes her the goddess of magic. Some researchers claim that similarly to Irish Medb (Maeve) and Welsh Gwenhwyfer (Guinevere) she is the goddess of sovereignty and grants the throne to the man who marries her. Like a Hellenic goddess Demeter she is linked with horses and perceived as the goddess of abundance and fertility.

DIVINATION MEANING

Person

Someone with a great need of moving or a person of a swift mind. Someone who is experienced in life, wise, bright and ingenious. A person of great patience and dignity.

ADVICE

It is you who is right in the situation you are inquiring. Do not let people around you make you believe you are not. Have no doubt of who you are, what you do and where you are heading. You are good enough in whatever you are planning so do not allow fears to destroy your potential.

A gaslightning *** method may being used to belittle you, do not stop believing in your own feelings, impressions and emotions. You are right.

Time to change and move forward. A trip is a good idea.

Reflect deeply on what you are intending to do because you will not be able to turn back the time.

Movement. Velocity. Change. Power. Dignity. Mobility. Internet. Happy ending of a difficult situation.

Love

If you are in the relationship: time of testing or ordeal. Speak honestly about what you want, sometimes it is enough to simply ask for it. False accusations. Re – marrying. Being deprived of/granted the custody over the child.

If you are single: this card suggests meeting somebody during a journey.

Finances

Loss, typically not caused by wastefulness but by decision of an office or a bank. It is possible to compound or to bend the rules in order to change this situation. Departure, most probably abroad.

Health

Beware of falling down and injuries. Endangered parts of the body: musculoskeletal system (bones, muscles, tendons, ligaments).

CARDS

Rhiannon hurrying with horses and birds in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Rhiannon in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Rhiannon in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Rhiannon in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Rhiannon in Goddess Inspiration Oracle by Kris Waldherr

Rhiannon in Goddess Inspiration Oracle by Kris Waldherr

Rhiannon as The Chariot in The Goddess Tarot by Kris Waldherr

Rhiannon as The Chariot in The Goddess Tarot by Kris Waldherr

Rhiannon in The Goddess Oracle Deck by Thalia Took

Rhiannon in The Goddess Oracle Deck by Thalia Took

Rhiannon in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Rhiannon in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Rhiannon in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Rhiannon in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

An interesting representation of Rhiannon in The Goddess Power Pack by Cordelia Brabbs

Rhiannon in The Goddess Power Pack by Cordelia Brabbs

Rhiannon in Goddess Guidance Oracle Cards by Doreen Virtue (I think I have expressed my views about this ‘work of art’ clearly enough in the review of Doreen Virtue’s deck so I will not say a word more)

Rhiannon in Goddesses Guidance Oracle Cards by Doreen Virtue

Rhiannon as Knight of Swords in Universal Goddess Tarot by Maria Caratti&Antonella Platano

Rhiannon in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

* It also affected other Welsh legends about King Arthur, most probably both Morgaine – Morgan Le Fey and Gwenhwyfer – Guinevere were at first goddesses. Legends about King Arthur have been formed in their ultimate shape around 15th century under the French influence while original Welsh myths are as old as at least 6th century. To be honest these versions often differ like fire and water. Both Rhiannon’s husbands are also considered to be originally gods; Pwyll was the lord of the Underworld while Manawyddan seems to be a Welsh counterpart of Irish god of the sea called Manannán.

** Prototype of Shakespear’s King Lear.

*** “Gaslighting is a form of psychological abuse used by narcissists in order to instill in their victim’s an extreme sense of anxiety and confusion to the point where they no longer trust their own memory, perception or judgment. The techniques used in “Gaslighting” by the narcissist are similar to those used in brainwashing, interrogation, and torture that have been used in psychological warfare by intelligence operative, law enforcement and other forces for decades.

The intention is to, in a systematic way, target the victim’s mental equilibrium, self confidence, and self esteem so that they are no longer able to function in an independent way. Gaslighting involves the abuser to frequently and systematically withhold factual information from the victim, and replacing it with false information. Because of it’s subtly, this cunning Machiavellian behaviour is a deeply insidious set of manipulations that is difficult for anybody to work out, and with time it finally undermines the mental stability of the victim. That is why it is such a dangerous form of abuse. The emotional damage of Gaslighting is huge on the narcissistic victim. When they are exposed to it for long enough, they begin to lose their sense of their own self. Unable to trust their own judgments, they start to question the reality of everything in their life. They begin to find themselves second-guessing themselves, and this makes them become very insecure around their decision making, even around the smallest of choices. The victim becomes depressed and withdrawn, they become totally dependent on the abuser for their sense of reality. In effect the gaslighting turns the victim’s reality on its head.” (from Narcology)

Based on original issue of Mabinogion available online (much to my joy) here: http://www.sacred-texts.com/neu/celt/mab/mab20.htm and http://www.sacred-texts.com/neu/celt/mab/mab24.htm

as well as English Wikipedia, http://wintergrovecoven.tripod.com/deities.html , http://www.thaliatook.com/AMGG/rhiannon.html , http://www.joellessacredgrove.com/Celtic/deitiesr-s.html, http://www.joellessacredgrove.com/Celtic/deitiesn-o-p.html .

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SEDNA

“No, I wanted to say, he didn’t cut off her hands because he didn’t have to, he had cut them off long before, with years of keeping all authority in his own palms, all the rules and all the power and all the answers emanating from him and no one else. And if you don’t understand that, if you’ve never been in such a family, then you can’t know the way the mind shackles itself and amputates its own limbs so adeptly that you never think to miss them, never think that you had anything so obscene as choice.”
~ Carolina De Robertis

SEDNA

An Inuit goddess of the sea, its depths and supplies and of Adlivun, the Underworld. She is also called Arnakuagsak or Arnaqquassaaq, Satsuma Arnaa (Mother of the Deep), Nuliajuk, Arnapkapfaaluk (Big Bad Woman), Nerrivik (Table) and Takánakapsâluk or Takannaaluk.

ABOUT GODDESS

The myth about Sedna has various versions but the common topic is cutting her hands off which turned into fish and other marine animals. According to one of the legends Sedna was a giant, daughter of Anguta, the Creator of the world, whose appetite was so huge that she threw herself at her parents. Angered Anguta took her to the sea, pushed out of his kayak and cut her hands off when she wanted to climb back. Her big fingers then changed into seals, whales and fish which the Inuit haunt for.

The most popular version of the myth presents Sedna as exceptionally beautiful girl who rejects candidates to marriage from her village one after another in the hope of meeting someone much better. She finally agrees to marry an unknown hunter who promises her life in abundance. The hunter takes her to a distant island where he drops his disguise and turns out to be the king of birds. He does not provide her life in comfort as he promised and Sedna calls for her father’s help. He arrives while her husband is absent and runs away with his daughteer to his kayak. Meanwhile the king returns and gets angry when he realises that his wife escaped so he flies after the fugitives with a flock of birds and attacks them. Sedna’s father is so scared that waves caused by the wind from the birds’ wings will overturn the kayak that he throws his daughter overboard. He knows that Sedna is what her husband wants (in another version he kills the king and the birds attack to revenge him). When Sedna is trying to climb back, her father chops her fingers off and a helpless girl sinks to the bottom. However, it turns out that she does not drown but becomes a goddess instead and her cut off fingers turn into whales, seals, walruses, fish and other marine creatures which are the Inuit’s main source of food. If Sedna gets angry, she does not allow fauna to emerge to the surface and hunters come back to their villages with nothing to eat. Then shaman travels to the sea depths to comb her hair and plait braids asking for forgiveness (being handless she is not capable to do it herself). This is why Sedna is considered to be to be rather a vindictive and sinister goddess.

Other versions of this legend says that Sedna, unsatisfied with the suitors presented by her father, eventually decides to marry a dog. This makes her father so furious that he throws her into the sea and when she is clinging to the kayak, he chops her fingers off. Another version says that Sedna rejects all the wooers until a new unknown hunter comes to the village. Her father makes a secret agreement with him and promises  to give him his daughter as a wife in exchange for fish. Then he gives Sedna a sleeping potion and let the hunter take her away with him. When she wakes up, she finds out that she is in a nest on a cliff and the hunter is in fact a great raven who disguised himself in a human form. It is not until that moment when her father hurries to rescue her but he gives up when the birds cause a sea storm. He throws his daughter into the water and when she is trying to climb back, her fingers freeze and fall off turning into sea animals. Sedna herself falls down to the bottom and changes into a mermaid with a fish tail instead of legs. In the region of Netsilik there is yet another version of the myth; in this story a maltreated orphan named Nuliayuk becomes the target of her fellow villagers. They are trying to drown her in the sea by cutting her fingers off but their plan fails when the amputee parts of her body change into fauna. Nuliayuk marries a fish and becomes the ruler of all the marine creatures.

A celestial object circulating around the Sun in an orbit beyond the trajectory of Neptune was called after the goddess.

IMAGES, SYMBOLS AND ANIMALS

Here is a couple of images presenting Sedna in the original sculptures carved by the Inuit:

Sedna-Transforming-1-100x100

Sedna-Transforming-2-100x100

http://appletongalleries.com/inuit-carvings

images.asc.ohio-state.edu

https://byrdpolarmedia.osu.edu/index.cfm?fuseaction=collections.seeItemInCollection&CollectionID=b77f4cab-9612-4386-86ba-1ab22eb962d4&ItemID=9569b7fd-f811-48bf-aed5-53a3e79445db

sedna-carving

http://www.gps.caltech.edu/~mbrown/sedna/

DIVINATION MEANING

Person

A person who has experienced a lot of bad things in life. A person with unsolved personal problems. Someone who pushes problems and fears down into unconsciousness. A person shown by this card is shy and silent, keeps oneself to oneself and tries not to cause troubles nor to attract attention but inside is often consumed by emotions.

Wife or (adult) child of an alcoholic. An archetype of a woman who escaped from an unhealthy family into equally unhealthy marriage. Women are naturally exposed to this behavioral pattern because they tend to search fulfillment through the contacts with other people. They often end up disappointed when they give a lot and receive little or nothing in return. Women are capable of selling their souls just for a substitute of feelings.

A person with the mentality of a grown up child who either cannot or is afraid to reveal their true feelings. Someone who escapes from responsability and adulthood. Someone who refuses to accept the rule ‘what goes around comes around’. Someone who wooes for the love of others. An ivy type of personality wrapping around a stronger partner in the hope for resolving their own emotional problems. Someone who does not have healthy patterns of personality and relationships. A person who does not act spontaneously but rather wears different masks (usually because of previous life experiences).

The card of Sedna represents a person who has a victim pattern of personality and hurts other people not by physical beating but by passive aggression: emotional blackmail, killing somebody with kindness, interferring into somebody else’s life, putting pressure on others, living the lives of other people, not their own etc. This form of aggression is neglected in our culture but it is equally harmful as physical beating or most likely it may be even more dangerous because it is in fact hidden (we might be even unaware that we are the victims of aggression and come to belief that we are the source of problems ourselves because we do not appreciate enough the efforts and feel guilty) and it hits under disguise of love (‘I do it because I care for you!’).

This type of aggression is commonly practiced by women (especially mothers and granmothers who have low self – esteem) because physical violence was restricted for men and women were not supposed to show their anger. However, hidden anger does not disappear, it simply is released in another, more indirect way. People with victim patterns may seem very good, harmless, tender and caring on the outside (they do all the housework duties, engage themselves in charity or local organisations etc.), however they have tendency to search for attention, control and manipulate the environment with words and emotions. They often say, I sacrifice so much for family, I cook, clean, go shopping, carry bags with groceries, but nobody helps me! You are so insensitive, I’ll have health problems because of you! (complaining and emotional blackmail). In reality they exaggerate to get the attention because a lot of the household work they do is unnecessary or could be done less often. But what the person unconsciously wants is the family members to feel sorry for her/him and make them feel guilty that they neglect her/him (at least in his/her opinion).

The person does not respect even the clearly expressed boundaries and thinks s/he can cross them just because s/he knows better what is good. A typical example: a grandma asks her grandchild, ‘Are you hungry?’. ‘No, thank you’, answers the child who is occupied with playing. ‘But maybe you’ll have a peanut butter sandwich?’, grandma keeeps asking. ‘No, I’m not hungry’, the child is a bit tired of repeating but still is polite and keeps playing. ‘I’m making pancakes, do you want some?’, grandma refuses to give up. ‘Noooo, thank youuuu!’, the child loses their temper and screams. Silence. After a while grandma comes with a soup. ‘Eat while it’s still hot’, she says.

Such kind of behaviour causes the loss of energy in the bodies of family members. For those of you who work with energies: such passive aggression sucks energy out of the base chakra which is responsible for health and correct functioning of the organism. Energetical attacks cover the base chakra like a spider net and poisons it with negative vibes. People who live with the person with victim patterns who is also an energy vampire may feel constant fatigue, low self-esteem, lack of life energy, decrease of optimism, significant weight loss or gain, lost of interest in the things which used to be enoyable (including sex), inability to finish things, inability to self-organize, feeling of slowing down, problems with concentration, memory and sleep, etc. It is happening because this person emits negative, “sticky” energy which wraps around the base chakra and blocks any positive energy flow.  It causes problems with existence in the world of matter which usually results in troubles with finding or keeping the job, financial or health problems and, in the extreme cases, depression and suicidal thoughts. No one can feel stable and healthy if their base chakra does not work properly. Sometimes very determined people fight hard not to give up to depressive mood and to achieve their goals but it costs them much more energy than the people who have healthy patterns and support of family and friends. The longer we live with the person who attacks us with passive aggression, the weaker and more vulnerable we become. These attacks may not seem harmful at the beginning but they limit any behaviours of family membrs which seem out of ordinary or do not comply with the energy vampire’s rules. In the end we lose our energy so much that we think we are too weak to change the situation. We are becoming the victims of victims.

When somebody beats you, you realize this is a bad thing (even if you blame yourself for starting, provoking etc) but nobody realizes how harmful passive aggression is and how common it is in the behaviour of people who have usually been the victims of abuse themselves. They are often old, ailing and experienced by life with an alcoholic or within an alcoholic family. How can you accuse me of hurting others when I’ve been through so much in my life?!, they would ask. But they do it because of their subconscious need to “win back” by dominating, imposing their opinions, accusing, demanding and requiring.

This behaviour has the most harmful effect on children. At this stage of their development they are not yet capable of distinguishing who and what is right or wrong and they trust whatever they close relatives say. If they say, ‘You are not capable of doing it, you are hopeless’, they will believe it. Many of those people who cannot find their place in life or think they are inable to cope with life and feel they do not really ‘fit’ the world, have been deprived of support and respect of their family. Children are particularly vulnerable because they do not expect any forms of aggression from the closest people. Body is not prepared for beating or emotional abuse so child’s fear and trauma literary hide inside it sooner or later causing health problems. Physical or emotional abuse comes as a shock to them and leaves them confused. If they cannot trust their parents, then whom can they trust?

Children are naturally sensitive and receptive. For them everything is safe (including boiling water and an abusive parents) so they lose more than an adult while contacting aggressive people. They often hide in the shells and limit contacts with the outside world but their fear, anger and helplessness do not cease to exist. Children from dysfunctional families have a distorted feeling of saftety, problems with expressing emotions and tendencies to wear masks throughout their lives because they could not count for mature reactions of their parents to their behaviour and have become unnaturally cautious. They are too hard on themselves and have very low self-esteem, they are also unable to escape themselves from an unhealthy family because they are dependant on their parents. If an external body (school, hospital, social service workers) does not notice the problem, the child may live in a dysfunctional family for years and become permanently marked by living in a distorted, loveless world. It is the only reality s/he knows. These damages in their psyche are not visible but they severly influence later life. They cannot disappear just like that, however therapy proves to bring significant improvement.

The only cure to both a victim and an aggressor is to be aware, to work daily with your attitude and to develop your personality.

IMPORTANT: NOT ONLY THE ALCOHOLIC FAMILIES ARE INVOLVED IN VIOLENCE! In fact many “decent” families are affected by abuse. It may be even harder for children to ask for help because unlike in alcoholic families abuse is hidden and outside everything seems to work fine. An abusive parent may be a respected laywer or doctor and a child is convinced that nobody would believe them if they told the truth about physical or emotional aggression. Regardless of its material status and level of education a family with children is aimed at preparing them to cope with life. The attention should be paid especially to physical and emotional health and providing with healthy relationship patterns and methods of resolving problems. In a properly functioning family a child is given boundaries but also loved unconditionally. It is not hurt, humiliated, beaten, laughed at and expected to gain parents’ love by achieving certain goals nor behaving in a desirable way. If family does not act in this manner, it is a dysfunctional family.

ADVICE

This card has „a misfortune” of bringing hidden patterns, traumatic memories and everything we would rather forget about out of our subconsciousness. It reveals wounds, victim patterns and how a previously abused victim starts abusing others.

No matter whether you are abused or abuser, this card suggests you to stop immediately. This literary is last call before something tragical happens.

The card of Sedna also shows that your inability to cope with the situation you are inquiring about comes from wrong patterns encoded in your unconsciousness. We use a conscious part of our personality on a daily basis, i.e. our mind, logics, religious and cultural rules etc. We perceive ouselves the way we want to be perceived. Meanwhile our subconsciousness is a mighty force which we can try to deaden but we are not able to shape from the outside. Our codes, behavioral patterns, blockades, inner limitations, halfhearted efforts, primal experiences which we do not even have to remember are all stored in our subconsciousness. Even if our consciousness has some plans, subconsciousness may thwart them. No matter how much we want something to happen, we are not able to make it come true. Subconsciousness offers us old solutions basing on previous experiences. We usually do not even realise nor understand it and since we are unaware of that, we keep making the same mistakes  as if we were in a viscious circle. With an untamed subconsciousness we are not capable to solve our life problems because it constantly sends us conflicting signals, twarts the effort of consciousness and blocks our development. Whatever we want to do, we have to remove the blockades from our subconsciousness.

Let me explain it using computer science language: subconsciousness is a hard drive and a database used by consciousness to extract behavioral patterns and solutions when we face a problem. Every computer scientist knows that if your PC/laptop does not have a solid motherboard with a good memory and a fast processor then its system will keep hanging. Even if we want to achieve something very much, blocked unconsciousness will thwart our plans and we will even explain rationally why we failed yet another time. If you repeteadly lack fulfillment in a certain area of your life then you have to “tame” uncosciousness the same way as you exchange motherboard when the system is malfunctioning. Every computer scientist knows how serious change it is for a PC/laptop.

Remember that your subconscious like a hard drive is a huge database gathering information from your earliest times. Data is stored there regardless of its truthfulness or who enter it to the memory, be it you or your family, teachers, religious leaders, friends, colleagues etc. This data may of course be contradictory (and usually it is) so before you decide to print it (i.e.to act), you have to correct the document. Otherwise when you have it printed, all you get will be the number of unreadable characters who nobody will be able to decode.

To organise subconsciousness sometimes all you have to do is to uninstall unnecessary programmes which take too much space and slow down the system but sometimes the mess is so big that there is no other option than to format C. Organising your subconsciousness certainly requires self – work, recognising your emotions, constant observation of your thoughts and actions,  regular update of data concerning yourself and your environment, capturing negative thoughts with your inner antivirus programme, permanent affirming, participating in a therapy or a support group etc. And most of all it requires a very good security system to protect your inner personal computer from hakers who want to get in and take advantage of it.

You can also leave your disc uncleaned and remain with the mentality of a victim. You can search for the acceptance of others, chase after a substitute of real feelings and expect others to feel sorry for you. But this means you refuse to get out of this mental and emotional swamp. Do not excuse yourself. Excuses may improve your mood but will not help you move forward. Self-excuses and complaining set you in the position of a victim. Everyone has pity and feels sorry for a victim but remaining in this state unables acting effectively. Women are the world champions of self – excusing and self-justifying.

Even if you are characterised by the card of Sedna, it does not mean that you have to remain like this. I highly recommend reading Women Who Run With The Wolves by dr Clarissa Pinkola Estes, especially a very similar Inuit story of Skeleton – Woman, Handless Maiden, La Llorona and Ugly Duckling. Sedna’s hands, her main tools of acting, were cut off therefore she was doomed to be helpless but it does not have to be an ultimate and irreversible action. Love, respect, acceptance and care can make hands grow back.

Love

If you are in the relationship: Solitude in a relationship. Think over whether being with your partner makes you feel happy and fulfilled. If you want to have a child, analyse carefully whether your current partner is the right person to become a parent. Do not forget that a child binds two people more than any vows. Also consider whether you are really mentally and emotionally mature to become a parent. If you want to have a child primairly to have someone to love then it means you are not.

If you are single: The reason of your solitude is probably a wrong pattern of human relations. Even though you have a great need of loving, either you are escaping from engaging deeper into an union or you seek for an attention of a partner. Perhaps you keep choosing the same type of a partner who limits and smothers you instead of making you bloom. You should work on your psyche first before you decide to enter a serious relationship.

Finances

Getting out of trouble. Unexpected financial solutions. Sudden flow of money. Decision of granting a credit.

Health

Surgery. Amputation. Staying in a hospital. Check your circulatory system (it is worth to consult with a doctor whether you should have Doppler ultrasound done).  Endangered parts of the body: blood and lymphatic vessels.

CARDS

Sedna in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sedna in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky

Sedna in The Goddess Oracle Deck by Thalia Took

Sedna in The Goddess Oracle Deck by Thalia Took

Sedna in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Sedna in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Sedna in Goddess Guidance Oracle Cards by Doreen Virtue (I have already expressed what I think about this image here)

Sedna in Goddess Guidance Oracle Cards by Doreen Virtue

Based on English Wikipedia, http://swiatducha.wordpress.com/2010/11/01/atak-na-podstawie-wzorcow-ofiary , http://swiatducha.wordpress.com/2012/08/12/ofiary-zatrucia-od-wejscia , http://swiatducha.wordpress.com/2009/01/24/ofiary.

ISHTAR

ISHTAR

Babylonian and Assyrian goddess of love, fertility, sensuality, sexuality and war, Anu’s daughter, Ereshkigal’s sister and Tammuz’s lover. She represents two aspects of Venus: as the Morning Star she brings love and as the Evening Star she causes war. Similarly to Sumerian Inanna  and Phoenician Astarte  she is the Queen of Heaven and that’s what most likely her name means.

ABOUT GODDESS

In most myths Ishtar was either the daughter of Anu, the god of heaven or Sin/Nanna, the god of the moon. Although she was very much attracted to men, her love brought them bad luck. When Ishtar wanted to seduce Gilgamesh, he rejected her saying that she was not faithful. It infuriated Ishtar so much that she complained about the hero to her father Anu and demanded punishment for him. Quoting the fragments of Tablet VI of Epic of Gilgamesh

He washed out his marred hair and cleaned up his equipment,
shaking out his locks down over his back,
throwing off his dirty clothes and putting on clean ones.
He wrapped himself in regal garments and fastened the sash.
When Gilgamesh placed his crown on his head,
a princess Ishtar raised her eyes to the beauty of Gilgamesh.
“Come along, Gilgamesh, be you my husband,
to me grant your lusciousness.’
Be you my husband, and I will be your wife.
I will have harnessed for you a chariot of lapis lazuli and gold,
with wheels of gold and ‘horns’ of electrum (…)

Gilgamesh addressed Princess Ishtar saying:
“What would I have to give you if I married you!
Do you need oil or garments for your body! Do you lack anything for food or drink!
I would gladly feed you food fit for a god,
I would gladly give you wine fit for a king (…)
Where are your bridegrooms that you keep forever’
Where is your ‘Little Shepherd’ bird that went up over you!
See here now, I will recite the list of your lovers (…)
You loved the Shepherd, the Master Herder,
who continually presented you with bread baked in embers,
and who daily slaughtered for you a kid.
Yet you struck him, and turned him into a wolf,
so his own shepherds now chase him
and his own dogs snap at his shins.
You loved Ishullanu, your father’s date gardener,
who continually brought you baskets of dates,
and brightened your table daily.
You raised your eyes to him, and you went to him:
‘Oh my Ishullanu, let us taste of your strength,
stretch out your hand to me, and touch our vulva.
Ishullanu said to you:
‘Me! What is it you want from me!
Has my mother not baked, and have I not eaten
that I should now eat food under contempt and curses
and that alfalfa grass should be my only cover against the cold?
As you listened to these his words
you struck him, turning him into a dwarf,
and made him live in the middle of his (garden of) labors,
where the mihhu do not go up, nor the bucket of dates down.
And now me! It is me you love, and you will ordain for me as for them!”

When Ishtar heard this, in a fury she went up to the heavens,
going to Anu, her father, and crying,
going to Anrum, her mother, and weeping:
“Father, Gilgamesh has insulted me over and over,
Gilgamesh has recounted despicable deeds about me,
despicable deeds and curses!”
Anu addressed Princess Ishtar, saying: “What is the matter?
Was it not you who provoked King Gilgamesh?
So Gilgamesh recounted despicable deeds about you,
despicable deeds and curses!”
Ishtar spoke to her father, Anu, saying:
“Father, give me the Bull of Heaven,
so he can kill Gilgamesh in his dwelling.
If you do not give me the Bull of Heaven,
I will knock down the Gates of the Netherworld,
I will smash the door posts, and leave the doors flat down,
and will let the dead go up to eat the living!
And the dead will outnumber the living!”

Anu addressed princess Ishtar, saying:
“If you demand the Bull of Heaven from me,
there will be seven years of empty husks for the land of Uruk.
Have you collected grain for the people!
Have you made grasses grow for the animals?”
Ishtar addressed Anu, her father, saying:
“I have heaped grain in the granaries for the people,
I made grasses grow for the animals,
in order that they might eat in the seven years of empty husks.
I have collected grain for the people,
I have made grasses grow for the animals.”
When Anu heard her words, he placed the noserope of the Bull of Heaven in her hand.
Ishtar led the Bull of Heaven down to the earth.

Enkidu stalked and hunted down the Bull of Heaven.
He grasped it by the thick of its tail
and held onto it with both his hands,
while Gilgamesh, like an expert butcher,
boldly and surely approached the Bull of Heaven.
Between the nape, the horns, and… he thrust his sword.

Ishtar went up onto the top of the Wall of Uruk-Haven,
cast herself into the pose of mourning, and hurled her woeful curse:
“Woe unto Gilgamesh who slandered me and killed the Bull of Heaven!”
When Enkidu heard this pronouncement of Ishtar,
he wrenched off the Bull’s hindquarter and flung it in her face:
“If I could only get at you I would do the same to you!
I would drape his innards over your arms!”

Even gods were helpless while faced Ishtar’s power. Gilgamesh’s words about the Shepherd refer to her adolescent lover Tammuz, the god of nature, vegetation and shepherds who died because of her. Most probably getting him back was the reason why she entered the Underworld as it is described in Descent of the Goddess Ishtar into the Lower World*. Queen of Heaven has to descend into Irkalla, the Underworld, called the land of no return in the poem. Proud goddess stands before the gatekeeper and orders him to let her in and bring her to her sister Ereshkigal, Queen of Underworld.

Gatekeeper, ho, open thy gate!
Open thy gate that I may enter!
If thou openest not the gate to let me enter,
I will break the door, I will wrench the lock,
I will smash the door-posts, I will force the doors.
I will bring up the dead to eat the living.
And the dead will outnumber the living.

Although Ishtar is divine being, she belongs to the world of the living so the gatekeeper is not entitled to simply let her in. He consults his ruler, Queen Ereshkigal, and she allows him to enter Ishtar but he can only do it according to the ancient decree. It means that Ishtar must pass seven gates and leave a piece of garment or jewellery at each of them. When she finally reaches Ereshkigal she is stark naked and enraged. She throws herself at her sister who orders her servant Namtar, the god of death and pestilence, to imprison Ishtar and unleash sixty diseases against her. This makes goddess fall into a lethargy similar to death.

When Ishtar is closed in the Underworld, the whole sexual activity disappears from Earth, animals stop mating and people sleep separately. Of course it causes anxiety of gods, especially Ea, the supreme deity who is told the news about Ishtar by the god Papsukal. Wise Ea creates an intersex being called Asu – shu – namir and sends him to Ereshkigal to demand the bag containing the waters of life in the name of all the most important gods. Queen of the Underworld is very much displeased about the order but she cannot refuse. Asu – shu – namir sprinkles Ishtar with water of life and revives her. Goddess is passing seven gates again regaining the garments and jewellery which she left there.

Tammuz and Ishtar’s myth has similar features as Greek Adonis and Aphrodite mourning him  (it comes as no surprise for those who know that Aphrodite’s cult came to Hellas through Cyprus from the East). Since summer solstice the time of mourning Tammuz began in the countries of ancient Middle East; when the days were getting shorter it was believed that he descended into the Underworld so his symbolic funeral rites were taking place for six days. There is an evidence of these celebrations even in the Old Testament, Then he brought me to the entrance of the north gate of the house of the Lord, and I saw women sitting there, mourning the god Tammuz  (Ezekiel 8:14 NIV). Even today July is named Tammuz in Hebrew and an Iraqi dialect of Arabic.

Ishtar’s cult was most popular in the cities of Uruk, Nineveh, Ashur and Arbela. It was the fertility cult which is why it involved  so called sacred prostitution, Ishtar herself had numerous lovers and no husband (no children of hers are mentioned in myths neither). Herodotus claimed that each woman in Babylon had the duty to arrive to Ishtar’s temple once a lifetime and to have a sexual intercourse with the man who pays for that. It has to be said that Herodotus was not an objective observer and modern researches assume that this custom was not as common nor perceived in the way the traveller described it.  If this custom was true, it was not what we perceive as prostitution today; a sexual intercourse itself was an act of faith in Ishtar. Even the Old Testament recognises the difference as it distinguishes between the words kedeshah (qedesha) meaning ‘consecrated woman’ who lives in a temple and zonah signifying the woman having sex for money. It is important to mention that it was not until monotheistic religions that the fear of woman, her body and sex was introduced to the system of beliefs. It is only the Old Testament which makes woman in her menstrual days or puerperal period ‘impure’, in the cults based on cycles, agriculture and fertility woman’s body was valuable itself because it carried a new life to the world. Kedeshah had a high position in the society, she was allowed to start a family and to hold other offices. It was Judaism that first introduced the rule excluding women from priesthood and this common law was later continued by Christianity and Islam. Basing on archaeological and cultural research we can now assume that the custom of Hieros Gamos (sacred marriage) was conducted. It involved the king of Sumer and the High Priestess of Inanna and this practice was preserved in the times of Babylon when Inanna began to be worshipped as Ishtar. New king’s power was legitimized when he spent one night in the temple of Inanna during the 10th day of New Year in the month of Akitu. No exact description of rite was preserved but it was ‘the marriage of Heaven and Earth’  which was aimed at bringing fecundity and fertility in the coming year. It is also worth mentioning that not only kedeshah but also other words describing female temple titles were translated as ‘prostitute’. These include qadishtu, entu and naditu (it may come as a surprise to find out that naditu were obliged to keep sexual abstinence zeby). All these women have originated from higher classes and had a high social status; most probably only entu were taking part in the rites of Hieros Gamos but still it is dubious to call it prostitution. Additionally it is also assumed that especially in the city of Arbela, the cult of Ishtar involved prophesying, performed predominantly by women similarly to the Pythia in the Hellenic sanctuary of  Delphi.

Ishtar was one of Babylon and Assyria’s main deities and to honour her King Nebuchadnezzar II built and named the north gate to the city of Babylon after the goddess.  The Ishtar Gate was created around 575 bC, it consisted of roof and doors made of cedar tree and the walls constructed using different types of bricks including glazed ones; it was decorated with lapis lazuli tiles and reliefs showing lions, Ishtar’s sacred animals, mušḫuššu (a hybrid of a dragon, an eagle and a cat) dedicated to god Marduk and aurochs of god Ardad. The Processional Way went through the gate and each year at the time of New Year the inhabitants of Babylon were using this path to arrive to the temple of Marduk. The Ishtar Gate had been considered to be one of the seven wonders of an ancient world until it was replaced by the Lighthouse of Alexandria on the island of Pharos. The gate was excavated and partially reconstructed in the thirties of last century and it is now displayed in the Pergamon Museum in Berlin. A replica was also constructed in Iraq in the place where it was located in ancient times.

Reconstruction in Berlin:

SAMSUNG DIGIMAX 420 Pergamonmuseum_Ishtartor_06

OLYMPUS DIGITAL CAMERA   the Ishtar Gate

Details from the Ishtar Gate and a building inscription of King Nebuchadnezzar

details from the Ishtar Gate

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A miniature model of the Procession Way with the Ishtar Gate

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800px-Pergamon_Museum_Berlin_2007108

Original excavation site from the beginning of the 20th century and a modern replica in Iraq

Ishtar-gate-D8A8D988D8A7D8A8D8A9-D8B9D8B4D8AAD8A7D8B1

modern replica in Iraq

IMAGES, SYMBOLS AND ANIMALS

Lion was Ishtar’s sacred animal. Ishtar herself was considered to be a divine personification of planet Venus, traditionally depicted as eight – pointed star. The images which survived the antiquity show her as the goddess of war standing on lions and holding weapon.

Ishtar standing on lions

ishtar_7

ishtar_5

Ishtar Ishtar

assyrian-ishtar

ishtar-cow-calf

ishtar-and-worshipper

As Queen of the Night

ishtar_2

ishtar_8

ishtar_1

DIVINATION MEANING

Person

The person shown by this card is strong, self – assured, courageous and not afraid of taking risks. She is beautiful, sensual and full of passion, she is eager to meet new people, especially men. In her negative aspect she is arrogant, haughty and spoilt; she may be convinced that she is like the Eight Wonder of the World and she has the power to do whatever she wants. She treats sex as a game, sport or mean to achieve sth and does not get involved in it emotionally.

ADVICE

It is time to come back to life and joy. Get rid of what is holding you back and keeping you hidden, grieving, angry, guilty and ashamed. Draw conclusions from your mistakes but do not concentrate your whole attention on them.

Be courageous. Start out. You will not gain anything by standing in the same place. Leave chaos behind you, you are worth much more than being stuck in it. You were not born to stay in the darkness but to radiate. You do have strength and knowledge to make your plans work.

Think about your attitude towards your body and sex. Are they limitations in your life or the source of joy?

Time for joy, entertainment and romance. Feel good in your body. Spread your wings.

Courage. Devotion. Time of rejuvenation. Beauty. Sex appeal. Sexuality. Fertility. Conjunction.

The star of hope shines over you even in the greatest darkness.

Love

If you are in the relationship: sacrifice or compromise especially to get the partner back, in case of an argument this card suggests taking the first step to reconciliation.

If you are single: a good time for a romance but not so good for searching a lifetime partner. It is possible that your sensuality raises concerns because  sexual freedom has for ages been tolerated in case of men, but not women.

Finances

Time to act and to put your plans into practice. Risk will pay off. Beware of conflicts between co-workers or exterior hostile activity. Romance at work.

Health

Beware of accidents and injuries. Check the level of hormones. Risk of obesity and diabetes. You have to exercise more. Possible urine system infection or kidney stones. Do not forget to protect yourself from sexually transmitted diseases. Endangered parts of the body: face, neck, parathyroid, pharynx, kidneys, bladder, adrenals, sexual hormones, reproductive system.

CARDS

Ishtar as Strength in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano, I think it is a very adequate assignment

Ishtar in Universal Goddess Tarot deck by Maria Caratti&Antonella Platano

A beautiful representation of Ishtar as Queen of Heaven with the crown of planets and zodiac signs in Goddesses of the New Light by Pamela Matthews

Ishtar in Goddesses of the New Light by Pamela Matthews

Ishtar with her gate in the background in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Ishtar in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Ishtar in Oracle of the Goddess by Anna Franklin&Paul Mason

Ishtar in Oracle of the Goddess by Anna Franklin&Paul Mason

Image in Goddess Guidance Oracle Cards by Doreen Virtue was painted by Jonathan Earl Bowser wherein it must be clearly stated that original one depicts Cleopatra, not Ishtar. You can check the original painting here

Ishtar in Goddess Guidance Oracle Cards by Doreen Virtue

Ishtar with lions and eight – pointed star in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Ishtar in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

Ishtar in the darkness of Irkalla but still with the shining star above her head in The Goddess Oracle Deck by Thalia Took

Ishtar in The Goddess Oracle Deck by Thalia Took

Ishtar in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Ishtar in Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Ishtar in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Ishtar in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Based on the myth of Descent Of The Goddess Ishtar Into The Lower World, Epic of Gilgamesh,  http://www.themystica.com/mythical-folk … shtar.html, http://www.matrifocus.com/SAM05/spotlight.htm, http://www.matrifocus.com/SAM08/spotlight.htm, http://en.wikipedia.org/wiki/Ishtar , http://en.wikipedia.org/wiki/Sacred_prostitution , http://en.wikipedia.org/wiki/Hieros_gamos , http://www.kchanson.com/ANCDOCS/meso/ishtarins.html , http://www.thaliatook.com/AMGG/ishtar.html

* There are also other explanations why Ishtar descended into the Underworld, I will develop the topic in the post concerning Inanna.

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TIME OF THE SUN’S RETURN

Good evening to you on the day of the Winter Solstice! sun1

This is the text written for my original blog a year ago but it speaks about timeless matters so I have translated it and am reposting it this year. Many happy Returns of the Sun to you sun !

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These will be non-Christmas but very sunny wishes zeby. I do not celebrate Jesus’ birthday but this does not mean I do not enjoy mid-winter time. In the end it used to be particularly happy time for the ancient tribes. The Romans had been enjoying the festival of Saturnalia first and later the feast of Sol Invictus, ‘The Unconquered Sun’, which was established by Emperor Aurelian on the basis of the Persian solar cult of Mithra. It was such a popular holiday that early Christians did not even try to fight it. Instead they adopted the if you can’t beat your enemy, join them tactics and started to celebrate Jesus’ birthday. It has to be clearly stated that there is no historical evidence nor archaeological data confirming Dec, 25th as his date of birth.  On the contrary, some researchers claim that Jesus was actually born in spring 6-7 before Christ (!).

sillychristian

By the way, it was an ‘arch-Christian’ Emperor Constantine who established the last day of the week to be The Day of the Sun. No need to mention that winter solstice was celebrated by many different tribes all over the world, most popular contemporary traditions originate from Yule, the holiday of Germanic tribes. If you dig deeper, it turns out that the whole December was the festival time in many cultures worldwide (more about it here). Personally I was amazed to read about the time of Yalda in Iran where in the evening families gather and eat pomegranate and water melon and ajil (nuts) and they read poems of Hafez. Can’t we really exchange Christmas for Yalda, please?! zeby

This is why I do not feel compassion for Catholic priests crying over growing consumerism and losing the mysticism of this holiday. I do not like being stupified nor brainwashed. Winter solstice is mysticsm itself. It is the time when the Light overpowers the Darkness; the Sun returns after the shortest day of the year, daytime is becoming longer and spring is getting closer and closer. The more I study goddesses cards, myths and ancient beliefs the better I understand an universal rule of recurrence which gives hope that even when we’re stuck in the biggest frost and snow, the time of resurrection and joy is already awaiting us. I could never stand winter, frost, chill, catching colds, trudging in the monotonous snow etc. I have already felt depressed at the end of summer. I could not stop thinking that all the good things are dying together with summertime and nothing positive awaits me any longer.

It was not until two years ago that I started to realise a deeper meaning of seasons change. When I was analysing the card of Demeter for my forum, I began to understand the myth of her parting with Kore Persephone. The ancient people were much more dependant on the rhythm of seasons’ change than we are. They had no electricity so when the sun went down, all they could do was either to go rest or to sit down by the fire and to listen to tales. They had no supermakets so if they did not manage to gather enough crops, they were starving in the early spring. It was natural to respect cycles. Earth is not able to grow crops, vegetables and fruit without breaks, it is necessary to let her rest. Ground is never dead, even covered with snow in the wintertime it still undergoes processes which prepare it for the revival when warm and sunny days come back. Because spring WILL eventually come back. In most ancient cultures the motif of Birth – Death – Rebirth is omnipresent and this tells us about the wisdom of those times. The ancient people had neither microscopes nor computers nor any sophicticated devices which would allow them to do scientific research. However, observing the world around them they realised that there is some kind of power which makes flowers bloom, trees send forth new leaves and cereals to be ready to harvest at a particular time. And consequently at particular time this power suddenly dissapears. So where is it? If it is not on the ground then it must be underground. It is strictly logical, isn’t it? This is why one had to go underneath and bring it back!

The ancient people have created many beautiful legends to explain process either by maternal  or lover’s feelings. This is why Isis, Demeter, Kore Persephone, Inanna or Ishtar had to literally or figuratively descend into the darkness of the Underworld to be reborn and bring Life back to the ground. Indeed, the Underworld is natural for us because we belong to it just by the fact we were born. Each of us has the right and often even necessity do enter it at some moments of our lives. You cannot stay happy, satisfied, smiling and energetic all the time. Each of us has the right to feel fear, sadness, uncertainty and weakness, it is consistent with our inner cycle and the law of the Universe. The only thing inconsistent with the law of the Universe is staying in the Underworld for too long.  We live on the surface of the Earth, not underneath it. It took me a lot of time to realise it but eventually I understood that I am and I want to be Ishtar, not Ereshkigal.

And that is exactly the mysticsm of the Sun’s Return, the mysticsm which had existed long before Jesus was born no matter in which year it happened. That is exactly hope, joy and inspiration I would like to share with you. All the best to you, I hope you will enjoy many more Returns of the Light in your livessun1!

greetingseng

ISIS (ISET, ASET, AUSET)

ISIS (ISET, ASET, AUSET)

An Egyptian goddess of magic, wisdom, renewal, healing, power, love, marriage, motherhood and the deads. Sister and wife of Osiris, mother of Horus. One of the most famous and the most influencial goddesses not only in Egypt but in the whole ancient Roman Empire and perhaps even in the modern era because Catholic and Orthodox Marian cult is largely based on the one of Isis. Her original name was probably Aset and it meant ‘She Of The Throne’*.

ABOUT GODDESS

According to most of the myths Isis is the eldest daughter of Geb (Earth) and Nut (Sky) born on the fourth day of intercalation and the sister of Osiris, Seth and Nephthys. According to most myths Osiris married Isis and Seth – Nephthys; the first pair represented the fertility and fruitfulness of nature while the second was the symbol of wildness and vastness of desert. A lot of legends about the children of Geb and Nut survived into modern times but I am going to concentrate on the most famous one telling the story of Seth’s jealousy towards Osiris resulting in the assasination and the resurrection of his brother.

This myth has a couple of versions but the most detailed one comes from De Iside et Osiride by Plutarch. Viscious Seth  gave the banquet in honour of his brother where he showed a beautifully decorated chest and announced that the one who fits it perfectly may keep it as a gift. Many tried but they did not realise that Seth had already measured Osiris while he was asleep and the chest could only fit him. When Isis’ husband entered it, Seth slammed the cover, sealed it with lead, carried the chest away and threw it straight into the waters of the Nile. Goddess started to search the coffin to bury her husband in an appropriate manner** but a swift current of the river has already taken it to Byblos in Phoenicia and placed on a cedar tree (or tamarisk). Isis took the coffin back to Egypt and hid it in the swamps, alas Seth went hunting at night and found it. He was so furious that he chopped Osiris’ body into fourteen (sixteen or forty – two in other versions) pieces and scattered them all over Egypt so that his wife could not make a proper funeral for him. Then both sisters, Isis and Nephthys, turned into kites, keen-eyed birds of prey, and went searching. They found thirteen of the body pieces except of the penis which had already been swallowed by a fish. Isis, not discouraged at all, made a penis of gold, put her husband’s body together again and she wrapped it with resin – soaked linen strips with the help of Anubis, god of embalming. She created a cobra from spitting which Amon Ra the highest deity left on the ground and then she made the cobra bite him. I am the only one who has got the antidote for its venom, she announced. I will give it to you if you reveal to me your Secret Name. Wise goddess understood that knowing Secret Name will give her the power of his owner including performing rituals connected with resurrection. Amon Ra had no choice but to agree.  By chanting and making magical spells Isis managed to resurrect  Osiris and she conceived Horus with him (according to other versions she only used a golden penis). Horus was born in the Nile delta, however Osiris having already passed the gate of death, could not stay in the world of the living and he became the ruler of the Underworld. Isis took care of the child herself protecting her son from the anger of Seth. She was teaching him to guard the Egyptians from his uncle and Osiris kept coming back as a ghost to talk with Horus about the responsabilities of a ruler. When Horus grew up, he was fighting long battles with Seth and he nearly killed him but Isis stood between her son and brother and did not let that happen (the goddess even hurt Horus so that Seth would be able to escape but she healed him later). Eventually after the boat race won by Osiris’ son, Seth had to resign and to give the power over Egypt to him.

As her name reveals Isis was closely associated with the power of pharaohs and she represented literally their authority (she was depicted with a miniature of a throne as a headdress, pharaoh was Isis’ child whom she was giving her throne to). It has to be said that she was a very versatile goddess and all the classes adored her; she was guarding both rulers and noble or rich people  as much as craftsmen, slaves, sinners and the rejected and she particularly supported the deads and children. She is often mentioned in the funeral papyri of the rulers and later in those of nobility and ordinary people. Not only she is protecting a pharaoh in the Underworld but she is also ‘the mother of Horus’ four sons’, four deities guarding the canopic jars where the organs taken away before the mumification were stored. Isis herself was protecting the jar with liver, Nephtys was watching over the one with lungs and both these goddesses were shown with arms outstretched on the coffins  and sarcophagi so that no one dared to undermine the peace of deceased. Isis is depicted as pharaoh’s guardian, wife or mother.

Here she is shown together with Hathor when they are passing Queen Nefertari to the Underworld

Isis’ cult probably began in Sebennytos at least 3100 b.C. and soon spread all over Upper and Lower Egypt. She was especially venerated in the Nile delta, in the Per-Hebitet (modern Behbeit El-Hagar) sanctuary and the Philae island which used to be situated next to the First Cataract of the Nile. When the Aswan Dam was built in 1970, the remainings of temples were relocated to the  island on Lake Naser created as a result of inudating the areas near the dam. According to Herodotus she was the only goddess worshipped by all the Egyptians, both in Upper and Lower Egypt. From the times of New Kingdom Osiris, Isis and Horus were forming trinity of the most important Egyptian deities which was later transformed in the Hellenistic times into Serapis (an Alexandrian god who came into existence when Egyptian and Hellen religious beliefs merged), Harpocrates (one of representations of hellenised Horus) and Isis who kept her position.

Priests and priestesses of the goddess were considered to be healers, they were also able to explain the meaning of a dream or even to control the weather through braiding or not combing their hair (this is why Isis’ knot was believed to be magical). The cult on the Philae island survived until 6th century when Emperor Justinian ordered to destroy it. It was the last ancient sanctuary to be closed down.

At the beginning particular deities were worshipped locally but then their cults began to spread all over the country and gods and goddesses were merged. Isis was identified as goddes Hathor and around that time the myth of resurrecting Osiris has become more and more popular. From the Hellenistic  period throughout the whole era of Roman Empire the cult of Isis became increasingly popular in the lands far from Egypt and she became of one the main deities of the ancient world. She was venerated during the mysteries called Navigium Isidis (literally The Vessel of Isis) in Rome on March 5th. The celebrations included processions with the offerings of milk and spices, flowers, torches, laterns and her sacred objects; her worshippers were singing and dancing. Another popular Roman celebration was Isia which was taking place between October 28th and November 3rd/4th. It was retelling the story of ressurecting Osiris; both priests, priestesses and common believers were divided into guilds: pastophori were carrying small chapels during processions and melanephors were wearing black gowns to remind about Isis’ grief after Osiris’ death. She was venerated by many inhabitants of Rome including emperors: Caligula built a temple of her on the Campus Martius which was called Isis Campensis i.e Isis of the Fields, among her worshippers were also Vespasian, Titus, Domitian, Trajan, Hadrian, Galerius and others. To understand her importance one should read the quote from Metamorphoses by a Roman writer Apuleius

‘I come, Lucius, moved by your entreaties: I, mother of the universe, mistress of all the elements, first-born of the ages, highest of the gods, queen of the shades, first of those who dwell in heaven, representing in one shape all gods and goddesses. My will controls the shining heights of heaven, the health-giving sea-winds, and the mournful silences of hell; the entire world worships my single godhead in a thousand shapes, with divers rites, and under many a different name. The Phrygians, first-born of mankind, call me the Pessinuntian Mother of the gods; the native Athenians the Cecropian Minerva; the island-dwelling Cypriots Paphian Venus; the archer Cretans Dictynnan Diana; the triple-tongued Sicilians Stygian Proserpine; the ancient Eleusinians Actaean Ceres; some call me Juno, some Bellona, others Hecate, others Rhamnusia; but both races of Ethiopians, those on whom the rising and those on whom the setting sun shines, and the Egyptians who excel in ancient learning, honour me with the worship which is truly mine and call me by my true name: Queen Isis. I am here in pity for your misfortunes, I am here with favour and goodwill. Cease now your weeping, put an end to your lamentation, banish your grief: now by my Providence the day of your release is dawning. Attend therefore with your whole mind to the orders I give you. The day which will be born of this night has been consecrated to me by immemorial religious usage. It is the day on which the tempests of winter have abated and the stormy sea-waves have subsided, when the ocean is again navigable and my priests sacrifice a brand-new ship as the first-offering of the season’s trade. It is this ceremony that you must await without anxiety and without unholy thoughts. ***.

In the Hellenistic era, after Alexander the Great’s conquest of the East, Isis was identified with such goddesses as Demeter, Astarte or Aphrodite, at that time she gained the titles which were associated with them: Queen of Heaven  and Star of the Sea (Latin Stella Maris, Hellenic Pelagia – ‘Of the Sea’, in this represenation she was depicted with a sail) as a guardian of seafarers and merchants who were spreading her cult throughout the Mediterranean area. Her temples were called Isidions (Isideons) and were situated not only in such important cities of the ancient world as Delos, Delphi, Eleusis or Athens, but also in Gaul (contemporary France), Spain, Portugal, the British Isles, Panonia (the area of modern Austria, Hungary and the Balcans), Germany, Asia Minor and Arabia. Archeologists have also found the remainings of her temple in Pompei and Herculanum. The cult of Isis was only abandoned when Christianity was introduced as an official religion of the Empire and pagans were persecuted.

But was it really abandoned?

Isis was depicted as a devoted wife and mother, the protector of the poor and the slaves and when Christianity was becoming increasingly popular, one of its most important drawbacks was the lack of female element accompanying the cult of Jesus.  It was a serious shortage in the ancient world where divinity had both male and female form. To complete this deficiency Mary the mother of Jesus was given the features of Isis, often literally, on pictures and sculptures:

Of course, those of us who have been ‘initiated’ into this topic, are aware of the issue but an average Catholic or Orthodox would be really surprised that in reality they worship an eternal Egyptian goddess under the disguise of Mary.

There are also other, indirect but symbolic associations of Isis with Christianity through Magdalene and her participation in the mystery of Jesus’ death. It is Magdalene whom he appears to as the first person after resurrection, Isis is guarding a canopic jar and Magdalene is also often depicted with a jar. As a curiosity I am showing an image Madonna with a Child and St. John the Baptist and Mary Magdalene by Giovanni Battista Cima/Cima de Conegliano (around 1510, Musée du Louvre) where Magdalene is wearing a knot in the shape of Isis’ Tyet,   (read below).

She is the goddess who is quite adeqately referred to as  Isis of Ten Thousand Names, here go some of them: Queen of Heaven, Star of the Sea, Mother of the Gods, Divine Mother, Great Lady of Magic, The One Who is All, Lady of the West, Lady of the Pyramid, Lady of Green Crops, The Brilliant One in the Sky, Mistress of the House of Life, Lady of Truth (together with Nephthys), Ideal of the Throne, She Who Knows How To Make Right Use of the Heart, Light-Giver of Heaven, Life – Giver, Lady of the Words of Power, Moon Shining Over the Sea, She Who Seeks Justice For the Poor People, She Who Seeks Shelter For the Weak People, She Who Seeks the Righteousness In Her People, She Who Gives Birth to Heaven And Earth, Lady of the Osiris’ Tomb, She Who Knows the Orphan, She Who Knows the Widow Spider.

IMAGES, SYMBOLS AND ANIMALS

The animals closely related to Isis are birds of prey especially a hawk and a kite. Hawk has been connected with power, the sun, the wind and masculinity, the canopic jar with a liver which Isis was guarding had a the figure of hawk at the top, her son Horus has also been depicted with the head of this bird. Kite is a similar species to a hawk and an eagle which lives on the areas of Europe and northern Africa. It is capable to fly high and when it is endangered, a mother sends a signal to her young to pretend they are dead and they do it so convincingly that a predator usually leaves them alone. Quoting Wikipedia, a kite may attack aggressively other birds of prey even the bigger ones to grab their victims. This is the only possible expanation of the remainings found in kites’ stomaches; the birds of the size of a kite are not be able to catch such victims by themselves. Kite has weak legs but very long wings and its flight is considered to be very elegant.

Isis’ plants are lotus, cedar tree, sycamore tree  (pharaoh Thutmose III, Hatshepsut’s nephew, was depicted as drinking milk from a sycamore tree which had a breast, it may also be an association with his mother Iset, one of Thutmose II wives) and roses which began to be attributed to her in the Hellenistic era probably because of the associations with Aphrodite and her symbols. It is interesting that the demand for the roses necessary for rituals and rites was so big that a rose industry which was aimed at supplying the flowers became very profitable. A garland of roses was being left in the tombs as the symbol of Isis.

The planet associated with Osiris and Isis is Syrius (this star’s appearance was announcing the Nile’s flooding and thus fertile soil, abundant harvest and small chance of hunger). They are also both connected with the Moon and lunar cycle through the aspect of waxing and waning. Because of identifying her as Aphrodite and Astarte during the Roman times, she was also related to the  planet Venus.

Isis is also related with a type of knot called Tiet, Tyet or Tet (or simply Isis’ Knot). Its name can be translated as welfare or life and as it can be easily observed it is linked to the symbol of ANKH. The knot was probably the part of clothing of deity and it is possible it was also worn by the priestesses of the goddess. When made of red wood, glass or stone, it was the Blood of Isis , a  funeral amulet which probably represented menstrual blood flow from the goddess womb and the magical properties of birth – death – rebirth cycle.  The Blood of Isis is mentioned in the 156th verse of the Book of the Dead: You possess your blood, Isis, you possess your power, Isis, you possess your magic, Isis. The amulet is a protection for this Great One, which will drive off anyone who would perform a criminal act against him.

As it was already mentioned Isis was initially presented with a miniature of a  throne as a headdress, here she is also carrying a sceptre with flower often carried by goddesses and ANKH, the symbol of eternal life as the guardian of the deads.

From the time when she started to be identified with goddess Hathor, she was shown as the mother of Horus and her headdress changed into the one with a solar disc (the symbol of Ra whose mother was originally Hathor) and cow horns as a representation of abundance and fertility. At that time she is also attributed objects symbolising fun such as sistrum and menat necklace which had been so far associated with Hathor. Her headdress also acquired the vulture which had previously been the symbol of goddesses  Nekhbet and Mut as well as uraeus (cobra) of goddess Wadjet. All these goddesses were related to the power of pharaohs.

In the Book of the Deads Isis is depicted standing on the prow of the Solar Bark with her arms outstretched. And here are modern representations of Isis – Hathor

DIVINATION MEANING

Person

The person represented by this card is talented, versatile, educated, universal and incredible. S/he is able to arrange literally everything and convince everyone. This person has a huge wisdom but is young at heart regardless of real age. Someone not only intelligent but also wise. A person of high – ranking, a boss or superior but also a parent.

Professions: a physician, an official, a scientist, an inventor, a psychologist, regardless of profession this person is of either high – ranking or of great achievements.

ADVICE

Personally this card is always positive to me unless it is accompanied by really ‘heavy’ cards.

In the situation you are inquiring about there is nothing that you would not be able to fix.

Respect yourself and the others will respect you too. Straighten up, go ahead, be assertive. You have the right to feel power and authority. Do not believe anyone who perceives you as weak or helpless.

Do not be afraid of changes, you will adapt to a new situation easier than you expect. Going abroad is beneficial for you.

Do not try to force your loved ones to stay with you. Even if it is you who brought them to this world or was supporting them in difficult moments, it does not mean you must guard them until death. You have to know when it is time to let go.

In negative this card may show inability to solve problems at once, trying to kill many birds with one stone or problems with  balancing professional and domestic life.

Power. Healing. Magic. Mystery. Intuition. Self – Awareness. Determination. Cycle. Natural Adaptability Skills. Versatility. Past Returning. Invention. Courage. Care

Love

If you are in the relationship: time of renewal. Relation which requires effort but provides emotional satisfaction. Mature love. Deep feelings which remain even if attraction is gone.

If you are single: this card suggests that sooner or later you will find your true love. Single parenthood.

Finances

Time for learning, developing and educating on higher levels. You have the potential you must not waste. Expanding your activity to other fields or including new products in your offer is recommended. Profits from the abroad.

Health

This is a card of regeneration and renewal. Check your circulatory system. If you have already been examined, it is suggested to repeat the tests. Endangered parts of the body: liver.

CARDS

Isis might have been the most important goddess in the whole antiquity so it is no wonder that she appears in all the decks I have come across. However, it has to be noticed that in none of them she appears in her original throne appearance but instead on most images she already has the attributes of Hathor.

This time I am starting with Tarot decks and the assignments to Major Arcana: in the deck by Kris Waldherr Isis is the Mage while in the deck by Maria Caratti&Antonella Platano she is the High Priestess. It is probably the only situation when I agree that the classification to both these cards is correct. Despite big diferrences in meaning this particular goddess suits perfectly both Major Arcana. Isis has courage, skills and need for acting of the Mage and secret wisdom, tenderness and protectiveness of the High Priestess. In fact the second Major Arcane comes from the tradition of Isis – Hathor (it can be seen especially in the Rider – Waite – Smith deck where the High Priestess is wearing her crown, also the moon and the sea are related with her).

And if someone should classify Isis as the Empress, it would also be well – founded on the base of mythology.

Isis – Hathor as the Mage in The Goddess Tarot and in Goddess Inspiration Oracle by Kris Waldherr accompanied by kite/hawk and behind her there are images of  Osiris and Horus on the wall

 

A cartoon – like Isis – Hathor as the High Priestess in Universal Goddess Tarot by Maria Caratti&Antonella Platano . But at least she is sitting on the throne  . Maybe it is just me but doesn’t she look like an Italian woman?  Even considering her cartoon – like appearance… Both authors come from Italy, perhaps this is a self – portrait or an image of a mother, a sister or a friend?

Isis with a throne, wings, ANKH and Horus in Oracle of the Goddess by Anna Franklin&Paul Mason

Isis in Oracle of the Goddess by Anna Franklin&Paul Mason

A beautiful representation of Isis with Osiris and baby Horus in The Goddess Oracle by Hrana Janto&Amy Sophia Marashinsky (according to some sources Isis resurrected Osiris by covering him with wings)

Isis – Hathor with double ANKH in Goddesses of the New Light by Pamela Matthews

Isis with a cobra in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis in The Goddess Wisdom Cards by Jill Fairchild, Regina Schaare & Sandra M. Stanton

Isis – Hathor with roses, sistrum, Solar Bark and the sea in the background in The Oracle of the Goddess by Gayan Sylvie Winter&Jo Dosé

A blue eyed Isis in The Goddess Oracle Deck by Thalia Took

Isis – Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis-Hathor and Osiris in The Goddesses Knowledge Cards by Susan Seddon Boulet&Michael Babcock

Isis – Hathor in Goddess Guidance Oracle Cards by Doreen Virtue (image by the same Jonathan Earl Bowser who painted Ishtar – Cleopatra http://jonathonart.com/isis.html , on the website you can see clearly that Isis is being observed by her mother Nut – Heaven)

Isis in Ascended Masters Oracle Cards by Doreen Virtue

Isis – Hathor in Goddess Card Pack by Juni Parkhurst stylised on contemporary images

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in Goddess: A New Guide to Feminine Wisdom by River Huston&Patricia Languedoc

Isis in The Goddess Power Pack by Cordelia Brabbs

A combat and war – like Isis – Hathor straight from fantasy game ‘Resurrect Osiris’  in Goddesses&Sirens by Stacey Demarco&Jimmy Manton

Isis as a special guest star on the card of Osiris in Gods&Titans by Stacey Demarco&Jimmy Manton

Based on Wikipedia and the following pages

http://www.symbolizm.obrazy-olejne.org/symbol-jastrzab/457/
http://www.thegoddesstree.com/GoddessGallery/ISIS%20Final%20Project.htm
http://www.nemo.nu/ibisportal/0egyptintro/1egypt/index.htm
http://www.knotofisis.net/Tiet.html
http://www.path-ways.com/forums/showthread.php?t=80
http://www.thaliatook.com/AMGG/isis.html
http://www.egyptianmyths.net/mythisis.htm
http://books.google.pl/books/about/The_Cult_of_Isis_Among_Women_in_the_Grae.html?id=1MkUAAAAIAAJ&redir_esc=y
http://www.naderlibrary.com/goldenass.11.htm

*‘Isis’ is a Hellenic form, similary to other languages of the Middle – East, in native Egyptian vowels were not marked in writing, Egyptologists guess that her name was pronounced as Iset, Auset or Aset, moreover a female suffix ‘t’ vanished with the time.

**It has to be said that according to the beliefs of ancient Egypt, body must have been preserved afer death so that soul did not suffer in the Underworld thus the custom of balming the corpses.

*** A fragment of Metamorphoses or Golden Ass by Apuleius translated by E. J. Kenney.